#2 | 3.74 | 32 reads | ||
#3 | 4.14 | 318 reads | ||
#4 | 4.1 | 646 reads | ||
#5 | 3.94 | 38 reads | ||
#6 | 3.47 | 19 reads | ||
#7 | 4.19 | 218 reads | ||
#8 | 4.13 | 15 reads | ||
#9 | 4 | 2 reads | ||
#10 | 4.12 | 96 reads | ||
#11 | 4.14 | 42 reads | ||
#12 | 3.77 | 252 reads | ||
#13 | 3.59 | 33 reads | ||
#14 | 3.63 | 10 reads | ||
#15 | 3.71 | 54 reads | ||
#16 | 4.33 | 235 reads | ||
#17 | 3.64 | 35 reads | ||
#18 | ![]() Creative Lettering and Beyond Creative Lettering and Beyond
| 3 | 1 read | |
#19 | 3.99 | 686 reads | ||
#20 | 3.79 | 183 reads | ||
#21 | ![]() Now You See It and Other Essays on Design Now You See It and Other Essays on Design
| 3 | 1 read | |
#22 | 0 | 0 reads | ||
#23 | 0 | 0 reads | ||
#24 | 0 | 1 read | ||
#25 | ![]() Hourly Billing is Nuts Hourly Billing is Nuts
| 4.5 | 3 reads | |
#26 | 4.18 | 17 reads | ||
#27 | 4.45 | 29 reads | ||
#28 | 0 | 0 reads | ||
#29 | ![]() Fake Love Letters, Forged Telegrams, and Prison Escape Maps Fake Love Letters, Forged Telegrams, and Prison Escape Maps: Designing Graphic Props for Filmmaking
| 5 | 2 reads | |
#30 | 3.76 | 225 reads |