Rob Thompson

In his latest podcast series, “Derren Brown's Bootcamp for Life,” the renowned mentalist and illusionist explores the inner workings of the human mind and offers practical strategies for coping with the stresses and anxieties of modern life. Through a series of engaging and informative interviews with experts in psychology and philosophy, Derren delves into the underlying causes of anxiety and provides actionable advice for cultivating happiness and well-being.

Each episode of the podcast is approximately 30 minutes long, making it a convenient and enjoyable listen for busy individuals seeking to improve their mental and emotional well-being. The series is thoughtfully produced and features soothing, calming elements that make it an enjoyable and relaxing listening experience.

While the podcast promises to help listeners rid themselves of anxiety and become happier, it should be noted that the effectiveness of these strategies may vary from person to person. However, those who are willing to engage with the material and put the ideas into practice may find that they are able to better manage their stress and emotions and lead a more fulfilling, joyous life.

“The Seven Ages of Science” is a captivating and enlightening radio show hosted by Lisa Jardine. In this thought-provoking series, Jardine takes listeners on a journey through the annals of scientific history, exploring the evolution of human understanding.

Jardine's approach to presenting the story of science is noteworthy. Her eloquent narration and deep understanding of the subject matter make even the most complex scientific concepts accessible to the layperson. The show excels in weaving together historical anecdotes, scientific discoveries, and the lives of the great minds who shaped our understanding of the world.

What sets this program apart is its profound commitment to rigorous research and objective analysis. Jardine does not shy away from delving into controversies or presenting multiple perspectives, making for a well-rounded exploration of each scientific age.

In conclusion, “The Seven Ages of Science” by Lisa Jardine is a true gem in the world of radio broadcasting. It marries intellectual rigor with an engaging narrative, making it a delightful and enriching experience for anyone with an inquisitive mind. Lisa Jardine's expertise and dedication to presenting the history of science in an accessible and engaging way are truly commendable, and this show comes highly recommended for those who seek both intellectual stimulation and entertainment.

“The Bourne Identity” by Robert Ludlum falls short of the mark for a few reasons. Firstly, the plot is convoluted and hard to follow, leaving the reader confused and disinterested. Additionally, the characters lack depth and fail to elicit any emotional investment from the reader. The action scenes are predictable and lack tension, making the novel feel formulaic and uninspired. Overall, “The Bourne Identity” fails to deliver a gripping and satisfying read, making it a forgettable addition to the espionage thriller genre.

British television has hosted some celebrated double acts over the years. But none of them challenge the cherished place occupied by Eric Morecambe and Ernie Wise. A successful partnership which lasted from 1941 to Morecambe' death in 1984.

This comprehensive biography offers most of what you need to know about the comic duo. Starting from their early days as child performers in variety, to the ups and down of their decades on television. It shows why Eric and Ernie are the gold standard for double acts.

Funny, warm and incisive, Sunshine and Laughter gets to the heart of what made TV's most enduringly popular double act tick.

A SF classic or a superficial military SF?

For me it was more of the latter. Read on its own and not in the context of all the similar books that have proceeded it, this is a fun, military SF novel. The book is well written and entertaining.

The plot sees John Perry, a 75-year-old retired advertising writer, joining the Colonial Defense Forces. They protect human interplanetary colonists. Volunteers sign letters of intent and provide DNA samples at age 65, which John and his now deceased wife Kathy had done ten years before the beginning of the story. After visiting his wife's grave to say goodbye (as volunteers can never return to Earth), Perry takes a space elevator to the CDF ship Henry Hudson, where he meets fellow male and female retiree volunteers who dub themselves the "Old Farts".Following a series of sometimes bizarre psychological and physical tests, Perry's mind is transferred to a new body based on his genetic material. His new body is a younger version of himself, but genetically engineered with enhanced musculature, green skin, and yellow cat-like eyes. He now possesses enormous strength and dexterity,nanobot-enhanced artificial blood, enhanced eyesight and other senses, and a BrainPal—a neural interface that, among other capabilities, allows Perry to communicate with other members of the CDF via thought.After a week of frivolity and orgies in their new bodies, Perry and the other recruits land on Beta Pyxis III for basic training, during which the CDF's heritage in the United States armed forces is made clear when the recruits are taught the Rifleman's Creed. After Perry learns that his drill instructor adopted one of his advertising slogans as a personalmantra, Perry is given the dubious job of platoon leader during the weeks of training before he is shipped out to the CDF ship Modesto. His first engagement is with the Consu, a fierce and intelligent, though zealous, alien species. Perry improvises a tactic which enables the CDF to win this first battle. This is followed by several battles with, among others, the bear-like Whaidians and the tiny Covandu. By the end of this last engagement Perry begins to suffer psychological distress over killing the Liliputian Covandu and accepts that he has transformed both physically and mentally.Now a veteran, Perry participates in the Battle for Coral. The planet contains coral reefs valuable to the attacking Rraey, as well as a human colony (the Rraey also have a taste for human flesh). The CDF plans to counterattack with a force before the Rraey establish their coral strip mining operations, but the Rraey have somehow obtained technology to predict the appearance of a space ship's skip drive (a feat that should not be possible) and use this knowledge to ambush and destroy CDF ships as they arrive in the Coral system. Perry's quick thinking allows him and his fellow soldiers on a transport shuttle to escape the wreckage of the Modesto and make for the planet's surface, but they are shot down and Perry is the only survivor of the crash. Perry is left for dead by a Rraey search party (who find CDF soldiers inedible), but he is rescued by members of the mysterious "Ghost Brigades", the Special Forces units of the CDF. Perry thinks he has died when he sees a younger green version of his dead wife Kathy, who in reality is Jane Sagan, the leader of the Ghost Brigades rescue team.After being repaired, Perry tracks down Sagan, who turns out to have been grown based on Kathy Perry's DNA sample, as legally allowed by her letter of intent to join the CDF. Unlike John, Jane has no memories of Kathy's life, as she is only six years old, but after learning about Kathy, Jane seeks to learn more from John about being a "realborn" person and what kind of life one can have outside the CDF.Sagan manipulates her chain of command to promote John to an advisory role (as a lieutenant) to gather information from the Consu during a ritualistic meeting to get information. Perry discovers that the Rraey had received the skip-drive detection tachyon technology from the Consu, which was used to set up the ambush at Coral. Perry also manipulates his chain of command to have the last two of his friends from the "Old Farts" transferred out of combat duty to military research. Sagan and Perry then take part in a Special Forces operation in an attempt to capture or destroy the borrowed Consu technology in advance of a major attack to recapture Coral from the Rraey. Perry is instrumental in the successful outcome of the battle by capturing the technical manual for the Consu detection system (which was destroyed in the fighting), and saving Sagan's life after she is wounded. He never sees her again after delivering her to a shuttle which returns her to the secretive Ghost Brigades.At the conclusion of the book, Perry is promoted to captain following his deeds at Coral and despite the separation, holds hope of reuniting with Sagan when their terms of service conclude." transferred out of combat duty to military research. Sagan and Perry then take part in a Special Forces operation in an attempt to capture or destroy the borrowed Consu technology in advance of a major attack to recapture Coral from the Rraey. Perry is instrumental in the successful outcome of the battle by capturing the technical manual for the Consu detection system (which was destroyed in the fighting), and saving Sagan's life after she is wounded. Yet, he never sees her again after delivering her to a shuttle which returns her to the secretive Ghost Brigades.At the conclusion of the book, Perry is promoted to captain following his deeds at Coral and despite the separation, holds hope of reuniting with Sagan when their terms of service conclude.

