Listen to Your Sister

Calla may only be 25, but she feels decades older after gaining guardianship of her younger brother Jamie. Her other brother, middle-child Dre, said he would help, but he's rarely there for her. After misunderstandings leave Jamie in trouble with the law and Dre unable to return to his home, Calla does what she always does: she saves them. The three siblings find themselves staying in a remote cabin straight out of a horror movie as the two brothers try to figure out the mysterious circumstances that led them to run, and Calla deals with the recurring nightmare about Jamie and Dre dying.

The comparisons to Jordan Peele movies are warranted, and I could see his brand of filmmaking bringing this story to the big screen. Viel deftly manages a balance of fever-dream imagery, real-life horrors, and biting humor throughout this debut. Although I don't have siblings of my own, I bought the relationship between Calla, Jamie, and Dre, and thought it gave the novel enough heart that I was willing to stick through some of the uneven pacing of the first half. Some of the writing was confusing, some of it was beautiful, and a lot of it was funny despite the subject matter. Overall, an inventive and memorable debut and something you should read if you like surreal and/or sociopolitical horror novels. 3.5 Spongebob references out of 5, rounded up.

Thanks to the publisher and NetGalley for the audio of this one. The trio that is Eric Lockley, Kristolyn Lloyd, and Zeno Robinson did a really well balanced narration—each taking on a sibling and giving them life.

This novel is a lot of things. It’s a critique on race relations and police involvement, in kind of an à la Jordan Peele-style. It mixes hyper-violence and realism with humor, in a way that I’ve found makes it more palatable for a lot of people that wouldn’t listen/read/watch these types of things otherwise. It’s also a family saga. Dysfunctional as all hell, each jaded in their own way, and each nursing scars they’re too hurt to discuss…even if they claim they have. Calla is broke, forced to take in her younger brother Jamie—who her other brother, Dre, most definitely said he’d help way more than he is with. And most of all she’s tired. Jamie, an aspiring musician, can’t get out of his way enough to realize that he’s way less street than he realizes. And Dre is stuck somewhere in between—too annoyed by Calla to be of much help, and too ‘straight and narrow’ to reach Jamie. And then there’s the nightmares.

On top of tackling all the real world horrors, the author has also blended in nightmarish horrors kind of à la Stranger Things and Love Craft Country (I’m primarily recalling the twin girls scene, but also the idea of shedding skins works well here). Except these strange things are rather more R rated, come from within, and only want to murder the three of them. I struggled with the build up to the climax, wondering if it was about to fumble the twist, and luckily, the author really pulled it off. The explanation of the Calla’s really worked for me, and that unique spin on sacrificing yourself for your siblings, that breaking yourself down into smaller and smaller pieces—or versions of yourself—even when you have nothing more to give, was really powerful.

This book also tackles anger. Being angry with the world, with the hand you’ve been dealt, with not being loved and wanted, with your family, and even with yourself. Jamie can’t get over the way life has treated him. He’s angry, and he’s even angrier that as a black teen, the world isn’t build to accept his anger. It’s raw, it’s real, and I found this novel to be a really strong way to talk about the subject. There’s things to learn here below the surface, and it also works as a functional horror if that’s not your thing.

Prolly too many stars, but I will speculate on my first foray into “speculative fiction “ for a while to come. It was actually more like “Mexican Gothic” style horror for the entire book. I read it in a day.