Ratings9
Average rating3.6
A chance encounter between two lonely women leads to a passionate romance in this lesbian cult classic. Therese, a struggling young sales clerk, and Carol, a homemaker in the midst of a bitter divorce, abandon their oppressive daily routines for the freedom of the open road, where their love can blossom. But their newly discovered bliss is shattered when Carol is forced to choose between her child and her lover. Author Patricia Highsmith is best known for her psychological thrillers Strangers on a Train and The Talented Mr. Ripley. Originally published in 1952 under a pseudonym, The Price of Salt was heralded as "the novel of a love society forbids." Highsmith's sensitive treatment of fully realized characters who defy stereotypes about homosexuality marks a departure from previous lesbian pulp fiction. Erotic, eloquent, and suspenseful, this story offers an honest look at the necessity of being true to one's nature. The book is also the basis of the acclaimed 2015 film Carol, starring Cate Blanchett and Rooney Mara.
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I didn't even start the book due to the author's racist views and antisemitism. (I looked her up beforehand.)
Yes, this isn't about the book itself, though I figured others would like to know.
This review can also be found on my blog.
While this didn't end up becoming a new favorite, I was able to appreciate both the writing and the importance of the novel in history. The Price of Salt was written in the 50s and is the book that the movie Carol was based off of. What I was expecting was the development of a relationship between two women with the quietest hints of romance; what I got was a frank exploration of a young woman's blossoming sexuality.
She wished she could kiss the person in the mirror and make her come to life, yet she stood perfectly still, like a painted portrait.
The main character, Therese, is a 21-year-old sales clerk at the outset of the book. She has a boyfriend who she feels little for and hopes to make a living as a set designer for plays. While working at a toy counter in a department store, she meets Carol, who quickly changes her life. The relationship between these two women was all-consuming and a little bit frightening. Therese is quite unsure of herself and there is a layer of anxiety the reader must wade through as the novel progresses. Therese and Carol eventually embark on a road trip that only enhances their whirlwind romance.
An indefinite longing, that she had been only vaguely conscious of at times before, became now a recognizable wish.
I'll clarify here that classics and I do not always get along very well; I find the writing style in older books to be a bit more difficult to follow and think that a lot gets lost on me. It's possible that this is what happened here. I did not understand Therese's attraction to Carol, other than the fact that she was inexplicably drawn to this woman. I did not understand how she came to love Carol so deeply; to me she seemed quite cold and didn't have much going for her. While Therese was quite a sympathetic character, I found myself a little lost and didn't emotionally connect as strongly to the novel as I had hoped I would.
I feel I stand in a desert with my hands outstretched, and you are raining down upon me.
Overall, though, I do think this is worth reading. It is enjoyable to watch Therese find herself, and the book is littered with beautiful prose. Not only that, but it is refreshing to see queer women represented in literature written over 60 years ago. I have yet to see the movie, but am hoping to now that I've finally read the book that inspired it.
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