What is lacking is some inventive and new SF ideas. The novels that it draws from are in more original, more inventive and better. There is no real attempt to push out new ideas about how technology may impact on us in the future. Other writers have explored skip drives, nano tech cloning, splicing DNA before. If read as an military adventure novel, then its a gripping read. If you're looking for anything deeper then it'll disappoint you.

The dangers of an all powerful state: Community, Identity, Stability

Brave New World is a novel written in 1931 by Aldous Huxley and published in 1932. The title derives from Miranda's speech in William Shakespeare's The Tempest, Act V, Scene I:[4]

O wonder!How many goodly creatures are there here!How beauteous mankind is! O brave new world,That has such people in't.— William Shakespeare, The Tempest, Act V, Scene I, ll. 203–206

Set in London in the year AD 2540 (632 A.F.—”After Ford”—in the book), the novel anticipates future developments. It considers productive technology, sleep-learning, psychological manipulation, and classical conditioning. These all combine to change society.

This dystopia sees a World Government which controls people's lives. This starts from the moment of conception to the moment of death. The authorities create fetuses artificial fertilization in test tubes. “Parents”are unknown and there are rigid divisions and castes in society. Each caste performs different functions. Whispered messages teach sleeping babies to be content, telling them to comply. This conditions people to accept their place in society. The Government distributes a ‘happiness' drug, soma. This gives the population an artificial sense of freedom . Only a few individuals dare to question society. Into this society comes a ‘Savage'. Rescued from one of the few places in the world which allows people to live under natural conditions. What will be the fate of the Savage and the two brilliant young men who dare to befriend him? Will the Savage succeed in retaining the ideal of freedom that his childhood taught him? And if he does, what price will he pay?

The World Controller for Europe, Mustapha Mond, explains that these control methods benefit society. He explains that they ensure happiness and stability. And it is true that society in this ‘brave new world' is both happy and stable. The lower castes' restricted abilities, ambitions and desires make them contented with their lot. There is no dissatisfaction. This is because all caste members receives the same workload, food, housing, and soma ration. Nor is there any desire to change caste. The conditioning reinforces the individual's place in the caste system. The upper castes (with a few exceptions) revel in the hedonistic and materialistic lifestyle provided for them.

People enjoy perfect health and youthfulness until death at age 60. Death is not feared. The population is confident that everyone is happy, and since there are no families, there are no strong ties to mourn.

Huxley does not make the naive mistake of idealizing a life that is not controlled by science. John, the Savage, who brought up on an American Indian reservation, lived a life that was in many ways uncomfortable and unpleasant. But Huxley makes the point that he had free will. In this fictional future free will and individuality are sacrificed in deference to social stability. So, free will is something which the inhabitants of the brave new world don't have. Huxley thus poses the reader with a question. Is free will and the freedom to choose, worth the suffering that goes with it? And it is this question that this book explores. John has extensive knowledge of Shakespeare's works. This serves him in several ways:

- he can verbalise his own complex emotions and reactions
- it provides him with a framework from which to critise the World State values, and
- it gives him language that allows him to hold his own against the rhetorical skills of Mustapha Mond.

I also noticed that blindness and vision are motifs that Huxley uses a lot in this book. For example, the creation of complex entertainment machines. These generate meaningless leisure and high amounts of consumption. In this way the Consumer Society is used to define individual happiness. A society where immediate gratification equates happiness to economic growth and prosperity. Thus it becomes clear that there is an inequality between truth and authentic, genuine happiness.

In closing, the book questions just how much we are all seduced into unthinking obedience. How our infantile behaviours are encouraged. How conditioning, social reinforcement, and soma (Christianity without tears) supports capitalist economics.

