Added to listSummer 2024 Reading Listwith 55 books.
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Balko opens up this book with the statement that it is not an anti-cop book, but rather an anti-politician/ policy book, and he largely maintains that theme throughout.
He starts are far back as before the Norman Conquest of England, showing how law enforcement evolved under the English tradition and common law, the source of the American model. He moves into the colonial period, where he shows how the writs of assistance - and one defense lawyer's 5 hour courtroom diatribe against them - provoked the colonies to begin openly opposing the Crown. Then he moves through the Civil War and Reconstruction, showing the origins of the Posse Comitatus Act and the beginnings of the “professional” police force. Yes, unlike what many may expect, the modern police force didn't come into being until less than 150 years ago. Much of this period of the book speaks of direct militarization - using the military as cops.
He then spends the bulk of the book in just the last 50 years or so speaking primarily of indirect militarization - having cops increasingly act, speak, and look like soldiers. The Boston Bombings happened as the book was being printed, so there is no mention of that particular scenario and the now infamous picture of the “cop” in full military gear sitting in the turret of an APC pointing a sniper rifle through a window and having his picture taken from inside the window he was pointing at.
He begins with SWAT and Darryl Gates, then switches back and forth between SWAT and the nascent Drug War, eventually showing how the two became tied to each other. Even at this point in the book, you're barely 40% in. The raw numbers he cites at the end of each chapter begin to get more and more chilling, and the case studies he illustrates start bad and get worse.
Through it all, he maintains what he said at the beginning: He focuses more on the policies that allow these abuses than the cops themselves, though obviously he names names when speaking of specific abuses. He also highlights men who bucked the trend, such as Norm Stamper and the police chief of DC in the early 70s who was given explicit authority by Congress to use no-knock warrants and refused to do so. He shows that in San Diego, while crime was getting worse in the rest of the country it was actually getting lower there due to their less militant approach to policing. He discusses the SLA shootout and the pop culture, including the show SWAT, and how they led to the proliferation of SWAT units.
In the 1990s chapter, he specifically speaks of the North Hollywood Shootout and Columbine - and shows how that if the SLA raid and North Hollywood Shootout highlighted the strengths of SWAT, Columbine arguably showed them at their worst. It was another situation almost tailor made for SWAT - and SWAT said it was too dangerous for them.
He then spends time on the Battle for Seattle and how Norm Stamper, who defended the actions at the time as Seattle's police chief, later came to call his decisions there the worst mistake of his career.
Through it all, Balko points out time and time again the truth of the old adage “give an inch and they'll take a mile”. In his last two chapters, he drives the point home repeatedly that had my grandparents at my age woken up one morning to the America I now live in, there would have been riots in the streets at how (my illustration here) Andy Mayberry had become Judge Dredd.
His recommendations for changing things are solid, though I wish he would have mentioned the organization I have worked with for the past couple of years as well as a newer offshoot - CopBlock.org and InnocentDown.org. The closest he gets is acknowledging the rise of “cop watch” sites and social media as one useful tool in holding police accountable. Through all of his recommendations, he keeps a realistic eye on how likely they are as well as pointing out simple things that could go a long way to restoring at least some balance. While he does indeed address the police culture in at least one of the recommendations, by and large his recommendations all center around the overall theme of changing bad policy.
IMHO, every American citizen needs to read, comprehend, and take action on this book's recommendations. Together, we can save ourselves, our families, our communities, and complete strangers we'll never meet on this earth. As cops like to say so often, if it saves a single life, it is worth it.
Balko opens up this book with the statement that it is not an anti-cop book, but rather an anti-politician/ policy book, and he largely maintains that theme throughout.
He starts are far back as before the Norman Conquest of England, showing how law enforcement evolved under the English tradition and common law, the source of the American model. He moves into the colonial period, where he shows how the writs of assistance - and one defense lawyer's 5 hour courtroom diatribe against them - provoked the colonies to begin openly opposing the Crown. Then he moves through the Civil War and Reconstruction, showing the origins of the Posse Comitatus Act and the beginnings of the “professional” police force. Yes, unlike what many may expect, the modern police force didn't come into being until less than 150 years ago. Much of this period of the book speaks of direct militarization - using the military as cops.
He then spends the bulk of the book in just the last 50 years or so speaking primarily of indirect militarization - having cops increasingly act, speak, and look like soldiers. The Boston Bombings happened as the book was being printed, so there is no mention of that particular scenario and the now infamous picture of the “cop” in full military gear sitting in the turret of an APC pointing a sniper rifle through a window and having his picture taken from inside the window he was pointing at.
He begins with SWAT and Darryl Gates, then switches back and forth between SWAT and the nascent Drug War, eventually showing how the two became tied to each other. Even at this point in the book, you're barely 40% in. The raw numbers he cites at the end of each chapter begin to get more and more chilling, and the case studies he illustrates start bad and get worse.
Through it all, he maintains what he said at the beginning: He focuses more on the policies that allow these abuses than the cops themselves, though obviously he names names when speaking of specific abuses. He also highlights men who bucked the trend, such as Norm Stamper and the police chief of DC in the early 70s who was given explicit authority by Congress to use no-knock warrants and refused to do so. He shows that in San Diego, while crime was getting worse in the rest of the country it was actually getting lower there due to their less militant approach to policing. He discusses the SLA shootout and the pop culture, including the show SWAT, and how they led to the proliferation of SWAT units.
In the 1990s chapter, he specifically speaks of the North Hollywood Shootout and Columbine - and shows how that if the SLA raid and North Hollywood Shootout highlighted the strengths of SWAT, Columbine arguably showed them at their worst. It was another situation almost tailor made for SWAT - and SWAT said it was too dangerous for them.
He then spends time on the Battle for Seattle and how Norm Stamper, who defended the actions at the time as Seattle's police chief, later came to call his decisions there the worst mistake of his career.
Through it all, Balko points out time and time again the truth of the old adage “give an inch and they'll take a mile”. In his last two chapters, he drives the point home repeatedly that had my grandparents at my age woken up one morning to the America I now live in, there would have been riots in the streets at how (my illustration here) Andy Mayberry had become Judge Dredd.
His recommendations for changing things are solid, though I wish he would have mentioned the organization I have worked with for the past couple of years as well as a newer offshoot - CopBlock.org and InnocentDown.org. The closest he gets is acknowledging the rise of “cop watch” sites and social media as one useful tool in holding police accountable. Through all of his recommendations, he keeps a realistic eye on how likely they are as well as pointing out simple things that could go a long way to restoring at least some balance. While he does indeed address the police culture in at least one of the recommendations, by and large his recommendations all center around the overall theme of changing bad policy.
