Jeff Sexton

Southern Gothic Amuse-Bouche. This is a short story (really short, with barely enough pages to qualify as a review in some sites if page count were word count in the review) that has one specific goal: To get your mind in the world of the Outer Banks Secrets and the Southern Gothic tone the series is built around. (Which is interesting indeed, given that Marsh is an Australian who I don't know has ever been to North Carolina's Outer Banks at all... but more on that momentarily.)

Y'all, as someone who has *been* to the Outer Banks and has lived every day of his (non-vacationing, and even some vacationing) life no further north than 30 minutes or so below the Georgia-Tennessee State Line and has most of the last decade barely six miles off the coast not far from St Augustine... Marsh *nails* Southern Coastal life, at least the parts of it she chooses to expose and explore here, and she absolutely uses it *perfectly* in her Southern Gothic approach. Yes, this isn't *all* that the American South is, and perhaps it isn't even a great representation of all that the American South *can be*, but on the creepy/ gothic side? Marsh captured it quite well indeed, particularly if my assumption is true that she's never actually been here.

Truly an excellent short story that does everything it is intended to do *and* serves as a nice lunch break read when you want something a bit creepy but don't have much time to read for whatever reason.

Very much recommended.

Dark. Dreary. Dismal. Oppressive. And Then The Candle Flickers To Life. This is one of those books that takes the hyper-dark and hyper-oppressive feel of the singular worst book I've *EVER* read - The Road by Cormac McCarthy - and does what McCarthy never could: Provide just that flicker of a spark of a candle lighting. *Just* enough to provide *some* level of hope. Even when most everyone in this book is so broken by the central issue - a child going missing decades ago - and their secrets about that night that none of them *really* *want* that hope, the reader *needs* that smallest flicker... and Whalen provides it in particularly dramatic form.

For those who are not fans of multi-perspective books... this one isn't going to change that, sorry. There are a lot of perspectives going on here, and a lot of sudden switching that can get a touch confusing at times, particularly as we switch between "then" and "now".

But really, that was the only *potential* flaw here, and not everyone has that particular hangup. (I don't, I actually thought the multi-perspectives made the story work much *better* in this particular case, as we get so many views on what happened here and how different people are reacting differently.)

The tie in to Richard Jewel of the Centennial Park Bombing during the 1996 Olympic Park Bombings in Atlanta was interesting, even if Whalen actually meant that particular character to be a more general representation. (And to be clear, it is only my own mind that made the connection at all, though perhaps others who were living in the Atlanta region during that time also might make it. The actual characterization is far more generic and could represent any number of people in similar situations.)

Overall a strong, if extremely dark and depressing, tale extremely well told. Very much recommended.

Explosive From Start To Finish. This is one of those books that starts out as a somewhat classic spy caper - someone is trying to flee from their home country with hyper sensitive material (and knowledge) and is doing the whole "take two steps. stop. turn right and go 3 steps. stop." thing trying to avoid detection and give the authorities the slip.

But then it takes about 1/3 of the book to get back to that... because we're now involved in *another* spy thriller such that both will come together - and get even more explosive when they do - but now we need to get back to our series heroine, Ms. Drenna Steel, and find out what she is doing and how she is going to get involved with the first scene.

No matter where we are in the tale, the bad guys are always a shadow away and it is up to Ms. Steel and her allies to keep the good guys safe and handle the bad guys... well, in the manner in which bad guys get handled in such tales. ;)

But then that ending. Wow. On several different levels. Yet again, Sneeden manages to make you want the next book... how about right freaking NOW?!?!?!?!

Very much recommended.

Explosive Spy / Revenge Thriller. When we catch up with our heroine of the series in this book, she is hiding and hurting – but still righting wrongs where she sees them, in badass and brutally effective fashion. And shortly thereafter, she gets roped into yet another mission that turns out to not be as it seems, which leads to even more action which tends to also be brutally effective at times. Yet again Sneeden does an excellent job of providing a seemingly shortish (no official page count as I type this review, but it *felt* like it was in the sub-300 page area) bit of pure escapism, this time highlighting various areas of Europe in the process. Perfect for fans of Lee Child’s Jack Reacher or J.M. LeDuc’s Sinclair O’Malley, or (sadly now late) Matthew Mather’s Delta Devlin. Very much recommended.