O brave new world that has such people in it.

I listened to the BBC Radio 4 version. Available here.

Episode 1 explores the dystopian world which enforces eugenics, promiscuity and happiness. Episode 2 asks can John the Savage remain true to the values he learnt on the primitive reservation?

“Wealth is good, and if it comes our way we will take it; but a gentleman does not sell himself for wealth.”

King Solomon's Mines(1885) is by the English Victorian adventure writer Sir H. Rider Haggard. It tells of a search of an unexplored region of Africa. The group of adventurers is led by Allan Quatermain for the missing brother of one of the party.

Allan Quatermain, an adventurer and white hunter based in Durban, in what is now South Africa, is approached by aristocrat Sir Henry Curtis and his friend Captain Good. They are seeking his help finding Sir Henry's brother. He was last seen travelling north into the unexplored interior on a quest for the fabled King Solomon's Mines. Quatermain has a mysterious map purporting to lead to the mines, but had never taken it seriously. However, he agrees to lead an expedition in return for a share of the treasure, or a stipend for his son if he is killed along the way. He has little hope they will return alive. He reasons that he has already outlived most people in his profession, so dying in this manner at least ensures that his son will be provided for. They also take along a mysterious native, Umbopa. Umbopa seems more regal, handsome and well-spoken than most porters of his class, but who is very anxious to join the party.Travelling by oxcart, they reach the edge of a desert, but not before a hunt in which a wounded elephant claims the life of a servant. They continue on foot across the desert, almost dying of thirst before finding the oasis shown halfway across on the map. Reaching a mountain range called Suliman Berg, they climb a peak (one of "Sheba's Breasts"). There they enter a cave where they find the frozen corpse of José Silvestre (also spelt Silvestra). This was the 16th-century Portuguese explorer who drew the map in his own blood. That night, a second servant dies from the cold, so they leave his body next to Silvestra's, to "give him a companion". They cross the mountains into a raised valley, lush and green, known as Kukuanaland. The inhabitants have a well-organised army and society and speak an ancient dialect of IsiZulu. Kukuanaland's capital is Loo, the destination of a magnificent road from ancient times. The city is dominated by a central royal kraal.They soon meet a party of Kukuana warriors who are about to kill them. Captain Good nervously fidgets with his false teeth, making the Kukuanas recoil in fear. Thereafter, to protect themselves, they style themselves "white men from the stars"—sorcerer-gods—and are required to give regular proof of their divinity, considerably straining both their nerves and their ingenuity.They are brought before King Twala, who rules over his people with ruthless violence. He came to power years before when he murdered his brother, the previous king, and drove his brother's wife and infant son, Ignosi, out into the desert to die. Twala's rule is unchallenged. An evil, impossibly ancient hag named Gagool is his chief advisor. She roots out any potential opposition by ordering regular witch hunts and murdering without trial all those identified as traitors. When she singles out Umbopa for this fate, it takes all Quatermain's skill to save his life.Gagool, it appears, has already sensed what Umbopa soon after reveals: he is Ignosi, the rightful king of the Kukuanas. A rebellion breaks out, the Englishmen gaining support for Ignosi by taking advantage of their foreknowledge of a lunar eclipse to claim that they will black out the moon as proof of Ignosi's claim. The Englishmen join Ignosi's army in a furious battle. Although outnumbered, the rebels overthrow Twala, and Sir Henry lops off his head in a duel.The Englishmen also capture Gagool, who reluctantly leads them to King Solomon's Mines. She shows them a treasure room inside a mountain, carved deep within the living rock and full of gold, diamonds, and ivory. She then treacherously sneaks out while they are admiring the hoard and triggers a secret mechanism that closes the mine's vast stone door. Unfortunately for Gagool, a brief scuffle with a beautiful native named Foulata—who had become attached to Good after nursing him through his injuries sustained in the battle—causes her to be crushed under the stone door, though not before fatally stabbing Foulata. Their scant store of food and water rapidly dwindling, the trapped men prepare to die also. After a few despairing days sealed in the dark chamber, they find an escape route, bringing with them a few pocketfuls of diamonds from the immense trove, enough to make them rich.The Englishmen bid farewell to a sorrowful Ignosi and return to the desert, assuring him that they value his friendship but must return to be with their own people, Ignosi in return promising them that they will be venerated and honoured/honored among his people forever. Taking a different route, they find Sir Henry's brother stranded in an oasis by a broken leg, unable to go forward or back. They return to Durban and eventually to England, wealthy enough to live comfortable lives.

The book has scholarly value for the colonialist attitudes that Haggard expresses. Also for the way that he portrays the relationships between the white and African characters. Haggard portrays some African characters as barbarians, such as Twala and Gagool. But their barbarity has more to do with their roles as antagonists in the story than with their African heritage. He also presents the other side of the coin, showing some black Africans as heroes and heroines (such as Ignosi). He also shows respect for their culture. The book expresses much less prejudice than some of the later books in this genre. Indeed, Quatermain states that many Africans are more worthy of the title of “gentleman” than the Europeans who settle or adventure in the country. Haggard even includes an interracial romance between a Kukuana woman, Foulata, and the white Englishman Captain Good. The narrator tries to discourage the relationship, dreading the uproar that such a marriage would cause back home in England; however, he has no objection to the lady, whom he considers very beautiful and noble. Haggard soon “kills off” Foulata, but has her die in Good's arms.

So, a product of its time but still a rip-roaring tale.

