Jeff Sexton

Fascinating And *Southern* Tale Of Near-Death Of Road trip Staple. Stephanie Stuckey has led a life few Georgians have. She is a scion of a family that had become somewhat rich and somewhat powerful over the last century, whose grandfather once proclaimed (per Stuckey, here in the text) that he had made more money than his grandchildren could ever spend (but which they did, again, per Stuckey here), whose father had been a Congressman and who herself had been a State Representative for nearly 15 years. Both she and her father are UGA alumni, both from well before the era where the HOPE scholarship made such an achievement much more doable for many Georgians.

All of this is included here, but really, this is the tale of the ascent to those heights... and the downfall from them, as changes mostly made by others - as well as a few mistakes made within the company - led to near non-existence of the family company, fortune, and even legacy.

Herein lies a quintessential Southern tale of Southern family and business acumen, of a legacy built, nearly destroyed, and of one woman's fight to restore that legacy to all that it had once been... and maybe, just maybe... even increase it for her own children.

The story is told with all of the grace, grit, and wonder of a granddaughter who clearly grew up living at least some of the history involved, but only much later in life finding out all that she *didn't* know, including just how fundamental the black community was to her (white) grandfather's success in the era of Jim Crow, and how mutually beneficial and respectful the relationships there were. Up to and including Civil Rights activists actively encouraging their people to stop at Stuckey's, knowing that they would be treated with the respect they didn't always get in the South in that era.

As someone who has also uncovered lost family history later in life - and who has lived in some of the regions this tale centers around, as well as, yes, having sampled quite a few of the family's candies-, this was a story I could connect with on several levels, even as my own family was... let's go with "not quite so fortunate" over the years, to the point that when I graduated from Kennesaw State University near the turn of this Millennium, I was the first in my family to have graduated college at all.

Overall truly a triumphant and hopeful tale, well told with the respect, humor, and candor one doesn't always get in such deeply personal tales fraught with such sensitive topics as race relations in the South. Very much recommended.

Fascinating And Humble Blend Of Personal Memoir, Cultural/ Personal History, and Activism. Serj Tankian burst into the public scene 25 years ago as the lead singer of System Of A Down - the band that had the number one album on 9/11, days before Tankian wrote a reflection on that day that nearly destroyed everything they had built.

This... is his story. We get to that day, but we get a long build up to it, explaining everything that had led him to that point in his life, including his grandparents' survival of the Arminian Genocide in the WWI era through his dad's legal troubles in Tankian's teens and early adulthood, through his initial work creating a software company, finding music, eventually forming System... and then his life with and after System.

Through it all, Tankian's activism to bring light to the horrors of the Arminian Genocide is never far from pretty well literally anything he is writing about in that moment. It is clear that it truly forms the backbone of his identity and everything he considers himself to be about - and truly, as the grandson of two survivors of WWII's Battle of the Bulge, I actually can appreciate the personal family history, even as the particulars of our families are so very different.

Indeed, even our reactions to 9/11 were distinctly different, as Tankian was an immigrant from the Middle East region in his 30s on that day and I was an 18yo American fresh out of high school rocking out to Toxicity that summer before that day. I don't remember my reaction to Tankian's post that day, if I ever even saw it or heard of the public outcry. My own reaction was better summed up first by Alan Jackson's Where Were You (When The World Stopped Turning) (which I *finally* had a chance to hear him perform live in 2022) and the (sadly now late) great Toby Keith's "Courtesy Of The Red White And Blue". I was a college junior that day, even though I had just graduated high school at the beginning of that summer, but still an 18yo male with a US Selective Service card - the knowledge that if America went to war, I could be called to fight in it very, *very* real on my mind in the immediate aftermath.

But that day and the fallout are but a small part of this book, though it *is* discussed. The overarching tale being, again, that of Tankian's work bringing publicity to the Arminian Genocide and his efforts to get to get the world to force Turkey to so much as acknowledge their crimes of that era and all that it has led to, including a new war in Armenia this decade that Turkey had a hand in, according to Tankian.

Overall this was truly an interesting look at a remarkable life that many of us had heard of before, but I suspect few of us indeed knew of the depth of the passion involved here and everything Tankian has done.

Very much recommended.

Winding Tale Of Americans Coming Together To Capture The Earth. Why does every nonfiction book about the American side of WWII these days have to proclaim that whatever it is talking about "helped win WWII"???? Because let's face it - with many things, such a claim is tenuous at best, and perhaps the most glaring weakness of this text is that while the calcite is shown to be an important tool of the war, it is never truly established how it "helped win" the war. Indeed, the book as written does a far superior job of establishing how this calcite crystal that everything in the book revolves around was crucial in capturing "Earthrise", the famed Apollo-era shot of the Earth from orbit around the moon, than it does in establishing how this particular technology "helped win WWII".

