C. J. Daley
Thanks to NetGalley and Quirk Books for the audiobook ARC! Cassidy Brown did a nice job, handling the author’s humor well.
This was a unique read for me. The kind that stuck out to me the entire time. It is a nonfiction book, about many horror movies that are originally books. So… a book about film based off a book. I don’t know, maybe that’s not that special/weird.
For me, the ones I appreciated listening to the most, were the ones I’ve seen before (and some I’ve even read). They are: Psycho, The Exorcist, Halloween, The Shining, The Thing, Candyman, Scream, The Blair Witch Project, The Ring, 28 Days Later, Saw, The Conjuring, It Follows, Get Out, and Hereditary. While the majority here may not be based off books, there is a slew of unmentioned goodies throughout that are, and are equally worth checking out I’m sure. I enjoyed these because it was nice to hear someone else’s take aways and thoughts on things I don’t get to discuss much.
As somewhat of a newbie to horror myself, it was interesting to read someone else’s journey through finding horror later in life. And no spoilers, but it was equally interesting to find out which of the FanFi/FearForAll crew were also Weenies! I used to not even stay in the room if someone else had something scary on, and what counted as scary was shockingly mild compared to now.
The author runs the reader through each film almost like giving a synopsis, then discusses why they found it an important inclusion, and then explains some interesting tidbits that they say you could use at a party with diehard fans. I took this as more wit, because honestly I wouldn’t go toe to toe with any facts on something that was someone else’s favorite. Not me at least.
My favorite part was the author discussing what impact the choices had on horror as a whole. Why it was a hit, or flop, and how it impacted the horror industry. Not everyone may agree with the choices made, but for me, there’s a whole new set on movies on my to-watch list now.
Thanks to NetGalley and Quirk Books for the audiobook ARC! Cassidy Brown did a nice job, handling the author’s humor well.
This was a unique read for me. The kind that stuck out to me the entire time. It is a nonfiction book, about many horror movies that are originally books. So… a book about film based off a book. I don’t know, maybe that’s not that special/weird.
For me, the ones I appreciated listening to the most, were the ones I’ve seen before (and some I’ve even read). They are: Psycho, The Exorcist, Halloween, The Shining, The Thing, Candyman, Scream, The Blair Witch Project, The Ring, 28 Days Later, Saw, The Conjuring, It Follows, Get Out, and Hereditary. While the majority here may not be based off books, there is a slew of unmentioned goodies throughout that are, and are equally worth checking out I’m sure. I enjoyed these because it was nice to hear someone else’s take aways and thoughts on things I don’t get to discuss much.
As somewhat of a newbie to horror myself, it was interesting to read someone else’s journey through finding horror later in life. And no spoilers, but it was equally interesting to find out which of the FanFi/FearForAll crew were also Weenies! I used to not even stay in the room if someone else had something scary on, and what counted as scary was shockingly mild compared to now.
The author runs the reader through each film almost like giving a synopsis, then discusses why they found it an important inclusion, and then explains some interesting tidbits that they say you could use at a party with diehard fans. I took this as more wit, because honestly I wouldn’t go toe to toe with any facts on something that was someone else’s favorite. Not me at least.
My favorite part was the author discussing what impact the choices had on horror as a whole. Why it was a hit, or flop, and how it impacted the horror industry. Not everyone may agree with the choices made, but for me, there’s a whole new set on movies on my to-watch list now.
Had my eyes on this one for a while and decided to grab it for National Book Buying Day. Perfect timing for Hispanic Heritage Month too!
Nathan Crane is a typical young adult. Handsome, somewhat charming, normal. Sure he’s had some issues with love in the past, and sure his life at home isn’t perfect, but who hasn’t gone through something like that?
When Nathan meets Christine, the new girl at school, they instantly connect, and while he walks her to class, they agree to meet up again for lunch. The friendship is fast and strong, and Nathan is immediately taken with her, even ignoring Marlene, who so obviously is interested in him. One night at an alcohol-infused party, Christine is a little too generous with herself, and Nathan leaves upset—which also hurts Christine. But when Nathan finally lays his heart out to her, she’s quick to turn him down. Already coming undone throughout the novel, Nathan starts to crack and splinter, spiraling into a deep, dark descent.
Personally, I happened to really enjoy the fact that the relationship has some building before the initial rejection starts. In that way, it’s a lot deeper than the blurb gives it credit for. Christine is interested, she’s flirtatious, she’s engaging, she just doesn’t want to be with Nathan. For me, it just gives the story a much needed layer where it allows for Nathan to not just be this colossal creep.
However, once Nathan has gone over the edge, and settled on his plan, there’s nothing left to keep the creep from showing, and god is he awful. Perhaps Reyes’ best writing yet, this is a fantastic showcasing of infatuation, toxic masculinity, and a torturous upbringing coalescing into all out obsession. If Nathan can’t have Christine, no one can.
