Essays on Spectacle and Society
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The Peruvian Nobel laureate presents a collection of essays on the decline of intellectual life in the age of media spectacle. In the past, culture was a kind of vital consciousness that constantly rejuvenated and revivified everyday reality. Now it is largely a mechanism of distraction and entertainment. Notes on the Death of Culture is an examination and indictment of this transformation—penned by Mario Vargas Llosa, who is not only one of our finest novelists but one of the keenest social critics. Taking his cues from T.S. Eliot—whose essay “Notes Toward a Definition of Culture” is a touchstone precisely because the culture Eliot aimed to describe has since vanished—Vargas Llosa traces a decline whose ill effects have only just begun. He mourns, in particular, the figure of the intellectual: for most of the twentieth century, men and women of letters drove political, aesthetic, and moral conversations; today they have all but disappeared from public debate. But Vargas Llosa stubbornly refuses to fade into the background. A necessary gadfly, the Nobel laureate Vargas Llosa, here vividly translated by John King, provides a tough but essential critique of our time and culture.
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Some good essays, some bad. Pouring one out for the death of the erotic was a strange stance, as was the lamentation at the disappearing of a place for a cultural elite and intellectuals in general on the public stage. He’s an elite backing elites, but he makes very few bones about that. As a non-elite, I’ve less time for these complaints. The work of intelligence in culture continues on in the shadows and niches of the internet and academia; just because some egos were busted along the way doesn’t mean the value has dissipated.