Gabe Cole Novoa
New favorite book? New favorite book. Review to come!
FULL REVIEW:
I don't read a whole lot of historical (that is to say, I pretty near never read historical), so I'll admit when I first heard about The Gentleman's Guide to Vice and Virtue I was really intrigued but also hesitant because...I don't usually like historical.
But in the end, the premise was just too fantastic to pass up, and every snippet I peeked at made me want it more. And I'm so glad I gave Gentleman's Guide a shot because it immediately jumped onto my favorites list.
Firstly, this book was hilarious. Monty's voice is so captivating and fun from the first page to the last—I found myself smiling instantly and I pretty much didn't stop until the end (you know, minus some emotional parts). I loved Monty's reckless view of the world and all the situations he put himself in—then the way he handled them and thought about them had me literally laughing out loud in places.
I also loved the representative aspects involved. While I can't speak to most of them from personal experience, it was really cool to see not only a queer protagonist (Monty is bisexual), but his best friend is biracial and there's some really in-depth discussion about chronic illness that I could relate to and really appreciated. I have zero complaints about how Lee handled the chronic illness discussion, which becomes a pretty big part of the book, and there were moments that I certainly found myself nodding along to.
Honestly, this is the first time I've seen a chronically ill character in YA in a book that wasn't specifically about illness, and it was really, really awesome to see, even while the illness was vastly different from my own.
So between the representative stuff, the kick-ass plot, and Monty's pitch-perfect voice, I absolutely loved every page of this book, and I can't recommend it enough to others. It really just made me so ridiculously happy to read and I'm delighted to see how successful it's been.
Diversity note: The protagonist, Monty, is bisexual, and his best friend is biracial. There's also a pretty intensive discussion of chronic illness throughout.
4 stars I think. This was great and helped pull me out of my reading slump. Full review to come!FULL REVIEW:I'm a huge YA Fantasy fan, so when I heard the pitch for [a:Kendare Blake 4086715 Kendare Blake https://images.gr-assets.com/authors/1276645449p2/4086715.jpg]'s Three Dark Crowns, I was definitely curious. Combined with an awesome cover and an unusual tense choice (third person present) and I was glad I picked it up.Initially I was a little confused about why there were so many POVs—I was expecting three (one for each princess) and I think we end up with...five? Something like that. For the first portion of the book, I know the many POVs made it difficult for some people to get into it. I just rolled with it, and in the end it made sense as to why every POV was necessary. I will say I did find it a little difficult to keep track of all the names and places (the map helped with the latter, though), so sometimes I confused characters. But once I got used to the cast, that became no longer distracting. So that said, there were two things I really liked about this book: the magic, and the sisters themselves. There are a lot of takes on magic in YA, and many of them look like Mirabella: some sort of elemental stuff with extras thrown in. Nothing wrong with that, I love elemental magic portrayals, but I was really fascinated by the magic of the poisoners and naturalists. The poisoners especially was magic I hadn't seen before in YA, and it was super fascinating to see how that magic manifested (or how it was supposed to manifest, anyway), how it affected the way other people looked at them, and how they “showed it off” to demonstrate power—and the ruse of power. What I really liked about the sisters was they exceeded my expectations in multiple ways. I'd expected Mirabella to be the “evil twin” in the sense that as the most powerful (whether she knows it or not) she'd be biting at the bit to take out her other two sisters, but she was much more complicated than that. But what I especially loved about the three was they demonstrated a variety of ways to “be a girl” without ever implying one way is better than the other. Katherine and Mirabella are both traditionally feminine and take power in their femininity—which was awesome to see. On Fennbirn, women are the top of the power totem pole, so the girls never deal with misogyny and in many ways, their femininity was used as a display of power (yay!). Arsinoe, however, is an entirely different kind of girl. She's defiant, cuts her hair short, and never once wears a dress—even in the scenes where the girls are expected to dress formally, she stands beside her two sisters in dresses wearing a black shirt, vest, and pants. I loved this, because I've literally never seen a princess portrayed as anything short of femininely unless she was in disguise—and as a bonus, Arsinoe never gets any grief over it. She's accepted as she is, and while acknowledged as different, no one ever implies her less feminine style is a bad thing. So all in all, I found this book fascinating—and I was so glued I read sixty percent of it in one day. While I didn't love some of the details at the end, I really enjoyed this one overall and I'm very much looking forward to the next book, [b:One Dark Throne 29923707 One Dark Throne (Three Dark Crowns, #2) Kendare Blake https://images.gr-assets.com/books/1487862160s/29923707.jpg 50306201]. Diversity note: From what I could tell, not much there, unfortunately.
Whenever you have books that are really, really hyped, you run the risk that the hype might inflate everyone's expectations so much that the book has trouble living up to them.
That wasn't remotely the case with Angie Thomas's The Hate U Give.
I'd actually started The Hate U Give a little earlier than I'd originally planned because the other book I was reading wasn't grabbing me as much as I'd like. That wasn't an issue here—I was immediately sucked into Starr's voice, and world, and the characters of her life. The Hate U Give juggles several conflicts in Starr's life—the conflict inspired by the Black Lives Matter movement, of course, with witnessing Khalil's murder, but also her half-brother and friend living with an abusive father—the neighborhood's most dangerous gang leader, a friend who gets into a dangerous situation, Starr juggling the disparity of going to a private school where she's one of the only Black kids and then going home to her neighborhood, that as dangerous as it can be is her home, her secretly dating a boy from her school, and her PTSD from witnessing her best friend's death. Not to mention the conflict of trying to decide whether to speak up or whether to hope no one outside of Starr's family ever learns she's the one who witnessed Khalil's death.