IMHO, every American citizen needs to read, comprehend, and take action on this book's recommendations. Together, we can save ourselves, our families, our communities, and complete strangers we'll never meet on this earth. As cops like to say so often, if it saves a single life, it is worth it.
Fundamentally Flawed, But With Some Good Points And Multitudinous Evidence. Overall, Alexander's work has some good points - mostly when it concerns examining the United States' mass incarceration system as a whole. Its fundamental fatal flaw however its its central tenet- that this mass incarceration system is a system of racial, rather than class, control. But at least Alexander documents her case well, even when only citing evidence from a particular strain of thought that happens to agree with her own. Worth reading - highly recommended even - for the examination of the mass incarceration system and its effects as a whole , but severely hampered in its attempts to portray the system as “just another way to keep the black man down”. In that central tenet, it does its greatest disservice to showing the full monstrosity that is the US mass incarceration system.
Fundamentally Flawed, But With Some Good Points And Multitudinous Evidence. Overall, Alexander's work has some good points - mostly when it concerns examining the United States' mass incarceration system as a whole. Its fundamental fatal flaw however its its central tenet- that this mass incarceration system is a system of racial, rather than class, control. But at least Alexander documents her case well, even when only citing evidence from a particular strain of thought that happens to agree with her own. Worth reading - highly recommended even - for the examination of the mass incarceration system and its effects as a whole , but severely hampered in its attempts to portray the system as “just another way to keep the black man down”. In that central tenet, it does its greatest disservice to showing the full monstrosity that is the US mass incarceration system.
Not Your Normal Megalodon Story. Other than taking place near a trench in the Pacific Ocean, this isn't your typical Megalodon story at all. With this one, the terror takes place in an enclosed-ish island/ reef area with the trench just outside the reef, and thus the terror is a bit more immediate. Definetly an interesting take on the subgenre, and one that is perfectly safe to read when in the Atlantic or Caribbean - neither of which have ever (to my knowledge) featured a Meg story. :D
Not Your Normal Megalodon Story. Other than taking place near a trench in the Pacific Ocean, this isn't your typical Megalodon story at all. With this one, the terror takes place in an enclosed-ish island/ reef area with the trench just outside the reef, and thus the terror is a bit more immediate. Definetly an interesting take on the subgenre, and one that is perfectly safe to read when in the Atlantic or Caribbean - neither of which have ever (to my knowledge) featured a Meg story. :D
Like Great Gatsby: SLOW Start, Explosive Ending, *NOT* Neurodivergent. I tell the story often of my experience with The Great Gatbsy. Back in sophomore year of HS, it was actually assigned as summer reading before the school year. I didn't read it. Every time I tried to open it, the first chapters were just SO UTTERLY BORING that I literally couldn't keep my eyes open. Managed to bullshit through the discussion of it during my International Baccalaureate level English class that fall. Switched to a school without an IB program in Spring Semester, where now I had one of those old school even then (late 90s) slap-the-knuckles-with-a-ruler type English teachers. This lady *forced* me to read the book via making it a point to call on me to read out loud during class. She knew I HATED it, I wasn't subtle about my disdain at all, and I had a superiority complex at this new school to boot.
But god DAMN if she didn't wind up getting me through those first boring chapters, where the tale then woke up and became truly one of the great American books, particularly of its period and truly quite possibly ever.
I tell that story here because it directly applies to this book. This book is S L O W at first and utterly, completely, mind bogglingly BORING. There simply is no way around that. Even at 20% in, I was commenting on social media (without naming that I was reading this book) that it was horrible.
And then...
And then you get to the point - roughly halfway in - where you find out WHY the front half was so utterly boring.
And like Gatsby, this point turns the novel on its head and makes it a truly great book. No, it still isn't Gatbsy's level, but this is where it is going to make you *feel*. It is going to make the room so dusty you'll be verifying that the walls around you haven't suddenly collapsed, because you're going to be crying so hard during some of this next section that you're going to be snotting all over the place and finding it very difficult to breathe. Mayne manages to utterly bore your mind before absolutely DESTROYING your heart worse than a direct hit from a G2 Research RIP round would.
This back half is truly what makes the book, so fight through the boredom of the front half - it really does get so very much better.
Oh, and the neurodivergent thing; A lot of reviewers (I'm somewhere right around the 1,000th review on at least one review site) have mentioned that this book features a neurodivergent protagonist. It does not. The words "neurodivergent", "spectrum", "Autism", or even "Asberger's" are nowhere in the text of this tale, and while the front part of the book in particular (and to a slightly lesser extent the back part as well) characterize our protagonist as *stereotypically* neurodivergent, just because someone acts according to a stereotype does not mean they actually *are* whatever the stereotype is supposed to be of. Indeed, we actually get an explanation in that back half of the book that is *not* any form of actual neurodivergence so much as ... something else that is directly explained and explored (part of what makes the heart shatter so much), but which would be a spoiler to reveal here.
Overall truly a tale of two halves as far as the reader experience goes, but absolutely one you should read.
Very much recommended.
Originally posted at bookanon.com.
Like Great Gatsby: SLOW Start, Explosive Ending, *NOT* Neurodivergent. I tell the story often of my experience with The Great Gatbsy. Back in sophomore year of HS, it was actually assigned as summer reading before the school year. I didn't read it. Every time I tried to open it, the first chapters were just SO UTTERLY BORING that I literally couldn't keep my eyes open. Managed to bullshit through the discussion of it during my International Baccalaureate level English class that fall. Switched to a school without an IB program in Spring Semester, where now I had one of those old school even then (late 90s) slap-the-knuckles-with-a-ruler type English teachers. This lady *forced* me to read the book via making it a point to call on me to read out loud during class. She knew I HATED it, I wasn't subtle about my disdain at all, and I had a superiority complex at this new school to boot.
But god DAMN if she didn't wind up getting me through those first boring chapters, where the tale then woke up and became truly one of the great American books, particularly of its period and truly quite possibly ever.
I tell that story here because it directly applies to this book. This book is S L O W at first and utterly, completely, mind bogglingly BORING. There simply is no way around that. Even at 20% in, I was commenting on social media (without naming that I was reading this book) that it was horrible.
And then...
And then you get to the point - roughly halfway in - where you find out WHY the front half was so utterly boring.