Hallmarkie "Messy Family Comes Together" Type. This is a Susan Mallery book, and it is Christmas book from Susan Mallery - so you know you're going to get a lot of drama, but in a very Hallmarkie manner where the drama never gets *too* intense and everything wraps up with a nice dose of Christmas magic by the end. Considering the popularity of both Mallery and Hallmark Christmas movies, this isn't exactly a losing strategy... if a bit "been there, done that".

Where Mallery manages to spin things with this particular one are, well, the particulars - and there are a lot of things here that aren't exactly typical. Irritable Bowel Syndrome shown in all of its complexities in a book? Happens some, not exactly overly common in my experience. Female tow truck company owner? I actually am related to one - a cousin - but she's literally the only one I had ever heard of before reading this book. Age gap romance where the *woman* is the older *and* is on the back side of "middle age" to boot? Done, somewhat, but rarely in this particular combination/ age range. On and on it goes.

Oh, and for anyone who says that this gets way too far out there with just how "together" everything gets... if you've read a few of my other reviews over the years, you know about my own family history - same side as the cousin above, actually. You see, both sets of my grandparents were divorced long before I was ever alive. But my mom's parents in particular? My grandmother remarried, also before I could ever remember anything. My step grandfather was my "second grandfather" (the other died 5 weeks after my birth). And yet there was more than one instance of my grandmother and step-grandfather living on my grandfather's land over the years, including at least one stint in his house with him. So my sense of "weird family relationships" may be a bit skewed, having seen this type of thing - along with several of the exact scenarios Mallery includes in this book - in my own (extended) family over the years.

Ultimately a solid book of its type, and one for anyone looking for a good Christmas family drama to check out.

Very much recommended.

Solid Sigma Tale. Unlike a certain reviewer who claimed that this was a standalone book, I'm going to tell you right now that you need to read at *least* books 14-17 (ish) before coming into this one in order to fully understand and appreciate it. But once you've read those other books, you're going to want this one anyway... and you *will* appreciate likely the very same things I liked about this book - namely, certain elements of its ending. Which is all I'll say without going into spoiler territory.

Beyond those ending elements, this is a standard-ish globe trotting Sigma Force action/ thriller, emphasis on the action. And yes, it is about as plausible as the Fast and Furious franchise at this point, but you don't come into these kinds of tales wanting or expecting the ultra-realism of say Andy Weir's The Martian. You come into these types of books *wanting* to see the motorcycle vs attack helicopter fights, the desperate and last second escapes from traps of various forms, the ultra close quarters action where blades get left stuck between arm bones... and, yes, with now *two* very well trained war dogs, Tucker and Kane and Marco's scenes damn near steal the show every time they come up, ala the "motorcycle ride with the raptors" from the first Jurassic World movie that Universal's Islands of Adventures' Velocicoaster captures so well with its initial launch. Because *that* is the kind of adrenaline rush you want in a rollercoaster and in a tale like this, and by God James Fucking Rollins is going to give you that in *spades*.

Some people like Hallmarkie romance books. Others like This Is Us level dusty-rooms-every-other-scene dramas. Others like more pure scifi ala the aforementioned Weir or the more scifi based Rollins type action of Jeremy Robinson. Some like their fiction to be ghost chili level damn near erotica spicy, others don't like reading the word "fuck" at all in anything whatsoever. There are all kinds of books for all kinds of readers, in other words, and if you like the type of book that Rollins continues to write, well, you're gonna like this one too.

Very much recommended.

Forced (Yet Needed) Christmas Break. Another year, another Sarah Morgan Christmas tale. And yet again, if you like Hallmark Christmas movies - and so very many people very clearly do - you're going to like this one. Perhaps more drama than many of those movies here, Imogen is truly broken - and with good reason, when we get her full backstory. She's coping - she thinks - but even then, she *barely* has her ducks in a row. They're more like cats than ducks, and they *really* don't like walking in rows. Of course, much of this - she admits - she brought on herself.

Let's face it, this is 2024, and it almost doesn't matter your generation, from Boomer all the way down to Zoomer, far too many of us can identify *all too well* with Imogen.

But really, it is the *rest* of the tale - where Imogen is forced into exile and ultimately comes face to face with her past and all of its traumas that created the version of herself she now knows - that is where the true heart of this story is, the true magic - yes, with a bit of Christmas "magic" thrown in to boot. It is this part of the tale that gives it both its gravitas and its wonder, even as it also makes its characters ever more *real*.

Christmas has few Santas, but also few Scrooges. Few Grinches. Just a lot of Whos living their who-lives in their little who-world, doing the best they can.