Beyond the criticism of the subtitle though, this truly was a well documented examination of how a group of Americans that couldn't actively fight in the war - though some later did just that - still found a remarkable and obscure way to contribute to the overall war effort. Essential, during times of total war such as WWII. It also shows how these people - and the Polaroid Company - would advance knowledge of optics and sights to levels unknown before, and how such advances really did need such a wildly disparate group of people all around the country to work together to achieve a common goal.

Ultimately, this book is about teamwork and the "can-do" spirit that American propagandists of this and later eras were so ardently promoting - even into the modern era, in some circles - as much as it is the science and tech of the calcite and optics. So take that for what you will, though I will say that this book never actually feels like a propaganda piece. If anything, it feels so *real*, like you're actually there as these events are happening. That is clearly thanks to Hughes' research as well as the way he chose to write this narrative, and speaks well for his abilities in both arenas.

Overall an interesting book with perhaps a few quibbles here and there, but one esoteric enough that few (relatively, at least) will likely read it - even though it really does show a glimpse of an America and Americans rarely seen in reporting of this era. Very much recommended.

Well Researched Book Does Exactly What The Description Says It Does. You know how at times you read a book's description and then you read the book and you want to know what the writer of the description was smoking when they wrote it and if you can have some of it, because the two were *nothing* alike? Yeah... this isn't that book.

Here, you get *exactly* what the description (at least as of the writing of this review in the pre-dawn hours of May 12, 2024 along Florida's Atlantic Coast) tells you you're going to get: A well documented historical look at the lives of the Highwaymen - Waylon Jennings - where the narrative starts on the fateful night that he missed the plane on "The Day The Music Died" -, Willie Nelson, Johnny Cash, and Kris Kristofferson. We see each of their origins, we see how their careers progressed individually, and we see the fateful moment they all came together for a few legendary years. And in the end, we see how their lives and their music have impacted Country Music through the years, with a particular focus on 2010-current alt-country / Americana acts like Chris Stapleton, Jason Isbell, Shooter Jennings, Brandie Carlisle, and others. Again, exactly what the description says we're going to get.

Overall the writing is well done - there's a lot of facts and a lot of quotes, but it never really feels like dense academic oriented text or a philosophical treatise, while still not being quite "conversational". Yes, the focus on certain acts and the clear derision of others in the end is perhaps quite divisive - even much of the "Bro Country" the author clearly despises cite many of the Highwaymen as direct influences, and yes, it can be heard in their sounds as well - but again, we knew from the description which modern acts this text was going to highlight. So take that as you will and make your choice to read or avoid this text knowing exactly that - you know up front exactly where this is going.

Very much recommended.

Brutal And Effective Violence That Jack Reacher Would Be Proud Of. Admittedly I stepped into this book not realizing when I signed up for the blog tour that this was number 27 in a series, so there are likely elements to this tale that I completely missed out on.

That noted, the tale as told works within itself to tell a complete tale + a couple of open ended teasers (not really "cliffhangers" as at least one other reviewer described them) such that it *is* possible to enjoy this book for itself, but obviously if you are an "absolutely no spoilers of any minute kind" type of reader... eh, start all the way back at book 1 here. :)

As for the story told... I wasn't joking in the title of this review. I've read more graphic violence than this (hello, Code Alpha by Joseph Massucci and Without Remorse by Tom Clancy), but this is certainly up there. Hell, even the modern Mortal Kombat games with their ultra-realism and X-ray moves sometimes seem less graphic than some of the violence White gives us here. And yet the expected quippy banter is still present as well, providing just enough smiles to keep this from going to near slasher level action.

Set during a Cat 5 hurricane, some of the stuff described seems a bit implausible... but then, this is an action book, so meh, already suspending disbelief for the rest of the plot, might as well suspend it a bit more there. Otherwise, the hurricane doesn't provide much "atmosphere" to the book, but *does* provide quite a few set pieces for the action sequences to look that much cooler.

Ultimately, this is one of those books that as long as you approach it as you would say WWE or the Fast and Furious franchise - ie, just go with the flow and enjoy the spectacle - it absolutely works. If you're looking for anything more serious than that, you're going to be disappointed.

Very much recommended.

