Ratings41
Average rating4
Shortlisted for the 2016 Man Booker Prize The year is 1869. After a brutal triple murder in a remote community in the Scottish Highlands, a young man by the name of Roderick Macrae is arrested for the crime. A memoir written by the accused makes it clear that he is guilty, but the police and the courts must decide what drove him to murder the local village constable. And why did he kill his other two victims? Was he insane? Or was this the act of a man in possession of his senses? Only the persuasive powers of his advocate stand between the killer and the gallows at Inverness. In this compelling and original novel, using the words of the accused, personal testimony, transcripts from the trial and newspaper reports, Graeme Macrae Burnet tells a moving story about the provisional nature of the truth, even when the facts are plain. His Bloody Project is a mesmerising literary thriller set in an unforgiving landscape where the rules can change but justice is absolute. Graeme Macrae Burnet was born and brought up in Kilmarnock and now lives in Glasgow, Scotland. In between, he lived in Prague, Bordeaux, Porto and London. His debut novel, The Disappearance of Adèle Bedeau, is a psychological crime thriller set in the small town of Saint-Louis on the French–Swiss border. His second book, His Bloody Project, which deals with a triple murder in a crofting village in the Scottish Highlands, has been shortlisted for the 2016 Man Booker Prize. ‘A real box of tricks...a truly ingenious thriller.’ Jake Kerridge, Express ‘A gripping crime story, a deeply imagined historical novel, and gloriously written all in one tour-de-force of a book.’ Herald, Book of the Year ‘Maddeningly brilliant...An intriguing narrative that plays with notions of truth, justice and the historical record.’ Hannah Kent, Best Books of 2016, Australian ‘Accounts, witness reports, and a trial, all set down as in an authentic case, gradually reveal a truth that is chilling yet inevitable.’ Jane Sullivan, Australian Book Review, Books of the Year 2016 ‘I also adored Graeme Macrae Burnet’s maddeningly brilliant His Bloody Project, and found myself utterly absorbed in the 1869 case of Roderick Macrae, accused of murder in a Scottish highland community...A cunning and unreliable tale that still bloody nags at me.’ Hannah Kent, The Books We Loved 2016, Sydney Morning Herald ‘A dark, unforgettable picture of the crofter’s life in 19th-century Scotland.’ James Button, The Books We Loved 2016, Sydney Morning Herald ‘This is ultimately the book’s great strength—its unwillingness to offer a definitive explanation for its protagonist’s shocking deeds. After hinting at possible motives and offering a basis for a countervailing case of insanity, the book finally gestures towards the impossibility of knowing the forces at play in another person’s mind.’ Law Institute Journal ‘Transporting and deliciously frustrating—I loved the way Burnet played with notions of doubt, criminality and justice.’ Hannah Kent, 2016 Staff Picks, Kill Your Darlings ‘A retelling of a gory triple murder that’ll indulge your true crime craving.’ Elle ‘A remote crofting village in nineteenth-century Scotland, and a shocking and seemingly inexplicable act of murder by a teenage villager. Accounts, witness reports, and a trial, all set down as in an authentic case, gradually reveal a truth that is chilling yet inevitable: the power of a feudal system that supports petty tyrants, stereotypes its criminals, and grinds down its victims.’ Jane Sullivan, Best Books of 2016, Australian Book Review ‘A powerful novel...keeps the reader guessing to the end as it examines the legal process as it relates to the class divide of the time.’ Otago Daily Times ‘In exploring the duality of good and evil, Burnet is tapping into a rich seam of Scottish literature, from James Hogg’s The Private Memoirs and Confessions of a Justified Sinner, to Stevenson’s The Strange Case of Dr Jekyll and Mr Hyde...His Bloody Project also illustrates what fans know about crime writing: it’s a great way to explore the depths of a society: the tensions that animate it, the structures and hierarchies that underpin it.’ Metro
Reviews with the most likes.
《I told him that my mother had lately died during the birth of my youngest brother and this had caused our family a good deal of hardship. Archibald Ross replied that for folk like us there was no other ship than the hard ship.》
★★★★½
This review will be spoilery, so watch out u.u
Well, I spent the whole night trying to finish this book (31~84% from 3am till 7am. YES. I stopped to read for a couple hours but I HAD TO GO ON), soooooo I guess it's supposed to be a good book, right? :)
I wanted so bad to know how it ended or if there would be more facts to know about (since the beginning I couldn't feel like I could wholly trust Roddy's account, for he being a murderer).
Honestly, at this right moment I don't know what to think about him. I feel confused in a weird way, but I can't explain it very well lol
Did he really kill them because of Lachlan MacKenzie's behavior or did he solely wanted to rape Flora? But then, why did he bother to take the tools with him? Was it only to have a kind of excuse to go there or did he plan to kill her after raping her?During the whole time of the trial my theory was that he raped Flora and inflicted her such injuries firstly because she rejected him twice, but also because in a twisted way he wanted to "punish" Lachlan, considering the fact he used to have sexual intercourseswith Roddy's sister, Jetta (I still have to understand if they were lovers or if he used to rape her tho. If he used to, then my theory makes even more sense, I think). I mean, I don't think it is a coincidence he put her corpse on the table, considering the fact Roddy surprised Lachlan while having sex with Jetta in that position. Do you know what I mean, right? XD Maybe Lachlan arrived at home while Roddy was raping her on the table, facing the same scene Roddy saw that time??? This is mindfucking me, buddies.DO YOU SEE IT? I HATE WHEN I DON'T KNOW THE TRUTH, NGHHHH. Why didn't he even bother to write something after the trial?! Just don't leave me like thiiiiiiiis D:In any case, I always find it hard to forgive a killer, especially when they try to defend themselves saying they are insane or whatever. Like, seriously?! Of course you're all cuckoo, but it doesn't mean you have the right to live "happily" (like to live in prison would be an happy ending lol) after taking other people's lives {even if I can understand how sometimes some people just don't deserve the right to breathe my same air, being the scum of this world -.- I'd never end up killing someone, but Lachlan didn't deserve any less being a bully who just wanted to ruin other people's lives IMO. Deprive a family of their food and house without a real reason? WOW, seriously? -.-}Anyway, I don't feel like it's supposed to be right to argument a sensitive topic like this one on a site like GR, so I'll probably edit this review very soon, I don't know lol
Anywho, I would have gladly given it five stars, but the part of the trial was too repetitive, being kind of boring :/ Beside that, this book totally deserves the hype :)
Adrian McKinty , who's recommendations I always put on my TBR list mentioned mcRae's last book [b:Case Study 57539677 Case Study Graeme Macrae Burnet https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1616819577l/57539677.SY75.jpg 90104103], but i decided to start with this one and I'm glad i did. The brilliance of this book is McRae's ability to mimic the various voices, from semiliterate protagonist, to pompous doctor, to court newspaper. So much so I did have to make double sure this was all fiction. A historically accurate portrayal of the life of a crofter in 19th C scotland.
It was alright. The beginning was excellent but then it lost steam around the start of the trial. No real interesting revelations, resolutions or twists.