0 | - | ||
0 | - | ||
3.7 | 4.0 | ||
4.13 | 3.0 | ||
3 | 3.0 | ||
3.75 | 3.0 | ||
3.71 | 3.0 | ||
3.56 | 4.0 | ||
3.78 | 4.0 | ||
3.71 | 3.0 | ||
4.07 | 4.0 | ||
4.01 | - | ||
0 | - | ||
![]() The Dame in the Kimono The Dame in the Kimono: Hollywood, Censorship, and the Production Code, from the 1920s to the 1960s
| 0 | - | |
![]() Seductive Cinema Seductive Cinema: The Art of Silent Film
| 0 | - | |
4.5 | 4.0 | ||
0 | - | ||
0 | - | ||
5 | - | ||
![]() The Major Film Theories The Major Film Theories: An Introduction
| 0 | - | |
![]() Film Comedy Film Comedy
| 0 | - | |
3.8 | - | ||
0 | - | ||
3 | - | ||
3.89 | 4.0 | ||
3.89 | - | ||
3.5 | - | ||
3.92 | - | ||
3.56 | 4.0 | ||
4.25 | - | ||
0 | - | ||
3.62 | - | ||
0 | - | ||
![]() The New York Times Guide to the Best 1,000 Movies Ever Made The New York Times Guide to the Best 1,000 Movies Ever Made: An Indispensable Collection of Original Reviews of Box-Office Hits and Misses
| 0 | - | |
0 | - | ||
![]() Essential Cinema Essential Cinema: On the Necessity of Film Canons
| 5 | - | |
0 | - | ||
0 | - | ||
3.78 | 2.0 | ||
3.67 | 4.0 |