John Gardner wrote this, his seventh James Bond novel, a year before the on-screen Bond faced a similar plot in Licence to Kill. These books are always a balancing act. Don't let the story stray too far from the original Fleming story-line, but also try something new. Its interesting to read a 1980s story where suicide bombing features. Especially when its fuelled by religion and takes the Western intelligence agencies by surprise.

The story sees Bond becomes connected to the death of a woman in London. M asks him to help in the investigation. Returning from Hereford, a Sergeant Pearlman tags along by driving Bond back. An attack follows then a high-speed chase on an English motorway. Upon returning to headquarters, M briefs Bond on the investigation. She is a member of a cult society known as "The Meek Ones", operated by a Father Valentine. With extra information from the CIA, the British Secret Service learn that Valentine is an alias for Vladimir Scorpius. Scorpius is an arms dealer for several terrorist organisations.As the country's general election approaches, by the use of brainwashed cult members, Scorpius has begun a "holy war". The cult members, thinking themselves to be pure, moral, and unsullied, sacrifice their lives for "the greater good of humanity". They believe that by performing this "death task" that they will achieve paradise. Throughout the novel, The Meek Ones commit several acts of terrorism. This includes several terrorist bombings and assassinations of British politicians.Bond meets Harriett Horner, an IRS agent working undercover in England. She's investigating a credit card company run by Scorpius. The two work together along with Pearlman to attempt to track down Scorpius. After an interrogation of a captured cult member, Horner is taken captive by Scorpius' men. Pearlman confesses to Bond that he was giving Scorpius information for the benefit of his brainwashed daughter. Together the two set out for Scorpius' base of operations in South Carolina. The plan is making Scorpius believe Pearlman was taking Bond captive.At Scorpius' island, Bond meets up with Horner once again. The two marry at the behest of Scorpius. Knowing that the marriage is invalid, Bond agrees to go ahead with it thinking it would buy him time until he can escape. On the night the two decide to escape, a water moccasin kills Harriett. At the same time the FBI is conducting a raid of Scorpius' island, which further angers Bond since her death was in vain. Bond returns to the island, finding Scorpius attempting to flee. After giving chase, Bond gets the upper hand. He forces Scorpius to die in a similar manner to that of Horner's death.

So, in summary an enjoyable, but forgettable read. Scorpius had the potential to be as iconic as Auric Goldfinger. Although the story never quite panned out like that. There was a nice nod to Sean Connery in the middle of the tale.

Pulpy fun.

Ian Mortimer's “The Time Traveller's Guide to Regency Britain” is a captivating and immersive exploration of one of the most fascinating eras in British history. Mortimer, known for his meticulous attention to detail and his skillful narrative style, takes readers on a journey back in time, allowing them to experience the Regency period as if they were living in it themselves.

The book is part history, part travel guide, and part social commentary. Mortimer's approach is unique, as he doesn't merely recount historical facts but invites readers to step into the shoes of a time traveller, offering them a detailed glimpse into the everyday lives of people in early 19th-century Britain.

One of the book's standout features is its vivid portrayal of the Regency era's society, politics, and culture. Mortimer delves into the complexities of class structure, the etiquette of the time, and the daily routines of both the elite and the working class. Through his engaging prose, readers can visualize the bustling streets of London, the opulent ballrooms, and the hardships of rural life.

Mortimer's meticulous research is evident throughout the book. He provides a wealth of fascinating historical anecdotes, quotes from contemporary sources, and detailed descriptions of clothing, architecture, and transportation. This attention to detail allows readers to immerse themselves fully in the Regency period, making it feel as if they are walking alongside the people of that time.

While “The Time Traveller's Guide to Regency Britain” is a meticulously crafted historical account, it's not without its minor drawbacks. Some readers may find the level of detail overwhelming at times, especially if they are not already familiar with the Regency period. Additionally, a more structured organization could have made the book even more accessible to a broader audience.

Despite these minor quibbles, Mortimer's book is a delightful and educational journey into the past. It appeals not only to history enthusiasts but also to those with a general interest in British culture and society. His writing style is engaging, and he effortlessly bridges the gap between scholarly research and popular history.

In conclusion, “The Time Traveller's Guide to Regency Britain” is a rich and immersive experience that transports readers to a bygone era. Ian Mortimer's dedication to historical accuracy and his skill as a storyteller shine through in this book. If you've ever dreamt of time travel, this book is the closest you'll come to stepping into the world of Regency Britain without a time machine. It's a compelling read that will leave you with a deeper understanding and appreciation of this pivotal period in history.

A brilliant introduction to the Medieval period. Highly recommended for history fans.

“The past is a foreign country; they do things differently there.” – L. P. Hartley

‘It Burns', delves deep into the cut-throat world of competitive chilli-eating. It also explores the race to breed the world's hottest chilli and deal with allegations that an Australian chilli-growing family was cheated of a Guinness World Record. And finally we discover how people manage pain to shape and define their sense of self and feel more alive. I thought this would be a quirky story about a few chilli farmers. But it turned out to be something far darker, personal and challenging.

One man's inspiring struggle with PTSD

Jason Fox joined the Royal Marine Commandos at sixteen, serving for ten years. After which he passed the gruelling selection process for the Special Forces. He went on to serve with the Special Boat Service for over a decade, reaching the rank of Sergeant. With his background, you be forgiven for thinking the book is just full of exciting alpha-male adventures. And while there is some of this, Battle Scars isn't simply about his fights on the battlefield. It also covers those back in civilian life too, on both a physical and mental level. As such, it's one of the most courageous pieces of writing I've read in a long time. ‘Battle Scars' will leave a profound impression on you.