Atmospheric Southern Gothic Perfect For Fans Of Emily Carpenter Or Robert Gwaltney. This is one of those trippy atmospheric southern gothic tales where folklore plays a central role. Set in the 1980s in Appalachia, it is perhaps *too* reliant on folklore in reality, but the story works within itself. As someone who grew up in the 1980s in the foothills of the Appalachians in the borderlands between Appalachia and Atlanta, the tale perhaps makes my people seem a bit backward and mystical than most of us really were, though there were (and are) absolutely pockets of people who were in fact very similar to the characters portrayed here.

Still, for the story being told here, it absolutely works within itself and creates a compelling story of a young woman struggling to find herself and the man of her dreams. But you're going to get a *lot* of southern mysticism within that more general tale, and it is this very southern mysticism that gives the book its gravitas, atmosphere... and challenges for many readers, almost to the level of being more literary fiction than popular fiction. Not quite that far, but certainly not a too casual read either.

If you're looking for an easy, casual summer read... this aint that. If you enjoy more spooky reads with a dash of horror but still more of a typical mystery/ drama, you might like this one. Ultimately, I thought it was well done and the release date separates it a bit from the more typical fall/ Halloween window many readers might be looking for this type of tale during - which actually gives those who like this story that much longer to find it, and for those who do find it near release date, something to enjoy outside of the "spooky season".

Very much recommended.

Sequel Perfectly Flows From Prior Book. This is one of those books where everything I said about its prior book, Beneath The Surface, still feels spot on for this book as well. This is the continuing saga of one family and their business empire and the machinations as the patriarch of the family faces his coming death and everyone else is biting at the bit to become his chosen successor. The atmosphere switches from a yacht off shore near Catalina Island to a resort onshore... as the Santa Anna winds kick up, with all of their usual effects on both land and people (at least per so many books and even some real life reports I've seen, I've never lived in Southern California or indeed anywhere west of the Alabama/ Georgia State Line).

Because this flows so perfectly from Beneath The Surface, you really do need to read that book first. But once you do, you're likely going to be glad that this book is already available - I read almost 130 books between reading them both as Advance Review Copies.

Whatever you feel about dark family/ boardroom dramas is how you're going to feel about this series as it currently exists, as both books have really identical feels. Rouda actually did a truly superb job in doing so well with the first book and then managing to clone the stylings so effectively in this tale while telling a similar yet distinct tale the furthers the overall universe - and even allows for some intriguing possibilities for any potential Book 3.

Overall a very fun book, and also on the shortish side at under 300 pages. Very much recommended.

Hilarious And Heartwarming. This is one of those tales that is very adult, yet told primarily through the eyes of children. Thus, when certain things happen - always behind closed doors, in these cases - the actual manner of storytelling gets particularly creative, no matter what adult situation the "certain things" may be. And yet we get a complete tale of wonder and heartache and healing into something even better than before, told with a skill and care that shows true talent and empathy.

In a way, yes, this is reminiscent of The Brady Bunch in that two families each with several kids ultimately come together. But the actual manner this is done in and the actual story told to get us to that point, even from its earliest stages, is also dramatically different than that old show - and yet, this tale does take place in a somewhat idealized late 1970s California, one where cheating, abuse, the Vietnam War, and drug abuse happen, but one where the Vietnam protests, gas crises, and other larger issues largely have not.

Truly an excellent tale with a rare twist in storytelling mechanism, and for that alone this is easily worth reading.

Very much recommended.

Messy Magical Maddie Dawson Book. One of the reasons I so love Dawson's writing is because even her main characters are usually *far* from perfect - but manage to live their lives and largely achieve their goals anyway, even as we come to love them for their flaws. This book is no different, with the dose of magical realism at play here being a brief visit to a psychic that sets in play several of the decisions our main character ultimately makes. Obviously, if you're looking for some pure paragon of whatever ideal you may have... Dawson's books aren't the place to find those kind of characters, and this being a Dawson book, well, like I said already... not the kind of characters you're going to find here.

But I really do love that Dawson always manages to bring it around to a happy ending... even when it isn't the ending the character thought they would get at the beginning of the book (hello, character growth! story arc! etc :D) and perhaps isn't the ending the reader saw for that character, but still ultimately works within the story told to that point.

If you like quirky /funky / off beat / off the wall / decent amount of WTF moment kind of tales, you're going to enjoy this book. If you're more a tried and true straight arrow type, eh, *I* still enjoyed this book, but you may not.

Overall a fun book and another solid entry in Dawson's catalog. Very much recommended.

Not A Casual "Beach Read". With the cover and even a common understanding of the description, one might think going into this tale that it is a breezy easy beach read. Well, I'm of the belief that any book you read at a beach is a beach read, but this book takes some effort. If you're looking for a simple tale... this aint that.

