Rob Thompson
“The Raffles Megapack: The Complete Tales of the Amateur Cracksman, Plus Pastiches and Continuations” by E.W. Hornung is a literary treasure trove that caters to both seasoned enthusiasts of the “amateur cracksman” and those venturing into the captivating world of Hornung's classic gentleman-thief for the first time. This monumental compilation is a testament to the enduring allure of Raffles, showcasing 26 short stories, including all the tales from the original three collections, “The Amateur Cracksman,” “The Black Mask,” and “A Thief in the Night.”
One notable feature of this megapack is the inclusion of the novel “Mr. Justice Raffles,” adding depth and complexity to the character's narrative. Moreover, the addition of 20 related stories by E.W. Hornung and John Kendrick Bangs, featuring the adventures of Raffles' grandson, expands the scope of the collection, offering readers a richer and more immersive experience.
The selection of stories is diverse, ranging from gripping heists to intricate plots, all woven with Hornung's signature style that effortlessly combines wit, suspense, and a touch of moral ambiguity. Each narrative is a testament to Hornung's ability to craft compelling tales of crime and intrigue, keeping readers on the edge of their seats throughout.
The comprehensive nature of this compilation is further enhanced by the inclusion of introductions, book covers, and notes, providing valuable context and insights into the creative process behind the stories. This attention to detail adds depth to the reading experience, making the megapack not merely a collection of stories but a curated exploration of Hornung's literary legacy.
For both aficionados and newcomers alike, “The Raffles Megapack” offers a captivating journey into the world of a charismatic and enigmatic anti-hero. Hornung's masterful storytelling, coupled with the extensive content of this compilation, ensures that readers will find something new and entertaining with each turn of the page. Whether one is drawn to the charm of Raffles or the intricacies of well-crafted crime fiction, this megapack stands as a commendable celebration of E.W. Hornung's enduring contribution to the genre.
The Truss Doctrine: A Delusional Diatribe
Liz Truss's memoir, “Ten Years to Save the West,” is a blatant and shameless attempt to launch her career as a political figure across the United States. From the outset, it becomes glaringly apparent that this book is a desperate attempt to pass the buck and absolve herself of any responsibility for her catastrophic 49-day premiership in the UK – a tenure marked by economic turmoil, plummeting approval ratings, and a rapid loss of credibility.
Rather than offering insightful reflections or genuine introspection, Truss's narrative is a delusional diatribe, replete with finger-pointing and excuses. She seemingly blames everyone and everything – the media, her colleagues, the administrative state – for her utter failure to implement meaningful economic reforms. “I assumed people understood what I was trying to do,” she writes, displaying a stunning lack of self-awareness and an inability to accept responsibility for the chaos she unleashed.
Truss's complaints about the difficulties of making hair appointments and convincing Ocado that her Downing Street delivery address wasn't a hoax are not merely humorous anecdotes; they are emblematic of her detachment from reality and the profound disconnect between her and the struggles faced by ordinary Britons. While she fretted over trivial inconveniences, the nation grappled with soaring inflation, a cost-of-living crisis, and the fallout from her disastrous economic policies.
The book itself is abysmal, offering little in the way of substantive content or valuable insights. Indeed, one could argue that the ink used to print this tome was utterly wasted, as the pages are filled with self-serving drivel that does nothing to enhance our understanding of the current state of British politics. Truss's attempts to paint herself as a serious thinker in a frivolous political world are laughable, given the sheer silliness and ineptitude that characterized her brief tenure as Prime Minister.
However, if there is one redeeming aspect to this literary travesty, it is the unintentional insight it provides into the utter shambles that is the acting UK government. Truss's memoir serves as a damning indictment of the Conservative Party and the poor standard of leadership currently in power within the nation. Her inability to acknowledge her own failings and her eagerness to shift blame onto others is a microcosm of the party's broader dysfunction.
As a wave of memoirs from Conservative MPs and ex-MPs hits the shelves, it becomes increasingly evident that the party is in a state of disarray, populated by individuals more concerned with securing their own legacies and political futures than with effectively governing the country. Truss's book is a prime example of this self-serving mindset, sacrificing honesty and accountability on the altar of personal ambition.
In the end, “The Truss Doctrine” is a delusional rant, a pitiful attempt to rewrite history and salvage what little remains of Truss's tarnished reputation. It is a disservice to the British public, who deserve better than this exercise in futility masquerading as a political memoir. If you're seeking insight into the inner workings of the UK government, this book will leave you sorely disappointed – and questioning the competence of those entrusted with the nation's leadership.
Nicholas Shakespeare's literary endeavor, “Ian Fleming: The Complete Man,” serves as a captivating expedition into the intricate layers of the renowned creator of James Bond. In this biographical masterpiece, Shakespeare skillfully navigates the narrative landscape, offering readers a comprehensive and intimate understanding of Fleming's multifaceted life.
Beyond the glitz and glamour associated with Bond, the author meticulously unravels the complexities that shaped Fleming's character. From his involvement in espionage to his literary pursuits, every facet of Fleming's life is scrutinized with scholarly precision and a touch of narrative finesse. The result is a compelling portrayal that goes beyond the surface, providing a nuanced and authentic glimpse into the man behind the fictional spy.
Shakespeare's commitment to thorough research is evident throughout the book, creating a vivid tapestry of Fleming's experiences and relationships. The narrative unfolds like a well-crafted spy thriller, keeping readers engaged and eager to discover the next revelation about this iconic figure.
What sets this biography apart is its ability to humanize Fleming. The author goes beyond the expected, delving into the personal struggles, triumphs, and idiosyncrasies that shaped the man. Readers are treated to a more profound understanding of Fleming's motivations, passions, and the circumstances that fueled his creativity.
Whether you're a devoted Bond aficionado or someone seeking an illuminating exploration of a fascinating life, “Ian Fleming: The Complete Man” delivers on both fronts. Shakespeare's eloquent prose and the rich tapestry of historical context make this book not just a biography but a literary journey into the heart and mind of a cultural icon. It stands as a testament to the meticulous craftsmanship of the author and an essential read for anyone intrigued by the enigmatic world of Ian Fleming.
