The Dead Fathers Club

I picked this up because of the title alone, honestly. It's just a great title. I had no idea about the Hamlet connection until I was about a third of the way in, and then I started picking up on more of that part of it, but I think the book stands on its own, though maybe it's more fun for folks who love Hamlet.

At first I thought I might not be able to get used to the style–it's always a dicey proposition to write in the voice of an 11-year old, but I think Haig pulls it off. It can be an irritating style, but for me that only reminded me that we were all sometimes-irritating kids. The style grew on me, in particular because Haig kind of nailed what it was like to think about the world as a kid–some oversimplification, but some amazing imaginings as well. And he also manages to turn this into something of a thriller, which I suppose Hamlet is on some level. All-around enjoyable, quick read.

Apparently this is also a YA novel? Ok. I think that definition is getting so broad so as to be kind of not particularly useful...

ha még egyszer meghallom valakitől, hogy “philip? philip! philip. philip? philip?!”, akkor azt isten uccse orrba gyűröm. elképesztően idegesítő a stílusa.

Uhhhhhhh this book was written in a really weird style that is like “kids really talk and think that way” which is true but I don't want to read a whole book like that

The audiobook was EXHAUSTING to read but it is read by a Real Child

The story of an 11 year old boy after his father dies. The story uses a unique story telling device where it's told from the boys mind (or imagined diary), but the result is a stream of consciousness, littered with rule-breaking authoring techniques.

I can imagine this method coming off as forced or trite. But Haig's book manages to execute really well.

There's some vivid scenes of loss that touch my own personal childhood, remembering my own mother in the early chapters.

The boy himself believes he's being visited by his deceased father who asks him to enact revenge for his recent death.

The boy, Philip, struggles with his own confused feelings of being a boy, being 11 and starting to see more of the world, and being thrown into a new family structure. It's all too much for him.

Being inside his head you can understand his actions, and it makes me wonder about how we judge someone from the outside who behaves so oddly or “badly”.

Ultimately we're left to decide for ourselves whether the boy is really seeing ghosts, though one thing is clear by the end: he'll need counselling to get through the next 15 years.

A good, fast, little read, perfect for holiday reading.