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'Gibson is having tremendous fun' Independent -------------- THE THIRD NOVEL IN THE BLUE ANT TRILIOGY - READ PATTERN RECOGNITION AND SPOOK COUNTRY FOR MORE Hubertus Bigend, the Machiavellian head of global ad-agency Blue Ant, wants to uncover the maker of an obscurely fashionable denim that is taking subculture by storm. Ex-musician Henry Hollis knows nothing about fashion, but Bigend decides she is the woman for the job anyway. Soon, though, it becomes clear that Bigend's interest in underground labels might have sinister applications. Powerful parties, who'll do anything to get what they want, are showing their hand. And Hollis is about to find herself in the crossfire. A gripping spy thriller by William Gibson, bestselling author of Neuromancer. Part prophesy, part satire, Zero History skewers the absurdity of modern life with the lightest and most engaging of touches. Readers of Neal Stephenson, Ray Bradbury and Iain M. Banks won't be able to put this book down. -------------- 'An ideas-swarm, coated with a hipster glaze' Herald 'Gibson's writing is thrillingly tight' New York Times Book Review
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3 primary booksBlue Ant is a 3-book series with 3 released primary works first released in 2003 with contributions by William Gibson.
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The third in Gibson's Blue Ant Trilogy (after Pattern Recognition & Spook Country) is a curiously flat affair. Once again we have ex-rock star Hollis Henry being employed by über-advertising chief Hubertus Bigend (yes, I know), this time to track down the secretive designer of a “secret brand” of clothes called The Gabriel Hounds. Ex-addict Milgrim, one of Bigend's pet projects, is a sort of cool-hunter assigned to accompany Henry on the hunt. There's ex-special forces, secret military contracts, rumours of a coup at Blue Ant....and the usual Gibson obsessions with cutting edge technology: drones, surveillance techniques.
But it all comes across as a bit of a mish-mash. The “secret brand” McGuffin sort of fizzles out. Characters get moved around like chess pieces but to no real advancement of the plot. Bigend is his usual godlike self, apparently on the verge of moving to “another level', but again this is never really explained properly.
But worst of all, for what is ostensibly a techno-thriller, it is slow. The book drags. The detailed descriptions of hotel rooms pall after a while. The resolution is too neat and its all a bit “Oh, is that it?”.
The first book in the trilogy, Pattern Recognition, was engaging and probably the best of the three, but overall these have been a disappointment after the Cyberspace and Bridge trilogies.
I'm hoping Gibson's new book, The Peripheral, touted as his return to Science Fiction, lives up to the hype, because on top form he's a great writer.
Gibson is my favorite author. I got quite a ways into this book feeling like it was missing something that was inherently Gibson. The final third of the book springs to life and I found what I'd been missing: The weird uses for high tech, the something's-going-down vibe, characters coming together in cool and unexpected ways and some wild ideas. What I'm saying is, stick with the book. It pays off.
William Gibson palaa Spook Countryn ja Pattern Recognitionin henkilöihin. Zero Historyn päähenkilönä on entinen rokkitähti Hollis Henry, joka jatkaa edelleen hieman vastahakoista yhteistyötään Blue Ant -mainosyhtiön ja sen johtajan Hubertus Bigendin kanssa.
Tällä kertaa Henryn tehtävänä on selvittää, kuka on mystisen Gabriel Hounds -farkkumerkin taustalla. Kyseessä on salainen brändi, josta liikkuu vain huhuja. Henry saa kuitenkin kiinni brändistä ja lähtee selvittämään, mistä on kyse.
Spook Countryn sympaattinen sivuhahmo Milgrim on saanut hänkin töitä Bigendiltä ja ennen kaikkea Bigendin kustantaman huumevieroituksen baselilaisella klinikalla. Milgrim jatkaa palloilua ja tarkkasilmäistä havainnointia ja kehittyy varsin mainioksi tyypiksi, itse ainakin pidin Milgrimistä kovasti.
Zero Historyn juoni on vähän epämääräinen, eikä erityisen vetävä — lopussa kirja sentään saa vähän vauhtia. Kirja on muuten kiinnostavaa ideoiden kirjallisuutta, jossa lukijaa pommitetaan gibsonmaiseen tyyliin notkealla kielenkäytöllä ja mielenkiintoisilla viittauksilla. Ilmapingviineillä, esimerkiksi. Tarkkaa huomiota saavat monenlaiset kiehtovat yksityiskohdat.
Kaikin puolin mielenkiintoinen kirja, siis. Suositellaan uusista vaikutteista ja ideoista kiinnostuneille, mutta Pattern Recognitionista kannattaa aloittaa. (17.11.2010)