And here, Morgan hits that particular message out of the ballpark. Kudos to Morgan, and, since I'm writing this review on the day my beloved Atlanta Braves begin their extremely unlikely 7th straight Major League Baseball postseason run, let me just toss in a "Go Braves" and a #ChopOn as well - even though it has *nothing* to do with the book at all. :D May they get a bit of the magic of this book and make a *truly* unexpected season.

Very much recommended.

If Bobby Flay and Candace Cameron Bure Had A Baby. Particularly a "baby" in the business sense (aka, a company ;) ), this is probably what it would look like. Fans of both the Hallmark Channel and the Food Network are going to love this, as the plot itself *is* very stereotypically Hallmarkie (and, given that their Christmas movies in particular seem to be looked forward to all year by *millions*... perhaps this isn't a bad thing) and yet the level of detail Kelley goes into when describing the food... well, I daresay Gordon Ramsey himself would have a challenge trying to make words on paper sound so utterly delectable.

Now, if this isn't your scene... eh, maybe you like the women's fiction and/ or romance elements here and don't care so much about the foodie side or the Hallmarkie side. In which case, you're still going to enjoy this book. But if you're looking for Michael Bay action where there are explosions just because the "camera" turned... yeah, this isn't that. If you're looking for a Jeremy Robinson style balls to the wall scifi action... yeah, this isn't that either. But for what it *is*, it is done quite well - well enough that if Kelley can get this into enough hands, she's going to have quite the success on her hands.

Very much recommended.

Solid Story Suffers Slipshod Storytelling. Wait. Sexton. You rated this thing 5* and yet you're telling me *in the title of the review* that it actually had major problems? Yes. Why? Because just because *I* thought the multi-perspective/ prologue-as-flashforward approach didn't work as well for this story as Ms. Boyer had hoped doesn't mean that *you* will. And beyond that disagreement on storytelling (or perhaps even editing, really) approach, this actually was a solid story akin to a South Carolina Low Country version of Malibu Rising by Taylor Jenkins Reid, perhaps without the atmospheric nature of how Reid chose to tell that story. It has the same level of overall drama and mystery, and the actual tale being told here was just as good if not better - really depends there on whether you prefer a more genteel Old Money East Coast lifestyle or a more glitzy Nouveau Riche West Coast lifestyle. As a native Son of the South who grew up in the trailer parks of Georgia but rose to become a Vice President at a Fortune 50 global megacorporation (which sounds more impressive than it was, fwiw), yeah, I'm far more familiar with and a fan of the East Coast version. (Though this level of neighborhood snobbery, pettiness, and gossip are all aspects of the South that I've truly despised for most of my life.)

Still, ultimately Boyer tells a strong women's fiction/ drama tale that does both her characters and her setting justice, and is a great mind vacation to the area for those looking to escape whatever in your "real" life has you needing it.

Very much recommended.

Strong Premise Reminiscent Of The Flatliners. Ok, this is possibly a bit of a stretch even for me, but that is where my mind is going as I think about this book, and I think it applies *enough* to give you, the reader of my review, a sense of both the overall tone and style of this book, at least to a point. In both this book and that movie, you have a group of people coming together to test the bounds of medical knowledge... and things go wrong, of course. Add in the "time travel" (ish) element of the book (which could have used a great deal of internal clarification, fwiw, but worked well enough), and you've got an interestingly dark, almost goth/ emo/ gothic kind of vibe going on throughout, which the overall setting of our "current" timeline really helps to establish, particularly down the stretch into the endgame.

Overall an intriguing debut, and I'm looking forward to seeing what this author does next.

Very much recommended.

Freaking Hilarious. With Several Dusty Rooms. And Old People Sex. This is ultimately a romance novel, so it is no spoiler to note that the couple winds up together. But as the couple are both 70 yrs old... yep, old people sex. Though to be clear, "damn near erotica" isn't exactly Lamb's style, so we see them nude in bed together... and then we move on. For some, even this will be too much. For others, it won't be "spicy" enough. And yet for others, specifically those clamoring for more "elder tales" in romance... hey, here ya go. :D

But seriously, you're reading this as much for the hilarity as the romance, and it really is great in that department. Particularly the screaming rabbit that causes the pig to snort that startles the dog. :D And all the other creatures doing their things. :D And yes, Ruthie herself is one of those old grandma "firecrackers", as We Olden People used to (and still) say. She's 70 yrs old, and by God she's gonna say and do what she wants to say and do, and aint *nobody* gonna tell her any different.