And like Gatsby, this point turns the novel on its head and makes it a truly great book. No, it still isn't Gatbsy's level, but this is where it is going to make you *feel*. It is going to make the room so dusty you'll be verifying that the walls around you haven't suddenly collapsed, because you're going to be crying so hard during some of this next section that you're going to be snotting all over the place and finding it very difficult to breathe. Mayne manages to utterly bore your mind before absolutely DESTROYING your heart worse than a direct hit from a G2 Research RIP round would.
This back half is truly what makes the book, so fight through the boredom of the front half - it really does get so very much better.
Oh, and the neurodivergent thing; A lot of reviewers (I'm somewhere right around the 1,000th review on at least one review site) have mentioned that this book features a neurodivergent protagonist. It does not. The words "neurodivergent", "spectrum", "Autism", or even "Asberger's" are nowhere in the text of this tale, and while the front part of the book in particular (and to a slightly lesser extent the back part as well) characterize our protagonist as *stereotypically* neurodivergent, just because someone acts according to a stereotype does not mean they actually *are* whatever the stereotype is supposed to be of. Indeed, we actually get an explanation in that back half of the book that is *not* any form of actual neurodivergence so much as ... something else that is directly explained and explored (part of what makes the heart shatter so much), but which would be a spoiler to reveal here.
Overall truly a tale of two halves as far as the reader experience goes, but absolutely one you should read.
Very much recommended.
Originally posted at bookanon.com.
Comprehensive. Dense. Short. Slightly Lacking Bibliography. This is an utterly fascinating look at the history and current issues involving political (and thus legal) life after death, in all kinds of different ways. Some ways you have probably heard of (Wills, Advanced Directives, etc). Other ways may be new to you, including the idea of posthumous reproduction. Everything is covered in a sort of "primer" manner - we get a broad overview, a few specific examples, a decent discussion of the overall subfield... and then we're moving... and we're moving. Which is to be somewhat expected given the overall brevity of the book and just how many different posthumous topics Ginsberg manages to discuss at all.
Indeed, the only weakness here is simply that at 13% bibliography, I simply expect at least a *touch* more - even, perhaps, as low as 15% (on an already expanded window that was once 20-30%).
Beyond this particular quibble, read this book - you're going to learn a lot and have a lot to think about. I know I did and do.
Very much recommended.
Originally posted at bookanon.com.
Comprehensive. Dense. Short. Slightly Lacking Bibliography. This is an utterly fascinating look at the history and current issues involving political (and thus legal) life after death, in all kinds of different ways. Some ways you have probably heard of (Wills, Advanced Directives, etc). Other ways may be new to you, including the idea of posthumous reproduction. Everything is covered in a sort of "primer" manner - we get a broad overview, a few specific examples, a decent discussion of the overall subfield... and then we're moving... and we're moving. Which is to be somewhat expected given the overall brevity of the book and just how many different posthumous topics Ginsberg manages to discuss at all.
Indeed, the only weakness here is simply that at 13% bibliography, I simply expect at least a *touch* more - even, perhaps, as low as 15% (on an already expanded window that was once 20-30%).
Beyond this particular quibble, read this book - you're going to learn a lot and have a lot to think about. I know I did and do.
Very much recommended.
Originally posted at bookanon.com.
Taylor Swift != "Modern Day Elvis Presley"! I came into this book wanting to read about the American Government on the Fourth of July. Honestly, as an avowed Anarchist and former Libertarian Party official at both the State and local levels + 2x rural small town City Council candidate... I probably should have known better. ;)
It isn't that this book isn't illuminating nor well documented - it actually is reasonably good at both, with a bibliography clocking in at 21% of the overall text. Seriously, if you've never considered the topic of land zoning as it is practiced in the United States and how it is used to control you, your neighbors, your town, even to a slightly lesser (direct) manner your State and even the entire Country... you need to read this book.
Bronin truly does a great job of examining the history of zoning as practiced in the US, including how it came to be and why and how it has been used over the century or so since it first came into being. (Indeed, according to Bronin, the Supreme Court cases that effectively legalized the practice are still not quite a century old at either the writing of this review in early July 2024 or when the book is scheduled to be released in early October 2024.)
My issue, and I think it is objective enough (if, perhaps, barely) is that Bronin approaches this topic as a Chair of a Zoning Board who wants Zoning Boards to be even *more* active in limiting what you can do with the property that you legally own and actively encourages strategies to accomplish a very progressive agenda, including "Climate change" and mass transit theories that barely work in the extremely densely populated "Boshwash" (Boston - Washington DC) corridor she rules the aforementioned Zoning Board in - theories that could never work in the *far* less densely populated areas of South Georgia or even Central South Carolina that I've lived in, much less west of the Missisippi River where population densities (until you get to the Pacific Coast) largely truly plummet. And yes, there are *reasons* I mentioned my political background up front in this review. :)
As but an example, I point to the title of this review - at one point in this text, Ms. Bronin does in fact claim that Taylor Swift is a "modern day Elvis Presley". To be clear, if she had compared Ms. Swift to say the Beatles or the Rolling Stones or even Johnny Cash himself, that would have been a fair comparison and I would have had to find another example of where she is particularly outlandish without going into the actual details of the book (ie, spoilers). But as Ms. Swift never had to so much as register for the Draft - much less be selected by it and forced to serve in the US Military, this alone shows that Elvis was a different breed entirely. And to be clear, lest any Swifties attack this review just because of this paragraph, I'm not actually criticizing Ms. Swift. She is indeed a global phenomenon and is clearly quite talented in her own right. I am not saying otherwise or taking anything from her. I'm simply noting that for all she has done and all the fans she has, Elvis was *still* on another level from her.
Overall, read this book. Seriously. You're going to learn a lot, no matter your own political leanings or how you feel about the sanctity of private property. But "if you feel as I feel" (to quote the always amazing V for Vendetta), know there will be many points you will want to defenestrate this book forthwith and from the highest available window. But unless you've had the experience of myself or Ms. Bronin or the admittedly *numerous* people like us who *have* actively dealt with zoning boards at some direct level before... you really are going to learn some things here. Clearly, even *I* learned a few things here myself, even *with* a few years of directly relevant experience.
Recommended.
Originally posted at bookanon.com.
Taylor Swift != "Modern Day Elvis Presley"! I came into this book wanting to read about the American Government on the Fourth of July. Honestly, as an avowed Anarchist and former Libertarian Party official at both the State and local levels + 2x rural small town City Council candidate... I probably should have known better. ;)
It isn't that this book isn't illuminating nor well documented - it actually is reasonably good at both, with a bibliography clocking in at 21% of the overall text. Seriously, if you've never considered the topic of land zoning as it is practiced in the United States and how it is used to control you, your neighbors, your town, even to a slightly lesser (direct) manner your State and even the entire Country... you need to read this book.
