James Lynch
399 Reads
 Square Eyes
| 3.5 | 3.0 | |
 Blood on the Forge
| 4 | - | |
 Unforgiving Years
| 4 | - | |
 The Nocturnal Library
| 3 | 3.0 | |
 The Invention of Morel
| 3.76 | 4.0 | |
 Infinite Ground
| 3 | - | |
 Georges Perec
| 3.67 | 4.0 | |
 The World Goes On
| 3 | 3.0 | |
 The Seven Madmen
| 4 | 4.0 | |
 The Count of Monte Cristo
| 4.31 | 4.0 | |
 War
| 0 | - | |
 The Futurological Congress
| 4.04 | 4.0 | |
 Picnic at Hanging Rock
| 3.91 | - | |
 Fictions
| 4.2 | 5.0 | |
 The Myth of Sisyphus
| 4.12 | 4.0 | |
 The Weird and the Eerie
| 3.93 | - | |
 The Naked and the Dead
| 4 | - | |
 The Crucible | 3.57 | - | |
 Hunger
| 3.93 | - | |
 Confessions of an English Opium-eater
| 3 | - | |
 Cathedral
| 4.17 | 4.0 | |
 Fahrenheit 451
| 3.9 | - | |
 Typologies of Industrial Buildings Typologies of Industrial Buildings
| 0 | - | |
 The Poor Mouth
| 4 | 4.0 | |
 Envy
| 3.33 | - | |
 Paradise Lost
| 3.71 | - | |
 Architecture and Disjunction
| 0 | - | |
 The Peregrine
| 4.5 | - | |
 Things Come Apart
| 4 | - | |
 Spomenik
| 5 | - | |
 Here
| 4.08 | 5.0 | |
 Orlando
| 3.79 | - | |
 Satin Island
| 3.12 | - | |
 Unflattening
| 4.14 | - | |
 The Architecture of Image: Existential Space in Cinema
| 0 | - | |
 Notes on the Cinematograph
| 5 | - | |
 Remainder
| 3.61 | 3.0 | |
 Men in Space
| 3 | - | |
 C
| 3.31 | - | |
 The Travels
| 3.5 | - |
