Parsa
27 Reads
 Still Modernism
| 0 | - | |
 سیاست‌ورزی زیبایی‌شناسی
| 0 | - | |
 I'm Very into You: Correspondence 1995-1996
| 5 | - | |
 Between Stillness and Motion
| 0 | 5.0 | |
 Visual Pleasure and Narrative Cinema
| 0 | - | |
 Photography and Cinema
| 0 | - | |
 Death 24x a Second: Stillness and the Moving Image
| 0 | - | |
 The Cinematic | 0 | - | |
 Between Film and Screen: Modernism's Photo Synthesis
| 0 | - | |
 Between the Images
| 0 | - | |
 Jean-Luc Godard: Son + Image 1974-1991
| 0 | - | |
 The Analysis of Film
| 4 | - | |
 خیابان یک طرفه
| 0 | - | |
 طاهره طاهره عزیزم
| 0 | - | |
 دربارهٔ عکاسی
| 0 | - | |
 زیبایی شناسی آلمانی | 0 | - | |
 هنر به منزلۀ تجربه
| 0 | - | |
 درآمدی بر روش‌شناسی‌های هنر
| 0 | - | |
 جنبش پدیدار‌شناسی؛ درآمدی تاریخی / دوره‌ی دوجلدی
| 0 | - | |
 مطالعات فرهنگی
| 0 | - | |
 ساختار روان‌شناختی فاشیسم
| 0 | - | |
 ابله
| 4 | - | |
 The Male Body: A New Look at Men in Public and in Private
| 0 | - | |
 In the Flow
| 0 | - | |
 Dead and Alive: The Body as a Cinematic Thing
| 0 | - | |
 Montage, Découpage, Mise en Scène: Essays on Film Form
| 0 | - | |
 لولو
| 0 | - | |
 Psychoanalysis and Cinema Psychoanalysis and Cinema | 0 | - | |
 Fight Club
| 4.06 | - | |
 Anti-Oedipus
| 4.33 | - | |
 Film as art
| 0 | - | |
 Art and Visual Perception
| 5 | - | |
 Camera Lucida
| 4.26 | - | |
 !آنچه سینما هست
| 0 | - | |
 Signs and Meaning in the Cinema
| 0 | - | |
 Theory of Film: The Redemption of Physical Reality
| 0 | - | |
 همسایه‌ها
| 0 | - | |
 شب هول
| 0 | - | |
 Transcendental style in film : Ozu, Bresson, Dreyer
| 0 | - | |
 کژ نگریستن
| 4 | - |
