Skyward Inn

There's a lot of strong suits to this book, though I will warn the reader it can get slow. It's a creative and interesting approach to the sci-fi genre that meshes fantasy and some issues we see in non-fantasy worlds as well. Would I read it again? eh, I don't think so, but that doesn't mean I didn't enjoy the reader all things considered.

Ok, I don't think I understood what I was getting into when I requested Skyward Inn for early review. I've seen someone refer to it as ‘new weird', a little in the vein of Vandermeer and I think that gives a little bit of an insight into the style. I preferred this over the Vandermeer I've read for a few reasons.

I found it much easier to follow and get invested in the narrative as the reader is given a clear idea of the initial ideas. The characters were distinct and easy to get a good idea of and I liked reading about them. I thought they seemed like people I could have met in real life and that lent them a richness that helped carry me through any of the confusing new weird moments.

The ‘weird' part of science fiction isn't one I have liked in the past, but I'd definitely make an exception for Skyward Inn. I thought the characters were engaging, the world exciting to read about and the twist towards the end makes me want to re-read it already, only a few months later.

First off, I have to give this book props on account of it being set in my home county of Devon (even if it is spit North Devon). The story and setting have clear antecedents in classic SF. The post technological rural lifestyle is reminiscent of the sort of thing that happens in the home stretch of John Wyndham novels, and it has other British doom guys like John Christopher and Richard Cowper in its DNA. Probably the biggest single influence is Ursula LeGuin, whose fingerprints are all over the human / alien contact and coexistence posited here.
It's no retro exercise though - it's quite easy to read it as a Brexit parable, and the final quarter goes on and outwards into deeply strange territory that recalls Jeff Vandermeer and a certain cult classic horror movie. Neither is it just the sum of the influences cited - Whiteley has her own ideas, and expresses them in some lovely prose, as well as crafting characters whose relationships, frustrations and temptations all ring true. It's quiet, thoughtful and very very good.