What this *is* though is a solid tale of survival on so many different levels. Yes, you have the tale of the struggle to save the resort that the description points out. But there is also *so much more* here, and the problems at the resort go *so much deeper* than is initially believed.

At first, this seems to be a tale of the resort manager building her team, Nick Fury building the Avengers style. As this slow burn story continues though, we see that not everything is as it seems, and Nick may have found Loki posing as Thor rather than the actual Thor...

Ultimately, all of the separate characters and threads do come together in a wonderful tapestry, but it takes a while to see the full picture of all that is happening and why, but for those that demand books that wrap up everything... this *is* one of those tales, at least.

Very much recommended.

Slow, Character Driven Coastal Tale Featuring Flawed Yet Understandable Characters. Yes, to an extent if you've read one Sarah Morgan non-Christmas tale, you've read every Sarah Morgan non-Christmas tale. (And her Christmas tales are simply a variant on the non-Christmas ones, featuring some extra Christmas emphasis of some form.) This noted, what Sarah Morgan does, she does solidly and has clearly built a fan base for a reason, and this is yet another example of why her formula works so well.

Here, yet again, we get three generations of female leads, with the guys mostly playing romantic foils of some form or another, and each of our female leads has her own dramas and insecurities and, yes, mistakes. Of course, in typical Sarah Morgan fashion... well, let's not give away her endings in this review, shall we? Let's instead say that the Hallmarkie type crowd will generally enjoy these books, even though the Sarah Morgan formula is at least *slightly* different than that one.

Overall a solid tale solidly written, and a perfectly fine, inoffensive, casual "summer" / "beach" read (that, to be clear, can truly be enjoyed any time). Very much recommended.

Kay Bratt Goes "North Ga Dark". Ok, so what the hell do you mean by "North Ga Dark", Sexton? Well, growing up even "in the country" in North Ga, specifically the Atlanta exurbs (then, now northern suburbs), even on a pitch black, moonless night... you still had the glow of Atlanta and its suburbs over the horizon. Thus, even at nature's absolute darkest... there was still *some* light, if well over the horizon and very faint.

And that is what Bratt has introduced here, with both our longer term story and one of the active cases in this story now focusing on themes of abuse in various forms. To be clear, this is one of those stories that will be quite difficult for some, perhaps many, readers - but as usual, Bratt manages to handle even these themes with a care not every other writer decides to put into their story, for any number of reasons. So while the evil is very present and menacing *in story*, it is more like a shark menacing - if you're in its domain (ie, a character in this book, for the book evil, or pretty much anything in most any body of salt water, for the shark), you're going to feel its presence and you should probably take appropriate precautions. The easiest of which for most of us is simply... stepping away from its domain for a bit. In which case, sitting on the beach with a good book is probably a solid idea for both. (With your beverage of choice, for when you need to step away from the book if it gets too menacing for you... as you ponder the water and the menaces within it. :D)

As with a few other reviewers, I noticed the lack of direct family involvement in this book, which had previously been a long-running staple of the series. And am I just forgetting (it has been 75+ books for me between Book 8 of this series, Starting Over, and this one), or did a certain sequence that was (somewhat briefly at that) explained as happening before the events of this book not actually happen in the previous book? Because I don't remember that particular scene in that book, and I think I would have commented on at least its presence - even if somewhat obliquely to avoid any outright spoilers. If this is indeed the case, this was likely the most egregious miss of this entire series. While the series didn't need a full on "Return Of The King" massive *event* for this particular scene... it still would have been great to see it "in real time". (Note: While writing this review, I did go back to my copy of Starting Over and confirm that it did not include this particular scene. It included a blatant setup for the scene, but not the scene itself. So I stand behind my comment that this was a major miss, and a glaring hole from an author not generally known for such obvious misses.)

All of this noted, this *was* a supremely enjoyable and fast read, and it absolutely sets up for Bratt to either conclude the series (as was originally intended with Starting Over) with Book 10 - Hello Little Girl, out Summer 2024 - or possibly extend it again. It will be interesting to see which direction Bratt takes, particularly given that she seems to be actively writing that book at the time of me writing this review. Very much recommended.

Solid Second Book In Series. This is one of those tales where both the author and the reader are going on an adventure- ok, the first book was *awesome*, but I had all the time in the world to write the thing and now I need to produce a sequel in a timely manner since my name isn't GRR Martin... so what do I do?

Johnson's answer here is a thrilling ride that perhaps doesn't have the same level of social commentary from the first book - though to be clear, there is still *some* here - yet manages to keep up with the action and even introduces some wrinkles not seen in the first book, going in a direction not often seen, but which makes perfect sense within this world.