But there are also several dusty rooms throughout this tale, enough to give the otherwise largely comedic tale a true heft of heart. I mean, Ruthie is 70 yrs old and human. Yes, she's suffered some losses - and we get to hear all about them, sometimes seeing them as flashbacks, always told in Lamb's whimsical humorous manner.

Add in perhaps a dash of "Sister don't miss when she aims her gun" (to quote the 70-years-old-next-year-as-I-write-this-review Reba McEntire), and this book really does have a bit of everything, at least in the real-world drama department.

Oh, and that there's quite a bit of "reality television" commentary thrown in (well within story) to boot? Chef's kiss.

Very much recommended.

*Almost* Deceptive Marketing. This is one of those books where the title has *just* enough to do with the book itself that it isn't *actually* deceptive marketing... but you can look to the lower starred reviews and see that many readers felt that the title and book had little to do with each other. (And they're right.) There is really nothing in this tale about banning books or anything related to the topic, other than a sentence or two of setup that is also (currently, as of publication day) in the description of the book.

Instead, the tale we *actually* get is a version of the Prodigal Son. One sister left years ago after having her world shattered in HS, the other sister stayed in their hometown and has now been taking care of their mother as her mother's health rapidly fails. As mom's time is nearing its end, the prodigal sister is convinced to return... and now, *everyone* in town is going to have to come to terms with the fallout from all those years ago.

In the process, we get a lot of different things, some discussed more than others - spousal abuse/ controlling spouse, sexual harassment/ teen molestation (to be clear, the age of the student in question is *not* "child molestation" in all States), breast cancer, coming home, uncovering family secrets, really quite a bit, such that even in a 350 ish page book... like I said, not all of it is covered n much depth.

And of course we also get a romance plot here... and maybe more... because, well, why not? ;)

Overall, for what it *actually* is, this tale is actually quite strong in many ways. Yes, it has its weaknesses at times, but I think overall this ultimately comes out on the stronger side of resiliency and overcoming your demons. But this is also a tale where your mileage truly will vary, so give it a read and make your own call.

Very much recommended.

So You're Investigating A Dead Body - That Moves. What Do You Do? And thus, the critical hook here. Shulkin combines his own military experience generally with his general medical knowledge as a working MD and spins a tale he openly admits (in the Author's Note) was designed to pay homage to some of the great comic book tales of old - and it absolutely works. The Nick Fury level spy story, the Purple Man horror of not being in complete control of your own body, in addition to the far more obvious Captain America and Hulk aspects here. Indeed, Shulkin takes nearly the entirety of the Marvel *comic* stories - where *oh so much* of the villains' actions revolved around some version of trying to recreate the Super Soldier program that turned Steve Rogers into Captain America - and manages to use that as inspiration for a plausible-enough real-world tale of how those things could actually play out.

Thus, for those looking for a fun action read with balls to the wall "total nonstop" action... this is going to be a ride you're going to love. For those needing a palate/ mind cleanse from the seriousness of whatever drama/ suspense/ thriller had your brain in a twist or from the latest bubblegum pop saccharine sweet romance (with perhaps some ghost pepper spice, if that is your thing)... this is going to give you exactly that. A fun few hours of engaging your brain just enough to follow along with all the twists here - and shutting it down enough to simply enjoy the ride. (At nearly 400 pages, this is on the longer side for many readers, though perhaps fantasy readers will enjoy the "speed read", since their books generally double that length. ;) )

Overall a fun read that does everything Shulkin set out to do and likely then some, this is absolutely one to check out almost no matter your normal preferences.

Very much recommended.

Pulse Pounding Nail Biting Thriller With Some Powerful Dusty Rooms. Wait. An author known for *airplane* tales is writing a book that takes place 99% *on the ground*? Yes. And she does a damn fine job of it to boot.

As someone who has actually worked in the nuclear waste disposal area (at the Savannah River Site, where I sat yards away from tanks containing tens of thousands of gallons of nuclear waste and worked on putting the information-and-control spreadsheet (yes, spreadsheet) online), having a *touch* of knowledge of the field only made it that much more terrifying... because I knew exactly what some of the devices Newman speaks of were. (Specifically, the dosimeter badges. Never had to wear one myself, despite going into certain areas a time or two, but remember the training all too well - the "Kiss Your Ass Goodbye" badge in particular.)

Even without having worked a touch in an adjacent area of the tale though, this is one of those disaster tales that starts off in the middle of the action... and never really slows down. After the introduction where we see the plane going down, from there the tale takes place entirely ground-based, but with a strong countdown clock that is actually calculated within the tale and is used to great effect, going down to the final moments.

