Ratings3
Average rating2.7
From the author of The Seed Collectors comes a darkly comic take on power, privilege, and the pressure put on young women to fit in—and be thin—at their all–girls boarding school It's already the second week of term when Natasha, the daughter of a Russian oligarch, arrives at a vast English country house for her first day of boarding school. She soon discovers that the headmaster gives special treatment to the skinniest girls, and Tash finds herself thrown into the school's unfamiliar, moneyed world of fierce pecking orders, eating disorders, and Instagram angst. The halls echo with the story of Princess Augusta, the White Lady whose portraits—featuring a hypnotizing black diamond—hang everywhere and whose ghost is said to haunt the dorms. It's said that she fell in love with a commoner and drowned herself in the lake. But the girls don't really know anything about the woman she was, much less anything about one another. When Tash's friend Bianca mysteriously vanishes, the routines of the school seem darker and more alien than ever before. Tash must try to stay alive—and sane—while she uncovers what's really going on. Darkly hilarious, Oligarchy is Heathers for the digital age, a Prep populated with the teenage children of the European elite, exploring youth, power, and affluence. Scarlett Thomas captures the lives of these privileged young women, in all their triviality and magnitude, seeking acceptance and control in a manipulative world.
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I don't do this often, but I HATED this book. I know it's meant to be a satire about privileged beautiful boarding school types, but it was so not funny. It's message was awful (especially around body image) and I would keep it as far away from any teenage girl as possible. Detestable characters, boring plot .... just .... no.
A wicked and slightly cruel comic novel about life in a girl's boarding school where body image and food issues are the norm in a particular group of girls - told from the daughter of a Russian oligarch's PoV. A mystery subplot fails to take flight, but the character of Tash's Aunt Sonja is brilliant. Full review at Shiny New Books here: https://shinynewbooks.co.uk/oligarchy-by-scarlett-thomas/
Mallory Towers for our late capitalist age. It's bleak, full of disconnection and isolation. Characters are distanced from their families, refuse to speak the same language as others, sneer at other social classes. Everyone in the book seems to have an emptiness at their core, a void that they try to fill with social media and consumerist aspiration, neither of which work. If Thomas' earlier work, like PopCo, was a sally against corporate rule of our lives and a hurrah for sticking it to the Man, this one seems to be an admission of defeat, a surrender of power and slipping down into helpless acquiescence. It's a depressing book but a strangely readable one (and as a parent of a twelve year old girl, it's frankly terrifying).
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