And then... just when you think everything is all said and done... Thanos appears. No, not really. But there *is* that stinger scene at the end that reveals the storm clouds on the horizon... storm clouds that portend one *intense* battle coming up. Will we see that battle in Book 3, or will we simply edge closer to the storm? Yet again, I for one can't wait to find out.

Very much recommended.

Solid And Seemingly Comprehensive Examination Of The Topic. This is a book that takes a look at the ever-evolving quest to build the world's tallest skyscrapers, from its origins in the 19th century (and the debate over who first created what) all the way through Summer 2023, when the book was being written. Along the way we learn of various periods of American skyscraper construction - yes, including Sears Tower, the Empire State Building, the World Trade Center towers, and others. But we *also* get just as detailed a view of skyscraper construction in other areas of the world and how each builds on advances in the other locations as time progresses. We visit the Middle East and learn of its mega projects. We visit Hong Kong in both the Colonial and Chinese eras. We visit Taiwan and China and see how their standoff plays out in their construction efforts. Along the way, we get the histories and economics of how and why such structures are wanted and what makes them profitable - hint, it isn't always the rents they generate from tenants. We even get a solid examination of the arguments for and against such structures, along with the (seemingly requisite in this type of book) predictions for the future and a few suggestions for how to make those predictions become reality.

Overall truly an interesting book, well written for the average reader - yes, there is some jargon, but Barr does a solid job of using it sparingly and explaining it reasonably well when he does. Also reasonably well documented, clocking in at 20% of the text of the Advance Review Copy edition I read.

Very much recommended.

Excellent Twisty Thriller With Uniquely Broken Characters Will Be Far Too Difficult For Some. Straight up, I loved this one. It was so *oppressively* dark, yet done in such a way that even though there is truly little light to be had and also with no supernatural element to the darkness at all... you still want to see exactly what happened to make this tale this way.

The reason it will be difficult for some, perhaps many, is because of the *rampant* child abuse, including some sexual abuse and even a rape - though while "on screen" it is more "dark room" based. Still described, but not as... vividly... as it could have been. Showing that Hepworth *does* show restraint when going even more explicit doesn't add anything further to the actual story. There is also a rather horrifying birth scene, though this is far from the "splatterpunk" / "horror" that one reviewer described it as. Though going further would perhaps spoil what happens there *too* much, so I'll show the same restraint in the review that Hepworth did in the text. If such scenes are difficult for you... this may not be the book for you.

The reason I actually enjoyed the book though was because of how the central characters - three chosen sisters bound not by blood, but by shared trauma and survival- were both broken... and how they used that brokenness as adults, showing that even some of the most difficult times, the darkest times of someone's life, *can* be overcome to varying degrees. Not that any of our adults are truly "normal" healthy - again showing a great deal of reality here - but that they're still, to use a term used to describe Autistics that I truly despise but fits here, "functional". Ish.

Ultimately this is one of those books that will likely prove divisive in at least some groups, but I thought was done well, with the author using so many real world horrors (and yes, in my own work through my church as a teen and just generally being an observant adult, I've seen this and so much worse on occassion) to craft the story she is trying to tell... while showing restraint where further graphic details don't add any more needed information to extract the desired emotions from the reader. Showing that Hepworth truly is a master of her craft, even when she is somewhat intentionally pushing some buttons of some people.

Very much recommended.

Misleading Description Yet Excellent Tale. Just Not Anything Really Remotely Like Jurassic Park. Ok, the few things that *are* like Jurassic Park: human hubris leads to "de-extincting" long-extinct plants and creatures. Commentary on modern science baked into the story. Commentary on history baked into the story. Thus ends the things that are like Jurassic Park.

In other words... don't go into this book expecting "Jurassic Park... With Mammoths". This is *NOT* that story. Instead, it is more "murder mystery at a park similar to Jurassic Park". Go into this book with those at least somewhat lower expectations... and this is an awesome book with plenty of wonder, action, thrills, chills... and a few cheeky meta references. (Such as when a character is reading one of his and longtime writing partner Lincoln Child's Pendergast books - a trope many authors use to plug their own books or sometimes friends' books or even just random books the author has read and enjoyed.)

For the story we *do* get here, it is truly well done, a fast paced action thriller that will keep you on the edge of your seat and keep you guessing about what will come next.

Very much recommended.

How Jimmy Doolittle's Raid Connected Directly To The Atomic Bomb. On the weekend of the anniversary of the Doolittle Raid (as it has come to be known) and with conversations sparking again about whether the dropping of the bomb was necessary or not, I had an opportunity to read this book - which admittedly won't release until the day after Memorial Day here in the US. (For everyone else, this book's release date is the last Tuesday of May 2024.)