Blake's 7 is a British science fiction television series produced by the BBC. Four 13-episode series were broadcast on BBC1 between 1978 and 1981. It was created by Terry Nation, who also created the Daleks for the television series Doctor Who. The script editor was Chris Boucher. The main character, at least initially, was Roj Blake, played by Gareth Thomas. The series was inspired by various fictional media, including Robin Hood, Star Trek, Passage to Marseille, The Dirty Dozen, Brave New World and classic Western stories, as well as real-world political conflicts in South America and Israel.
Blake's 7 was popular from its first broadcast, watched by approximately 10 million in the UK and shown in 25 other countries. Although many tropes of space opera are present, such as spaceships, robots, galactic empires and aliens, its budget was inadequate for its interstellar theme.
Adventures with the Wife and Blake has razor sharp, humorous perceptions to the first 26 episodes ‘The Way Back' to ‘Star One'.
Recommended for fans of the series and passionate insights into how wonderful Avon is.
Merged review:
Blake's 7 is a British science fiction television series produced by the BBC. Four 13-episode series were broadcast on BBC1 between 1978 and 1981. It was created by Terry Nation, who also created the Daleks for the television series Doctor Who. The script editor was Chris Boucher. The main character, at least initially, was Roj Blake, played by Gareth Thomas. The series was inspired by various fictional media, including Robin Hood, Star Trek, Passage to Marseille, The Dirty Dozen, Brave New World and classic Western stories, as well as real-world political conflicts in South America and Israel.
Blake's 7 was popular from its first broadcast, watched by approximately 10 million in the UK and shown in 25 other countries. Although many tropes of space opera are present, such as spaceships, robots, galactic empires and aliens, its budget was inadequate for its interstellar theme.
Adventures with the Wife and Blake has razor sharp, humorous perceptions to the first 26 episodes ‘The Way Back' to ‘Star One'.
Recommended for fans of the series and passionate insights into how wonderful Avon is.
[a:EC Tubb 17093421 EC Tubb https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png] (15 October 1919 – 10 September 2010) was a British writer of science fiction, fantasy and western novels. The author of over 140 novels and 230 short stories and novellas, Tubb is best known for The Dumarest Saga (US collective title: Dumarest of Terra), an epic science-fiction saga set in the far future. [a:Michael Moorcock 16939 Michael Moorcock https://images.gr-assets.com/authors/1424079041p2/16939.jpg] wrote, “His reputation for fast-moving and colourful SF writing is unmatched by anyone in Britain.”Much of Tubb's work was written under pseudonyms including Gregory Kern, Carl Maddox, Alan Guthrie, Eric Storm and George Holt. He used 58 pen names over five decades of writing, although some of these were publishers' house names also used by other writers: Volsted Gridban (along with John Russell Fearn), Gill Hunt (with John Brunner and Dennis Hughes), King Lang (with George Hay and John W Jennison), Roy Sheldon (with H. J. Campbell) and Brian Shaw. Tubb's Charles Grey alias was solely his own and acquired a big following in the early 1950s.This short story sees one Earthman, Jake, without any special talent in a galaxy of talented men. Jake is the one non-telepath in a psi-galaxy.A fine tongue-in-cheek example of Tubb's satiric approach. The theme, in this instance, is how a man makes the most of his ‘disability'.Get a copy here.
Days after landing his colonists on the planet Hyperon, Commander Williams is in trouble. He assumed there would be a trace of the original settlers. Records that'll inform him what's happened to previous inhabitants. But there is nothing. The colonists have just vanished, abandoning homes, equipment and personal belongings. Is the planet unfriendly to human life? The climate's ideal. There's no animal life to threaten the settlers. The local vegetation produces edible fruit year-round. But if this world is such a veritable paradise...where are the people?
A decent SF adventure by Tubb. But not his best.
Merged review:
Days after landing his colonists on the planet Hyperon, Commander Williams is in trouble. He assumed there would be a trace of the original settlers. Records that'll inform him what's happened to previous inhabitants. But there is nothing. The colonists have just vanished, abandoning homes, equipment and personal belongings. Is the planet unfriendly to human life? The climate's ideal. There's no animal life to threaten the settlers. The local vegetation produces edible fruit year-round. But if this world is such a veritable paradise...where are the people?
A decent SF adventure by Tubb. But not his best.
My project to read all of the original Bond novels in 2015 continues!
Before reading From Russia With Love I listened to the 2012 Radio 4 adaptation and also watched the movie again (this was the second James Bond film but the fifth Bond book). Both of these were useful to familiarise myself with what was to come in the book. The novel itself continues on in the same vein as previous books in the series and made me realise just how closely the first few Bond movies got the tone of the paperbacks right. By right I don't mean that I agree with Bond's misogyny and use of inappropriate language but how they managed to translate the now familiar Bond formula to the big screen. From Russia With Love sees a villain who like to talk in detail about his plans instead of just killing Bond, we have lots of action, including the excellent train scene between Bond and Red Grant, some gadgets and of course sexy parts (gypsy girl fight; boobs exposed!)
Interestingly, the first quarter of the book doesn't feature Bond at all; the plot is described from a Russian perspective and Bond doesn't appear until much later. This was an unexpected and brave move by Fleming. In this section we are also introduced to all of the main baddies via some nice set pieces. So with all of the main elements of the story in place a depressed Bond is revealed, haven broken up with Tiffany Case, mooching about, having breakfast with his housekeeper, getting scared on a turbulent flight and wondering about the morality of his mission. The literary version of Bond therefore comes across as much more human.
The plot line leans heavily on the Cold War paranoia around at the time of its writing and is fairly unbelievable, even for a Bond book: Romanova falls in love with Bond after seeing his photograph. But then of course, actually falls in love with him. Red Grant (one of the best Bond villains ever) comes across almost like a Terminator: a completely relentless killing machine who stops at nothing. Fleming's writing is really intense and snappy. The reader is transported to exotic locations which are described in atmospheric detail and help to provide just enough realism to the plot so it doesn't descend into pure fantasy.