Bronin truly does a great job of examining the history of zoning as practiced in the US, including how it came to be and why and how it has been used over the century or so since it first came into being. (Indeed, according to Bronin, the Supreme Court cases that effectively legalized the practice are still not quite a century old at either the writing of this review in early July 2024 or when the book is scheduled to be released in early October 2024.)
My issue, and I think it is objective enough (if, perhaps, barely) is that Bronin approaches this topic as a Chair of a Zoning Board who wants Zoning Boards to be even *more* active in limiting what you can do with the property that you legally own and actively encourages strategies to accomplish a very progressive agenda, including "Climate change" and mass transit theories that barely work in the extremely densely populated "Boshwash" (Boston - Washington DC) corridor she rules the aforementioned Zoning Board in - theories that could never work in the *far* less densely populated areas of South Georgia or even Central South Carolina that I've lived in, much less west of the Missisippi River where population densities (until you get to the Pacific Coast) largely truly plummet. And yes, there are *reasons* I mentioned my political background up front in this review. :)
As but an example, I point to the title of this review - at one point in this text, Ms. Bronin does in fact claim that Taylor Swift is a "modern day Elvis Presley". To be clear, if she had compared Ms. Swift to say the Beatles or the Rolling Stones or even Johnny Cash himself, that would have been a fair comparison and I would have had to find another example of where she is particularly outlandish without going into the actual details of the book (ie, spoilers). But as Ms. Swift never had to so much as register for the Draft - much less be selected by it and forced to serve in the US Military, this alone shows that Elvis was a different breed entirely. And to be clear, lest any Swifties attack this review just because of this paragraph, I'm not actually criticizing Ms. Swift. She is indeed a global phenomenon and is clearly quite talented in her own right. I am not saying otherwise or taking anything from her. I'm simply noting that for all she has done and all the fans she has, Elvis was *still* on another level from her.
Overall, read this book. Seriously. You're going to learn a lot, no matter your own political leanings or how you feel about the sanctity of private property. But "if you feel as I feel" (to quote the always amazing V for Vendetta), know there will be many points you will want to defenestrate this book forthwith and from the highest available window. But unless you've had the experience of myself or Ms. Bronin or the admittedly *numerous* people like us who *have* actively dealt with zoning boards at some direct level before... you really are going to learn some things here. Clearly, even *I* learned a few things here myself, even *with* a few years of directly relevant experience.
Recommended.
Originally posted at bookanon.com.
Slow Start Leads To Rollercoaster Twists. This is one of those books that starts out almost disaster movie slow. Other than the prologue that reveals an intriguing setup, a lot of the front of the book is solid enough in slowly building tension in an idyllic setting. But it really is more the back half, or maybe even the last third, of the book where it seems to become more of a cat and mouse, what the hell is going on, who can the reader actually trust kind of tale, one that ends with a deliciously ambiguous ending that would be intriguing to see a follow up to - IF Ms. Wood can manage to replicate the almost lightning in a bottle feel she has going on here, particularly through the last bit of the book.
Ultimately, this tale won't be for everyone, for a variety of reasons. But if you're looking for an interesting tale in a beautiful location and aren't averse to a fair amount of onscreen sex (and not always exactly of the missionary-position-only-with-lights-off variety), this may be a book for you.
Very much recommended.
Originally posted at bookanon.com.
Slow Start Leads To Rollercoaster Twists. This is one of those books that starts out almost disaster movie slow. Other than the prologue that reveals an intriguing setup, a lot of the front of the book is solid enough in slowly building tension in an idyllic setting. But it really is more the back half, or maybe even the last third, of the book where it seems to become more of a cat and mouse, what the hell is going on, who can the reader actually trust kind of tale, one that ends with a deliciously ambiguous ending that would be intriguing to see a follow up to - IF Ms. Wood can manage to replicate the almost lightning in a bottle feel she has going on here, particularly through the last bit of the book.
Ultimately, this tale won't be for everyone, for a variety of reasons. But if you're looking for an interesting tale in a beautiful location and aren't averse to a fair amount of onscreen sex (and not always exactly of the missionary-position-only-with-lights-off variety), this may be a book for you.
Very much recommended.
Originally posted at bookanon.com.
For Some Reason I'm Having A Tough Time Writing This Review. I finished this book 5 days ago as I write this review. I've read three other books (that I also need to write reviews for) since then, and for some reason there's just nothing flowing for this book.
To be clear, there is nothing technically wrong with this book. It is solid, with perhaps a misstep or two.
I think what it comes down to, for me, is that the most interesting question in the description: "That is…if Julia truly is a person." doesn't really feel as explored as I think I wanted it to be. And I don't know if that is on me as the reader or Satterthwaite as the writer. I don't know if it was that I was wanting a harder probe or harder questions or more forceful thinking on the subject or some such, or if Satterthwaite really did do more telling than showing or perhaps not enough telling to make me really think deeply philosophically as maybe I was hoping to be forced to or what.
Ultimately, more time was absolutely spent of the murder mystery/ reality TV side of the tale than the synth side, even as the synth side plays key roles and is genuinely interwoven with the other components of the tale. So if you're looking for a more reality TV/ murder mystery tale than a scifi synth tale... yeah, this one may work better for you.
Perhaps most damning, particularly for a debut - although perhaps one that was never meant as a series starter - is that I'm also not sure whether I would want to come back to this world or not. I'm sure that I think Satterthwaite has done enough here that I'm willing to read the next book and see if she grows as a storyteller with more experience, I'm just not sure with what she leaves us with here if I necessarily want to come back *here*. Although if that is in fact where her sophomore effort brings us, I'm absolutely going to be back for the ride.
So read the book for yourself, reader of my review. And maybe tag me in your own review so I can see if my own questions are *me* or if others are having similar difficulties with this book?
Recommended.
Originally posted at bookanon.com.
For Some Reason I'm Having A Tough Time Writing This Review. I finished this book 5 days ago as I write this review. I've read three other books (that I also need to write reviews for) since then, and for some reason there's just nothing flowing for this book.
To be clear, there is nothing technically wrong with this book. It is solid, with perhaps a misstep or two.
