Ratings54
Average rating3.9
"This is a bawdy tale. Herein you will find gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity, as well as nontraditional grammar, split infinitives, and the odd wank . . . If that's the sort of thing you think you might enjoy, then you have happened upon the perfect story!"Verily speaks Christopher Moore, much beloved scrivener and peerless literary jester, who hath writteneth much that is of grand wit and belly-busting mirth, including such laurelled bestsellers of the Times of Olde Newe Yorke as Lamb, A Dirty Job, and You Suck (no offense). Now he takes on no less than the legendary Bard himself (with the utmost humility and respect) in a twisted and insanely funny tale of a moronic monarch and his deceitful daughters — a rousing story of plots, subplots, counterplots, betrayals, war, revenge, bared bosoms, unbridled lust . . . and a ghost (there's always a bloody ghost), as seen through the eyes of a man wearing a codpiece and bells on his head.FoolA man of infinite jest, Pocket has been Lear's cherished fool for years, from the time the king's grown daughters — selfish, scheming Goneril, sadistic (but erotic-fantasy-grade-hot) Regan, and sweet, loyal Cordelia — were mere girls. So naturally Pocket is at his brainless, elderly liege's side when Lear — at the insidious urging of Edmund, the bastard (in every way imaginable) son of the Earl of Gloucester — demands that his kids swear their undying love and devotion before a collection of assembled guests. Of course Goneril and Regan are only too happy to brownnose Dad. But Cordelia believes that her father's request is kind of . . . well . . . stupid, and her blunt honesty ends up costing her her rightful share of the kingdom and earns her a banishment to boot.Well, now the bangers and mash have really hit the fan. The whole damn country's about to go to hell in a handbasket because of a stubborn old fart's wounded pride. And the only person who can possibly make things right . . . is Pocket, a small and slight clown with a biting sense of humor. He's already managed to sidestep catastrophe (and the vengeful blades of many an offended nobleman) on numerous occasions, using his razor-sharp mind, rapier wit . . . and the equally well-honed daggers he keeps conveniently hidden behind his back. Now he's going to have to do some very fancy maneuvering — cast some spells, incite a few assassinations, start a war or two (the usual stuff) — to get Cordelia back into Daddy Lear's good graces, to derail the fiendish power plays of Cordelia's twisted sisters, to rescue his gigantic, gigantically dim, and always randy friend and apprentice fool, Drool, from repeated beatings . . . and to shag every lusciously shaggable wench who's amenable to shagging along the way.Pocket may be a fool . . . but he's definitely not an idiot.
Featured Series
3 primary booksFool is a 3-book series with 3 released primary works first released in 2009 with contributions by Christopher Moore.
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I wish 4 and a half stars were an option. But since I consider the average rating to be too low for this work, I will opt for awarding it 5 stars, in the hopes of playing my part in the elevation in rank of this glorious and unashamedly rowdy piece of modern and irreverent literature.
A Christopher Moore book is always good for a few laughs. Mostly, the writer is a lot of fun if you're looking for an easily readable story with light but entertaining characters. This is a nimble Shakespeare-inspired adventure with a brave, underdog antagonist, the titular Fool. Like a Shakespeare play there's lots of intrigue, violence, and sex (TONS of sex) and a little bit of clever wordplay. It's a tribute to pretty much all of Shakespeare, not just King Lear.It was a page-turner for sure. I was dying to see just how Fool was going to get things to work out for his friends and allies. There was a lot of dark stuff, torture, murder, attempted suicides, maiming–you name it. Fitting for the Shakespeare theme. I would have liked more creativity in the wit and fewer sex jokes, but maybe I'm not the intended audience for this. Nothing wrong with it, except that after a while it's not as funny. Subtle and/or unexpected use of dirty jokes is more effective because you either have to think about it for a bit, or it jolts you into laughter. I can't help but compare this to my favorite comical Shakespeare tribute, [b:Wyrd Sisters 34504 Wyrd Sisters (Discworld, #6; Witches #2) Terry Pratchett https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1275974472l/34504.SY75.jpg 1494222] (Discworld). Fans of that book might enjoy this one as well, and vice-versa.
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