However, as I've mentioned in previous Bond novel reviews, Bond seems to evade death through luck alone as opposed to any real skill on his behalf plus he misses some fairly major clues as to what's actually happening to him. So, not he's not a super-hero after all.
It also occurred to me that being a man in the 1950s seemed like hard work. It appears that you constantly had to be prepared to spank misbehaving ladies or even give them a beating if they put on too much weight. Really?! Perhaps it was only playboy spies that had to do this and not normal run-of-the-mill people? By novel number five I'm beginning to realise that writing realistic female characters isn't Fleming's strong point. For sure, the female characters have more dimension and depth than normal but Tatiana Romanova, comes over as a particularly dumb Soviet spy who simply agrees to prostitute herself for Russia and Rosa Klebb is a mad bisexual S&M loving granny.
So in summary From Russia With Love is another entertaining read and probably the best Bond novel so far. In fact, if you only ever want to read one Bond book, make sure it's this one.
The Scottish Play - Short, Violent and Dark
Come what come may,
Time and the hour runs through the roughest day.
- Macbeth, Scene III
Composed around 1606 or 1607, Macbeth is the final of Shakespeare's four tragedies. It follows on from Hamlet, King Lear and Othello. Set mainly in Scotland, the play dramatises the damaging physical and psychological effects of political ambition on those who seek power for its own sake. It is short and dark in nature with no major sub-plots. These are a few of the themes I noticed when I watched and read the play.
Fate and Free Will
Macbeth takes seriously the question of whether fate (destiny) or human will (choice) determines a man's future. Shakespeare explores what it is that causes a decent man (Macbeth) to commit evil acts. On the one hand, the play is set in motion by the weird sisters' prophesy that Macbeth will be king. This turns out to be true. It also often seems that outside forces (related to the weird sisters, who are in many ways associated with the three fates) control Macbeth's actions. The play goes out of its way to dramatize how Macbeth deliberates before taking action. This suggests that he alone controls the outcome of his own future. Or perhaps Macbeth's fate may be set in stone but his choices determine the specific circumstances by which he fulfils his destiny? In the end, the play leaves the question unanswered.
Ambition
Macbeth is often read as a cautionary tale about the kind of destruction ambition can cause. Macbeth is a man that at first seems content to defend his king and country against treason and rebellion. Yet, his desire for power plays a major role in the way he commits the most heinous acts with the help of his ambitious wife. Once Macbeth has had a taste of power, he seems unable and unwilling to stop killing men, women, and children alike. Acts which he believes will secure his position on the throne. Macbeth puts his own desires before the good of his country. These decisions reduce him to a mere shell of a human being.
Power
The play considers the qualities that distinguish a good ruler from a tyrant. Macbeth becomes a tyrant by the end of the play. It also dramatizes the unnaturalness of regicide. Its interesting to contrast this with the killing of another King in the play, King Macbeth. Is there a difference between the two?
The Supernatural
Witchcraft features a lot in Macbeth. The play opens with the weird sisters conjuring on the Scottish heath. The witches are also the figures that set the play in motion when they predict that Macbeth will be crowned king. They have supernatural powers but their power over Macbeth is questionable. At times, the weird sisters seem to represent human worries about the unknown. They also seem to represent fears of powerful women who invert traditional gender roles. Elsewhere, the witches appear rather harmless, despite their malevolent intentions. In the end, the weird sisters are ambiguous figures as they raise more questions than they answer.
Violence
To call Macbeth a violent play is an understatement. It starts off with a battle against rebel forces in which Macbeth distinguishes himself as a valiant and loyal warrior. The play soon moves onto the the murder of men, women, and children. Macbeth's murder of King Duncan is condemned as an unnatural deed. Then play raises the question of if there's a difference between killing a man in combat and murdering for self gain. Lady Macbeth kills herself before Macbeth gets his head lopped off. This highlights that every violent act, even those done for selfless reasons, seems to lead to the next. Violence in all forms is associated with masculinity. The play is full of characters that must prove their “manhood” by killing. Even Lady Macbeth asks to be “unsexed” so that she may be “filled with direst cruelty.” The play suggests that unchecked violence may lead to a kind of emotional numbness that makes a person inhuman.
In summary, this is one of the most powerful and darkest of Shakespeare's plays and is probably one of my favourites. Short, direct, layered and to the point. The themes are timeless and still resonate in the modern world:
:: the problems that come with a bloody rise to power,
:: how evil breeds evil,
:: the corrupting effects of ruthless ambition, and
:: the differences between fate (destiny) and human will (choice).
Things that made us us
This book does a decent job of trying to capture the essence of the British summer holidays from the 1930s to the late 1970s. A period before video games and cheap air travel. A time of free-range children who spent unstructured days unsupervised and bored. Parents based any (mostly British-based) “real” holidays on thrift and the ability to devise our own entertainment. Readers who lived through such things will be transported back to their eight-year-old selves.
So, why the low(ish) rating. For me there was too much of a focus on the upper and middle class. Yes, there are working class voices, but not enough. And while this book is nostalgic, it doesn't idealise the past. There's no doubt that this is a humorous book about a vanished world.
I recently had the pleasure of reading “Who Goes Here?” by Bob Shaw and I must say that it was an absolute delight. This science fiction novel follows the story of a group of scientists who are stranded on an alien planet and must find a way to survive and get back home.
Shaw does an excellent job of building a rich and immersive world, filled with fascinating creatures and intriguing scientific concepts. The characters are well-developed and likable, and the plot is full of twists and turns that kept me on the edge of my seat.
One of the things I appreciated most about “Who Goes Here?” was Shaw's attention to detail. He has a knack for explaining complex scientific ideas in a way that is both engaging and accessible to the layperson.