I think what it comes down to, for me, is that the most interesting question in the description: "That is…if Julia truly is a person." doesn't really feel as explored as I think I wanted it to be. And I don't know if that is on me as the reader or Satterthwaite as the writer. I don't know if it was that I was wanting a harder probe or harder questions or more forceful thinking on the subject or some such, or if Satterthwaite really did do more telling than showing or perhaps not enough telling to make me really think deeply philosophically as maybe I was hoping to be forced to or what.
Ultimately, more time was absolutely spent of the murder mystery/ reality TV side of the tale than the synth side, even as the synth side plays key roles and is genuinely interwoven with the other components of the tale. So if you're looking for a more reality TV/ murder mystery tale than a scifi synth tale... yeah, this one may work better for you.
Perhaps most damning, particularly for a debut - although perhaps one that was never meant as a series starter - is that I'm also not sure whether I would want to come back to this world or not. I'm sure that I think Satterthwaite has done enough here that I'm willing to read the next book and see if she grows as a storyteller with more experience, I'm just not sure with what she leaves us with here if I necessarily want to come back *here*. Although if that is in fact where her sophomore effort brings us, I'm absolutely going to be back for the ride.
So read the book for yourself, reader of my review. And maybe tag me in your own review so I can see if my own questions are *me* or if others are having similar difficulties with this book?
Recommended.
Originally posted at bookanon.com.
Great Story of Baseball and Life. In this tale the author picks up on a hometown hero who died just as the author was beginning to play baseball himself, but whom he never heard of until many years later. The author uses a combination of real and fiction to paint a stunning portrait of a man, a place, a time, and a sport. I read this book on Major League Baseball's Opening Weekend 2019, and this fall at the World Series will be the century mark of the infamous Black Sox scandal that saw “Shoeless” Joe Jackson banned from the sport he loved for the rest of his life. The story picks up in the final year of Joe's real life, when he is living in relative anonymity many years after the scandal and indeed after years of depression and war that largely allowed Joe to fade into history. But here we find a young boy with a talent for baseball stuck in the morass of textile mill life in the post-War period in the South. The villain, played by son of a carpetbagger who resents the life he has been dealt and has dreams of returning to both baseball and the North, is written superbly. This book is so richly textured that it resembles some of the complex fabrics coming out of the region at the time, with some scenes reminiscent of the sweeping shots used in some major movies now. Simply an outstanding book about a truly phenomenal man, and one that left this reader in tears. If you're a fan of baseball at all, read this book - it is at least as good as any baseball movie ever, including Field of Dreams. If you want to have a better idea of what life was like in Jim Crowe South, read this book - it has a great depiction of that too. If you just want a solid story of hope, forgiveness, and love - of people, life, and the game - read this book. You won't be disappointed.
Great Story of Baseball and Life. In this tale the author picks up on a hometown hero who died just as the author was beginning to play baseball himself, but whom he never heard of until many years later. The author uses a combination of real and fiction to paint a stunning portrait of a man, a place, a time, and a sport. I read this book on Major League Baseball's Opening Weekend 2019, and this fall at the World Series will be the century mark of the infamous Black Sox scandal that saw “Shoeless” Joe Jackson banned from the sport he loved for the rest of his life. The story picks up in the final year of Joe's real life, when he is living in relative anonymity many years after the scandal and indeed after years of depression and war that largely allowed Joe to fade into history. But here we find a young boy with a talent for baseball stuck in the morass of textile mill life in the post-War period in the South. The villain, played by son of a carpetbagger who resents the life he has been dealt and has dreams of returning to both baseball and the North, is written superbly. This book is so richly textured that it resembles some of the complex fabrics coming out of the region at the time, with some scenes reminiscent of the sweeping shots used in some major movies now. Simply an outstanding book about a truly phenomenal man, and one that left this reader in tears. If you're a fan of baseball at all, read this book - it is at least as good as any baseball movie ever, including Field of Dreams. If you want to have a better idea of what life was like in Jim Crowe South, read this book - it has a great depiction of that too. If you just want a solid story of hope, forgiveness, and love - of people, life, and the game - read this book. You won't be disappointed.
Added to listOwnedwith 33 books.
Interesting And Comprehensive Examination Marred By Leftist Ideology. If you can overlook (or if you like) the *frequent* bigotries against "males", "white males", and/ or "rich white males" and if you agree with Greta Thunberg re: "Climate" "Change" (or whatever the hell they're calling it now as you read this review), you're going to love this book. The star deduction comes specifically because of such slanted "reporting". (I read the Audible version of this book and thus can't comment on the length of its bibliography one way or another.)
If the above doesn't apply to you, you should read this book anyway.
Because when it stays on subject about the efforts to map the seas and specifically the deepest parts of them, both cutting edge and throughout history, this book actually is quite good. Tretheway manages to show both the necessity of the effort and just how dangerous it can be in both academic and very real senses, along with all of the problems associated with having the data or not as well as gathering the data in the first place. Along the way we're going to encounter quite a few legendary people, some truly globally famous even well outside their exploratory regions, others famous only within very narrow, sometimes quite niche, fields - but famous nonetheless. She manages to make the reader care about both the historic exploration and the current efforts, up to and including even using AI drones to get data humans otherwise can't easily obtain. And all of this is quite remarkable indeed.
It is simply a shame that she had to integrate so much bigotry into this reporting - it truly could have been a truly remarkable work otherwise. And yet, the tale as written is still strong enough even with the integrated bigotry to still warrant a read by truly everyone remotely interested in the oceans for any reason.
Recommended.
Originally posted at bookanon.com.
Interesting And Comprehensive Examination Marred By Leftist Ideology. If you can overlook (or if you like) the *frequent* bigotries against "males", "white males", and/ or "rich white males" and if you agree with Greta Thunberg re: "Climate" "Change" (or whatever the hell they're calling it now as you read this review), you're going to love this book. The star deduction comes specifically because of such slanted "reporting". (I read the Audible version of this book and thus can't comment on the length of its bibliography one way or another.)
If the above doesn't apply to you, you should read this book anyway.
Because when it stays on subject about the efforts to map the seas and specifically the deepest parts of them, both cutting edge and throughout history, this book actually is quite good. Tretheway manages to show both the necessity of the effort and just how dangerous it can be in both academic and very real senses, along with all of the problems associated with having the data or not as well as gathering the data in the first place. Along the way we're going to encounter quite a few legendary people, some truly globally famous even well outside their exploratory regions, others famous only within very narrow, sometimes quite niche, fields - but famous nonetheless. She manages to make the reader care about both the historic exploration and the current efforts, up to and including even using AI drones to get data humans otherwise can't easily obtain. And all of this is quite remarkable indeed.