Perhaps Newman's greatest strength in this particular tale though is in *not* making any "superheroes" but instead showing everyday people in every day situations (yes, including nuclear power generation and nuclear waste management) doing their best with what is in front of them and trying to avert catastrophes big and small. Newman even manages to "humanize" her (fictional) President of the United States in ways not often done well, yet here is.

And about those dusty rooms... man, the hits just keep hitting. There are *several* points here where if your eyes don't get misty, I question whether they *ever* do. Newman sprinkles these moments throughout the book, but in a couple of scenes are particularly strong indeed - nearly to the point of needing an audio version of the text to get through them.

Overall truly an excellent and fast read - despite being 300+ pages, you're not going to want to put it down.

Very much recommended.

Solid Suspense Takes Atypical Turns. This is one of those tales that almost seems destined for at least a sequel, if not a series of some level. There's more than enough here to justify it, and yet this story itself is fully complete as is. In other words, coming back to this world would be interesting and compelling... but not necessarily *necessary*.

I love the way that certain elements are played in an all-too-real-yet-not-usually-shown-in-fiction manner, and the specific construction of how Stella's past and present collide is particularly well done - and perhaps indicative that no sequel is expected here, as that particular sub plot could have been spread across a small series - while not feeling rushed or out of place fully happening within this story itself.

There *is* one particular element that could throw at least some readers off, and that is the (minor) romance subplot and specifically that it introduces an LGBT element not otherwise present in the story. Minor spoiler there, apologies, but I'd rather avoid 1*s (which I've seen already) specifically because of this. So just know it going forward, and yes, I know that others will praise this book specifically for that very point. *In the context of this particular story as told*, to me it felt refreshing that the author would choose to go that direction rather than feeling forced in just to have that "representation" in the book, but it is also a point where I could see others feeling that it was a touch forced, and they wouldn't get much pushback from me beyond what I just stated - it didn't feel that way *to me*.

Overall a truly well told, suspenseful, complex tale with a more-fleshed-out-than-many main character that clearly has a lot going on, and a tale whose world seems ripe for exploring more of. So here's hoping we get a chance to, and here's hoping it will be soonish.

Very much recommended.

Esoteric Atmospheric Tale Not For The Faint Of Heart. Straight up, this is one of those truly esoteric books that, even with the glossary and map up front, isn't going to work for everyone - despite not being fantasy *at all*, and in fact because it is perhaps *too* real.

This is the world of Saturation Diving, where divers work underwater under pressure for weeks on end, often repairing cabling or piping or other undersea infrastructure that makes above ground life possible/ globally connected for the rest of us. And here, Dean is as exacting in his depiction of the actual lives of these people as Andy Weir was in The Martian, with *even more* technical discussion since so much of this particular book is a group of these divers living and working together as they do in the real world - warts and all.

And yes, there are also larger forces at play - but we only see those from *inside* the Chamber, through the eyes of our sole narrator. (Ans some scream: "Yay! No multiple perspectives!" :D)

Overall one of the more interesting tales of 2024 just because of how true it is to its real-world subject material and how rare any open discussion of that particular role in modern society really is - but truly, be forewarned: It is extremely esoteric *due* to how rare that job is in the real world *and* the tale can be truly slow or even incomprehensible for some readers, if you simply can't wrap your mind around what is happening in such a tiny and closed off space. For those that can though, this is truly a fascinating book on a few different levels.

Very much recommended.

Dark. Creepy. Maybe Read My Sister's Husband First. This is one of those dark, creepy books where *most* of the worst stuff (though not all) is "off screen", so even though there are mentions of animal abuse, rape, sexual assault, and more, for the most part we never "see" any of this happening - and more often than not, it is merely mentioned, rather than "showing" anything at all about the abuse at hand. (Though there are points where *slightly* more is shown, to be clear - it is simply that the actual abuse is never shown.)

So for those who can handle seeing such primarily "off screen" abuse in a twisty thriller all about family relationships... this one is done quite well, but truly works *best* if its predecessor, My Sister's Husband, is fresh in your mind. (Vs my having read 869 books between them - seriously.) The events pick up after the events of the first book, with most of the relationships between the characters already well established from that book. (But with enough recap that it is possible to follow along here, there's just a lot to learn.) Told from just three perspectives (rather than each character's or a single narrator's), we get a good sense of what is going on in these complex and complicated relationships, along with a lot of backstory for our new character for this book.

