The Alienist

Before CSI became all the rage and every man became a couch chair forensic expert, there was a time when forensic science and criminal profiling are considered abominations. Fingerprinting had just been discovered and still held little weight in a court of law. Psychiatry is regarded with deep suspicion and women have barely just been accepted into the work force. Meanwhile, a baffling new breed of criminal has entered the American society.[return][return]Narrated in the cynical voice of New York Times police reporter John Moore, The Alienist opens with the gruesome discovery of a body. The victim is a cross-dressing boy prostitute, another abomination that New York society would not acknowledge in 1896. Despite the similarities to several past cases, the corrupted police department refuses to give it any serious consideration.[return][return]The only person who cared enough about what this means is Dr Laszlo Kreizler, a renowned alienist. Prior to the 20th century, people suffering from mental illness were thought to be “alienated” from their true natures as well as from society. The experts who studied mental pathologies were known as alienists. [return][return]Backed by Commissioner Theodore Roosevelt, Kreizler gathered together what was possibly the first CSI team consisting of himself, Moore, Roosevelt's secretary Sara Howard, and two Detective Sergeants who happen to be brothers, Marcus and Lucius Isaacson. [return][return]Playing equally vital roles are Kreizler's servants Cyrus Montrose and Stevie Taggert, both guilty of killing but proven through the argument of psychology that they are reacting to their upbringing and environment. Kreizler defends them in court and subsequently employs them.[return][return]The story is heavily focused on the bold new investigative techniques to track down the killer before he strikes again. Their efforts are frequently hampered by the New York gangs and policemen who are taking bribes from them. There are also important members of society who have their own reasons for not wanting the group to succeed.[return][return]The best part of this novel is the process. Of course they do catch their guy in the end, but that is less satisfying than the journey there. I thought that I was in a hurry to reach the ending, but I've read other comments that said the ending was a bit too rushed.[return][return]I noted with amusement that aside from the makeshift headquarters, most of their brainstorming happens over a meal in an expensive restaurant. [return][return]Like all other Carr novels I've read, his narrator tells the story in flashback, which means there's a lot of foreshadowing that something is about to go wrong. This is less irritating here than it was in Killing Time because The Alienist is indisputably a more superior book.[return]return

As much as I love all the psychological elements in this book so far, the plot is moving way to slow for me at the moment. I'm just never in the mood to pick this up and whenever I do I feel like I could be making better progress with another book instead. So I'm putting it down for now and might revisit it this summer or during the fall when I have more time to dedicate to it. 

Perfectly adequate just waaaaayy too long.

I read this book back in 1994 when it came out. It was formative in my love of mysteries. So brilliantly told, the new science of crime fighting just beginning. The idea of what makes a person warped enough to harm the unsuspecting. It was fascinating to me at the young age of 20.

I couldn't help it. I try to not be swept away by the story, but it was so good I couldn't help but love it. I'm definitely reading the next book!

“We don't need to know everything about psychology, or alienism, or the history of all similar cases to finish this job. All we need to know is this man, his particular case...”

If only this quote had been said much earlier in the book, perhaps my rating would've been higher.

I'm not into criminal studies, I don't watch excessive amounts of true crime shows, I'm not obsessed with the era, the setting, the aesthetic, and I especially don't care for detailed depictions of horrific crime scenes. Perhaps this book wasn't for me. If any of that appeals to you, please do give this book a shot! I read this book as part of my book club, and while it did absolutely nothing for me, several of my friends really enjoyed this book.

I thought the book was slow and plodding, particularly the first 60% of it. I think I would've had a much better time of it if the discussions of criminal psychology (of which there are so many) were integrated a bit better. Instead it felt like we get a chapter about an actual crime being committed, four to six chapters with the characters sitting/standing around various tables/desks/breakfasts/lunches/dinners/hansoms talking about what it means to be or not to be crazy or schizophrenic, and a chapter or two of our insert character, Moore, going on a crazy adventure that doesn't go as it should but still results in valuable investigation information. It feels like this repeats two or three times, and then you're in the endgame. It also doesn't feel like the discussions about the criminal mind actually go anywhere. They were interesting in the beginning, but very soon it felt like they repeatedly rehashed the same material in different ways, and it started feeling very repetitive.

The last 40% picked up the pace from plodding to what felt like an actual story with direction. I enjoyed this part mostly, although I will say that the ending didn't feel like enough to make up for the work it felt like it took to get there. Perhaps if I had enjoyed the rest more, the ending would've felt satisfying, but I was left wanting more. There's a chapter of wrapup after the climax which I appreciated, though by that point I really wasn't connected enough to any of the characters to really be eager to see where they ended up.

I also would've greatly appreciated the author deciding on whether to call the main character “Laszlo” or “Kreizler”. Switching back and forth repeatedly within the same scene/paragraph was extremely distracting to read. I'll even say that it took me a few chapters in the beginning to actually realize they were the same person.

