C. J. Daley

Thanks to NetGalley and Blackstone Publishing for this audio arc.

A concise set of stories meshing monsters with the atrocities of WWII. Vampires, witches, werewolves, dragons, krakens, genetically modified humans and animals, and DNA-altered bears, oh my. I particularly appreciated the generous take on “monster” as well as the shaping of war being the true evil. I don’t tend to enjoy war stuff that alters historical events in any big way as I feel it takes away from the people that paid for the outcome with their lives, and I’m glad to say this one skirted that exceptionally. The editor asked each contributor to ground their story in fact, within real events, but the outcomes were the same and the supernatural elements were simply helping or layered within.

I enjoyed how each story took readers to a new place, a new perspective, a new country even. Including countries I wasn’t even aware took part in the war. We traveled the world and learned of the supernatural just under the surface. We read stories from the beginning of the war, and we read stories from the very bombing that ended the war. The variety within is really what makes this collection so special.

Particular stand outs included a story that acted as almost an unauthorized sequel to Dracula and the Demeter, a werewolf that’s helped by something else, a crazy croctopus taking out strike teams, and the farming bears. I apologize because as I did the audio, which I typically do while driving, I didn’t think to note the names/authors!

Huge thanks to Scholastic Press for the physical arc of this one! I was drawn right in with the cover art.

This was fantastic. I expected to like it, as middle grade horror is usually a hit for me, but I really loved this. It’s a novel told in verse, which I did not know until I got it in the mail! It really cuts down on things we usually find necessary and proves that they aren’t always. Really concise, engaging, and moving.

Vee, after getting into trouble at school, is left to spend the summer with her neat-manners-and-all-other-things-freak grandmother, Jojo. As Vee is different, neurodivergent and trying to find her own way, she’s always butted heads with Jojo, so being left feels like torture. Especially when Vee finds out her older cousin, Cat, who also doesn’t get along with Jojo, isn’t allowed over. You see, jojo wants everything perfectly prim, otherwise, what would the neighbors think? Yet Vee just wants to make art and wear silly, fancy socks. Most of all though, Vee wants to be accepted and understood.

So when Vee finds a ghost of a girl living in Jojo’s walls, one who has been stockpiling her grandmother’s secrets, she finds it hard to say no to playing pranks with her. Even when the girl presses for darker and more intense pranks, disagreements between them push Vee toward giving in to the anger. If Jojo thinks so low of Vee, why shouldn’t she get back at her?

Although the ghost ties back into the storyline itself in a ‘history coming back to haunt you’ way, I found that she served as a really good voice for Vee’s fears, angers, anxieties and even darker processing. Because of how in your face her harsh pranks are, she begins to serve more and more as the big meanie for young readers, doubling down on how wrong anger can be. And while the short pay off may feel good, what Vee really wants is her grandmother’s love.

I found myself actually connecting things the grandmother said and did behaviorally to someone I’ve dealt with in the past. Especially the part about appearances. And this was a really unique way to see different sides to someone that maybe I didn’t think possible in real life. Everyone is multifaceted, and everyone has a past that influenced their present. It actually hit home for me, as I wasn’t allowing myself to view them as what they are just like Jojo didn’t view the real Vee. This one is light on the scary/horror side of things and real heavy on the emotional family turmoil side.

Thanks to NetGalley, Macmillan Audio, and Tor Nightfire for the audiobook arc.

Halley, a young woman on the run, takes a job off a sketchy forum. The offer is for far below the established minimum wage, which will force her to work for longer just to scrape up enough for passage somewhere, but at least it’s on a ship that’s so unlikely to be visited that it’s almost a home run. And where her boss is unlikely to come face to face with her, and the people that may or may not be after her are unlikely to find her, there’s no way she can refuse.