Here, Hampton adds a wrinkle to the discussion of the bomb by revealing what had previously been hidden about the Doolittle Raid - a *second* mission, known only to the pilot of the plane and to Doolittle's own boss, to gauge just how ready the Soviet Union was to actually engage in warfare against Japan. Here, Hampton argues that the plane that for 80 years had been believed to have gotten lost... knew *exactly* where it was going and largely *exactly* what it was doing. Or, at least the one driving it did - and he relayed those instructions to those whose help he absolutely needed, his copilot and his navigator, and *no one* else. As in, the bomber's bomber and gunners didn't know of this secret mission. According to Hampton here, at least.

That the crew of "Plane 8" landed in the Soviet Union and was there imprisoned for a time before being repatriated back to the US has been known effectively since the events happened over 80 years ago - at least by then current communication standards, particularly during a time of global war.

But just what they were *actually* doing is new here - and because of what they found on that mission, we now have better information about what the various Generals and civilian leadership knew or thought they knew in the closing months of the war, as J. Robert Oppenheimer and his teams on the Manhattan Project were finalizing their new weapon. We now know what Roosevelt, MacArthur, Stinson, and Arnold knew about Soviet capabilities in the Far East... because this secret secondary mission got them the data they needed, three years prior. We now know that even if they had heard - as at least some claim - as early as February 1945 that Japan may possibly consider surrendering so long as the Emperor was kept in control of at least the Shinto religion (as, ultimately, is exactly what happened on Sept 2, 1945 on the USS Missouri), that even if they had heard this that the Soviet Union was not yet able to put the kind of resources into the region that may have made even Japan's own war hawks reconsider their actual options.

This is a harrowing tale, very well told - in some respects, it reads as easily as fiction, yet gives a complete picture of all that was happening in and around the Doolittle Raid, specifically as it relates to this second, secret, mission.

The one problem I have, at least with this early edition I read, was that the bibliography is lacking, clocking in at just 10% of the available text. Even with original research as the basis of the claims of this book - and that is indeed the case here - one would still expect that number to be perhaps at least 50% higher to meet the bare minimums of being described as adequately documented given the explosive nature of the claims contained herein.

Overall a truly well written and apparently well researched tale that just needed a touch more documentation. Very much recommended.

Gruesome Crime Horror/ Thriller Starts With A Bang. Seriously, the start of this book feels like Hilton read Jeff Guinn's Waco, because it truly feels like Hilton took Guinn's hyper realistic descriptions of what actually went down there to scaffold his own fictional version.

Which is actually a *phenomenal* way to begin this particular tale.

The rest of the tale then flashes forward a bit and crosses the "pond", becoming a UK based police/ crime tale featuring some particularly horrific murders that fans of Thomas Harris' Hannibal Lecter trilogy or Douglas Preston and Lincoln Child's Pendergast series will absolutely enjoy. The pacing of the investigation is solid, and the way the various characters meld together is done quite well.

Surprises late are well executed, and by the end you're going to be questioning if this is meant to be a series starter afterall...

Overall truly a great crime story excellently told, and a solid change of pace from Hilton's Grey and Villere thrillers in particular in that while the action is equally intense, the criminals here feel so much more decidedly dark and truly evil. Very much recommended.

Solid Slow Burn Mystery Will Be Jarring For Some. While never a fan of content/ trigger warnings printed in books (I prefer them on the author's website or in reviews like this, either way separate from the book at hand and easily findable with a modicum of research), let me say up front that if you have severe issues with child sexual abuse or child neglect... this may not be the best book for you. Same with violence against women generally, addiction, stripping, etc.

That dispensed with, this was a remarkable tale of generations of women trying to leave a dying small rural town... and failing miserably, only for the cycle to repeat with their own daughters ad nauseum. It is a slow burn missing woman tale where we do get both the current timeline of one of the women being missing and the older timeline of what her life was up to the very moment she became missing. Both parts of the tale carry the same dull, dismal, depressing stylings throughout, even as both sets of women actively rebel against their situations and try their damnedest to be the women that break the cycle.

For anyone who has ever spent time in a run down house or trailer, you know this life quite well. You've probably lived a version of it - hopefully *without* the abuse, though this is admittedly far more common than it should be in such situations. Which makes the story that much more "real"... and yet also that much more depressing, to a point, as many read fiction as a way to *escape* their current "real" world bonds.

The time switches could be a bit jarring - they are labeled, but the label is somewhat easily missed - and the inconclusive ending, with several questions still lingering, could put some off. Personally, I felt this particular ending made the tale that much more "real" and worked for the story told to that point, particularly in the final build up to the reveal. So it is absolutely a "your mileage may vary", and unless you are just 100% opposed to such endings... do yourself a favor and read this book and see what you think of it yourself.