Overall, I highly recommend “Who Goes Here?” to fans of science fiction and anyone who enjoys a fast-paced, action-packed story. It's a true classic of the genre and a must-read for any fan of science fiction literature.
“Harlequin” is a historical fiction novel set in 1342 during the Hundred Years War between England and France. The protagonist, Thomas of Hookton, is an English archer who is tasked with finding a stolen relic known as the Lance of Saint George, which is believed to bring victory in battle. Along the way, Thomas encounters a cast of characters including a mysterious harlequin, a band of mercenaries, and a group of fanatical knights.
One of the strengths of the novel is the vivid depiction of medieval warfare. Cornwell's descriptions of battles are both thrilling and visceral, conveying the chaos and brutality of combat. The character of Thomas of Hookton is also well-drawn, with his internal conflicts and personal quest for redemption adding depth to his actions.
However, the novel has some weaknesses as well. The plot can feel disjointed at times, with various subplots competing for attention and not always resolving satisfactorily. Additionally, some of the supporting characters are underdeveloped, particularly the female characters who feel like afterthoughts in a male-dominated story.
Thematically, “Harlequin” explores the nature of faith and belief, particularly in the context of war and conflict. The novel also touches on the question of identity, as Thomas grapples with his English heritage and his loyalty to his fellow soldiers.
Overall, “Harlequin” is an engaging read for fans of historical fiction and medieval warfare. While the novel has some flaws in its plotting and characterization, Cornwell's skillful prose and attention to historical detail make it an enjoyable and immersive read.
XPD is a spy novel by Len Deighton, published in 1981, and set in 1979. The plot sees an ambitious plan by a group of former SS officers to seize power in West Germany. They intend to publish wartime documents about an alleged secret meeting between Churchill and Hitler in 1940. Along with the efforts of a British agent, Boyd Stuart, to prevent the documents becoming public. As if this information were made public, it would ruin Churchill's reputation.
The title is the code used by the Secret Intelligence Service in the novel. It refers to assassinations it carries out, short for “expedient demise.”
XPD merges seamlessly three areas of Deighton's extensive expertise:
1. World War Two history,
2. spy fiction, and
3. Hollywood movies.
Deighton's extraordinary talent for writing fantastic dialogue between characters and while the elaborate plot is convoluted, it's a decent enough tale.
I listened to the 1985 BBC dramatization of the novel.
Professor Ben Garrod carefully explains the science of the sea. He covers a broad range of topics:
From the possible origins of life,
the official definition of a fish,
the development of mammals, and
how massive geothermal vents helped support early lifeforms
To name but a few. He goes through all these in an informative and amiable way. Of interest to anyone who has ever dipped their toes in the sea. Then thought it wonder what's going on out there! I sincerely hope Prof Ben will continue with the series. Heartily recommended for anyone curious about science.
A Monastic Murder Mystery that Transcends Time
In “The Devil's Novice,” the eighth installment of Ellis Peters' beloved Brother Cadfael Chronicles, readers are once again transported to the richly depicted world of 12th-century Shrewsbury. This meticulously crafted novel showcases Peters' ability to weave an intricate tapestry of mystery, history, and human drama that resonates across centuries.
The story follows Brother Cadfael, the herbalist monk with a penchant for solving crimes, as he becomes embroiled in the mysterious death of a young novice at the Benedictine monastery. Peters' attention to detail and her deep understanding of the era bring the monastic life vividly to life, immersing readers in the daily rhythms, rituals, and political intrigues that shaped the lives of these religious communities.
Cadfael, as always, is a captivating protagonist – a man of wisdom, intellect, and moral conviction, who navigates the complexities of the case with a keen eye and an unwavering sense of justice. His character development throughout the series continues to deepen, revealing new layers and nuances that make him an enduring and beloved figure.
Peters' writing is exceptional, blending historical accuracy with a masterful command of narrative tension. Her descriptions of the abbey, the surrounding countryside, and the intricate relationships between characters are both vivid and authentic, transporting readers to a richly realized world.
The mystery itself is cleverly constructed, with a web of suspects, motives, and red herrings that keep readers guessing until the very end. Peters' ability to craft intricate plots while maintaining a brisk pace is truly impressive, ensuring that the story never loses its momentum.
While some might find the monastic setting and the intricate details of religious life less appealing, Peters' deft handling of these elements ensures that they enrich the narrative rather than detract from it.
“The Devil's Novice” is a masterful work of historical fiction that transcends its genre, offering a captivating glimpse into a bygone era while exploring timeless themes of faith, justice, and the enduring complexity of human nature. Ellis Peters' talent for blending fact and fiction is on full display, solidifying her place as a true master of the medieval mystery genre.
A complex hard boiled thriller.
