Michael Pelusi
665 Reads
 The Sacred Art of Stealing
| 4 | 3.0 | |
 2030
| 3.38 | 2.0 | |
 Uncommon Uncommon
| 4 | 4.0 | |
 33 Revolutions per Minute: A History of Protest Songs, from Billie Holiday to Green Day
| 0 | - | |
 Bossypants | 3.83 | 3.0 | |
 Bech at Bay: A Quasi-Novel
| 3 | 3.0 | |
 The Fortress of Solitude
| 3.87 | 4.0 | |
 Motherless Brooklyn
| 3.91 | 5.0 | |
 The Pushcart War
| 3.63 | 3.0 | |
 The Dewey Decimal System
| 2.75 | 2.0 | |
 Richard Stark’s Parker: The Outfit | 4.13 | 3.0 | |
 Richard Stark's Parker: The Hunter | 3.92 | 3.0 | |
 Bech Is Back
| 3.5 | 3.0 | |
 Bech
| 3.5 | 3.0 | |
 Altman on Altman
| 3 | 3.0 | |
 Philadelphia noir
| 3 | 3.0 | |
 Winter's Bone
| 3.64 | 4.0 | |
 Life
| 3.81 | 3.0 | |
 Following the detectives
| 0 | - | |
 Vestments
| 4 | 4.0 | |
 Crossroad Blues
| 2.5 | 3.0 | |
 Apathy for the Devil Apathy for the Devil: A 1970s Memoir
| 0 | - | |
 Fletch
| 3.93 | - | |
 Middlesex
| 4.14 | - | |
 Beneath the Underdog
| 3.33 | - | |
 Composed: A Memoir
| 0 | - | |
 Super Sad True Love Story
| 3.24 | 2.0 | |
 A Disorder Peculiar to the Country
| 2 | - | |
 The Underground Man
| 3.5 | 3.0 | |
 Chronic City
| 3.1 | 2.0 | |
 In Cold Blood
| 4.1 | 5.0 | |
 You Never Give Me Your Money: The Beatles After the Breakup
| 4 | 4.0 | |
 Savages
| 3.58 | 3.0 | |
 The Wolves of Fairmount Park
| 4 | 4.0 | |
 Wicked Philadelphia
| 3.33 | 2.0 | |
The Second Half of the Double Feature The Second Half of the Double Feature
| 0 | - | |
 A Visit from the Goon Squad
| 3.79 | 3.0 | |
 My Year of Flops: The A.V. Club Presents One Man's Journey Deep into the Heart of Cinematic Failure
| 3.5 | 3.0 | |
 The Passage
| 3.97 | 3.0 | |
 How to Wreck a Nice Beach: The Vocoder from World War II to Hip-Hop, The Machine Speaks
| 0 | - |