Overall truly a great and all-too-real (sadly) story, and very well told. Very much recommended. With the warnings noted in this review.

Twenty Year Old Book Holds Up Well. First off, to be clear: This new (2024) edition is an updated and revised (with apparently *some* new content) version of a book originally released over 20 years ago. So some of you may have already own/ have read this, and I know there are at least some out there who "only read new releases". But for everyone *else*... this is still a damn good story, 20 years later.

In at least some ways, it is actually a callback to a different era, the era of RENT when friends dying of AIDS was still a major zeitgeist moment and a reality for many, particularly many in urban areas. (I say this because growing up in the exurbs of Atlanta in the era the book was originally published, this just wasn't a reality that was seen much in my area.) This plotline provides both some of the gravitas of the book - addiction being the primary other source - and the meetcute - the male lead is the brother of the friend dying of AIDS.

The romance side of the book is also well done, granted with a lot of lust and pent up sexual frustration as its start and with quite a bit of bedroom action (not always in the bedroom) throughout - once things get going there. Which, again, will be a turn off for some and a selling point for others.

Ultimately, this is a story of a lot of flawed individuals making their way through life as best they can in the situations they find themselves, and this is where the story particularly shines.

Very much recommended.

Making The Case For Practical Anarchy While Proclaiming Non-State Democracy. As an avowed and open Anarchist, any time I find a book proclaiming in its title to be about how to live effectively in community without the State... I tend to pick it up.

Here, Skach makes quite clear that she is terrified of a particular "A" word (that I've already used twice in the preceding paragraph) and instead proclaims her arguments to be in favor of State-less democracy... while failing to realize that Anarchy literally means only "no government" - ie, "no State", ie, "Without the State" (to use the exact phrasing from the subtitle). As Lysander Spooner and other thinkers over the Millenia have espoused, there can be numerous forms of order under Anarchy - Anarchy has never meant "without order", only "without government". Thus, Skach's preference for community-based democracy falls right in line with the very idea.

But regardless of Skach's fear of the "A" word or your own (the reader of my review) preference for any other form of community organization, Skach actually does a truly remarkable job of showing just how a Stateless - ie, Anarchic - society could practically work *even in the current environment*. Yes, there are numerous issues she doesn't touch, and yes, there is plenty of room for the usual "what if" game that proponents of State and its slaughter of literally hundreds of millions of people in the last 150 yrs alone routinely bring up.

But for those who don't think it can work even at a very basic level, that survival would be impossible because the world would be "without order", Skach makes clear that both spontaneous and coordinated order can be had - and can be had in a far better manner than at present - *without* the State.

There will be many who won't read this book at all or won't truly consider its ideas, but for those who are willing to at least consider the possibility that perhaps the West (and East, insofar as their systems of government go) could do better, that perhaps the US in particular *has* to have some better way of doing things... maybe pick this book up. Read it slowly. Truly ponder its ideas and trul ruminate over them, asking yourself the hard questions about why you may think the State is the best answer, even in the face of so much evidence to the contrary.

Oh, and the fact that this book is releasing in the US going into its biggest State holiday weekend, when the entire country - and, due to the US's prominence since 1944 or so, even large parts of the entire world - will be celebrating a few hundred thousand people declaring their independence from the *then* global superpower... well, that's just icing on this particular cake.

I will note, as really more of an aside, that the bibliography clocks in at just 17% of the Advance Review Copy edition of the book I read, which is perhaps a touch low - but I've also been openly stating for a bit now that perhaps my 20-30% standard should be lowered a touch given so many more recent books have been a touch lower than this, and 17% seems like it would fit within the true current average, if maybe still a touch on the lower end of the range.

Overall a truly excellent book so far as it goes, I personally just really wish it had more openly embraced the very concepts even its title openly yet not brazenly proclaims. Very much recommended.

Reads Almost Like Fiction - And Should Give Soraya M. Lane Inspiration For A Future Novel. First, this is one of the better researched books I've come across in all of my Advance Review Copy reading efforts - over 1100 books since 2018 - at 45% documentation. Kudos to Lance for being so thorough there.

And she needs it - because this is one of the more fantastical nonfiction books you're ever going to come across. A brother and sister experimenting on themselves - as their father, who also experimented on himself *even with chlorine gas*, had trained them to do - gathering a team of like minded scientists to push the limits of the human condition under extreme environments, later in a direct race to help save their country from annihilation.