It is simply a shame that she had to integrate so much bigotry into this reporting - it truly could have been a truly remarkable work otherwise. And yet, the tale as written is still strong enough even with the integrated bigotry to still warrant a read by truly everyone remotely interested in the oceans for any reason.
Recommended.
Originally posted at bookanon.com.
Sociopathy vs Psychopathy vs Revenge. If the first "Mrs Parrish" book was a study in psycopathy vs sociopathy with a "normal" person caught in the middle - and it was -, this one is in some ways more of the same, but with the added twist of adding a new character who is just as cunning as both the sociopath and the psychopath, but a more 'normal' person with the added motivation of pure revenge.
Thus, the action tends to be just as despicable here as in the first book, and for that reason many who did not like the first one may in fact not like this one either - so if that is you, seriously, just spare the author the 1* review and skip this one.
But for those who are willing to endure the despicable acts knowing that this book *is* more revenge focused and *does* have some significant (and seeming conclusive, for at least some of the players involved) payoffs... this book is actually quite delicious. Where the first one was more slow and methodical, this one almost seems like a director who has only now learned about quick scene cutting, particularly relative to just how slow the first book was. Almost like an old school, plodding, hours long chess match... and then the next match is over in a brilliant storm of lightning. Not one that will necessarily leave you breathless, but absolutely one where you begin to wonder just how much you've seen and how fast you've seen it. Particularly, again, after the utterly glacial pace of the first book.
Whereas the first book had almost no redeemable qualities about almost none of the characters, here we do get to have a bit more sympathy for at least some of the characters, and that alone will make this book better than the first one for some readers - but you absolutely have to read the first book to be able to fully understand this book.
Ultimately, this was truly well done, and some parts of the ending were truly delicious indeed given all that had happened to that point.
Very much recommended.
Originally posted at bookanon.com.
Sociopathy vs Psychopathy vs Revenge. If the first "Mrs Parrish" book was a study in psycopathy vs sociopathy with a "normal" person caught in the middle - and it was -, this one is in some ways more of the same, but with the added twist of adding a new character who is just as cunning as both the sociopath and the psychopath, but a more 'normal' person with the added motivation of pure revenge.
Thus, the action tends to be just as despicable here as in the first book, and for that reason many who did not like the first one may in fact not like this one either - so if that is you, seriously, just spare the author the 1* review and skip this one.
But for those who are willing to endure the despicable acts knowing that this book *is* more revenge focused and *does* have some significant (and seeming conclusive, for at least some of the players involved) payoffs... this book is actually quite delicious. Where the first one was more slow and methodical, this one almost seems like a director who has only now learned about quick scene cutting, particularly relative to just how slow the first book was. Almost like an old school, plodding, hours long chess match... and then the next match is over in a brilliant storm of lightning. Not one that will necessarily leave you breathless, but absolutely one where you begin to wonder just how much you've seen and how fast you've seen it. Particularly, again, after the utterly glacial pace of the first book.
Whereas the first book had almost no redeemable qualities about almost none of the characters, here we do get to have a bit more sympathy for at least some of the characters, and that alone will make this book better than the first one for some readers - but you absolutely have to read the first book to be able to fully understand this book.
Ultimately, this was truly well done, and some parts of the ending were truly delicious indeed given all that had happened to that point.
Very much recommended.
Originally posted at bookanon.com.
Romeo And Juliet. But Lesbian. With Mob Families. In Boston. Without Suicide. Seriously, that's most of what there is to this book, without going too deep into spoiler territory (as many other reviews have done, to my mind). Will this book be a Shakespeare level classic, nearly single handedly redefining literature for centuries to come? No. Is it an interesting spin on a tale that *did* do that? Yes. And honestly, for that reason alone it is one you should read.
Now, one flaw here that didn't quite raise to the level of a star deduction, but does deserve to be mentioned, is the casual misandry of the text. It is one thing to be a feminist and want equal treatment for both sexes - an ideal I too share. But when you go so far as to be so overtly bigoted against either sex... you've stepped too far, and this book does that a fair amount. Again, not so pervasive as to warrant a star deduction, but often enough that a discussion in the review is warranted.
Overall, an interesting spin on a beloved classic that does enough blending of classic tale and modern stylings to be entertaining on both levels. Very much recommended.
Originally posted at bookanon.com.
Romeo And Juliet. But Lesbian. With Mob Families. In Boston. Without Suicide. Seriously, that's most of what there is to this book, without going too deep into spoiler territory (as many other reviews have done, to my mind). Will this book be a Shakespeare level classic, nearly single handedly redefining literature for centuries to come? No. Is it an interesting spin on a tale that *did* do that? Yes. And honestly, for that reason alone it is one you should read.
Now, one flaw here that didn't quite raise to the level of a star deduction, but does deserve to be mentioned, is the casual misandry of the text. It is one thing to be a feminist and want equal treatment for both sexes - an ideal I too share. But when you go so far as to be so overtly bigoted against either sex... you've stepped too far, and this book does that a fair amount. Again, not so pervasive as to warrant a star deduction, but often enough that a discussion in the review is warranted.
Overall, an interesting spin on a beloved classic that does enough blending of classic tale and modern stylings to be entertaining on both levels. Very much recommended.
Originally posted at bookanon.com.
Story Tries Hard But *Just* Misses + Story/ Cover Mismatch. This is one of those reviews where the review and rating may not seem to align, because for the vast majority of this book, I thought it was pretty damn good. It does a LOT - even more than similar Soraya M. Lane books usually do - and *for the most part*, it does those things quite well. We've got a romance tale in the 2000s era New England that alternates between 2022 (current) and 2008 (the halcyon summer where the couple first fell in love). We've got a historical fiction tale that alternates between the 1952 Great Cairo Fire/ Black Saturday period and early WWII period. Either one of those tales could be an entire book in and of itself, and yet we've also got a 23 And Me type DNA mystery that links the two (and which admittedly is a spoiler mentioning, sorry). I've read many entire books that would use any one of those three elements to tell an entire tale, and yet we get all three tales in one book here. And *for the most part*, it all works.
Where it fails, and the cause of the first star deduction, is that the climax of the Cairo tale is rushed and its fallout effectively buried in service of the New England romance and 23 And Me mystery. This book could have been *so much more* with maybe as little as 10 extra pages flushing out the Cairo tale in 1952 rather than the 2022 manner in which we get that information, and I think this is a close enough to objective opinion to merit a star deduction here.