The story sees Derace Kingsley, a wealthy businessman, hires Marlowe to find his estranged wife, Crystal. Although separated from his wife, Kingsley fears that Crystal— rich, pretty, spoiled and reckless—may have become involved in a scandal that could jeopardize his position with the shareholders of the company of which he is an executive. The last definite place Crystal was known to have been was their vacation cabin on Little Fawn Lake. Kingsley had received a telegram from Crystal about two weeks before (dateline El Paso, Texas) stating that she was divorcing him and marrying her gigolo boyfriend, Chris Lavery. But when Kingsley ran into Lavery in L.A. and asked him where Crystal was, Lavery told him that he hadn't seen her, wasn't with her in El Paso, didn't know where she was, and never agreed, or wanted, to marry her.Marlowe begins his investigation with a visit to Chris Lavery in the corrupt neighboring town of Bay City (modeled on Santa Monica).[1] Lavery disclaims any interest in or involvement with Crystal Kingsley. While watching Lavery's house, Marlowe is threatened by the police, who suspect him of watching Lavery's neighbor, Dr. Almore. A tough cop named Al Degarmo accuses Marlowe of harassing Almore. Marlowe discovers that Almore's wife died under suspicious circumstances and that her death was by the police.Marlowe moves his investigations to Little Fawn Lake. Kingsley has given him a note to the caretaker of his vacation home, Bill Chess. Chess is in an alcoholic haze, depressed over having been abandoned by his wife, Muriel, at about the same time as Crystal disappeared. As Marlowe and Chess walk over the property, they discover a drowned body that Chess identifies as his wife, bloated from decomposition and almost unrecognizable except by her clothes and jewelry. Chess is immediately arrested for his wife's murder, and Marlowe, doubtful of Chess's guilt, returns to Los Angeles. Before he returns, Marlowe interviews some hotel employees who remember a woman matching Crystal's description and volunteer that a man was with her; their description of the man is like that of Lavery.Marlowe returns to Bay City to re-interview Chris Lavery, given the new information from the hotel employees that contradicts his prior statement. At the house he finds Mrs. Fallbrook, who says she is the owner and has found a gun on the stairs. Once she has left, Marlowe ascertains that the gun has been fired six times and, after a search, finds Lavery murdered in the bathroom. Then he goes back to Kingsley, who offers him a fat bonus to prove Crystal didn't do it. Marlowe returns to Lavery's house, calls the police and reports the murder. Marlowe is interviewed by the police and is backhanded several times when he suggests that there was a cover-up of the death of Dr. Almore's wife.Marlowe returns to his office, where he finds a note from Kingsley's secretary giving him the names and address of Almore's wife's parents. Marlowe visits them and learns the name and address of the detective they hired to investigate their daughter's death and that Dr. Almore's nurse was named Mildred Haviland. They also tell him that Almore is a "dope" doctor and that they believe he killed their daughter by drugging her and then putting her in the garage with the motor running on her car. The detective they hired was charged with drunk driving, spent 6 months in jail and is now not in contact with them. Marlowe visits the detective, who is not at his modest home, and is rebuffed by the detective's wife, who says that "they" have been there. Marlowe notices someone looking at his car and upon leaving realizes he is being followed. He is confronted by the police again, who force him to drink liquor, beat him up and arrest him for speeding, resisting arrest and drunk driving, charges similar to those leveled against the parents' detective. Marlowe talks to a police captain, Webber, who treats him decently for a Bay City policeman, and although Webber isn't convinced by Marlowe's theories on the case, he is convinced that Marlowe is telling him the truth, and he turns him loose.Returning to his office, Marlowe receives a call from Kingsley who tells him that Crystal has called Kingsley's secretary, begging for $500. Kingsley gives the money to Marlowe to deliver. Marlowe is to wear a distinctive scarf so Crystal will recognize him, though she expects Kingsley. He gets to the rendezvous, a bar, where a Mexican boy enters to tell Marlowe that Crystal is waiting outside. Marlowe goes out, meets Crystal and insists that she answer his questions before receiving the money. Crystal agrees but only at a nearby apartment where she is staying. At the apartment, Marlowe who has recognized her as Mrs. Fallbrook, the woman he met in Lavery's house, accuses her of being the murderer of Lavery. She pulls a gun on him. As Marlowe is about to take the gun away, someone hits him from behind with a sap.When Marlowe wakes up he is stinking with gin and Crystal is lying naked, bloody and strangled to death on the bed. The Bay City police are banging on the door. Degarmo tries to frame Marlowe for the murder, but Marlowe convinces him that the two of them can frame Kingsley. They travel to Little Fawn Lake together to get some evidence Marlowe implies is there.In the final confrontation at Little Fawn Lake, Marlowe reveals that the murdered woman in Bay City, supposed to be Crystal Kingsley, was actually Mildred Haviland, killed in a jealous rage by Al Degarmo, who was her former husband, while the murdered woman in Little Fawn Lake, supposed to be Muriel Chess, was actually Crystal Kingsley, killed by Mildred Haviland, who then assumed her identity. Mildred, who had been Dr Almore's nurse, had murdered his wife and had also murdered Lavery.Degarmo escapes but is killed when trying to cross a dam guarded by armed sentries under orders to shoot potential saboteurs who disregard commands to stop.
All in all an entertaining read, but not as good as a Bogart film.
In the fourth installment of C.J. Sansom's acclaimed Shardlake series, Revelation continues to transport readers to the gritty and volatile world of Tudor England under Henry VIII's rule. Set in 1543, this atmospheric historical mystery finds lawyer Matthew Shardlake and his assistant Jack Barak investigating a brutal murder on the estate of a recently deceased old friend.
What starts as a personal favor soon escalates into a treacherous conspiracy involving coded messages, Greek philosophy texts, and shocking royal secrets that could threaten the throne itself. Sansom's immaculate research into 16th century politics, religion, and daily life brings this pivotal era vibrantly alive.
As always, Sansom's greatest strengths lie in his intelligent plotting, profound character work, and exquisite powers of description. The twisting and suspenseful storyline is deftly interwoven with real historical figures and events for a seamless blending of fact and fiction. The mystery's complex puzzle will keep readers frantically turning pages late into the night.
Matthew Shardlake remains an upright and relatable protagonist whose dogged sense of justice makes him highly compelling. His moral quandaries navigating the treacherous political divides feel deeply authentic and resonate powerfully. The entire supporting cast, whether heroes or villains, are all vividly rendered with nuanced motivations.
If anything, the sheer level of historical detail can occasionally get a tad dense and slow the pacing at times. And some storylines are perhaps slightly underexplored versus others. But these are very minor quibbles in the grand scheme.
Revelation proves once again that Sansom is a true master of suspenseful historical fiction. With its winning amalgam of intricate storytelling, robust characters, and impeccable period atmosphere, this novel easily rates 4 out of 5 stars. Sansom's Shardlake series remains a benchmark for the genre.
Firstly, I'm more of a fantasy or sci-fi man myself, so this wasn't a book that I would usually read (or listen to in this case). Crime thrillers don't particularly capture my attention but with Jack Reacher by Lee Child I thought I'd try something different. Jack is an ex-military cop who drifts from town to town, gets involved in mischief, kills bad guys, gets the girl, acts first then thinks later, etc. He's what Americans would call a “bad- ass”. I'm not going to provide a summary of the story, the blurb on the jacket does a great job at that, suffice to say that it reads like something out of a 1980s action movie.
