Moby-Dick: or, The Whale

Moby-Dick: or, The Whale

1851 • 822 pages

Ratings427

Average rating3.5

15

Moby-Dick... Moby-Dick... Moby-Dick

Such a fantastic book. Critiques and detractors will point to how long, and at times, convoluted it is (I disagree), but I feel this type of style actually makes sense, in-universe. Consider Ishmael's seemingly endless digressions into whaling minutiae - the rope-making, the whale taxonomy, the endless cetological observations. While critics have dismissed these as mere padding, they serve a deeper narrative purpose. Like a man circling around trauma he cannot directly face, Ishmael builds elaborate scaffolding of facts and figures, anything to delay the moment when he must confront the horror of what happened to the Pequod and her crew. His encyclopedic knowledge becomes a shield against memory, making the eventual confrontation with tragedy all the more devastating when it finally arrives.

Characters
Moby-Dick isn't a very plot-heavy book. It's strength, in my opinion, is in it's characters. And we can't talk about the characters of moby-dick without talking about it's most interesting character- captain Ahab. He is the epitome of obsession, a figure who personifies humanity's never-ending battle against its own constraints. Ahab symbolizes humanity's spirit of defiance, much like Milton's Lucifer in Paradise Lost, although his disobedience assumes a more nuanced aspect. Where Lucifer rebelled against a known God, Ahab rages against something far more inscrutable - a force he can neither fully comprehend nor accept.

Ahab's obsession with the white whale reveals this philosophical complexity. He transforms Moby Dick through the alchemy of his madness into something beyond mere cetacean - neither pure symbol nor simple creature, but what he calls a “pasteboard mask” concealing some greater power. When he declares “of thy fire thou madest me, and like a true child of fire, I breathe it back to thee,” he speaks not just as a vengeful sailor, but as mankind railing against the very nature of existence. .


The existential drama is exemplified by Ahab's complex relationship with First Mate Starbuck, characterized by intellectual and erotic tension. Their contrasts, contrasting Christian piety against cosmic rebellion and pragmatic commerce against metaphysical quest, reveal deep, unspoken intimacy between the two men.


Themes
I am a sucker for symbolism in fiction, and boy, does Moby Dick have that? It's thematic richness is exemplified by its intricate use of religious symbolism, transforming biblical narratives into complex meditations on faith and human nature.

This clever use of religious symbolism appears quite early in in the book – Father Mapple's discourse on Jonah. Far from being mere biblical reference, this sermon establishes the novel's central spiritual conflict. Jonah's story - his futile attempt to flee God's command, his time in the whale's belly, and his eventual submission to divine will - serves as both mirror and counterpoint to the main narrative that follows.

Melville's careful depiction of Moby Dick is far more than simple physical description. It's a meticulous construction of the whale as a natural creature that is also a supernatural symbol. From the very beginning of the book, we see that Moby Dick's coloration sets him apart from the other whales; it's obvious he's not just any old white whale. Albinism makes him different, but more than that, he's marked by a wrinkled brow and an old, almost patriarchal visage. You wouldn't want to cross him, yet, like most of the great natural wonders, he seems to embody both wisdom and terror. These details do more than make the whale memorable; they elevate it to what Ishmael calls a “grand hooded phantom,” existing somewhere between the material and spiritual worlds. Through this physical description, Melville transforms Moby Dick from mere quarry into what Ahab sees - a physical manifestation of all that is inscrutable and unconquerable in nature.

The religious symbolism extends beyond the whale to infuse the very structure of the novel. The Pequod's journey becomes a kind of inverse pilgrim's progress, with each encounter adding another layer to its theological complexity. The ships they meet serve as stations in this dark pilgrimage - each offering different perspectives on faith, doubt, and human purpose. The Rachel, searching endlessly for her lost children, evokes biblical mother Rachel weeping for her children, while the Delight, strewn with her dead, suggests the futility of earthly pleasure in the face of divine mystery.

Conclusion

Moby-Dick is more than just a literary work for me, it is a mirror reflecting the complexity of human emotions and relationships. Saved my fucking life.

January 22, 2024