All of these conflicts in Starr's life may seem overwhelming—and for her, at times, they are—but the way they're written always makes sense as one conflict blends into another into another. Altogether it creates an incredibly compelling plot that keeps you turning the pages, because truly, there are no dull moments.
Then there's the voice. Starr's voice is so powerful, and honestly, The Hate U Give serves as an excellent example of why #ownvoices books are just better when it comes to portraying different marginalized groups. From the constant code-switching, to the cultural nuances, to even the way Starr thinks just felt so incredibly raw, like I was reading a real person's thoughts transcribed unfiltered onto the page. I had the undeniable sense while reading that this book wasn't written for me—and that was a good thing.
To say The Hate U Give is eye-opening and unforgettable is an understatement. I'm not at all surprised it debuted #1 on the New York Times bestseller list and I fully expect to see it win loads of awards, because this book is that powerful and that good.
All in all: read it. And any time you hear someone disparaging the Black Lives Matter movement, give them this book. I really do believe it could change hearts, minds, and lives.
Diversity note: Most of the characters, including the protagonist, Starr, are Black.
Hot damn that was good. Full review to come.FULL REVIEW: So [a:Victoria Schwab 3099544 Victoria Schwab https://images.gr-assets.com/authors/1336685438p2/3099544.jpg]'s This Savage Song has a pretty unique premise, if you haven't already heard it: basically, the book takes place in a world where acts of violence create actual monsters. How cool is that? That was basically all I knew when I bought the book, and the premise definitely didn't disappoint.The first hundred pages or so, I kind of had trouble getting into it. It was a weird situation because I loved the prose, I found the world building fascinating, and while I was reading I definitely enjoyed it. But for whatever reason once I put the book down, I had less motivation than usual to pick it up again.Once I got past the first 100 or so pages, however, that quickly changed and I devoured the rest of the book in a few days.This Savage Song is more than just a fascinating premise—it involves some of my favorite plot elements, like betrayal, dealing with your own darkness, unlikely alliances, and trying to find hope in a hopeless situation. I loved the whole set up with the different tiers of monsters, and Kate's daring, guarded perspective was really fun to read, especially alongside August's more vulnerable chapters.All in all, I found this book fascinating, and now I'm very much looking forward to the sequel, [b:Our Dark Duet 32075662 Our Dark Duet (Monsters of Verity, #2) Victoria Schwab https://images.gr-assets.com/books/1476399662s/32075662.jpg 43242921].
4.5/5 stars
So I saw some reviewers say they found the book depressing, but maybe my expectations for making a living as a writer are super low or something because I actually found it encouraging. While not all of the essays focus exactly on making a living, the ones that did were frank and honest and most importantly to me—though most of them struggled at first, they did eventually reach the point where they were comfortably making ends meet, often through multiple streams of income. Some were more open about numbers than others, but they all ultimately talked about their own experiences and how they got to where they are today.
The interviews and essays reveal many different options out there for writers—everything from writers living solely off their fiction, writers living off several writing income streams, writers with full time jobs, writers with part time jobs, and writers dependent on someone else's income. To me, it was an encouraging reminder that one way or the other, writers figure this stuff out, and so can you.
While there were a couple essays/interviews that I didn't particularly care for—especially one interview that was pretty literary elitist and eyeroll-worthy, to say the least (looking at the lineup, I'm sure you can probably guess which contributor it's from)—I found most of the essays and interviews to be enlightening, interesting, and even entertaining.
All in all, if you're looking for some frank talk on a writer's income from a variety of professional writers, I definitely recommend picking up Scratch. Whether you find it encouraging or depressing will probably depend on what you're expecting in terms of how writers make a living, but either way it's an eye-opening read that I'm definitely glad arrived in my lap at the time that it did.
This book is so, so beautiful. Full review to come, but wow, this is so special.FULL REVIEW: I knew going in History is All You Left Me was going to be another heartbreaking [a:Adam Silvera 7577278 Adam Silvera https://images.gr-assets.com/authors/1414725025p2/7577278.jpg] read—I mean, the premise is clearly an emotional one—but wow, I did not anticipate just how powerful and important this book would be.I saw people in the GayYA conversation about the book say History starts at heartbreaking and moves toward hope, which is really a perfect way to describe it. A lot of the book is Griffin talking directly to Theo as he processes his grief and moves through a life where Theo is no longer alive. The narrative goes back and forth between the present day and the past, so we get to know Theo and Griffin's history with him, all while knowing how it's ultimately going to end. I sometimes have trouble with Contemporary novels keeping my attention, but this definitely wasn't a problem for History. The whole book is so beautifully written—it's raw, and emotional, and real—and had me feeling approximately all of the things a chapter or two in. Then there's the OCD rep. This was really interesting to me to read because the things that trigger Griffin and his compulsions are entirely different from the things that bothered me (and sometimes still do) at the height of my worst, uncontrolled probably-OCD anxiety. But that's the thing about mental illnesses—they are so varied in the way they affect people, even though representation tends to focus on one or two ways it manifests. So I was really, really happy to see not-frequently-covered ways OCD can affect someone on the page, because lack of awareness causes so much damage and this fights against it. All in all, I really loved this book and I know it'll stick with me for a long time. If you can handle something raw, emotional, and yes, heartbreaking, but also hopeful, then I can't recommend this incredible book more.Diversity note: All of the main characters are queer—Griffin and Jackson are gay, Theo is bi, and there's another queer boy who says he doesn't like labels. Also, Griffin deals with OCD and (possibly, according to Griffin and his psychiatrist at the end—minor spoiler) a delusional disorder. Both the queer and OCD rep are #ownvoices.