The other star deduction is one I don't encounter often, but *have* done a time or two before, and is warranted here for the same reasons I've used it before - the stories told here and the cover as it exists at publication (June 25, 2024) do not match. At all. The 1952 tale in Cairo -the era this cover screams to me - doesn't really have even a pool scene at all, much less one involving a diving board. Even the 2000s era tales don't actually involve any real pool activity, again particularly with a diving board. There are some ocean/ beach scenes that play key roles, but that isn't what this cover evokes. Even in tone, this cover leads the reader to believe that this will be some 1950s era glam tale of some form... and it isn't, not really. Yes, the Cairo tale is played as "exotic"... but that isn't the tone I get from this cover.
So a lot of words, maybe too many words, to say that you really do need - as one 2* reviewer also noted - to read the description of the book to really know what you're getting into here, and judging this book by its (admittedly great looking, in and of itself) cover may get you into a bit of a letdown situation with this particular book.
Overall, I actually really, really enjoyed this book. I thought it did a lot, and for the most part did well on damn near all of it. It simply lacked execution in a final detail and needed a cover that ties to the story more than the current one does.
Very much recommended.
Originally posted at bookanon.com.
Story Tries Hard But *Just* Misses + Story/ Cover Mismatch. This is one of those reviews where the review and rating may not seem to align, because for the vast majority of this book, I thought it was pretty damn good. It does a LOT - even more than similar Soraya M. Lane books usually do - and *for the most part*, it does those things quite well. We've got a romance tale in the 2000s era New England that alternates between 2022 (current) and 2008 (the halcyon summer where the couple first fell in love). We've got a historical fiction tale that alternates between the 1952 Great Cairo Fire/ Black Saturday period and early WWII period. Either one of those tales could be an entire book in and of itself, and yet we've also got a 23 And Me type DNA mystery that links the two (and which admittedly is a spoiler mentioning, sorry). I've read many entire books that would use any one of those three elements to tell an entire tale, and yet we get all three tales in one book here. And *for the most part*, it all works.
Where it fails, and the cause of the first star deduction, is that the climax of the Cairo tale is rushed and its fallout effectively buried in service of the New England romance and 23 And Me mystery. This book could have been *so much more* with maybe as little as 10 extra pages flushing out the Cairo tale in 1952 rather than the 2022 manner in which we get that information, and I think this is a close enough to objective opinion to merit a star deduction here.
The other star deduction is one I don't encounter often, but *have* done a time or two before, and is warranted here for the same reasons I've used it before - the stories told here and the cover as it exists at publication (June 25, 2024) do not match. At all. The 1952 tale in Cairo -the era this cover screams to me - doesn't really have even a pool scene at all, much less one involving a diving board. Even the 2000s era tales don't actually involve any real pool activity, again particularly with a diving board. There are some ocean/ beach scenes that play key roles, but that isn't what this cover evokes. Even in tone, this cover leads the reader to believe that this will be some 1950s era glam tale of some form... and it isn't, not really. Yes, the Cairo tale is played as "exotic"... but that isn't the tone I get from this cover.
So a lot of words, maybe too many words, to say that you really do need - as one 2* reviewer also noted - to read the description of the book to really know what you're getting into here, and judging this book by its (admittedly great looking, in and of itself) cover may get you into a bit of a letdown situation with this particular book.
Overall, I actually really, really enjoyed this book. I thought it did a lot, and for the most part did well on damn near all of it. It simply lacked execution in a final detail and needed a cover that ties to the story more than the current one does.
Very much recommended.
Originally posted at bookanon.com.
Added to listARCs Currently TBRwith 45 books.
Added to listSummer 2024 Reading Listwith 54 books.
Added to listARCs Currently TBRwith 43 books.
Solid Series Starter. This has pretty much everything one would want in a family based PI / police procedural type drama series starter. Complicated family dynamics, a compelling case - where in this particular instance (series?) family members find themselves on different sides of the case -, an interesting mystery, and the storytelling to put it all together quite well indeed.
As is typical of such a series, this is clearly going to be a "freak of the week" type with an overall lore and mythos, and both look to be compelling going forward.
Fans of the genre generally will find a lot to like here, and those who haven't really dabbled in this kind of tale before will also find a lot to like that could potentially bring in new fans.
Ultimately, this is one of those series starter books that does everything it needs to do and does it all quite well.
Very much recommended.
Originally posted at bookanon.com.
Solid Series Starter. This has pretty much everything one would want in a family based PI / police procedural type drama series starter. Complicated family dynamics, a compelling case - where in this particular instance (series?) family members find themselves on different sides of the case -, an interesting mystery, and the storytelling to put it all together quite well indeed.
As is typical of such a series, this is clearly going to be a "freak of the week" type with an overall lore and mythos, and both look to be compelling going forward.
Fans of the genre generally will find a lot to like here, and those who haven't really dabbled in this kind of tale before will also find a lot to like that could potentially bring in new fans.
Ultimately, this is one of those series starter books that does everything it needs to do and does it all quite well.
Very much recommended.
Originally posted at bookanon.com.
Aspiring Autistic Author Accomplishes Astounding Act of Adoration. Ok, so that was a very painful and forced alliteration by an Autistic reviewer that actually gives an idea of what this book may be like for at least some non-Autistic readers.
Personally, I found that most of this book worked quite well - it does in fact have the far-too-common tacked on baby-in-epilogue that always leaves a sour "aftertaste" for me when the book never really mentioned even wanting kids in its overall story, but other than this quibble the book actually does work well as a story of both finding oneself and rediscovering the love one had for one's partner along the way. But part of what made it work so well - if perhaps a *touch* stereotypically - is that North worked in so many real-world examples of what life as an Autistic in the corporate world can truly be like at times, particularly as it relates to understanding others and working to be understood by them.
The emphasis on improv comedy and its "Yes, and" philosophy is a driving force in the overall narrative here and yes, perhaps is very nearly a crutch/ preachy at times about the philosophy and its purported benefits, but again, within the overall structure of the story as told... eh, *every* such story has some overarching narrative device, this one simply happens to be improv.
Overall this was a solid debut effort in the romance space, and absolutely leaves me wanting to see more from this author - which is the number one (or maybe two, after sales of this book itself) goal of any debut book. So in that regard, it did its job quite well indeed. And for those looking for "diverse reads", again, here's a neurodiverse author for you to give a shot!
Very much recommended.
Originally posted at bookanon.com.