There's something here for people who are fans of the genre, but I found myself bored and unsatisfied. Maybe skip if you aren't big into criminal studies.

4 to 4.5 stars. This book was not an easy read, and I definitely wouldn't give this a broad recommendation to the masses for a variety of reasons, but it worked out for me and I appreciate what Carr was doing here. I do think this book should have some trigger warnings which I will list at the end of my review.

Told from the perspective of police journalist John Scuyler Moore, we meet and follow controversial but eminent alienist (an old-timey word for psychiatrist) Dr Laszlo Kreizler as he is called in upon the gruesome murder and mutilation of a teenage boy in 189os New York. This was back in the time when alienism, psychology, and psychiatry are fairly new and controversial sciences that faced a lot of resistance from the public as well as the powerful people in charge, including the police.

The subject matters of this book are extremely heavy and can be triggering to some. Carr doesn't hold back or sugarcoat anything when depicting the grim reality of living on the fringes of New York City society in the 1890s. There are graphic scenes and situations in the book, and you also get the full blast of ugly prejudices that were not only common but even seen as “normal” back then. If this book had been unrelentingly gloomy and morose, however, I probably would have DNFed. The silver lining here is that the book balances out these harsh realities by also showing us people who care to change these attitudes and the systemic abuses that was so rampant back then. There is some underlying note of positivity, encouragement, and hope in battling against the circumstances, rather than characters simply wallowing in resignation and indifference. I was also pleasantly surprised that this book even manages to pack in some occasional notes of humour which never felt disrespectful to the subject matter or out of place.

Although the subject matter will always remain triggering, I felt that the graphic scenes of the book were generally quite far and few in between, only happening whenever a new murder was committed (and this only occured less than a handful of times after the first one). Plus, the murderer doesn't switch MO, so we don't get fresh horrors every single time this happens, we get a new victim with new circumstances for our investigation team to analyse.

Besides that, I feel that the pacing of the book is also where a lot of people might trip up on. It doesn't simply concentrate on the action and the mystery at hand, but also goes off on short tangents/lectures on the cultural history of New York City, criminology, and the burgeoning state of psychology during this time period. I didn't mind these as these topics interested me and I didn't mind the writing style at all, but I can definitely acknowledge that this wouldn't be everyone's cup of tea.

I generally liked all the characters - I didn't find any of them obnoxiously annoying or unrealistic. It's just odd that the one I felt the least connection to was the titular character of the series, Dr Kreizler himself. It might be because he was depicted as an almost Holmesian figure, generally detached and incomprehensible from our narrating character's POV, although he does increasingly become more and more emotional and real as the book goes on. I did like that the team wasn't entirely dependent on Kreizler, however. Kriezler had his expertise, but so did everyone else - they weren't just sitting around being his assistants or simply doing legwork.

The narrator, John Moore, was definitely personable and provided some comic relief in how slow he was on the uptake in certain things, although it wasn't frustratingly so. His complete confusion leads to some (minor) misunderstandings which only provided more humourous moments. It's clear that he was meant to be the John Watson to Kreizler's Holmes, and even suffers the occasional quip from Kreizler about his incompetence, but overall he was a fairly straightforward dude that you wouldn't mind rooting for.

Sara Howard was probably my favourite character of the lot. The only female in the team, and also one with the ambition of being the first female detective in the NYPD, she's independent, resourceful, and a thorough breath of fresh air. Sure, I don't know how realistic she is as a character from the 1890s, and there certainly must have been some modern progressive ideals behind her creation, but I honestly didn't mind. I loved the scene where she pulls a pistol on the team when they're trying to skirt around saying "shit" in front of her just because she's a lady.

I also really enjoyed the Isaacson brothers, who brought some unexpected comedy relief to the group - at least at the beginning anyway. It is through them that we learn a lot more about criminology and what techniques were most commonly used in the 1890s. For example, I never knew anthropometry was a widely accepted thing at the time, where identification of criminals was done by comparing measurements such as foot size, femur length, etc. while dactyloscopy (or, as we call it, fingerprinting) was seen as unsound and controversial at the time.

The central mystery was fairly complex and I was pretty satisfied with the pacing of it. I didn't feel like any part dragged, but that might also be because we spend half the time also dealing with the secondary threat of the people in power attempting to obstruct the investigation, and how it may not actually be in the interests of the rich and powerful if the crime was solved. That was a further opportunity for Carr to delve into the sociology of NYC at the time, and that was pretty interesting to read.

Overall, I thought that this was a very well-written and structured mystery that tackled much more about American history and culture than simply having investigators solve an isolated crime. It does, however, pack a lot of punches in terms of trigger topics and graphic scenes, so I wouldn't give it a blanket recommendation to everyone. If you could tolerate reading about the following trigger topics, and are interested in criminal psychology and investigation techniques from the late 19th century, this is certainly a book to check out.

