The Creative Act: A Way of Being | 3.77 | - | |
| 4.15 | - | |
| 3.57 | - | |
Pequena coreografia do adeus | 4.5 | - | |
| 3.41 | - | |
The Invisible Life of Addie LaRue - Sneak Peek | 4.11 | - | |
| 4.37 | - | |
| 3.21 | - | |
| 3.86 | - | |
| 4.03 | - | |
Outlive: The Science and Art of Longevity | 4.24 | - | |
| 4.07 | - | |
| 4.24 | - | |
A Good Girl's Guide to Murder | 4.17 | - | |
| 3.94 | - | |
| 4.25 | - | |
| 3.95 | 4.0 | |
A Uruguaia - Pedro Mairal
- Heloísa Jahn (Translator)
| 3 | 4.0 | |
| 4.13 | - | |
| 3.9 | 4.0 | |
| 4.14 | 4.0 | |
| 4.2 | - | |
As revoluções da comida: O impacto de nossas escolhas à mesa | 0 | - | |
| 3.96 | 5.0 | |
| 4.2 | - | |
Forensics: What Bugs, Burns, Prints, DNA and More Tell Us About Crime | 3.69 | - | |
| 3.76 | - | |
Mazal tov. Minha surpreendente amizade com uma familia de judeus ortodoxos | 0 | - | |
| 3.93 | 5.0 | |
| 4 | 5.0 | |
| 0 | - | |
| 4.83 | - | |
Feminism Is for Everybody: Passionate Politics | 4.01 | - | |
| 0 | - | |
| 0 | - | |
Stolen Focus: Why You Can't Pay Attention | 3.88 | - | |
| 0 | - | |
| 2 | - | |
Tomorrow, and Tomorrow, and Tomorrow | 4.11 | 5.0 | |
| 3.75 | - | |