The Forever Sea
Ratings9
Average rating4.2
The first book in a new environmental epic fantasy series set in a world where ships kept afloat by magical hearthfires sail an endless grass sea. On the never-ending, miles-high expanse of prairie grasses known as the Forever Sea, Kindred Greyreach, hearthfire keeper and sailor aboard harvesting vessel The Errant, is just beginning to fit in with the crew of her new ship when she receives devastating news. Her grandmother—The Marchess, legendary captain and hearthfire keeper—has stepped from her vessel and disappeared into the sea. But the note she leaves Kindred suggests this was not an act of suicide. Something waits in the depths, and the Marchess has set out to find it. To follow in her grandmother’s footsteps, Kindred must embroil herself in conflicts bigger than she could imagine: a water war simmering below the surface of two cultures; the politics of a mythic pirate city floating beyond the edges of safe seas; battles against beasts of the deep, driven to the brink of madness; and the elusive promise of a world below the waves. Kindred finds that she will sacrifice almost everything—ship, crew, and a life sailing in the sun—to discover the truth of the darkness that waits below the Forever Sea.
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2 primary books#1 in The Forever Sea
The Forever Sea is a 2-book series with 2 released primary works first released in 2021 with contributions by Joshua Phillip Johnson.
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That cover makes me want to pin it onto my wall and stare at it forever. The book follows Kindred who is on a quest to find her grandmother, and who takes a ship over grass seas to find her. The world here is so unique and beautiful and magic, and more often than not, I was completely hooked and in awe of Johnson's voice and style. Excited for 2.
DNF - PG 9
Why?
Because of the framing device.
The story starts in the future, well past the time of the main events, from the sound of it, with a storyteller telling us the story of Kindred and the events in this book. And the storyteller has sections throughout the book (at least one I found by flipping through the pages) and one at the very end.
I do not like this conceit, there is a reason I have passed on certain other books that use this device, because I will constantly be pulled out of the story and reminded that this is a story. (Yes, I know it is, but the best stories are super immersive. I do not find this immersive.)
If I had known this was the basis for the book, I would never have attempted it - but nothing in the synopsis indicates that this is used to frame the story. Which is a shame, because the prologue was interesting and involving, until I realized what was going on. (And let's just admire that cover for a sec.)
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