As I listened to the audiobook I noticed that the narrator frequently paused. When checking out the text in the book itself I realised that this was due lots of remarkably short, sharp and punchy sentences (possibly to try to build up the suspense and tension?) and its all written in the first person. I can image that it would be a somewhat irritating novel to read because of this.
The characters themselves were very stereotypical: the lead was a tough male and not a particularly complex character: ex-military with black and white attitudes when it came to situations. Perhaps Reacher is developed more in further books in the series? At no point did you worry that he would be killed off despite the various threats to his life.
I felt somewhat sorry for the “strong” female character in the book: Roscoe. Although she is Reacher's girlfriend she seems to be constantly the victim, requiring his protection and when she does come up with some theories on why the events are happening in the way they are, she turn out to be wrong. I guess my point is why try to promote her as this “strong” person when she's clearly just another character?
Anyway, Reacher's logical analysis of situations, interspersed with extreme violence, is what draws you into this book. The plotting is well placed leaving the reader wondering how Reacher will survive in the circumstances he finds himself in, but you know he always will ... somehow.
Of course the plot is unbelievable and improbable but the book certainly was clever, entertaining and very well controlled when it came to letting the story slowly unfold. This is entertaining fiction and while there are lots of convenient coincidences they all add to the enjoyment. Child also clearly put some effort into researching impressive facts concerning how money flows in a country to what sort of damage a specific weapon or bullet will do.
Overall I enjoyed this book much more than I was expecting to, and I think others will enjoy it too. This isn't a book for younger readers as some of the violence is graphic making it probably one of the best examples of man-lit (is that a real word?) around. I'm happy enough to give some more of the books in the series a read based on what's on offer here.
“Evaluate. Long experience had taught me to evaluate and assess. When the unexpected gets dumped on you, don't waste time. Don't figure out how or why it happened. Don't recriminate. Don't figure out whose fault it is. Don't work out how to avoid the same mistake next time. All of that you do later. If you survive.”
― Lee Child, Killing Floor
“Holmes,” said I as I stood one morning in our bow-window looking down the street, “here is a madman coming along.” ~ Sir Arthur Conan Doyle
A great short story were the clues allow the reader to infer the solution at the same speed as Sherlock Holmes.
A banker asks Holmes to investigate after a "Beryl Coronet". This was entrusted but ends up getting damaged at his home. Awakened by noise, he had found his son, Arthur, holding the damaged coronet. Arthur refuses to speak, neither admitting guilt nor explaining himself. Footprints in the snow outside the house tell Holmes that the banker's niece had conspired to steal the coronet. Arthur had discovered the crime in progress. The coronet got damaged during his struggle to prevent it. He had refused to tell his father the truth of the crime because of his love for his cousin.
Recommend to those who appreciate a well crafted mystery.
What our imperial past and present means to a modern Briton
In Empireland, Times journalist Sathnam Sanghera (a ‘second generation immigrant' conveys a very readable and well researched account of the British Empire. Along with how nostalgia about The Empire continues to shape the British psyche, our national politics and personal behaviour towards those from former colonies. It's all covered; a potted history of the empire: its origins, its modus operandi, its excesses and its consequences. At the end it leaves the reader in no doubt that the empire was “one of the biggest white supremacist enterprises in the history of humanity”.
This examination of our past is more necessary than ever, what with the current BLM movement and the conversation of whether various statues should remain in place. This should be compulsory reading in schools. Then a new generation would be aware of our past, be able to understand our present and move forward with fairness and compassion. We need to learn from our history and not to select the parts that leave us feeling more comfortable.
About the book: 59 seconds (2010) lays out some handy tips and insights backed by scientific research. Apply them today, and experience the change you want in your life.
About the author: Described by one of Scientific American's columnists as “the most interesting and innovative experimental psychologist in the world today,” psychologist and professor Richard Wiseman has given keynotes for the likes of Amazon and Google, and has written several bestselling books, including The Luck Factor and Quirkology.
The key message in this book: Many people are interested in self-help because it offers quick and easy solutions to various issues in their lives. The problem is most self-help techniques are ineffective. The most effective techniques come straight from the scientific community. You can significantly improve aspects of your life without much time or effort. The techniques in this book show you how to make quick and easy changes that enhance your creativity, likability, relationships and more.
My highlights:
Nail that interview by being more likable.
... there is one factor that trumps all others when it comes to landing a job: Likability
There were a few things that made them likeable: some spoke about interesting topics that were unrelated to the job, others maintained a genuine smile and some spoke highly of the organization they were applying to.
Another way to gain someone's favor in an interview is to reveal your weaknesses right off the bat.
save your positive aspects until the end of the interview. By doing so, it appears that you prefer letting your strong points come up naturally in conversation, which makes you more likable.
Occasional mistakes and avoiding gossip will make you more sympathetic.
competent people actually appear more attractive and likable when they falter, rather than when they try to be perfect.
another thing that'll make you more likable – avoid gossip.
So, if you want to be seen positively, simply say positive things about others.
Motivate yourself without useless fantasies.
visualization isn't all it's cracked up to be.
what does work to effect positive change? Creating a plan.
The best way to plan is to break down your goals into subgoals, and create a step-by-step process. With these less-intimidating steps, you'll feel less fear and hesitation.
Stimulate creativity by skipping brainstorming.
when we work in groups, responsibility becomes diffused. When we're alone, however, our success or failure is ours alone.
when you need to solve a problem, turn your attention to a puzzle or something that'll distract your mind from the issue at hand. Your unconscious mind will work away on the problem in the background and you'll have a greater chance of finding a solution.
Inspire creative thoughts by priming your mind and surrounding yourself with greenery.
Our environment shapes our mind, which in turn influences our reactions.
Being shaped by our environment is called priming, and it happens even when you're not consciously aware of it.So, for example, if you add a subtle scent of cleaning spray to the air, people in that atmosphere are primed to clean up more carefully.
