Arabella of Mars

DNF - PG 136

Why?

I'll be completely honest, this is a good book. It's just not the kind of book I want to read. Ever. (At least, ever again.) This book reminds me very strongly of Jules Vern's writing - whose books I've never much liked.

To be truthful, I was expecting something different from this book than what it is. But, if you like those old-fashioned adventure tales where you get to know more about the main character than you ever wanted and absolutely nothing about anyone else, whose very setting is more of a character - and given more attention and page time - than any of the people and can appreciate curse words that look like ‘d–n'...

If all that sounds like your kind of book, then do read this one. Because it tells that kind of story, but lacks the racism and misogyny that was so rampant in those tales. It's a very well-written book with a believable main girl disguised as a boy by an author that obviously knew what he wanted to do and did it well. I have no complaints about this book.

It's just very obviously not for me - and if I'd known this is what the book was, I'd never have wanted to read it.

3 stars - Metaphorosis Reviews
Forced to leave her home on Mars for a proper upbringing in Regency England, teenaged Arabella struggles against the role society has chosen for her, and rapidly finds herself destitute and masquerading as a boy on an interplanetary freighter, headed back to Mars on a mission of life and death.

Arabella of Mars is very much a nod in the direction of Heinlein's Podkayne of Mars - plucky teen girl crossing between Mars and Earth. It's been a while since I read Podkayne, and I don't know that the similarities in plot go much further. Sadly, some of those in attitude do.

Arabella is nicely written. It's immediately engaging, and has a warm energy perfectly suited to a YA novel. Arabella herself has all the courage, determination, and intelligence you could hope for in a young heroine. The world is interestingly anachronistic - a throwback to a time when the space between the planets might have been filled with air, and when sailing ships might cross it.

The problem for me was that the gender roles were anachronistic as well - firmly stuck in that same old outlook. While the book has a steampunky, Regency feel, I think that when you're inventing a world with such drastically different natural laws, you're not required to keep all the same societal rules either. While Arabella fights against the strictly limited role assigned to her gender, the book ultimately falls into the same tired trap as novel of 50 years ago might have. Brave, clever Arabella falls for a much older male authority figure, and in the end relies on a man for salvation. In other word, an ending that almost completely undermines the counterculture narrative of the story. And I'm not even mentioning the colonized-but-okay-about-it native Martians.

It's a shame, because so much of the book is so well done. But the resolution of the story is one Heinlein might have written last century. I have to put it down to a very good effort, with a substantial failure in outlook.