#2 | 3.74 | 32 reads | ||
#3 | 4.16 | 299 reads | ||
#4 | 4.12 | 604 reads | ||
#5 | 3.88 | 37 reads | ||
#6 | 3.36 | 18 reads | ||
#7 | 4.19 | 213 reads | ||
#8 | 4 | 14 reads | ||
#9 | 4 | 2 reads | ||
#10 | 4.1 | 92 reads | ||
#11 | 4.14 | 40 reads | ||
#12 | 3.78 | 234 reads | ||
#13 | 3.61 | 26 reads | ||
#14 | 4 | 8 reads | ||
#15 | 3.73 | 50 reads | ||
#16 | 4.32 | 222 reads | ||
#17 | 3.67 | 34 reads | ||
#18 | ![]() Creative Lettering and Beyond Creative Lettering and Beyond
| 3 | 1 read | |
#19 | 3.99 | 649 reads | ||
#20 | 3.79 | 178 reads | ||
#21 | ![]() Now You See It and Other Essays on Design Now You See It and Other Essays on Design
| 0 | 0 reads | |
#22 | 0 | 0 reads | ||
#23 | 0 | 0 reads | ||
#24 | 0 | 1 read | ||
#25 | ![]() Hourly Billing is Nuts Hourly Billing is Nuts
| 4.5 | 3 reads | |
#26 | 4.12 | 16 reads | ||
#27 | 4.45 | 26 reads | ||
#28 | 0 | 0 reads | ||
#29 | ![]() Fake Love Letters, Forged Telegrams, and Prison Escape Maps Fake Love Letters, Forged Telegrams, and Prison Escape Maps: Designing Graphic Props for Filmmaking
| 0 | 0 reads | |
#30 | 3.75 | 214 reads |