Ratings6
Average rating3.2
A unique work of 20th Century prose following the epic power struggle and conflict between two peoples, the Demons and the Witches. Pre-dating the much better known works of Tolkein, it involves quests and battles on land and sea, heroic acts and deceits, love, lust and infidelity; all in settings so lavishly and extravagantly described as to stretch even the most vivid imagination.
Although this work has been described as 'flawed' by many critics, because of a few minor glitches, if read with an open mind, and heart, it will transport the reader to realms of delight of a kind few authors are able to engender in these modern, almost monosyllabic times.
To try it is most adviseable, to ignore it is to miss out on a rare treat.
Featured Series
3 primary books4 released booksThe Zimiamvian Trilogy is a 4-book series with 3 released primary works first released in 1922 with contributions by E.R. Eddison.
Reviews with the most likes.
3.5 stars, Metaphorosis reviews
Summary
Relations between Witchland and Demonland have been tense. When the sides decide to decide matters via a contest of champions, things go awry, with both sides claiming dishonesty. The result is bloody war.
Review
I first read The Worm Ouroboros a long time ago, when I was young. I remember it, then and on a later re-read, as dense and slow moving, hard to get through. Several decades on from that reading, and now over 100 years since the book was first published, not much has changed.
Ouroboros is dense, full of archaicisms, and Eddison names everything – which, without a map, is more harmful than helpful. It takes a long time to get into the book; while it's interesting enough, it's often difficult to parse the author's meaning, so intent are he and the characters on high-flown, complex, and circuitous phrasing. What's odd and impressive is that the story is engaging despite (and sometimes because of) the challenging language. It's not so much the spelling and odd tenses as the forced and artificial formality of the whole thing. And yet, we do care about the many characters. I'll note here, though, that only the nobility count – the rabble die in droves, and nobody much cares. One minor noble gets a notable role, but Eddison literally forgets about him for over a chapter, in the middle of his big adventure.
The Worm itself, I'll point out, plays only a metaphorical role, brought in at the end to round things out (so to speak). Similarly, witch and demon are just names for different nations. So far as we know, it's humans we're talking about. And mostly men; as with the commoners, women are here primarily to admire, protect, and have sex with (and sexual favor is passed around pretty readily).
The most interesting character, Gro, a committed traitor, unfortunately gets short shrift at the end; he deserved better. A cast of characters table would have been handy for keeping track of the rest; the witches, especially all seemed to have names starting with Cor-, and I found it hard to remember which was which.
I encountered this as a classic, and I think it is; this is as high as high fantasy gets. It's worth reading, but don't expect it to be easy. I've tried a few of Eddison's other books, but I'm frankly not sure that I finished them. This one I've now read at least three times, thought it does at times feel like an academic exercise.