The book starts as you would expect, in an exciting combat scene. But this was somewhat at odds with the tone of what follows. It's not long before we delve into not only the author's military career but the emotions of his struggle with PTSD. Then his road to recovery. It is very raw and Jason pulls no punches.

The overall impression as the book progresses is of a brave man who fought personal wars both in mind and body.

It's rare to find something discussed so openly. His description of his gradual understanding of his condition is revealing. And his struggle against it is heartbreaking. Almost as poignant was the inability of the military to offer him the help he deserved. Especially when he was at his most vulnerable. This was compounded when he was encouraged to leave the job. This was the job that had brought him such meaning before he became so ill. After a long period of further destabilisation and with the support of contacts, Jason got the help he needed. Then his long and painful road to recovery could at last begin.

As the book closes Jason mentions the trans-Atlantic row that, as part of his recovery, he successfully completed with four other inspirational men.

There's no doubt, Jason is courageous and honest about his debilitating potential of mental health issues. But he never wallows in self-pity. This is a powerful, courageous, and moving book. It puts into focus the extremities that a mental illness brings to a person. It will, I hope, help others understand PTSD or perhaps even recognise it in themselves and seek help.

My project to read all of Ian Fleming's James Bond novels in order continues! The third Bond novel, Moonraker, was completely different from the movie bearing the same name; the character of Drax does feature and there is a tenuous link to space travel but sadly there were no excursions on Space Shuttles or henchmen with metal teeth or throw-away Sir Rodge quips or massed lazer battles when orbiting the Earth. The story is based in 1950s Britain (no exotic locations) and revolves around a fiendish Nazi plot to drop an atomic bomb on London.

The book itself is split into three distinct parts:
- Part 1: Bond playing a high stakes cards, like Casino Royale. Some nice tension but the description of the card game was dull
- Part 2: Murder mystery section
- Part 3: Where most of the action happens along with the launch countdown

In part 1 I liked that it included elements not found in either the movies or earlier books. For example, Bond gets to hang out with M (who is fleshed out as a character) and the day-to-day routine of a 00 agent is covered; reading files, going to the canteen, thinking about his salary, etc.

The Britain portrayed in the book seems rather bankrupt and despondent; post-war decline is apparent and the Empire is slowly coming to an end so much so that the country can only afford the Moonraker weapon because Drax will buy it for them. It also seems obvious right from the start that Drax is a villain and to a certain extent this dampens down the suspense but it's still fascinating to read about Bond uncovering the exact details of why a death occurred (part 2).

As for the characters, I've already mentioned M and I did enjoy Drax; he definitely makes for a more memorable scoundrel. Gala Brand held a certain amount of charm and potential but she sort of fizzled out for me especially as poor James doesn't even get to jump into bed with her.

While the writing is typical of Fleming, building up the action and excitement and using evocative and descriptive language, the plot is a little shaky in places, for example, I'm not quite sure why Drax would want to try to kill Bond and Brand by bringing down a cliff on their heads, surely it would be easier to just shoot them? But crazy death scenes are par for the course in a Bond tale and you have to suspend belief from time to time.

So, in summary a really down to earth (literally) Bond novel but probably the weakest of the three books I've read so far, although still entertaining enough. I've now decided to read these books as period novels and thankfully the story contains less of the out and out racism prevalent in Live and Let Die. Overall, a terrific read but perhaps not as exciting as earlier stories.

Why did the US intelligence services fail so spectacularly to know about the Soviet Union's nuclear capabilities following World War II? As Vince Houghton, historian and curator of the International Spy Museum in Washington, DC, shows us, that disastrous failure came just a few years after the Manhattan Project's intelligence team had penetrated the Third Reich and knew every detail of the Nazi ‘s plan for an atomic bomb. What changed and what went wrong? And why did the idea to weaponize bats never work? Or what about the idea to turn a cat into a listening device?

Vince takes us on a wild tour of missions and schemes that almost happened, but were ultimately deemed too dangerous, expensive, ahead of their time, or even certifiably insane

Written in a conversational upbeat, humorous style with loads of pop-culture references. It is both terrifying and hilarious, but always riveting. This is a unique story of a whole bunch of really, really bad ideas (and a few intriguing ones that just didn't work out)

So, if you are you interested in the cold war, historical oddities and espionage. Then this book is for you.

An interesting series which uncovers the man behind Sherlock Holmes. They're mostly composed of interviews with actors and academics. Relevant snippets of his works are read out too. There is some repetition:
- this is what I'll tell you,
- this is what I told you,
- and, this is what I'm going to tell you

Maybe have fewer, and slightly longer episodes instead? Worth listening to, if you're going to embark on his reading his books.

“Sharpe's Sword” by Bernard Cornwell is a historical fiction novel that takes place during the Napoleonic Wars. The protagonist, Richard Sharpe, is a former private who has risen through the ranks to become an officer in the British Army. The novel follows Sharpe as he leads his company of riflemen through the Salamanca Campaign in Spain, a pivotal moment in the war that was marked by intense battles and complex political maneuverings.

One of the strengths of “Sharpe's Sword” is its well-crafted characters. Richard Sharpe is a compelling protagonist who is both brave and cunning, making him an engaging hero to follow. The supporting characters are also well-written and add depth to the story, creating a rich and complex world that readers will want to immerse themselves in.

The action scenes in “Sharpe's Sword” are particularly well-done. They are fast-paced and intense, with a focus on the tactical decisions that must be made during battle. This makes the book a thrilling read that will keep readers on the edge of their seats. Additionally, the historical accuracy of the novel adds depth and context to the story, making it a must-read for fans of historical fiction.

