Ratings3
Average rating3.8
Sister of Caligula. Wife of Claudius. Mother of Nero. The story of Agrippina, at the center of imperial power for three generations, is the story of the Julio-Claudia dynasty—and of Rome itself, at its bloody, extravagant, chaotic, ruthless, and political zenith. In her own time, she was recognized as a woman of unparalleled power. Beautiful and intelligent, she was portrayed as alternately a ruthless murderer and helpless victim, the most loving mother and the most powerful woman of the Roman empire, using sex, motherhood, manipulation, and violence to get her way, and single-minded in her pursuit of power for herself and her son, Nero. This book follows Agrippina as a daughter, born in Cologne, to the expected heir to Augustus’s throne; as a sister to Caligula who raped his sisters and showered them with honors until they attempted rebellion against him and were exiled; as a seductive niece and then wife to Claudius who gave her access to near unlimited power; and then as a mother to Nero—who adored her until he had her assassinated. Through senatorial political intrigue, assassination attempts, and exile to a small island, to the heights of imperial power, thrones, and golden cloaks and games and adoration, Agrippina scaled the absolute limits of female power in Rome. Her biography is also the story of the first Roman imperial family—the Julio-Claudians—and of the glory and corruption of the empire itself.
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I appreciated how accessible Emma Southon made this book. I'm a total novice when it comes to reading history and I felt like this was a fantastic choice for someone like me, who was just trying to dip their toes into gaining a broader historical perspective. I think, at times, I found the pop culture references and other quirks of the writing style weren't jiving, but also how can I complain when the author's readable style is what helped to create a non-fiction work that I was able to follow so clearly? I also think Southon is very intentional in this style, helping to humanize these figures who have been mythologized and deified to such an extreme that its hard to see them as human. Overall, I'm left a little conflicted on the prose stylings, but I can't deny that it was effective.