jean
402 Reads
 The Body Artist
| 3.33 | - | |
 First Person Singular: Stories
| 3.48 | - | |
 Frost: Poems
| 5 | - | |
 A Brief History of Vice
| 3 | - | |
 Essais
| 0 | - | |
 The Strange Library
| 3.53 | - | |
 The War on Everyone The War on Everyone
| 0 | - | |
 The Engagement
| 5 | - | |
 Barely Functional Adult
| 3.81 | - | |
 Read This if You Want to be Great at Drawing People
| 0 | - | |
 Framed Drawing Techniques
| 0 | - | |
 Successful Drawing
| 0 | - | |
 Women, Race & Class
| 4.61 | - | |
 They Called Us Enemy
| 4.57 | - | |
 My last sigh
| 4 | - | |
 Martin Luther King and the Montgomery Story
| 0 | - | |
 Freedom Is a Constant Struggle
| 4.33 | - | |
 Stamped: Racism, Antiracism, and You
| 4.4 | - | |
 Hitchcock
| 4.54 | - | |
 Are Prisons Obsolete?
| 4.34 | - | |
 My Heart Is a Chainsaw
| 3.71 | - | |
 The Second
| 5 | - | |
 Leaving Isn't the Hardest Thing: Essays
| 4.08 | - | |
 The Trials of Masculinity
| 0 | - | |
 What is Cinema?
| 4.5 | - | |
 Sculpting in Time
| 4.57 | - | |
 Pictures at a Revolution: Five Movies and the Birth of the New Hollywood
| 4 | - | |
 The American cinema
| 0 | - | |
 Roger Ebert's Book of Film: From Tolstoy to Tarantino, the Finest Writing From a Century of Film | 0 | - | |
 Hollywood Black: The Stars, the Films, the Filmmakers
| 0 | - | |
 Signs and Meaning in the Cinema
| 0 | - | |
 Film as a Subversive Art
| 0 | - | |
 From Reverence to Rape
| 3 | - | |
 Returning the Gaze: A Genealogy of Black Film Criticism, 1909-1949
| 0 | - | |
 Qu'est ce que le cinéma?
| 0 | - | |
 A Horrible Experience of Unbearable Length: More Movies That Suck
| 3.33 | - | |
 Scorsese
| 4.5 | - | |
 And Then You're Dead: What Really Happens If You Get Swallowed by a Whale, Are Shot from a Cannon, or Go Barreling Over Niagara
| 3.7 | - | |
 The Material Ghost : Films and Their Medium
| 0 | - | |
 Race Matters
| 4.2 | - |
