#2 | 3.76 | 55 reads | ||
#3 | 4 | 1 read | ||
#4 | 4.25 | 4 reads | ||
#5 | 3.88 | 34 reads | ||
#6 | ![]() Writing for the Mass Media Writing for the Mass Media
| 2 | 1 read | |
#7 | 4.22 | 80 reads | ||
#8 | 4.31 | 615 reads | ||
#9 | 4.5 | 2 reads | ||
#10 | ![]() Orphan Factory Orphan Factory: Essays and Memoirs
| 4 | 1 read | |
#11 | 3.93 | 58 reads | ||
#12 | 3.98 | 170 reads | ||
#13 | 5 | 2 reads | ||
#14 | 4 | 3 reads | ||
#15 | ![]() Transforming Vision Transforming Vision: Writers on Art
| 3 | 1 read | |
#16 | 0 | 1 read | ||
#17 | ![]() Grammar and Usage in the Classroom Grammar and Usage in the Classroom
| 5 | 1 read | |
#18 | 3 | 2 reads | ||
#19 | 3.5 | 4 reads | ||
#20 | 3 | 1 read | ||
#21 | 4.18 | 214 reads | ||
#22 | 4.32 | 44 reads | ||
#23 | ![]() The 9 Rights of Every Writer The 9 Rights of Every Writer: A Guide for Teachers
| 3 | 1 read | |
#24 | 3 | 1 read | ||
#25 | 4 | 1 read | ||
#26 | 3.78 | 12 reads | ||
#27 | ![]() Essentials of Screenwriting Essentials of Screenwriting
| 0 | 1 read | |
#28 | 3.5 | 4 reads | ||
#29 | 3 | 5 reads | ||
#30 | 3 | 3 reads | ||
#31 | 4.34 | 158 reads | ||
#32 | 4.2 | 19 reads | ||
#33 | 4.2 | 38 reads | ||
#34 | 0 | 1 read | ||
#35 | 3.78 | 234 reads | ||
#36 | ![]() