The Beautiful Ones
Ratings56
Average rating4.1
Magical and Beautifully Written
Insomnia was a real thing for me yesterday. I managed to finish four books and this is one of. I think the fact that I sat here in the dark with nothing but my kindle and it was such a joy. What I love with this author is that I never know what to expect when I read a Silvia Moreno-Garcia book. Honestly, that is so refreshing. Sometimes I want predictability, but sometimes I want to have no idea what I'm getting myself into. I just want to sit back and enjoy taking my emotions on a bumpy ride. Book rollercoasters are the only ones that don't make me sick.
I will start out by saying that this book does have a love triangle of sorts in it. I usually don't go for that trope, but this one was handled well. Nina was a delight. She's such an oddball and a perfectly whimsical heroine, which are my favorite kind. Hector, the hero, took a bit more time to warm up to, but I think that's part of his story. He really had to work to get the reader's approval and Nina's I loved when I felt this big shift in him–breaking apart the old and new Hector. I don't want perfect characters. I want characters that mess up, learn from their mistakes, and grow into better humans. I think Nina and Hector were able to do that. Because it's Silvia writing this, I honestly had no idea how the story would end. I didn't know if I'd get a happily ever after ending or if I'd close the book with tears in my eyes. I will let you pick it up and try it for yourself that is the best way to experience this book.
The prose is lovely and the writing style is so easy that you can get lost in it beautifully. Not one word was wasted and sometimes there were so many profound quotes that I had to keep from underlining text on every other page. It's really good writing that sweeps you up and into this world. If you like family drama, unrequited love, second chances and a playful dose of magic in your stories, this might be for you. If it isn't I would recommend that you try Mexican Gothic first that is the book that got me started on this magical ride into finding a new author I truly enjoy. Overall this is a four-star read for me I think it could have been a five for sure I just have become a very picky girl when it comes to my books. I already have Velvet was the Night. It's high on my list for 2022. I am truly just enjoying this author.
As far as I remember, the advance copy of this book was one of the earliest copies I ever received on Netgalley, during my initial days of blogging in 2017. But I was also overwhelmed by the many arcs I had gotten due to my enthusiastic and impulsive requesting, and I quickly lost interest in this one. I never expected to encounter this book again, with a new cover and rerelease and more importantly, the now popular name of the author behind the book. I was also lucky enough to receive this one as a gift recently, so I was finally interested to see what it was all about.
As someone who is very rare in my picks of historical fiction, it was nice to delve into a new fantasy world, albeit with very similar societal structures and expectations to that of the various romances I have encountered with dukes and viscounts. That's why this world felt very familiar and easy to get into, just with a tad bit of magic (or is it science?) added into it. I have always felt the author excels in writing lush and vibrant descriptions, and I think that was very evident in this type of story and definitely made it more richer. It was so easy to get lost when the author wove enchanting tales about the billowing dresses, the opulence of the city, the rustic country and more importantly, the raw and gritty emotions that drive people to do hurtful things. The pacing was also just right, always enticing me through some new crumb, whenever I felt my interest lagging.
And what fascinating characters the author has managed to create. I really loved Nina for her sweetness and innocence, but also for trying her best to be herself in a world that wanted to mould into a box she couldn't fit in. Her enthusiasm for her beetles and butterflies, the easy way she could give her affections without expecting much, her desire to be able to want more than just a proper marriage - it all dug deep into my heart and I know she'll remain quite a memorable character for me. On the other hand, Hector wasn't easy to like to start with but I enjoyed getting to know him better and slowly fall for him as well. It was so easy for him to be perceived as a bad guy after the first half of the book, but the author deftly captures the turmoil within him and takes us on a journey with him, where he pieces back together his broken heart and embarks on a new but scarier phase of his life - to try and love again. Nina and Hector's relationship starts off with lies but it truly develops into something full of love and understanding and particularly, respect, which I absolutely adored.
Valerie is a character who I suppose some readers might feel sympathetic towards because of the circumstances of her upbringing and the insurmountable expectations on her shoulders placed by her family, and maybe there was some goodness in her when she was younger - but in the present, I only found her to be spiteful and obsessive and vindictive, who just couldn't tolerate anyone else's happiness because she wasn't happy herself. I'm not usually prone to hating characters, but my mom has been subjecting me to a daily Hindi tv show where there is a very similarly vindictive woman whom I hate and I suppose I may have projected all that loathing onto Valerie's character as well. But I don't think I'm wrong in this case.
There were also a good number of side characters, but only a few make a significant impression. I was indifferent towards Etienne in the beginning but it was nice to see him value his friendships, across social classes. I still don't know how I feel about Luc, probably more pity than anything but I definitely can't say I like him. Nina's family as a whole seemed to be a good support to her and it was nice to see that.
Overall, this was quite an entertaining fantasy of manners, with gorgeous descriptions, very in-depth characters, a boatload of angst, and a delicious slow burn romance that made the experience worth it. The author does a singularly good job of evoking all kinds of emotions in the reader, and I really appreciated that. This probably has to be my favorite book by Garcia, but I have one more arc to go and I really hope Certain Dark Things will give me all the vampire content I want.