Overall, “Sharpe's Sword” is a well-crafted, action-packed novel that will keep readers engaged and entertained from start to finish. As the ninth book in the “Richard Sharpe” series, it is part of a larger narrative that will be familiar to fans of the series, but it can also be enjoyed as a standalone novel. If you're a fan of historical fiction, military history, or just a good action-adventure story, this book is definitely worth checking out.

Sharpe finds himself in the thick of the 1807 British campaign to destroy the Danish navy anchored in Copenhagen before the French can seize the ships and pose another invasion threat. Vividly described action, conflicted protagonists risking both their lives and careers and impressive historical detail. Another cracking Sharpe adventure.

“Sharpe's Revenge” is the 19th book in Bernard Cornwell's popular Sharpe series, set during the Napoleonic Wars. The book follows the story of Richard Sharpe, a former soldier turned spy, as he seeks revenge against a French general who has caused him great personal harm.

The book starts with Sharpe in the Spanish city of Vitoria, where he is preparing to undertake a mission for the British army. However, his plans are interrupted when he receives a letter from his old enemy, General Guy Loup, who has escaped from a British prison and is seeking revenge against Sharpe. Loup blames Sharpe for his imprisonment and vows to kill him and his family.

From this point on, the book follows Sharpe as he attempts to track down and stop Loup, while also dealing with personal issues of his own. Throughout the book, we see Sharpe struggle with his own sense of morality, as he is forced to make difficult decisions in order to protect himself and those he cares about.

One of the strengths of “Sharpe's Revenge” is Cornwell's ability to create a vivid and detailed portrayal of the Napoleonic era. His descriptions of battles, military tactics, and life in the army are all meticulously researched and provide an immersive experience for the reader. Additionally, the book is full of well-drawn and complex characters, from the ruthless Loup to the conflicted Sharpe himself.

However, despite these strengths, the book does have some weaknesses. For one, the plot can at times feel overly complicated and convoluted, with multiple subplots and characters that can be hard to keep track of. Additionally, the book's pacing can be slow at times, particularly during the sections that focus on Sharpe's personal life.

Overall, “Sharpe's Revenge” is a solid addition to the Sharpe series, with a well-realized historical setting and engaging characters. However, it is not without its flaws, and readers looking for a fast-paced and action-packed read may be disappointed by the book's occasionally slow pacing. Nonetheless, for fans of historical fiction and military thrillers, “Sharpe's Revenge” is definitely worth checking out.

Loads of facts and history but very funny too. More appropriate for your teenager than adults

Extremely entertaining and depressing in equal measure. Do you enjoy history, quirky stories, and social sciences? Well, this could be the book for you.

As one would expect from a former Buzzfeed writer, ‘Humans' has is written in a very informal, conversational style. Tom Phillips packs his book with well researched eclectic examples from human history of our desire to make disastrous mistakes. He presents these in no particular order, and turns the oft-used narrative upside down. By touching upon only the critical elements needed to construct the mental final picture of each historical event, he enriches the text by adding lots of examples to send a compelling message in each chapter.

Nish Kumar narrated, which helped to convey the grim sarcastic humour. Whether we learn from these errors or not is a different matter entirely and as this book illustrates, it's not always as easy or black and white as it seems.

A Medieval Mystery Masterpiece: Where Faith, Suspicion, and Justice Collide

Ellis Peters' “The Leper of Saint Giles” is a captivating entry in the beloved Brother Cadfael series, transporting readers to the rich tapestry of 12th-century England. Set against the backdrop of a leper colony near Shrewsbury Abbey, this historical mystery weaves a tale of murder, love, and redemption that will keep readers guessing until the final page.

The story revolves around the impending marriage of an aging baron to a young heiress, a union that sets off a chain of events leading to murder. Brother Cadfael, the Welsh Benedictine monk with a keen eye for investigation, finds himself embroiled in a complex web of suspicion, hidden identities, and long-buried secrets. Peters masterfully intertwines the lives of nobles, servants, and the outcasts of society, creating a vivid portrayal of medieval life.

At the heart of the novel is Brother Cadfael himself, a character of depth and wisdom. His compassionate nature and shrewd intellect make him an endearing protagonist, bridging the gap between the sacred and the secular worlds. The supporting cast is equally well-crafted, from the mysterious leper Lazarus to the star-crossed lovers Iveta and Joscelin. Each character is imbued with unique motivations and flaws, contributing to the rich tapestry of the narrative.

Peters' plot unfolds at a measured pace, allowing readers to fully immerse themselves in the historical setting while maintaining a sense of urgency surrounding the central mystery. The author expertly balances character development with plot progression, weaving in surprising twists that keep the pages turning. The resolution is both satisfying and thought-provoking, showcasing Peters' skill in crafting a mystery that is as much about human nature as it is about crime-solving.

The author's writing style is a true highlight of the book. Peters' prose is elegant and evocative, bringing the medieval world to life with vivid descriptions and period-appropriate dialogue. Her attention to historical detail is impressive, seamlessly incorporating aspects of monastic life, medieval medicine, and social hierarchies without ever feeling didactic.

Themes of justice, mercy, and the nature of true nobility run deep throughout the novel. Peters explores the contrast between societal expectations and personal integrity, challenging readers to consider the true meaning of honor and compassion. The leper colony serves as a powerful metaphor for the marginalized in society, prompting reflection on how we treat those deemed “outsiders.”

As a reader, I found myself completely engrossed in the world Peters created. The blend of historical authenticity and compelling mystery-telling is truly masterful. Particularly moving were the scenes within the leper house, which were handled with sensitivity and depth, shedding light on a often misunderstood aspect of medieval life.