Still, for those looking for dark and creepy yet not necessarily supernatural reads as we go into this fall/ Halloween season, both of these books are quite good for exactly that kind of mood.

Very much recommended.

For The Xennials. Yes, we are a tighter demographic than most others, but we - those born roughly 1978 to 1983 - are still mighty, and this book hits us pretty directly. While directly pulling from a hidden-just-enough-to-prevent-copyright-claims version of Dawson's Creek, there are also *several* other TV shows and movies of our teen generation (specifically that late 90s/ early 2000s period) referenced here. Pleasantville being not even that arguably the second most obvious, but also The Notebook and Miss Congeniality, among others. So for us + those just older or younger than us who grew up/ became "new adults" watching these things, this was a great nostalgic trip into an interesting romcom premise that I, despite reading roughly 200 books per year, had never come across something *quite* like this.

And yes, it also "draws inspiration from" others of the same period of different forms, such as The Family Man in particular, and it is truly this combination of The Family Man + Pleasantville where the romance side of this truly comes home and works quite well.

As a side note for those who clearly feel opposite from how I do, please stop rating a book 1* if you DNF'd it. I understand Goodreads and their corporate overlords at Amazon don't allow you to have a direct DNF option, but other alternatives such as Hardcover.app *do* allow you to explicitly note a DNF without giving a star rating - and you can still review the book. It just doesn't plummet the ratings average the way a 1* is when you didn't even finish the book, and at least to me, rating a book you didn't finish feels dishonest - though clearly, you do you.

With that aside out of the way, again, I truly enjoyed this book and its premise really hit home as exactly that age group that it was very clearly targeting, but clearly there are a wide variety of views on this particular book. You, dear reader of this review, should absolutely read it for yourself and make your own call there. (And, remember, if you DNF it, please review it on Goodreads alternatives like Hardcover.app and use their explicit "DNF" option. :D)

Very much recommended.

Their Secrets Have Secrets. Easily a great line in The Avengers (the Marvel version, you Imperialists) is when Tony Stark is speaking of Nick Fury and says "his secrets have secrets" - which is absolutely true, both in The Avengers and this book. If you enjoy semi-slow burn (to start) almost disaster movie type suspense, where everything starts off a touch slow and normal ish before completely fucking unravelling... this is exactly the kind of book you're going to enjoy.

The other great thing about this, to me, was how well Mercer used the setting she created to create an atypical emergency situation. Without giving anything away, let's just say that it put an interesting spin on a couple of fairly worn concepts and made everything seem newer and much more intriguing in the process.

Ultimately one of those books you're going to be reading deep into the night, because "one more chapter" will never be enough.

Very much recommended.

A Cozy Comfortable (Cat) Blanket. Sometimes You Just Need Space To Heal. Ok, so I can't decide on a title for this review and both of those work, so this review gets two titles. :) The first was stolen from a phrase another reviewer used and then modified slightly to put my own twist, the second is completely my own.

This is one of those books where seemingly not much happens. We encounter a woman after the tragedy has already struck, and we get enough of the backstory to be invested in her character, but that isn't where she is *right now*. Where she is *right now* is a series of WTF comedic elements that wind up with her having a cat... that she doesn't actually own, and that seemingly doesn't want to be owned at all.

And in the process of acquiring said cat and learning to take care of it... well, maybe she finally has space to simply *be* and to heal from the aforementioned trauma. Maybe there is a possible romantic interest, but maybe there doesn't actually need to be a romance. Maybe, just maybe, we can have a book that is essentially about nothing more than finding the space to simply *be*, to allow the space to heal without focusing on the trauma or the process of healing... and simply allow the healing to happen.

Maybe this isn't the case with every trauma and every healing - there are absolutely times for more decisive and immediate actions in both, and there is absolutely space for stories detailing such journeys. But that journey isn't this journey, and Grace here brings exactly that - grace - in showing this kind of healing too. Of just taking care of your (often annoying) cat and maybe sitting under a comfortably cozy (even cat print, such as one in particular from Vera Bradley) blanket and simply *being*. Not necessarily "enjoying" the moment or having any other emotion or being "mindful" or anything else. Just. Simply. Being.

Grace has done phenomenal work with more "active" healing in prior books, and to see what she does here with such a simple concept... it is like watching a 3* Michelin chef make a boiled egg, or a particularly talented bartender make the perfect Old Fashioned... it is simply a thing of utter beauty, one that is not often found and is to be savored when you do find it.