Nathan’s spiral gives Reyes the room to give us some unique and gruesome kills. From self defense to unfettered cruelty. And while I wouldn’t say I had fun with them, as I was so investing in the creep factor, this is a set of spree killings that really do show just how unhinged the main character is. There is a small paranormal plot line that the reader is never really sure about throughout the story. It’s quick and small, and I found myself wondering why it was there. The twist it brings really worked for me though, and it adds to Nathan’s craziness once you understand.
Had my eyes on this one for a while and decided to grab it for National Book Buying Day. Perfect timing for Hispanic Heritage Month too!
Nathan Crane is a typical young adult. Handsome, somewhat charming, normal. Sure he’s had some issues with love in the past, and sure his life at home isn’t perfect, but who hasn’t gone through something like that?
When Nathan meets Christine, the new girl at school, they instantly connect, and while he walks her to class, they agree to meet up again for lunch. The friendship is fast and strong, and Nathan is immediately taken with her, even ignoring Marlene, who so obviously is interested in him. One night at an alcohol-infused party, Christine is a little too generous with herself, and Nathan leaves upset—which also hurts Christine. But when Nathan finally lays his heart out to her, she’s quick to turn him down. Already coming undone throughout the novel, Nathan starts to crack and splinter, spiraling into a deep, dark descent.
Personally, I happened to really enjoy the fact that the relationship has some building before the initial rejection starts. In that way, it’s a lot deeper than the blurb gives it credit for. Christine is interested, she’s flirtatious, she’s engaging, she just doesn’t want to be with Nathan. For me, it just gives the story a much needed layer where it allows for Nathan to not just be this colossal creep.
However, once Nathan has gone over the edge, and settled on his plan, there’s nothing left to keep the creep from showing, and god is he awful. Perhaps Reyes’ best writing yet, this is a fantastic showcasing of infatuation, toxic masculinity, and a torturous upbringing coalescing into all out obsession. If Nathan can’t have Christine, no one can.
Nathan’s spiral gives Reyes the room to give us some unique and gruesome kills. From self defense to unfettered cruelty. And while I wouldn’t say I had fun with them, as I was so investing in the creep factor, this is a set of spree killings that really do show just how unhinged the main character is. There is a small paranormal plot line that the reader is never really sure about throughout the story. It’s quick and small, and I found myself wondering why it was there. The twist it brings really worked for me though, and it adds to Nathan’s craziness once you understand.
Thanks to NetGalley, Tor Nightfire and Macmillan Audio for the ARC, I really enjoyed this one!
This was a first for me from the author, and I’m quite satisfied with the outcome. This is part commentary/satire of Hollywood, social media, and the all powerful algorithm, part supernatural, part slasher, and even part trauma story. The blend is unique, and I imagine probably quite hard to balance, but the author does it fantastically.
Misha is a screenwriter, doing his best to write characters and stories that he never got to see as a kid. Unfortunately, he is still beholden to the world that we live in, where characters are at best perhaps gay, rather than openly out. The author does a fantastic job of showcasing the conflict and intricacies within by having Misha himself being only “LA out,” but not officially out to his family or hometown. And that is where the trauma lies.
In the ever-growing scifi world we live in, with holograms and cloning and AI-altering, the author perfectly lines up a horror story that’s just farfetched enough to read as near future. When Misha’s boss sits him down, stating that the company wants his characters killed, rather than getting their excruciatingly earned and beautiful outing, Misha is understandably outraged. Even refusing and promising a lawsuit even after being (not so) more or less discreetly threatened.
The idea that the company he worked so hard for, made money for, would come after him was simply too absurd to put any faith in. So when characters from Misha’s filmography start popping up and interfering with his life, he assumes it’s nothing more than a cosplaying prank. Some well done cosmetics, a high quality costume, a well planned and tailored prank set to make Misha feel frightened enough to submit. Nothing more. But as his more outlandish characters start to appear, and the body count starts to grow, Misha learns it’s anything but a prank.
Is this a horror novel, is it horrific? Yes of course. There are interesting villains and kills, and the villain at large is something wholly unique. But what makes this book so good is what it’s actually saying.
The author ends this harrowing trial by flipping the script. This is not just a trauma story, we are not simply our past, nor are we our fears. Misha gets to give a beautiful speech in which he finally announces to the world what he should have years ago. Representation is important, but it’s not just about being seen. It’s not gay misfortune, it’s life, and love, and it’s joy and growth. And Chuck Tingle, through Misha and Zeke, is showing the world that in explosive fashion.
Thanks to NetGalley, Tor Nightfire and Macmillan Audio for the ARC, I really enjoyed this one!
This was a first for me from the author, and I’m quite satisfied with the outcome. This is part commentary/satire of Hollywood, social media, and the all powerful algorithm, part supernatural, part slasher, and even part trauma story. The blend is unique, and I imagine probably quite hard to balance, but the author does it fantastically.
Misha is a screenwriter, doing his best to write characters and stories that he never got to see as a kid. Unfortunately, he is still beholden to the world that we live in, where characters are at best perhaps gay, rather than openly out. The author does a fantastic job of showcasing the conflict and intricacies within by having Misha himself being only “LA out,” but not officially out to his family or hometown. And that is where the trauma lies.
