| 3.75 | - | |
| 3.91 | - | |
Bitstreams: The Future of Digital Literary Heritage | 0 | - | |
Refocus: The Films of Kelly Reichardt | 0 | - | |
| 0 | - | |
| 0 | - | |
| 0 | - | |
We Have Delivered Ourselves from the Tonal — Of, Towards, On, For Julius Eastman | 0 | - | |
The Archive Effect: Found Footage and the Audiovisual Experience of History | 0 | - | |
Walter Benjamin or Towards a Revolutionary Criticism | 0 | - | |
Archiveology: Walter Benjamin and Archival Film Practices | 0 | - | |
Sound Moves: iPod Culture and Urban Experience | 0 | - | |
The New Spirit of Capitalism - Luc Boltanski
- Ève Chiapello
- Gregory Elliott (Translator)
| 0 | - | |
The Bacchae - Euripides
- William Arrowsmith (Translator)
| 4.31 | - | |
| 3.5 | - | |
| 4.25 | - | |
| 0 | - | |
| 3 | - | |
Portraits John Berger on artists | 0 | - | |
Saving Cinema: The Politics of Preservation | 0 | - | |
Dialogue with a Somnambulist | 0 | - | |
| 3.38 | - | |
| 0 | - | |
Hurricane Season - Fernanda Melchor
- Sophie Hughes (Translator)
| 4.08 | - | |
One Hundred Years of Solitude | 4.09 | - | |
 Log Off Log Off: Why Posting and Politics (almost) Never Mix - Katherine Alejandra Cross
| 3 | - | |
Mean Boys: A Personal History | 3.5 | - | |
The Urban Crucible: The Northern Seaports and the Origins of the American Revolution | 0 | - | |
Narcissus in Bloom: An Alternative History of the Selfie | 0 | - | |
| 4.33 | - | |
Keystroke Capitalism: How Banks Create Money for the Few | 0 | - | |
The Gentrification of the Mind: Witness to a Lost Imagination | 4.25 | - | |
I See Buildings Fall Like Lightning | 5 | - | |
"History Is Bunk": Assembling the Past at Henry Ford's Greenfield Village | 0 | - | |
The Good Country: A History of the American Midwest, 1800–1900 | 0 | - | |
North Country: Essays on the Upper Midwest and Regional Identity | 0 | - | |
| 0 | - | |
Avant-Doc: Intersections of Documentary and Avant-Garde Cinema | 0 | - | |
| 4.04 | - | |
| 0 | - | |