DNF 40%
I really, really wanted to love this one. I adored Gods of Jade and Sorrow, and I thought I'd enjoy The Beautiful Ones too, but the abominable, insufferable character of Valerie and the love troubles and woes didn't actually help. It is with great sorrow that I give up on it. I just can't bring myself to turn the pages and read further. I hope I'll have better luck with Mexican Gothic.
Many thanks to Tor Books and NetGalley for the ARC in exchange for an honest review.
Nina Beaulieu is not like other girls of her station - she prefers insects and practicing her telekinetic abilities to embroidery and dancing. She has been sent to the city under the supervision of her cousin Valerie to participate in the Grand Season and become more ladylike. Soon after arriving a handsome performer named Hector Auvray catches her eye and begins courting her. However, the courtship may not be what it seems...
The Beautiful Ones is a story of love and the drama that is ever present when money and privilege are involved. Though fairly predictable, the novel is enjoyable due to likable characters and an interesting setting. Fans of social drama among the rich and powerful will like this book.
I received this book through Netgalley in exchange for an honest review2.5 starsWho are the Beautiful Ones? I'm sorry, but after reading this book and seeing ‘Beautiful Ones' used twice within the story to mention people within a certain town, I'm so confused. Are those people known as the Beautiful Ones? Why is it the title even though most of the characters AREN'T from the city???? –Considering that the above is my first thought after finishing the novel (besides “...what the heck?”), I think it sums up my thoughts of this novel well. This book has a historical feel to it, but it set in a different world, or at least out world but all the places have different names, since everything about this book except the telekinesis seems like Victorian England. I can't call this a fantasy really either because only two main characters have telekinesis and apparently that is the only magic in the world? Also, women who can move objects with their minds are shunned? “It isn't lady-like” and the guys who can do it... we only know that at least those who flaunt it do magic shows. I really wanted more from the fantasy department... So, don't read this for the fantasy element. It has a big part, but doesn't at the same time. The characters were all different from one another. They were clearly defined, but I felt that they all changed drastically from Part 1 to Part 2. The spark for their change happened then Part 2: all changed fully. I was slightly confused... None of the characters grew on me either. I did not feel connected, yet I finished the book because I wanted to know how it would end. I'd recommend this book to people who like historical feels to their books, but don't need it to be accurate, but want that touch of otherness. If someone liked this book, I'd recommend [b:Burning Bright 29868735 Burning Bright (The Extraordinaries, #1) Melissa McShane https://images.gr-assets.com/books/1465244487s/29868735.jpg 50238003] by Melissa Shane which has that historical feel, but more fantasy elements.
I really enjoyed Silvia Moreno-Garcia's previous two novels, but I have to admit to having my doubts about this one. On first look, it appears to be a historical romance slash costume drama inspired by nineteenth century English fiction. Exactly the sort of thing that sends me diving for my headphones and some industrial metal when my wife wants to watch the BBC adaptation on a Sunday evening, in other words. And, by and large, that's what it is. There is an element of magic involved, but it's not central, and it wouldn't have taken a fundamental rewrite to dispense with it all together. Essentially, it's a (sort of) love triangle, set against a background of strong social rules and manners. Let's be honest, I'm going to take ultraviolent psychopathic Mexican vampire drug lords over ruffs and fretting about etiquette any day, but I can still acknowledge that Ms Moreno-Garcia has turned in another good one here. There's a good sense of location, some sharp dialogue and by the end I was genuinely invested in what happened to the characters (and really hated Valerie). An away win, and one which shows that this author can handle some very different settings. I'll be looking for her next one.
Pros: some interesting twists, great characters
Cons: somewhat predictable
Antonina Beaulieu is a rich 19 year old from the country, joining her cousin and his wife, Valerie, in the city of Loisail for the Grand Season. Quick to speak her mind and unable to remember proper city etiquette or the names of important society members, Nina also has telekinetic abilities, her poor control of which has caused her problems in the past. When she meets the telekinetic performer Hector Auvray at a party, they quickly grow closer and her dreams of a romantic marriage seem assured.
But Hector has a past with Valerie, the beautiful woman who criticizes Antonina's failings at every turn. And his attentions towards Nina aren't what they seem.
For the most part the book's plot follows the traditional category romance beats. Set in a fantasy world that mimics the late 1800s/early 1900s, it reminded me at times of Jane Austen's Persuasion and at others of Mary Robinette Kowal's Shades of Milk and Honey.
The characters were wonderful. I started off the book liking everyone, even people I probably wasn't supposed to. Though I knew Hector's initial interest in Nina wasn't real, I still liked him and thought that having your heart broken by a ‘good' guy is better than some alternatives. I even felt some pity for Valerie, forced to marry someone for money to help her family despite having met the love of her life. The personal motivations and actions of the characters felt honest and the fallout of their decisions, earned.
While telekinesis isn't a major part of the story, it does come up fairly often and it's great seeing Nina learn more control over her abilities.
I really enjoyed this.