I wholeheartedly recommend “The Leper of Saint Giles” to fans of historical fiction and mystery alike. It's an excellent entry point for those new to the Brother Cadfael series, while longtime fans will find much to appreciate in this installment. Readers who enjoy richly detailed historical settings, complex characters, and mysteries that challenge both the mind and the heart will find this book a true delight.

In conclusion, “The Leper of Saint Giles” is a sterling example of historical mystery at its finest. Ellis Peters has crafted a tale that not only entertains but also illuminates the human condition across the centuries. With its blend of suspense, historical insight, and moral complexity, this novel earns a solid 4 out of 5 stars. It's a reminder of why the Brother Cadfael series has endured as a beloved classic in the genre.

An Engrossing Medieval Mystery

In “The Virgin in the Ice,” Ellis Peters weaves an intricate tapestry of mystery, intrigue, and historical richness that transports readers to the gritty and fascinating world of 12th-century England. This captivating novel, the sixth installment in Peters' acclaimed Cadfael Chronicles, earns a well-deserved 4 out of 5 stars for its compelling narrative and meticulous attention to detail.

Peters' storytelling prowess shines as she crafts a multi-layered plot revolving around the death of a young woman found frozen in the monastery's ice house. The enigmatic Brother Cadfael, a former crusader turned herbalist monk, is tasked with unraveling the secrets surrounding this chilling discovery. As the investigation unfolds, Peters deftly intertwines historical elements, religious tensions, and complex human relationships, creating a rich and immersive reading experience.

One of the novel's greatest strengths lies in its vivid characterization. Brother Cadfael himself is a remarkably well-developed and engaging protagonist, whose depth and nuance are further enhanced by the supporting cast of monks, nobles, and townsfolk. Peters skillfully portrays the intricacies of human nature, exploring themes of love, loyalty, and the consequences of actions in a way that resonates with readers across time.

Peters' meticulous research into the customs, beliefs, and daily life of medieval England is evident on every page, lending an unparalleled authenticity to the narrative. Her descriptive prose transports readers to the heart of Shrewsbury Abbey, immersing them in the sights, sounds, and smells of the era. This attention to historical detail not only adds richness to the story but also serves as an engaging educational experience.

While the pacing is occasionally slowed by the depth of historical detail, Peters' masterful storytelling and character development more than compensate for these minor lulls. The gradual unraveling of the mystery, coupled with Cadfael's insightful deductions, keeps readers invested and guessing until the final, satisfying reveal.

Overall, “The Virgin in the Ice” is a remarkable achievement in historical fiction and a must-read for fans of the genre. Ellis Peters' ability to seamlessly blend intrigue, character depth, and historical accuracy makes this novel a standout in the Cadfael Chronicles. With its captivating narrative and immersive medieval setting, “The Virgin in the Ice” is a true gem that deserves a place on every mystery lover's bookshelf, earning a well-deserved 4 out of 5 stars.

Stuart Maconie looks into the ‘Nanny State'. This is the derogatory term used for public or nationalised services by people with in power. Or, as Maconie says “people who had nannies”. Maconie looks back with rose-tinted glasses to a life led under the glory days of state intervention. However, Maconie becomes too misty-eyed to keep a focus. Topics are wide ranging, and only touched upon. It's also relentlessly negative. Chapter after chapter of invective becomes tiresome. His praise of society under the auspices of government funding leads to a highly personal and polemical book. Clinging to a romanticised past for the majority of the book it's only in the last chapter that Maconie touches on the real problem. This is the growing social and political emphasis on individuality and identity. He has a point, albeit made far too late.

KK's big book of grievances
Judas Priest are an English heavy metal band formed in Birmingham in 1969. They have sold over 50 million copies of their albums. And are often ranked as one of the greatest metal bands of all time. Despite an innovative body of work in the latter half of the 1970s, the band had struggled early on. They had indifferent record production and a lack of major commercial success until 1980. After this time they rose to commercial success with the album British Steel.

The band's membership has seen a lot of turnover. This included a revolving cast of drummers in the 1970s and the departure of singer Rob Halford in 1992. The American singer Tim “Ripper” Owens replaced Rob in 1996. The band then went on to record two albums with Judas Priest, before Halford returned to the band in 2003. The current line-up consists of:
. Rob Halford,
. guitarists Glenn Tipton and Richie Faulkner,
. bassist Ian Hill, and
. drummer Scott Travis.

K. K. Downing left the group in 2011.

I read Rob's book at the same time as KK's autobiography. This allowed me to get both authors recounting the band from their different perspectives.

Out of everything they've achieved both of them tell the story of when Rob pooped in an envelope in the back of a van. At any rate, in Rob's book you get the honest memoir of a gay man who lived a full (and now sober life) as a ‘Metal God'. He describes his personal struggles in parallel to the public successes. Contrast this with KK's big book of grievances. All the way through his book KK discusses the band dynamic. Especially when Glenn joined then took a leadership role. A role that Ken could not replicate. Although he clearly resented it. Rob simply covers in Confess this by saying there was lots of bickering between the two guitarists. Pity it took a book to get everything out in the open. KK also covers his strained relationship with the latter-day band's manager, Jayne Andrews.

In summary, unlike Confess where Rob covers all his inner struggles, KK's book is not a deep dive into the core of what makes him tick. He comes across as an easy going, working class bloke who is passionate about Heavy Metal and Judas Priest.

Thoroughly enjoyed them both.

