Parsa
27 Reads
 Capitalist Realism: Is There No Alternative?
| 4.06 | - | |
 Harun Farocki: Working the Sight-lines | 0 | - | |
 Index
| 0 | - | |
 The Sluts
| 4.28 | - | |
 سال هایی که سینما مهم بود
| 0 | - | |
 Hito Steyerl: I Will Survive
| 0 | - | |
 Story of the Eye
| 3.28 | - | |
 Venus in Furs
| 3.25 | - | |
 Early Cinema: Space, Frame, Narrative | 0 | - | |
 Atomised
| 4 | - | |
 Anéantir
| 4 | - | |
 The Consumer
| 0 | - | |
 Platform
| 3.44 | - | |
 My Year of Rest and Relaxation
| 3.73 | - | |
 Dhalgren
| 3.53 | - | |
 Ulysses
| 3.8 | - | |
 Serotonin
| 3.67 | - | |
 Proxy Proxy: Pornography, 1991-2000
| 0 | - | |
 The Shards
| 4.04 | - | |
 Less Than Zero
| 3.3 | - | |
 شعر مدرن: از بودلر تا استیونس
| 0 | - | |
 Justine, Philosophy in the Bedroom, and Other Writings
| 3.5 | - | |
 Atlas Shrugged
| 3.18 | - | |
 The Possibility of an Island
| 4.08 | - | |
 Jesus' Son
| 4.06 | - | |
 A Season In Hell
| 0 | - | |
 Frisk
| 4 | - | |
 The piano teacher
| 3.82 | - | |
 American Psycho
| 3.69 | - | |
 دگرسنجی کانت و مارکس
| 0 | - | |
 Translating Time: Cinema, the Fantastic, and Temporal Critique
| 0 | - | |
 Film Theory and Criticism: Introductory Readings | 5 | - | |
 قدرت هنر
| 0 | - | |
 در جریان
| 0 | - | |
 The Cute | 0 | - | |
 Ugly Feelings
| 5 | - | |
 Criteria
| 0 | - | |
 Theory of the Gimmick: Aesthetic Judgment and Capitalist Form
| 0 | - | |
 Aliens & Anorexia
| 4 | - | |
 Our Aesthetic Categories: Zany, Cute, Interesting
| 0 | - |
