Kushiel's Dart

Yeah, I don't know. I've been struggling with what to say about this one because I've had such mixed feelings. Usually, I start with what I liked about a book, but I simply think that the problematic aspects of Kushiel's Dart are so problematic that they have to be discussed up front before the book can be analyzed in any depth.When this book was recommended to me it was just as an “epic fantasy that makes epic fantasies interesting again” so any trepidation I had coming in was that it was over 900 pages long, with a map inside the front cover followed by a list of characters with High Fantasy names longer than my arm – in short, the sort of fantasy that I haven't read in a decade. So to be confronted with the core plot of the One True Masochist was jarring. Good heavens people, don't fail to warn people about the BDSM. I see why it could happen – the back two-thirds are a completely different book – but there's 300 pages of a tonally very different book first. And the tone. So, I mean, I try to be a “your kink is not my kink and that's OK” sort of person. And, as one of my friends commented, it is kind of fascinating to get inside someone else's psychosexual identity, but it's not my kink, which made it, honestly, kind of boring. But also, beyond the kink, one has to deal with the really problematic pieces: bond slavery, grooming of children, children slaves, a relationship between a teenage bond slave cum foster child and his owner/guardian, classically conditioning children into masochism – I mean really problematic stuff that has all of its extreme implications glossed over in the book. And I'm really concerned about the glorification of submission and masochism in women and the way in which this is broadcast for public consumption, both in the book but also in the fantasy subcultures. It's not super consensual for bystanders and I think it sets up a gendered culture that can be borderline abusive to young women trying to fit in. I think it's not actually OK to not think about the real world implications of the culture that you're starting (I was really disturbed to see the fan tattoos on the author's website.)Finally, you're allowed to do an alternative history of Europe. Alt histories are fun and amazing. You're allowed to do such a transparent alt history that Scandinavia is actually named a Norse word, and Rome is named after a Roman empire. You're also allowed in fantasy to have highly stereotyped races; we side-eye it these days, but dwarves and elves and goblins are all still kosher. What you're not allowed to do is have a very transparent alt history AND stereotype races. Not OK to say that only alt-history Western Europeans and specifically the French are super blessed/pretty people and alt-history Scandinavians are all ugly and alt-history Romani are super stereotypical fortune tellers and alt-history Jews believe in Jesus. So why did I read a thousand pages of this? Because it actually is a gorgeous Epic fantasy. I found the initial setup of a religion that is to Christianity the way that Christianity is to Judaism fascinating. I really thought that the setting was a well-developed world with some unique implications (although the more I dwell on it, the more I think the mores of Terre d'Ange fit whatever Carey was into at the moment rather than being consistent.) But mostly, after the first super problematic one third, the entire premise was dropped and it became an actual epic story about someone who went from being kind of self-absorbed and shallow to deeply invested in the survival of a country and a lifestyle. I found Phedre's (and Joscelin's) personal development really intriguing and I thought that they were depicted well as sympathetic characters who still had a lot of room for growth over the course of the story, which is really unusual. The political intrigue was decently well-done, and I found the setting both big enough that the intrigue was convoluted, but small enough that I could follow what was happening. When the book was good, it reminded me of the [b:The Goblin Emperor 17910048 The Goblin Emperor Katherine Addison https://images.gr-assets.com/books/1373039517s/17910048.jpg 24241248]Ultimately what kept me in it was that I really liked Joscelin's character arc. It's really rare that a fantasy novel lets a character break a vow. Usually the fantasy convention is that vows are inviolate, it's one of the most fantastical elements of fantasy. And in traditional fantasy, characters that break vows are either irredeemable or their core story is a quest for redemption. On the other hand, Joscelin simply realized that the vows he took as a teen were naive. An exploration of how to be true to oneself and be a moral person while also loosening up on a black-and-white world view is something rare in fantasy and rare in literature in general, and that's a pity.

I received this book as a gift. It's not one I would have picked out for myself.

The character, Phedre, is identified as a child as a scion of the goddess Kushiel. This means she is a natural submissive and thus she is raised to be a submissive, BDSM-loving, Mata Hari spy. The book is built around political entrigue, but Phedre does very little to get herself into and out of dangerous situations - her role is to be helpless, gather information for her aristocratic master/pimp, and let the men she entices save her when the going gets rough.