An efficient, ruthless killer with a conscious comes out of retirement

If you're of a certain age and British, you'll remember the Callan TV series. It starred Edward Woodward as David Callan. He is an agent of a state secret service dealing with internal UK security threats. Portrayed as having responsibilities like those of the real-life MI5, Callan's fictional “Section” has carte blanche to use the most ruthless of methods. In the story lines interrogation is by means of torture. Extrajudicial killings are so routine they have a colour-coded filing system. Callan is an assassin who stays in his isolating job because it is the only thing he is good at. But he also comes across as a sympathetic character. As compared to to his sadistic upper-class colleagues and implacable superior.

This book has had several incarnations. As ‘A Red File for Callan', in the UK. As ‘A Magnum for Schneider', in the US and as ‘Callan' in a Corgi Books imprint in the UK. It was also re-tooled into the Callan movie.

The plot sees David Callan, an intelligence agent/assassin who comes out of retirement. His mission is to handle the assassination of Schneider, a German businessman. Colonel Hunter, his former employer, promises Callan that he'll be returned to active status as long as he follows his orders. But Callan refuses to act until he knows exactly why Schneider has been marked for death.

As with all Callan novels there are twists and turns. One of them being his conscience which gives the interweaving plot a dramatic tension. Who are the good guys? What are the characters true intentions?. It's a real page-turner

Some of the language is a little dated and its not great literature. But it is a page-turning thriller that gives the reader pause for thought.

Recommended.

About the book: The Happiness Track outlines the simple steps you can take to become happier and more successful. Referencing the latest scientific research, these blinks debunk common myths about how to be successful and set out a concrete plan for you to reduce stress in your life.
About the author: Emma Seppälä is the science director of the Center for Compassion and Altruism Research and Education at Stanford University. At the forefront of happiness research, she regularly publishes in the Harvard Business Review and Psychology Today. The Happiness Track is her first book.

My highlights:
What's in it for me? Be happier!
Most of us spend our time pursuing other things such as careers, money or love – even though these things are just shades of what might make us happy.
We focus too much on the future, but we can train ourselves to remain in the present moment.
Focusing on the future reduces your attention in the present moment, making you more likely to miss significant things that are happening now.
Staying fully present in the moment will help you perform better at work and may even make your job more enjoyable. And forget about the belief that multitasking is efficient. It isn't. In fact, performing multiple tasks makes you complete each task much less efficiently.
The first step is to remove unnecessary distractions.
The next step is to focus on tasks in small time increments.
Practicing meditation is another way to stay in the moment.
Many of us live in a world fueled by constant stress, which is said to help us thrive. But it doesn't!
There are two kinds of stress: the good, short-term kind and the bad, long-term kind.Short-term stress sends adrenaline coursing through the body and often inspires better mental and physical performance.
Too much stress, however, can harm the body and eventually turn into chronic stress, which can lead to illness – and even cause stress in people around you.
Many people today have a weakened resilience to stressful situations
Breathing techniques and slow-paced activities can help build resilience against stress.
Start by closing your eyes and taking slow, deep breaths for a few minutes every day. Pay close attention to your breath, noticing whether it is deep or shallow. Make sure to exercise deep, conscious breathing especially if you are angry or stressed.
Another effective technique is called alternate nostril breathing.
If you ever needed an excuse to hug someone you love, here it is! Research has shown that physical contact with a loved one reduces stress, too.
Burnout happens when we worry too much, exhausting our minds and our nerves.
There are three main ways in which you can exhaust your mind.The first is experiencing extreme emotional highs or lows.
The second is trying to exercise self-control all the time.
And finally, if you constantly worry (or worry about upcoming events that you feel will make you more worried)
The solution to preserving your energy is to find something positive in each and every situation.Doing things that make you feel good is simply good for you.
Staying positive and calm will also help you perform better in stressful situations.
Learn these three easy steps to becoming more creative by learning to make time for idleness.
Idleness might be just the medicine your body and soul needs.Contrary to the popular belief that you have to be focused to come up with innovative ideas, not concentrating might be what you need to do.
Many people are so used to being overstimulated that it's an uncomfortable feeling to let the mind just wander.
First, in between tasks that demand your full attention, perform mindless tasks that only require partial attention
Second, make time for play.
And finally, allow for moments of silence. Instead of filling all your time watching, listening or reading, find a space in which your mind is allowed to be totally quiet – for instance, through meditation.
It's time to conquer the negativity bias. Less self-criticism, more self-compassion and self-love.
Being too self-critical is counterproductive.Rather than boosting motivation, constant self-criticism can lead to depression. Being tough on yourself makes you focus disproportionately on your negative attributes instead of on your positive ones.
Have more compassion for yourself. Self-love and understanding will give you a healthier, more balanced view of your skills and the world around you. If you adopt a less critical perspective of yourself, you'll be affected less by internal and external criticisms, and consequently become more resilient to daily stress.
Expressing gratitude helps you focus on what you have instead of what you think you lack.
The benefits of showing gratitude are so overwhelming, it's surprising we don't express thanks more often. In fact, expressing gratitude is possibly the greatest act of self-compassion there is.
Writing is another way to become more self-compassionate. Start a journal and let your feelings flow onto the page.
Reap the many rewards that come from being kind to others instead of focusing on yourself.
Focusing too much on yourself can have negative effects. It makes you a poorer judge of people, generally less liked by others
The antidote to being self-absorbed is to look outward with a compassionate, open heart. Compassion means being sensitive to those around you and acknowledging the distress of others.

Final summary
The key to happiness is being present in the moment, eliminating stress and letting your creative juices flow freely. Self-care is important, but so is showing compassion for others. Only by being kind to ourselves and each other can we thrive both as individuals and as a society.