In the ever-growing scifi world we live in, with holograms and cloning and AI-altering, the author perfectly lines up a horror story that’s just farfetched enough to read as near future. When Misha’s boss sits him down, stating that the company wants his characters killed, rather than getting their excruciatingly earned and beautiful outing, Misha is understandably outraged. Even refusing and promising a lawsuit even after being (not so) more or less discreetly threatened.
The idea that the company he worked so hard for, made money for, would come after him was simply too absurd to put any faith in. So when characters from Misha’s filmography start popping up and interfering with his life, he assumes it’s nothing more than a cosplaying prank. Some well done cosmetics, a high quality costume, a well planned and tailored prank set to make Misha feel frightened enough to submit. Nothing more. But as his more outlandish characters start to appear, and the body count starts to grow, Misha learns it’s anything but a prank.
Is this a horror novel, is it horrific? Yes of course. There are interesting villains and kills, and the villain at large is something wholly unique. But what makes this book so good is what it’s actually saying.
The author ends this harrowing trial by flipping the script. This is not just a trauma story, we are not simply our past, nor are we our fears. Misha gets to give a beautiful speech in which he finally announces to the world what he should have years ago. Representation is important, but it’s not just about being seen. It’s not gay misfortune, it’s life, and love, and it’s joy and growth. And Chuck Tingle, through Misha and Zeke, is showing the world that in explosive fashion.
Huge thanks to ShortWave for the physical ARC. I love this cover!
This is a science fiction short story collection, and I loved that the stories varied in length from flash fiction to novelette. I also really enjoyed the mixture of sub genres this goes through, from dystopian to horror. There’s some really incredible concepts being played with here, and the distinction the author draws between loss, love, grief, and affection in such a short amount of words is a huge win.
The title novelette, Limelight, is the real highlight for me. Experimental treatments allow for those dearly departed to come back. Would you make that decision? Could you leave them alone if there were options to tweak things, enhance things? For the parents in this heart breaking story, they’re split right up the street. But when one wins out over the other, they may find they get more than they bargained for.
The idea of changing, or even enhancing someone that you loved and lost, is in my opinion, directly besmirching their memory. But if your intentions were pure, what then? Or, do you really believe that that could ever be pure? For me this hit notes of Black Mirror, Ex Machina and Sarah Chorn’s A Sorrow Named Joy. A dystopian world where something like this could exist, but never fully be accepted. As a high schooler, she is ridiculed and insulted for being brought back, for living. A choice that was never truly hers. To me that made this the most horror based story in the collection.
As her mother continues to grasp for more and more control over her, all in the name of giving her daughter the life she ‘deserves’, her father does his best to stay away, ashamed of what he’s allowed. The juxtaposition of the two’s feelings were really well done. The split between obsession story and self guilt really drove home the theme. Personally, right as this one ends, I’d love to see it open up into an entire novel, but I’m blown away with how well it worked as it stands.
From scifi stories that seem near future, to those that seem out of reach, the thing this collection drives home is that Croal knows exactly how to make believable, and heart wrenching short stories. Body enhancing/manipulating mixed with various angles of corporate greed, make this its own kind of new body horror that I frankly want nothing to do with!
Huge thanks to ShortWave for the physical ARC. I love this cover!
This is a science fiction short story collection, and I loved that the stories varied in length from flash fiction to novelette. I also really enjoyed the mixture of sub genres this goes through, from dystopian to horror. There’s some really incredible concepts being played with here, and the distinction the author draws between loss, love, grief, and affection in such a short amount of words is a huge win.
The title novelette, Limelight, is the real highlight for me. Experimental treatments allow for those dearly departed to come back. Would you make that decision? Could you leave them alone if there were options to tweak things, enhance things? For the parents in this heart breaking story, they’re split right up the street. But when one wins out over the other, they may find they get more than they bargained for.
The idea of changing, or even enhancing someone that you loved and lost, is in my opinion, directly besmirching their memory. But if your intentions were pure, what then? Or, do you really believe that that could ever be pure? For me this hit notes of Black Mirror, Ex Machina and Sarah Chorn’s A Sorrow Named Joy. A dystopian world where something like this could exist, but never fully be accepted. As a high schooler, she is ridiculed and insulted for being brought back, for living. A choice that was never truly hers. To me that made this the most horror based story in the collection.
As her mother continues to grasp for more and more control over her, all in the name of giving her daughter the life she ‘deserves’, her father does his best to stay away, ashamed of what he’s allowed. The juxtaposition of the two’s feelings were really well done. The split between obsession story and self guilt really drove home the theme. Personally, right as this one ends, I’d love to see it open up into an entire novel, but I’m blown away with how well it worked as it stands.
From scifi stories that seem near future, to those that seem out of reach, the thing this collection drives home is that Croal knows exactly how to make believable, and heart wrenching short stories. Body enhancing/manipulating mixed with various angles of corporate greed, make this its own kind of new body horror that I frankly want nothing to do with!