Doggett states in the book's preface that CSNY only released a total of 22 songs over their entire career and wonders why they have had such lasting impact. Yet he fails to answer his own question, choosing instead to focus on their toxic, ego-driven personalities that made their dynamic so challenging. Instead of chronicling one more fight or sexual indiscretion, I wish Doggett had delved a little deeper into their musical creation process. I finished the book with a strong dislike for all four men, and no greater understanding of what made their music so special.