Aspiring Autistic Author Accomplishes Astounding Act of Adoration. Ok, so that was a very painful and forced alliteration by an Autistic reviewer that actually gives an idea of what this book may be like for at least some non-Autistic readers.
Personally, I found that most of this book worked quite well - it does in fact have the far-too-common tacked on baby-in-epilogue that always leaves a sour "aftertaste" for me when the book never really mentioned even wanting kids in its overall story, but other than this quibble the book actually does work well as a story of both finding oneself and rediscovering the love one had for one's partner along the way. But part of what made it work so well - if perhaps a *touch* stereotypically - is that North worked in so many real-world examples of what life as an Autistic in the corporate world can truly be like at times, particularly as it relates to understanding others and working to be understood by them.
The emphasis on improv comedy and its "Yes, and" philosophy is a driving force in the overall narrative here and yes, perhaps is very nearly a crutch/ preachy at times about the philosophy and its purported benefits, but again, within the overall structure of the story as told... eh, *every* such story has some overarching narrative device, this one simply happens to be improv.
Overall this was a solid debut effort in the romance space, and absolutely leaves me wanting to see more from this author - which is the number one (or maybe two, after sales of this book itself) goal of any debut book. So in that regard, it did its job quite well indeed. And for those looking for "diverse reads", again, here's a neurodiverse author for you to give a shot!
Very much recommended.
Originally posted at bookanon.com.
Sociopathy vs Psychopathy vs Revenge. If the first "Mrs Parrish" book was a study in psycopathy vs sociopathy with a "normal" person caught in the middle - and it was -, this one is in some ways more of the same, but with the added twist of adding a new character who is just as cunning as both the sociopath and the psychopath, but a more 'normal' person with the added motivation of pure revenge.
Thus, the action tends to be just as despicable here as in the first book, and for that reason many who did not like the first one may in fact not like this one either - so if that is you, seriously, just spare the author the 1* review and skip this one.
But for those who are willing to endure the despicable acts knowing that this book *is* more revenge focused and *does* have some significant (and seeming conclusive, for at least some of the players involved) payoffs... this book is actually quite delicious. Where the first one was more slow and methodical, this one almost seems like a director who has only now learned about quick scene cutting, particularly relative to just how slow the first book was. Almost like an old school, plodding, hours long chess match... and then the next match is over in a brilliant storm of lightning. Not one that will necessarily leave you breathless, but absolutely one where you begin to wonder just how much you've seen and how fast you've seen it. Particularly, again, after the utterly glacial pace of the first book.
Whereas the first book had almost no redeemable qualities about almost none of the characters, here we do get to have a bit more sympathy for at least some of the characters, and that alone will make this book better than the first one for some readers - but you absolutely have to read the first book to be able to fully understand this book.
Ultimately, this was truly well done, and some parts of the ending were truly delicious indeed given all that had happened to that point.
Very much recommended.
Originally posted at bookanon.com.
Sociopathy vs Psychopathy vs Revenge. If the first "Mrs Parrish" book was a study in psycopathy vs sociopathy with a "normal" person caught in the middle - and it was -, this one is in some ways more of the same, but with the added twist of adding a new character who is just as cunning as both the sociopath and the psychopath, but a more 'normal' person with the added motivation of pure revenge.
Thus, the action tends to be just as despicable here as in the first book, and for that reason many who did not like the first one may in fact not like this one either - so if that is you, seriously, just spare the author the 1* review and skip this one.
But for those who are willing to endure the despicable acts knowing that this book *is* more revenge focused and *does* have some significant (and seeming conclusive, for at least some of the players involved) payoffs... this book is actually quite delicious. Where the first one was more slow and methodical, this one almost seems like a director who has only now learned about quick scene cutting, particularly relative to just how slow the first book was. Almost like an old school, plodding, hours long chess match... and then the next match is over in a brilliant storm of lightning. Not one that will necessarily leave you breathless, but absolutely one where you begin to wonder just how much you've seen and how fast you've seen it. Particularly, again, after the utterly glacial pace of the first book.
Whereas the first book had almost no redeemable qualities about almost none of the characters, here we do get to have a bit more sympathy for at least some of the characters, and that alone will make this book better than the first one for some readers - but you absolutely have to read the first book to be able to fully understand this book.
Ultimately, this was truly well done, and some parts of the ending were truly delicious indeed given all that had happened to that point.
Very much recommended.
Originally posted at bookanon.com.
Slow Burn Examination Of Sociopathy vs Psychopathy. Have you ever wanted to read a fairly slow, in depth, rather brutal look at what happens when a psychopath and a sociopath cross paths... and someone else is caught in the middle?
Well, then I have the book for you!
I'd owned this book for quite some time before finally reading it as its sequel, The Next Mrs. Parrish, was released - directly in preparation to read *that* book as an Advance Review Copy. While normally I do recommend that people go ahead and start series books early.... in my defense, I thought I *had* read this one a while back before realizing I hadn't. :)
This noted, any readers new to this series will be glad that the sequel is out now, as with the particular manner that this one ends... having the next one readily at hand was actually a great thing indeed.
Just, again, be warned that this is a S L O W book, where even the twists can seemingly take a few dozen pages to reveal themselves. And in the end, virtually *no one* looks overly great *and* there is quite a bit of abuse and other injustices discussed and actively shown. So if darker books aren't your thing... may want to rethink this one.
In the end though, this really was a fun book that I'm glad I finally read.
Recommended.
Originally posted at bookanon.com.
Slow Burn Examination Of Sociopathy vs Psychopathy. Have you ever wanted to read a fairly slow, in depth, rather brutal look at what happens when a psychopath and a sociopath cross paths... and someone else is caught in the middle?
Well, then I have the book for you!
I'd owned this book for quite some time before finally reading it as its sequel, The Next Mrs. Parrish, was released - directly in preparation to read *that* book as an Advance Review Copy. While normally I do recommend that people go ahead and start series books early.... in my defense, I thought I *had* read this one a while back before realizing I hadn't. :)
This noted, any readers new to this series will be glad that the sequel is out now, as with the particular manner that this one ends... having the next one readily at hand was actually a great thing indeed.
Just, again, be warned that this is a S L O W book, where even the twists can seemingly take a few dozen pages to reveal themselves. And in the end, virtually *no one* looks overly great *and* there is quite a bit of abuse and other injustices discussed and actively shown. So if darker books aren't your thing... may want to rethink this one.
In the end though, this really was a fun book that I'm glad I finally read.
Recommended.
Originally posted at bookanon.com.