Phedre is not a character I want to be in any way. I could not imagine myself in her place. It took until book 3 before she finally got up the nerve to take action to save herself from danger - and by then, she'd been kidnapped, sold into slavery as a concubine for a primitive warlord, and under threat of death daily.

ORIGINALLY POSTED AT Fantasy Literature.

I read and enjoyed Kushiel???s Dart years ago after it won the Locus Award for Best First Novel and I???ve recently re-read it so that I can finish the series (I???ve read only the first trilogy) and move on to Ms. Carey???s newer books. This time I listened to Tantor Audio???s version, which was read by the incredibly talented Anne Flosnik.

The Kushiel series is set in an alternate Europe which is easily recognized by its geography, language, culture, religion, mythology, and politics (e.g., ancient Tiberium is ancient Rome, Alba is England, the Yeshuites are Christians, the Tsingani are gypsies, etc.). The greatest difference in this alternate Europe is the religion, for when Yeshua hung on the cross, his shed blood mingled with the Magdalene???s tears and produced Elua, who roamed the Earth in the company of the angel Naamah who supported him by working as a prostitute. Eventually he was accepted in Terre d???Ange (France), a passionate land upon whom he bestowed his beauty and whom he taught to ???love as thou wilt.??? And so they do, with little restraint and without any pesky hang-ups about heterosexuality or monogamy. In fact, men and women serve Naamah as sacred prostitutes in the Night Court.

Ph??dre has been rejected by the Night Court because of the scarlet mote in her eye. But scholar Anafiel Delaunay recognizes the blemish (it???s Kushiel???s Dart) and what it symbolizes: Ph??dre is the first anguissette born in decades ??? she finds sexual pleasure in pain, and the unique services she can provide will be highly valuable to certain unconventional patrons. Anafiel purchases, fosters, and trains Ph??dre for his own unknown political machinations and hires Joscelin Verreuil, a warrior vowed to celibacy, to protect her. And so Ph??dre serves Naamah and Anafiel by loving as she wilt (and wilting as she loves) and she and Joscelin are soon caught up in dangerous court intrigues.

It sounds kind of sleazy, with all the BDSM and the bastardized version of Christianity, but in Jacqueline Carey's hands it isn't sleazy ??? it's decadent. Mostly what sets it apart is the writing style which is beautifully lush, and even more gorgeous when read by Anne Flosnik???s rich smooth voice in the audio version:

“I was flawed... To be sure, it was my eyes; and not even the pair of them, but merely the one. Such a small thing on which to hang such a fate. Nothing more than a mote, a fleck, a mere speck of color. If it had been any other hue, perhaps, it would have been a different story. My eyes, when they settled, were that color the poets call bistre, a deep and lustrous darkness, like a forest pool under the shade of ancient oaks. Outside Terre d'Ange, perhaps, one might call it brown, but the language spoke outside our nation's bounds is a pitiful thing when it comes to describing beauty. Bistre, then, rich and liquid-dark; save for the left eye, where in the iris that ringed the black pupil, a fleck of color shone... And it shone red, and indeed, red is a poor word for the color it shone. Scarlet, call it, or crimson; redder than a rooster's wattles or the glazed apple in a pig's mouth... Thus did I enter the world, with an ill-luck name and a pinprick of blood emblazoned in my gaze.”

I should mention that one issue I had with the audio version is that many of the unfamiliar French-sounding names seemed similar when read aloud and it took me longer to distinguish all the characters than it did when I read them in print. It will help to be able to look at the Dramatis Personae in the front of the book if you listen to the audiobook. There is a map in the book also, but this isn???t necessary since the geography is an alternate Europe.

The plot is complex and the political maneuvering is intriguing, there???s plenty of adventure, and the characters are colorful. But my favorite thing about Kushiel???s Dart is Joscelin. He is one of the best male heroes in fantasy literature. Tall, strong, quiet, serious, courageous, deadly, and passionate, all he has to do is stand there wearing his mail gauntlets and steel vambraces and I???m completely entertained.

ORIGINALLY POSTED AT Fantasy Literature.