Very much recommended.

'Deliciously Dark' Sounds Apt But Becomes Problematic. Without going into spoiler territory, I can't find a better title for this review than "Deliciously Dark", and yet... well, read the damn book to find out why I have problems using that title. :D

But seriously, this is one *dark* book - and while I just can't bring myself to spoil anything... think whatever you feel would be the darkest a book could possibly go. Then go darker. Darker. Darker again. And again. Ok, now add a dying candle into that. Because that's about as light as this book gets. (Though I *will* note some things that you may imagine that *don't* happen here: no dog dies. No kids are sexually assaulted. And yet... the rest of this paragraph applies. Better to be prepared and have it be lighter than you expect, with this kind of tale.)

Holmes manages almost a Poe level of storytelling, where it isn't necessarily what is on the page, but what is clearly just *off* the page that is so intense... and, eventually, those things come onto the page in stunning fashion.

If you like dark yet not necessarily "heavy" books, you're going to love this one. If you're looking for something lighter... come back to this when you're ready for *dark*. :)

Very much recommended.

Lots To Love - With a WTF Or Two. First, my own "WTF" is the intense focus on anti-Semitism (meaning anti-Jew, specifically, even though Arabs are also Semitic, according to the actual genetic definition) throughout the text - but Meltzer actually uses that, eventually, to get into areas she's never really gone to in my experience reading most of her books. Thus, that actually turned into a good thing, as she was able to use it to further her growth as a storyteller.

And that actually gets into the lots to love here. Meltzer is unapologetic in seeking to make Jewish lives more "normal" to an outside audience, usually by taking quirky characters and showing them loving, laughing, making mistakes, learning from them... you know, doing the stuff we pretty well all do. But also including quite a bit of Jewish specific elements, here mostly focusing on magic and in particular the concept of the golem - which is more often, in my reading experience, used in science fiction to varying degrees. (Both Jeremy Robinson and Kent Holloway have used them quite effectively, among others.) Meltzer even provides some in-story exposition on the history of golems in Judaic philosophy, which was a particularly nice touch - especially given that a romcom audience is probably less familiar with the overall concept than the aforementioned scifi crowd.

Indeed, the golem of the story... well, he's used quite well, actually. Both for what he is believed to be and for what ultimately happens - though I'm trying to be as spoiler free as possible here. I will note that it is the golem that plays the larger role in Meltzer's expansion of her storytelling abilities, mentioned above, but I think that may be as close as I can get here and remain spoiler free.

Ultimately a fun book, perhaps a touch heavier than some would prefer in a romcom, but still fulfilling all known requirements of a romcom. Very much recommended.

Solid - And Solidly Dense - Examination Of The Topic. You know those jokes about the Christmas fruitcakes that are so dense you could use them as an anvil or even the cornerstone of a house? This... is damn near that dense. So be prepared for that up front, and it is a solid examination of political and even, to a lesser extent, religious polarization in the US over the last 60 years or so - with more emphasis on the last 40 years or so, when the authors claim that the "Diploma Divide" began explaining ever more of the results of elections.

Well documented at roughly 33% of the overall text, there isn't anything particularly "explosive" here, but there *is* a lot of detailed discussion of what has occurred and why the authors' research says it happened. One of the few books of its type where the authors are explicit in *not* making policy recommendations, instead taking an attitude of "this is the data we have, this is what we believe it shows, do with it as you will". Which is actually refreshing - the authors note that they are academics working in academia, and even if they have worked with campaigns off and on at times, they are not politicians or political operators, and thus their expertise isn't campaigns or campaign strategy - their expertise is in asking questions, gathering data, and analyzing that data.

Overall, while the outcomes are those we all know, Grossman and Hopkins add more data to the discussion - which is never a bad thing - and thus help aid in our overall understanding of what we have seen, giving us a more complete picture of the events as we know them.

Recommended.

Distorting The Discussion. For a book about the history of the Electoral College that opens up admitting that the author thinks the Electoral College is foolhardy at best... the actual history here is quite good, and absolutely stuff virtually no one learns about even with a major in American History in college. (Perhaps Masters' or PhD students specifically studying the EC or at least the Constitutional Convention that created it would know at least some of this?) So absolutely read this book for Parts I and II, where Dupont shows that the fights that we have today about the Electoral College have been there basically since its creation and have reignited every few decades since.

It is in Part III, where Dupont begins discussing the current debates about the issue, that her acknowledged disdain comes to the fore and truly distorts the discussion. Here, she creates strawman after strawman after strawman and "debunks" them... without ever actually getting to the heart of any of the arguments she is "debunking".