This is not a book I would have normally picked up. I'm not typically a fan of romance, of historical fiction (even the alternate universe kind that this one is), and stories about manners and etiquette often bore me. And yet, The Beautiful Ones was the most enjoyable read I've had in ages. I became so emotionally invested, that by the time the climax arrived I was stamping my feet with excitement and trying not to startle the other people sitting by the pool where I was reading.
Which is interesting considering that The Beautiful Ones is an emotionally powerful song strung together with quiet, understated notes. This is not a story about love at first sight, its not about two people immediately swept away by everlasting love. Its about two people who are inextricably connected, but have a remarkable amount of growing to do before they can love each other in the right way. Hector is a driven theater performer consumed with an infatuation with a woman who he was engaged to years ago, and seizes an opportunity to get close to her again by courting her husband's young cousin, Antonina. In the process he realizes what a foolish thing he is doing, and that Antonina, a young woman who is in many ways the polar opposite of the object of his obsession, has a value and beauty all her own.
I don't think I've related to two characters on opposite sides of a situation as I have with Hector and Nina. I know exactly what Hector means when he describes what its like to be so consumed with the idea of a person that it becomes a part of who you are. I was startled when I saw Nina doing the same thing I did when I was trying to rid someone from my mind - repeating their name habitually in an attempt to make the sound mean something else. These are two very honestly-written characters. They are distinct, flawed and endearing but also deeply relatable, and the same can be said for the story's antagonist.
Throughout the book Hector's once-love, Valerie, evolves from a complex woman forced to make a terrible decision, to an outright wrath-inducing villain. This isn't a simple case of pitting two women against each other - one shallow, vain and superficial while the other is more “real”- but rather the ugliness of a system that uses women as bartering chips and the choices a person is left with when they are a part of it. Because for all of Valerie's fury and pettiness, she had a choice. She had many choices - she could have taken the risk and waited for Hector, she could have decided to care for the husband her family chose for her instead of resenting him for not being the man she turned away, she could have supported other women so that they could have more options and more happiness than she was allowed. She did none of the those things, instead she boiled herself in anger and self-hatred until the only thing she had to offer anyone was bitterness. By the end of the book, Valerie is easy to hate, but she's also easy to understand, which makes her all the more effective as a villain.
Oh right, and then there's that business about telekinesis. There's also the fact that even though this setting looks a hell of a lot like 19th-century France, its not actually France and this isn't our world. It's a world where you can go to the theater and watch a man actually levitate things with his mind, and no one talks about Paris but rather Loisail. Ultimately, the science fiction of The Beautiful Ones is much like the pretty gowns that the women wear, and Nina's love for insects and the natural world - it adds flavor and detail to the story, and does have a role in the climax and in Nina's growth as a character, but its far from the central focus. This treatment takes the story from science fiction to magical realism. Not the same unruly, unpredictable magical realism that defined the genre, but rather in the idea that magic is intensely, mundanely normal. Neither Hector or Nina's abilities are ever viewed as a threat, merely a curiosity. Hector can levitate himself on mirrors and turn a glass full of water over in the air, but still no one thinks “Hm, maybe I shouldn't start a fight with this guy.”
Instead, the presence of telekinesis serves as a way to connect our main characters, but also as a means of illustrating the limitations of the upper class. To the aristocracy of this setting the only things that matter are money and appearances. Love, happiness, even personal growth and satisfaction are useless sentiments, so its no wonder that there's little place for superpowers. Their only issue with Nina's use of her ability is that it will drive suitors away, but otherwise no one considers that they shouldn't back a woman into a corner when she can break all the windows in the house with her mind. Clearly, no one in this universe has seen Carrie. For these people, it never occurs to them that someone from a lower class or disenfranchised group could ever have power over them. It's a brilliant, perplexing and absolutely wonderful take on genre fiction. All that said, I still wish Nina had given Valerie at least one telekinetic smack in the mouth.
I loved this book. The Beautiful Ones carries you confidently and easily through an emotional arc that is satisfying and exciting, despite its mostly calm waters. Its most thrilling and climactic moments have a way of sneaking up on you, so I wouldn't recommend this to someone looking for a fantastical roller coaster. Rather, its for anyone looking to be swept off their feet in a way that you don't even realize your feet are leaving the ground.
The Beautiful Ones is a beautiful, engaging historical romance that interweaves interesting characters and fantastical elements into a lovely narrative. Silvia Moreno-Garcia blends the supernatural world of telekinetics with a courtship romance and family politics to create one of the most enjoyable stories I've read all year.
The characters in this novel are nicely well-realized and deep. The love triangle at the heart of the novel's conflict feels real and passionate, while also being understandable and complex. Each of the characters feels complete in their own right, has understandable motivations and desires, even when certain ones are presented in a villainous role.
The setting of the story in belle époque Paris was a lovely touch as well. Not only is it an interesting period that is sometimes underrepresented in fiction, but it also serves as a perfect metaphor for the heart of Nina and Valerié's relationship. Moreno-Garcia's use and description of setting in this way was masterful, and blending the historical elements with the supernatural elements of telekinesis gives the story a unique feel.