Ratings1
Average rating5
"The seventy-eight-year-old painter Hope Chafetz, who in the course of her eventful life has been Hope Ouderkirk, Hope McCoy, and Hope Holloway, answers questions put to her by a New York interviewer named Kathryn, and recapitulates, through the story of her own career, the triumphant, poignant saga of postwar American art.
In the evolving relation between the two women, the interviewer and interviewee move in and out of the roles of daughter and mother, therapist and patient, predator and prey, supplicant and idol. The scene is central Vermont; the time is the early spring of 2001."--BOOK JACKET.
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''Don't envy me, my dear. You have your life ahead of you, and mine is behind me. You wouldn't want to be in my body a minute, there are so many aches I've learned to overlook that you would notice; you would find them unendurable.
Kathryn, a young journalist from New York, visits Hope, an elderly artist residing in New England. Through the interaction of the two women and through Hope's memories, we are thrown into the stormy universe of the artists during the turbulent and world-changing decades of the 50s, the 60s and the 70s.
A moving, haunting ode to womanhood, Art, perseverance and acceptance, taking place in the breathtaking scenery of New England.
''The live wet breath of the rain, the sound and stir of it in the dark, the glimpse by doorlight of its vertical rods sparkling with reflections, its towering presence stretching up out of sight into the darkness from which it falls: the beast confronts the two women. The lamps of the living room reveal only a few strides of dead lawn, plus the spangled tops of the bushes planted close to the house, soaked white spiderwebs spread on the flat-cut yew like doilies on a table.''