The job seems easy, patrol the corridors, keep things need, clean, functional, and press a single button every three hours—every three on the dot. If she doesn’t, a warning alarm will go off and her boss’s superiors may visit to see why HE wasn’t pressing the button. She’s to remain a complete secret. You can sleep for two hours and fifty minutes every three hours, but you’ll never sleep through the night. I guess I didn’t really think about it while reading, but could you imagine the pressure of that? It would start as an annoyance, maybe a small headache or pain behind the eyes, then over time it would change into irritability, outright anger, paranoia—perhaps hallucinations? That sort of aching, growing atmosphere in the background was almost like The Shining to me. Creeping-insanity-esque.

Outside of atmosphere, I really liked how quickly this one got off the ground. Halley’s past is left unresolved enough to be intriguing and her immediate scare on the new ship draws the reader right in. The AI projections are startlingly creepy at times, and although I wouldn’t liken them to M3gan (especially as they aren’t solid) it was a somewhat unique and futuristic addition to the book. I also enjoyed that they were not just thrown in, their inclusion is tied directly to the story.

As for the twist, which I will not ruin, it worked for me. It was eerie and unique and ultimately paid off in a way I found more enjoyable than Ghost Station. I did feel like it could have gone on for a tad longer, but that’s okay. In a story that felt like a creepy haunting or even creature story, the landing was a bit different.

When I saw this was releasing, I was already a couple of books into the series and a big fan. I bought the first book on kindle to get the newly included novella, but something didn’t feel right, and I didn’t end up reading it. Finally, I realized it was because I went with the audio for the series, and the narration from R.C. Bray is simply too good to just switch to reading the text. So I bought the audiobook for this one separately… IYKYK.

While the Hell Divers world is filled with badasses, no one even scrapes the surface to how intense X is. Almost 100 dives, a feat that no diver is even close to, and now he’s survived what the others considered to be certain death. Some may say he’s just too stubborn to die, but even so, he’s my favorite.

So what took place on earth while Tin was growing up? For the first time ever, we finally know! Well, part one of it at least. X survives the fall back down to land, and if that wasn’t harrowing enough, now he has to survive in a wasteland that’s not meant to be survived in. He’ll need batteries for his suit—or at least a charger, medical supplies, ammo, shelter, and most importantly, safe food and water. But how will he find anything safe in a red zone? How will he sleep at night with the monstrosities fighting for flesh? This is something that only X could figure out.

I was a little saddened by how long it took for readers to first meet Miles, but I’m pleased to see that it’s only a part one. And while being stranded can seem like a lot of searching and waiting, this still packed in an awful lot of scifi, post apoc goodness.

“This is commander Xavier Rodriguez, I’m still alive you motherf**kers.”

Thanks to NetGalley and Titan Books for the audio of this one!

Considering my deep love for all things zombies, I’m actually a bit embarrassed to admit this is my first read from the Father of the Zombie Film. But I do find it to be incredibly cool that Kraus found this half-finished manuscript in the archive and was able to give it public life. That must be a daunting thing, and even though he had already done so with The Living Dead, this was definitely different for both of them.

In the Louisiana bayou, a supernatural entity known as the Piper has been disappearing children for generations. The slayings made me think of my own writing, and yet those delivered here are somehow more gruesome. This definitely made me wish I had included some of the young perspectives in my own novel. I really enjoyed the opening of the story, as I found the less I knew of the Piper made it eerie and almost nightmarish as it filtered through personas coming after a couple people. If those refusing to leave don’t accept the past, they may just end up paying the piper.

Now there was a scene between the Piper, cloaked as the school teacher and the young girl, Pontiac, that I found incredibly uncomfortable. But as a horror scene, it was certainly horrific, I just asked myself why—it did not really tie back into anything making it necessary.

As others have pointed out, I did agree that the ending felt a bit rushed, or maybe that it could have gone a bit deeper. However, I found the buildup to be really strong, and from what I understand, the social commentary was something Romero was known for. Tying the supernatural entity back to the slave trade, the story takes on race and class and carrying the sins of the father. I also found the entire cast to be interesting and engaging, especially how they all interacted and clicked (or didn’t!) together. This one’s different but definitely worth checking out.