Ratings9
Average rating3.7
Taking the fire that destroyed the Fenice theatre in 1996 as his starting point, John Berendt creates a unique and unforgettable portrait of Venice and its extraordinary inhabitants. Beneath the exquisite facade of the world's most beautiful historic city, scandal, corruption and venality are rampant, and John Berendt is a master at seeking them out. Ezra Pound and his mistress, Olga; poet Mario Stefani; the Rat Man of Treviso; or Mario Moro - self-styled carabiniere, fireman, soldier or airman, depending on the day of the week. With his background in journalism, Berendt is perfectly poised to gain access to private and unapproachable people, and persuade them to talk frankly to him. The result is mischievous, witty, compelling - and destined to be the non-fiction succes d'estime of the year.
Reviews with the most likes.
Second reading: still so very gossipy, still so very very good.
First reading: Gossip cleverly disguised as commentary upon the citizens of Venice, Italy. Mmm, good.
I read Midnight in the Garden of Good and Evil years ago and loved it, so I was excited when this book came out. Berendt really knows how to select a setting. He also knows how to seek out the local “characters” and bring them to life in print. Like Midnight, this book has a central mystery that's rather unsatisfactorily solved (in this case, the burning of The Fenice Opera House), fabulous descriptions of the city and its art and architecture, and lots of minor intrigues and petty infighting amongst the locals. It's like a really well written gossip column. And it's lots of fun.
I doubt I'll retain much of what I read, but I did really enjoy the book.
I loved Midnight in the Garden of Good & Evil, but just couldn't get into a groove with this one. Life's too short to finish books you're not enjoying. I'm moving on.