Which is a shame, because throughout parts I and II, Dupont almost goes to pains to show that there have been some throughout American history who had at least part of the actual solution to the problems we now see - and were working to push that part of the solution through. In Part II, she even notes the other part to the solution... and glosses right on by it.

The solution that Dupont brings up repeatedly is the "District method" (vs the "General ticket" method we now call Winner-Take-All). Here, each Electoral Vote is, essentially, chosen by the popular vote of each Congressional District, with the overall popular vote of the State determining the Electoral Votes represented by that State's US Senators. Going to that method right now would mean that both "large State" and "small State" (to use the Founders' terms) or "urban" and "rural" (to use more modern terms) concerns would be more accurately represented in the overall Electoral College system.

But wait! There's more! The item that Dupont glosses over is the 1920s era law passed by Congress capping the number of US Representatives at 435. This was the final nail in the coffin as far as how unequal the system currently appears, allowing even a District based Electoral Vote in Wyoming to represent 400K ish people vs a District based vote in Los Angeles to easily represent 3x as many people. But that is "simply" an Act of Congress... meaning Congress can remove that restriction at any time, even, literally, the day you are reading this review.

And then there becomes a point in the Constitutional Convention that even Dupont completely misses. You see, while I haven't examined the relevant records myself (and perhaps Dupont could, and possibly release a 2nd edition of this text examining this), there are some who point out that the First Amendment as we know it... wasn't the actual First Amendment. Instead, it was the *second*, and the actual First Amendment actually closed the "Representational loophole" that Article I, Section II of the Constitution created when it noted that the "number of Representatives shall not exceed one for every thirty thousand". Reading that carefully, it means that the population represented by a single US Representative has a *minimum* - 30,000 people - meaning that the overall number of US Representatives has a *maximum* - 11,234 US Representatives, based on the US population in August 2024 as I write this review. But notice what this does *NOT* do - set a population *maximum* - and therefore an overall number of US Representatives *minimum*.

THIS is where the fight over the Electoral College misses its most crucial point - and it is a point Dupont seems to be entirely unaware or even ignorant of. If this so-called "true First Amendment" had passed, it would have set the population maximum per Representative - and therefore the minimum overall number of US Representatives - at 50,000 - or 6,740 US Representatives based on current US population as of late August 2024 as I write this review.

Combining the District Method Dupont discusses at length in the text here + this missing "actual First Amendment" would largely solve every single argument Dupont has against the Electoral College, and yet she missed such a crucial detail of James Madison's own efforts regarding the construction of the Constitution - thereby distorting the discussion from the get-go.

Recommended, mainly for Parts I and II, where most everyone will learn quite a bit.

Strong Multi-Generational Tale. With this tale, Walker expands into something I've never seen from him (though I *am* a somewhat recent fan, only finding him within the 2020s or so) - a dual timeline, present day/ historical fiction tale. Both periods are executed well for their time and setting, though there are some mystical elements to the present day setting that will be harder for some to accept - and some elements of the more practical present day setup that may seem just as unrealistic to others.

Still, Walker manages to write a female lead as well as most female authors within the women's fiction space while *also* having a male lead that is also Walker's typical greatness with such characters. That he *also* manages to give both of them a compelling romance - and proving some of my points re: "romance novels" along the way! - is even more icing on the cake there.

But really, the story here is about the trauma and the seeming generational nature of it. In this respect, I didn't really see the present day issues as "trauma" so much as a lot of bad luck/ bad circumstances. Yes, any one of the things *suck*, but I didn't really see them as "trauma". (Though the one situation, part of the practical yet possibly unrealistic stuff noted above, ... well, I'll shut up now to avoid any possible spoilers.) This noted, the historical period was simply *full* of trauma, that part I absolutely got and it was 100% crystal clear - particularly as they relate to some other books I've read and raved about over the decades.

And yet, regardless of which part of which storyline's traumas hit you, the reader of this review, harder... Walker, as always, shows superb skill in bringing the characters *back from it* - which isn't really a spoiler, given this is very much Walker's style in every book I've read from him. Indeed, it is a particular strength of his that sets his tales apart from many in whichever genre you may place his books. Thus, no matter your own traumas in your "real" life and no matter how much you may identify with a particular trauma found in this tale... you're also going to find a degree of catharsis within these pages that is Walker's particular brand of real-world "magic" with his words.

Very much recommended.