Before Jacques Cousteau developed SCUBA, there were the scientists working to discover what, exactly, humans could survive under water. What, exactly, happened as the human body was compressed to ever higher pressures? What happened as that pressure was relaxed - either suddenly or gradually? How could we allow humans to survive at ever increasing pressures, and what, exactly, were the limits?

And then... Normandy.

It had already been tried once, and failed miserably - because the soldiers didn't have the data these very scientists were racing to obtain. Could they get it in time for the next invasion attempt?

They could... and they would change the face of warfare (and, to be honest, some entertainment and other scientific pursuits) forever when they did.

This is their story, told for seemingly the very first time.

Very much recommended. And please tag Soraya Lane and beg her to bring this story to actual fiction.

Solid Examination of The Field Of Planet Hunting. This is a solid look at how scientists find extra-solar planets and work to determine what they may be like - compositionally, temperature, whether life (as we understand it) may be possible, etc. Written for a general audience by a US-based Austrian native scientist working at the Carl Sagan Institute, the author clearly knows her stuff, but perhaps the English can be a touch stilted at times. It wasn't enough to distract from the book for me, but there absolutely were a few "huh, weird phrasing" moments. Which happens even with fully native English speakers even in the same country - I'm sure there are Americans reading this review who will question even my own phrasing, and I'm a son of the Southern US to the tune that parts of my family have been on the North American continent since the second generation of Europeans to get here at all.

Overall truly a fascinating book, and Kaltengger's own experiments sound quite fun and interesting to boot. The only flaw I noticed here was such a small bibliography, which is where the star deduction comes into play. Still, this is ultimately a solidly written depiction of a truly fascinating part of interplanetary science. Very much recommended.

The End Of An Era. I write this review nearly a week after reading this book, and hours after the conclusion of Wrestlemania 40 - the beginning of a new era of WWE. Which is fitting, because so much of what Rousey talks about re: her involvement with the prior regime in WWE had been relatively well documented both in court and in the court of public opinion over the last couple of years in particular, as Rousey was experiencing some of it and then working with her writer to write this book. Yes, much of this book are complaints about how she was mistreated in various ways by both her longtime UFC trainer and later by Vince McMahon, whom Rousey rarely holds back on her disgust and disdain for, but there is actually much about this book to like as well. For one, for those looking for celebrity "look who I know and run with" kind of memoirs... this is absolutely that. (As contrasted to Rebecca Quin's Becky Lynch: The Man which released a week earlier, and which played a heavy role in Quin's Wrestlemania 40 presentation, which was pretty well the opposite of that.) Particularly husband Travis Brown and the other three "Four Horsewomen" of UFC, Rousey talks a lot about all of them and largely in a particularly glowing manner, while not holding back on those she disliked in both her UFC and WWE runs. Indeed, there is little "foundational" material here - perhaps because this is her second book and the prior book perhaps covered more of that, being written before her WWE run? And perhaps the very coolest encounter she recounts is actually with a Mexican colleague, ring name Santos Escobar, as she was getting ready to finally hang up her fighting boots and return to life on the farm. A similarity she shares with another former UFC and WWE star... Brock Lesnar, not mentioned once in this particular tale.

Overall an interesting read that "peels the curtain back" more than some, if in a more negative/ pessimistic/ self-centered manner than others. Still, a truly interesting read and very much recommended.

Slow, Problematic (Some Say Offensive) Main Character, Largely Forgettable. Yet Good Enough. This is a book where from an objective (ish) standpoint, there really isn't much if anything actually *wrong* about it. Yes, it is absolutely a slow burn - and yes, some people may prefer faster pacing, particularly in a "thriller". But that is taste, and the artist is allowed to do as they will there. The MC could be argued to be quite stupid or even downright evil by some, but there again - artistic license. Writing this review even 5 days after finishing the book (while having read 5 other books since, and with quite a bit going on in my own life at the moment, admittedly), I must confess that I barely remembered the book at all and only really picked up what it was when reading other reviews.

And yet, despite all of that... I *do* remember the book as enjoyable enough while I was reading it, and a good enough tale to be a worthy read for those looking for a solid enough mystery/ thriller. It won't be going on my personal "best of" lists any time soon, but it was also solid enough that I don't in any way feel I was cheated out the time I spent with the book. Obviously, other reviewers have had stronger reactions both directions and will continue to have so long as this book exists. But for *me*, it was ok and with nothing objectively (ish) wrong, therefore it gets a 5* rating, a decent enough review, and an encouragement from me to you, the reader of my review, to check out the blurb, maybe check out some reviews from other reviewers you trust not to spoil anything who may highly praise it - and others who highly despise it - and make your own call.

For me, I'm comfortable enough saying: Recommended.