Trigger warnings: Physical, emotional, and sexual abuse of children, child prostitution, graphic bodily mutilation and murders, rape

Detective stories are not, have never been, and never will be “my thing;” however, I don't want to grow stagnant as a reader, guilty of not trying to branch out from time to time. The Alienist came with high marks from many friends, so I thought it might be worth venturing into this uncomfortable territory. As my opinions on mysteries are probably not worth paying much attention to, I'm just going to quickly highlight what I liked and what I didn't.

What I liked:
1) Caleb Carr clearly put ample research into the period and the setting. The details are an impressive collection.
2) Carr introduces some wonderful characters who fall into some stereotypes, defy others, but never fail to be interesting.
3) The introduction of historical figures I was unfamiliar with (e.g., Jesse Pomeroy), forcing me to conduct some good old-fashioned research (i.e., Google).
4) When the plot moves, it's very fast paced.
5) It's more psychological and cerebral than I expected.

What I didn't like:
1) Well researched—yes, but painfully so. The story is bogged down by the inclusion of so many details.
2) Carr ignores the best characters for the majority of the novel. Though they're major players, the bulk of the second half of this novel focuses on Moore and Kreizler—fine characters, but lacking magic.
3) The shoehorning of historical figures (e.g.,Theodore Roosevelt) that I could've done without.
4) It's far too long. When the pacing slows, it really slows.
5) It's still a plot-based mystery and well... as we've established, that's “not my thing.”

At its best, The Alienist exceeded my expectations—and I must give it credit for that—but too often it was mediocre at best, largely the result of too much detail, too many pages, and not enough of knowing when to quit.

Super engaging and really hard to put down!

Feeling generous, I have given this 3 stars.

In truth, I enjoyed the start but increasingly lost interest in the heart of the book, namely the psychological profiling of the killer.

Perhaps, if I was a New Yorker I would have got more from the history elements of the book.

I doubt I will bother buying the next in the series.

I bought the book to see whether I wanted to watch the upcoming TNT series. This book was very difficult to put down. I especially enjoyed the descriptions of turn of the century New York neighborhoods. And, the interplay among the various characters in the book was fascinating as well. This book's status as a best seller is well-deserved.

review to come!

Ahem just kidding I wrote this entire review last night half-delirious and I don't know where it went! cries

The gist was that it was great. Really. If you're a fan of Criminal Minds (Reid is my son fight me) and like the time period this is set in, you'll love this book. The characters are incredible and the writing is excellent. I certainly recommend the book to anyone, especially if you're watching the TV show.

Because the book is, of course, a million times better than the show. :)

It was only at the end of the audiobook that it told me it was abridged... Wish I'd known that going in.
Ultimately, this was fine, but not as good as I'd hoped. How much of that was because it was abridged? I'm not in a rush to read the whole thing, though I might at some point down the line. I'll still totally watch the show though; it seems like my kind of thing, and I'll watch Daniel Bruhl in anything.

This is an excellent historical mystery set in the mid 1890s in New York City. A serial killer is killing young boys who are associated with male brothels in a most terrifying manner. Theodore Roosevelt asks the famous alienist Dr. Lazslo Kreizler to lead an investigation that will result in the arrest of the killer. Kreizler enlists the help of his trusty friend and New York Times reporter John Schuyler Moore (the narrator), a woman who wants to be the first woman police officer Sara Howard, and 2 detective brothers. Kreizler is perhaps INfamous really, with the average person being very wary of some of his “new” ideas about psychology.

I'm giving the book 4 stars simply because I was transformed to NYC 120 years ago every night that I read some chapters. The descriptions are vivid, and many of the characters are real people like Paul Kelly and Teddy Roosevelt. Also, the locations are real - the Paresis Hall was a male brothel at fifth street and Bowery.

I enjoyed the explanations from the Kreizler character about psychology, incorporating references to other serial killers like HH Holmes and Jack the Ripper. Today, we all know that a lot of the decisions we make are due to some experience in childhood, but that was a new concept at the point of this book. The investigation team surprises everyone by their unusual techniques, techniques which are commonplace today. It's a great historical romp into turn-of-the-century NYC, psychology, and the beginnings of the mob.

A lot of reviewers have criticized the characters (or lack thereof I guess). They are pretty predictable characters, but I don't read many mystery books that have really amazing characters that are incredibly unique, so that's par for the mystery course. Not ALL mysteries, but lots, use cookie cutter characters that are designed to represent some typical set of views and background. And I'm OK with that.

The serial killings themselves were.... pretty damn disturbing. So be prepared for some passages that aren't for the average cozy mystery reader.

Audiobook read by George Guidall—need I say more? Suspenseful and intriguing, but also paced so the reader can be part of the forensic profiling and psychological philosophies forming as new investigative techniques.

One of the best historical fictions I've ever read.

A tad gruesome, but considering the subject matter, it's a necessary gruesome.