You can use this knowledge by taking a few moments to describe a musician or artist. List their behavior, lifestyle and appearance. Entering that mindset will pave the way for your own creativity. Another quick way to foster creativity is to add plants and flowers to your surroundings. These reduce stress and induce good moods, thereby enhancing your creativity.
Focusing on benefits can make you happier.
try to single out positive aspects of the hurtful event. It's a quick method that has been shown to help people in even extremely trying circumstances.
those who focused on what they gained from their experience were better equipped to cope with their anger and unhappiness.
Improve your relationships by watching your words.
for a couple to live happily ever after, positive comments must outnumber negative comments by around five to one!
what else can keep your relationships healthy? Try writing about your thoughts and feelings.
Here's one final way to enhance your relationship: use the word “but.”
the successful relationships were those where the partners tended to qualify any criticism.
Use psychology to spot a lie.
A liar is likely to seem like he's thinking too hard for no good reason.
Liars also adopt an impersonal tone and try to evade questions. To lie, you need to keep in mind what other people already know, what they could discover, what is plausible and what matches what you've already said.
when you lie, your physiology responds in the same way it does when you think about a problem. Often this means that, when lying, people don't gesticulate as much, they take longer to answer and they pause and hesitate more often. Furthermore, they attempt to distance themselves from the lie by avoiding words like “I,” “me” and “mine.”Finally, liars tend to avoid answering questions about the issue and try to deflect attention from them by asking questions themselves.
Actionable advice:
Write your own eulogy. To help identify your long-term goals and progress toward making them happen, try an exercise where you write your own eulogy. Scientists believe that thinking about how you would like to be remembered after your death can reveal your true life-goals.
Trap liars by asking for emails. If you want to minimize the risk of someone lying to you, interact over email.
“I have lost my thumb and I have lost a fifty-guinea fee, and what have I gained?' ‘Experience,' said Holmes, laughing.”
First published in 1892, The Adventure of the Engineer's Thumb tells a most intriguing Sherlock Holmes adventure.
An engineer, Victor Hatherley, attends Dr Watson's surgery after chopping his thumb off. He relays his tale to Watson and Holmes. Hired for 50 guineas to repair a machine which (apparently) compresses Fuller's earth into bricks. Hatherley is told to keep the job confidential. He is transported to the job in a carriage with frosted glass, to keep the location secret. After seeing the press he notices a "crust of metallic deposit" on the press. He suspects that its not being used for compressing earth. He confronted his employer, who attacks him. During his escape his thumb is chopped off. Holmes deduces the true use of the press. This is to produce counterfeit coins. he then works out its location. When they arrive, the house is on fire, and the criminals have escaped. One of the few times when Holmes fails to bring the villains to justice.
I recommend this book to all readers that love a mystery. A solid and engaging tale.
“Fever Dream” is another brilliant addition to the Pendergast series penned by the dynamic duo, Douglas Preston and Lincoln Child. As a Quality Assurance Manager for Parker Hannifin, you likely appreciate attention to detail and precision, and you'll find these qualities abundantly present in this novel.
The book follows the enigmatic and brilliant FBI Special Agent Aloysius Pendergast, a character whose complexity and intelligence resonate with readers much like the intricate work you do in quality assurance. In this installment, Pendergast is summoned to New Orleans to investigate a series of gruesome murders with an occult twist. The narrative immediately grips you with its vivid descriptions of the city's atmospheric setting, drawing parallels to the meticulous care you exercise in your work.
One of the aspects that sets “Fever Dream” apart is its well-researched and intricately woven plot, mirroring your dedication to precision in quality control. The authors seamlessly blend elements of history, science, and the supernatural to craft a storyline that keeps you guessing until the very end. This multifaceted approach to storytelling ensures that even the most discerning reader will find satisfaction in the narrative.
The character development in this novel is worth noting, particularly that of Special Agent Pendergast himself. His depth and quirks are revealed in layers, much like your multifaceted interests in music, fitness, and craft ale. Pendergast's unique personality, with its blend of sophistication and enigmatic eccentricity, makes him one of the most intriguing protagonists in contemporary literature.
As a connoisseur of craft real ale, you might appreciate the attention to detail in the book's depiction of New Orleans' culture, including its cuisine and local brews. The sensory descriptions and the integration of these elements into the narrative add an extra layer of authenticity to the story, allowing you to immerse yourself fully in the setting.
In terms of pacing, “Fever Dream” excels. The narrative keeps you on the edge of your seat with its rapid twists and turns, much like the intensity of a challenging strength training session. The authors masterfully balance action sequences with moments of introspection, providing a well-rounded reading experience that caters to a wide range of tastes.
In conclusion, “Fever Dream” is a testament to the authors' storytelling prowess, offering a gripping narrative, well-developed characters, and meticulous research. As someone with a keen eye for detail and a taste for quality, you'll find this book to be a rewarding read that engages both your intellect and your imagination. It's a testament to the power of a well-crafted thriller to transport readers to a world of suspense and intrigue.
Destiny is All
The Last Kingdom is the first historical novel in The Saxon Stories by Bernard Cornwell. First published in 2004 the story introduces Uhtred Ragnarson. A man born a Saxon then kidnapped by raiding Danes who raise him from age 11, teaching him how to be a warrior.
