Capitalist Realism: Is There No Alternative? | 4.08 | - | |
| 4.13 | - | |
A Book of Memories - Péter Nádas
- Ivan Sanders (Translator)
- Imre Goldstein (Translator)
| 0 | - | |
| 0 | - | |
Unfaithful Music & Disappearing Ink | 3.38 | - | |
| 4.18 | - | |
| 4.09 | - | |
Satyajit Ray: The Inner Eye | 0 | - | |
| 3.66 | - | |
| 3 | - | |
Transcendental style in film : Ozu, Bresson, Dreyer | 0 | - | |
| 4.25 | - | |
 Since Then Since Then: How I Survived Everything and Lived to Tell About it - David Crosby
- Carl Gottlieb
| 0 | - | |
| 4.67 | - | |
Not That Kind of Girl: A Young Woman Tells You What She's "Learned" | 3 | - | |
| 4.43 | - | |
| 4 | - | |
Modern Romance - Aziz Ansari
- Eric Klinenberg
| 3.56 | - | |
Troublemaker: Surviving Hollywood and Scientology | 3.86 | - | |
| 0 | - | |
| 4.43 | - | |
| 0 | - | |
| 4.25 | - | |
| 3.88 | - | |
| 0 | - | |
Faithfull - David Faithfull, Marianne; Dalton
- David Dalton
| 0 | - | |
Memo from David O. Selznick | 0 | - | |
| 3.89 | - | |
| 0 | - | |
| 4.67 | - | |
| 3 | - | |
Always Look on the Bright Side of Life: A Sortabiography | 3.71 | - | |
The Oxford History of World Cinema | 0 | - | |
| 4 | - | |
| 3 | - | |
Identity And Memory: The Films of Chantal Akerman | 0 | - | |
Roger Ebert's Book of Film: From Tolstoy to Tarantino, the Finest Writing From a Century of Film | 0 | - | |
Chasing The Light: How I Fought My Way into Hollywood | 0 | - | |
| 3 | - | |
Godard on Godard - Jean-Luc Godard
- Tom Milne (Translator)
| 4.5 | - | |