Ratings272
Average rating3.7
An ancient plague released from the Arctic permafrost through global warming begins to decimate the world. Victim's cells begin to work erratically, kidneys hard at work trying to become lungs, brain cells convinced they need to be building a heart. The body shuts down, skin becomes translucent and those infected slip into a coma and die. Death becomes so prevalent that the funerary industry has completely taken over the banking system giving rise to Mortuary cryptocurrencies and the ubiquitous presence of funerary skyscrapers and malls across the nation's cities.
How High We Go in the Dark is a collection of short stories where each chapter is a meditation on grief and loss in the face of this global pandemic. But it's lovely, hopeful and wild. When the stakes are this high it's all that much more important that there is love and community and the persistent impulse to keep moving forward. When the end of the world comes it's not the doomsday preppers hoarding canned goods that survive. Those who make meaningful connections, retain hope and create neighbourhoods where everyone works together to build abundance - that's where the magic lies.
Nagamatsu connects these disparate stories and callbacks abound with little details travelling across chapters until they resolve into a larger whole. I fell in love with a talking pig and a widowed introvert tentatively inviting his neighbours for a BBQ. I thrilled at the euthanasia theme park and the forensic body farm. I saw the inevitability of death being commercialized with shared urns where neighbours could intermix their ashes to save on money and space, contrasted with elegy hotels where the plasticized dead are preserved as crematories struggle to keep up with demand, and inventive disposal techniques abound like liquifying remains to be turned into ice sculptures to melt into the sea.
But these are just wonderful bits of colour and detail among the more restrained explorations of grief and loss and love that just hit me where I live.