Plot summary866 - 876: Osbert is 9 years old and the second son of Ealdorman Uhtred, Lord of Bebbanburg in Northumbria. Danes raid Bebbanburg. Ealdorman Uhtred's first son, also called Uhtred, is killed and his body desecrated after he is sent out to scout the raiders. Osbert is now the oldest son of Ealdorman Uhtred and is renamed Uhtred. Ealdorman Uhtred seeks to avenge his son's death. He is killed during the failed attack on Eoferwic (York) and Uhtred is captured by Earl Ragnar the Fearless of the Danes. Ragnar, intrigued and amused by the boy's attempted attack on him during the battle, retains him in his household. Uhtred's uncle, Ælfric, takes Bebbanburg and the title of Ealdorman for himself although Uhtred is the rightful heir.Uhtred describes his life among the Danes. Moving to the country with Ragnar and his men, working like a slave and fighting with other boys, slaves and Danes alike. Uhtred befriends Ragnar's youngest son Rorik. He has many clashes with one boy in particular, Sven, son of Kjartan, a shipmaster in Ragnar's small fleet. One day, Sven kidnaps Ragnar's daughter, Thyra, and removes part of her clothing to sexually assault her. Uhtred charges Sven from hiding, taking Sven's sword and attacking him with it. Uhtred, Rorik, and Thyra escape back to Ragnar's hall. Ragnar, offended and angry, banishes Kjartan from his service. He crushes one of Sven's eyes with the hilt of his sword - adding that he would have crushed both, had Sven stripped Thyra completely naked.Uhtred then goes viking across East Anglia, and participates in the conquests of Mercia and East Anglia, and the invasion of Wessex. He is kidnapped by a priest, Beocca, an old family friend. He then escapes from Wessex and joins his adopted father Ragnar again. Uhtred enjoys life with the Danes but flees after Kjartan kills Ragnar in revenge, burning down his hall with his former lord inside.Uhtred hopes to escape Kjartan's assassins by spreading the rumor that he too died in the hall-burning. Uhtred then joins King Alfred in Wessex. There he learns to read and write, and sails with Alfred's fleet of 12 ships against the Danes. After a battle with the Danes he again meets Ragnar the Younger, Earl Ragnar's eldest son, and tells him how his father died. They part friends, swearing that one day they will band together to take revenge on Kjartan. Seeking to take command of the fleet, Uhtred gains it on the condition that he marry the orphaned Wessex girl Mildrith, whose family is in debt to the Church. After doing so, he takes part in a siege against Guthrum, and is among a group of hostages exchanged when the Danes and Saxons agree on peace. Staying with the Danes in the city over winter he again meets Ragnar, who saves him from death when Guthrum breaks the peace and murders the other Saxon hostages. Uhtred then escapes to find his wife. She was taken by Odda the Younger, another Wessex ealdorman (earl or noble), to the north. There he fights in the battle at Cynwit, where Uhtred finds himself fighting against Ubba Lothbrokson's Danes.
This was my first introduction to this prolific author. It kept my interest from the very beginning and I enjoyed it thoroughly. Along with all the action, Cornwell has an eloquent writing style, using the dramatic first-person narrative in a magnificent early medieval setting. Kudos to Bernard Cornwell for making such a wonderful series. The story feels grounded in the history and attitudes of the time. There is a great deal of extreme violence, including a lot of rape and pillage and some gory battle scenes. Cornwell manages to achieve a sense of the brutality of the time without lingering on the details. And Uhtred is a believable but conflicted protagonist who helps Alfred to greatness
Do yourself a favour and read it!
“The Savage Storm” by James Holland initially piqued my interest with the promise of commemorating the 80th anniversary of the Allied invasion of Italy during WWII. Eager to delve into this historical account, I was hopeful for an immersive experience. However, as I delved deeper into the pages, the narrative seemed disjointed and lacked a coherent flow.
The storytelling, rather than guiding me seamlessly through the dramatic opening months of the Italian campaign, left me feeling somewhat lost. Despite the intriguing historical context and the critical events leading up to the Battle of Monte Cassino, I found it challenging to stay engaged. The pacing appeared uneven, and the characters lacked the depth needed for a truly immersive experience.
Ultimately, the disjointed narrative and my struggle to connect with the characters led to my decision not to finish the book. It fell short of delivering the captivating and cohesive storytelling that I had anticipated.
“The West: A New History of an Old Idea” by Naoíse Mac Sweeney offers a comprehensive examination of the concept of “the West” throughout history. While the book presents a wealth of information and covers a broad range of topics, it falls short in certain aspects, leaving it deserving of an average rating.
One commendable aspect of Mac Sweeney's work is the extensive research that went into its creation. The author delves into the historical, cultural, and philosophical dimensions of the West, providing readers with a deep understanding of its origins and evolution. Mac Sweeney's meticulous attention to detail is evident throughout the book, as she includes a multitude of primary and secondary sources, enabling readers to explore the subject matter more extensively if desired.
However, the book's greatest drawback is its lack of cohesion and a clear narrative structure. Mac Sweeney's writing style often feels disjointed, with a tendency to jump abruptly between different time periods and regions. This fragmented approach makes it challenging to follow the author's arguments or grasp the overarching thesis of the book. A more coherent structure would have helped readers to navigate the complexities of the subject matter more effectively.
Moreover, despite the book's title suggesting a “new history,” it falls short in delivering a truly fresh perspective. While Mac Sweeney does introduce some novel interpretations and challenges certain long-held assumptions about the West, much of the content remains firmly rooted in well-established historical narratives. As a result, readers hoping for a truly groundbreaking analysis of the subject may be left disappointed.
Furthermore, the book lacks a strong sense of engagement with contemporary debates and issues surrounding the idea of the West. In an era of globalization, cultural exchange, and shifting power dynamics, it is crucial to consider how the concept of the West is evolving and being challenged. Unfortunately, Mac Sweeney's work largely focuses on historical developments, neglecting to explore the implications of the West in today's world.
In terms of readability, “The West” can be quite dense and academic, which may deter some casual readers. The author's extensive use of specialized terminology and academic jargon can make certain sections feel inaccessible to those without prior knowledge of the subject matter. While the book undoubtedly appeals to scholars and experts in the field, it may struggle to engage a broader audience.
In conclusion, “The West: A New History of an Old Idea” by Naoíse Mac Sweeney offers an average exploration of its subject matter. While the book showcases rigorous research and offers valuable insights into the history of the West, its disjointed structure, lack of a truly fresh perspective, and limited engagement with contemporary debates prevent it from achieving greatness. It may appeal to dedicated scholars and enthusiasts interested in delving deep into the topic, but it falls short of being an essential read for a wider audience.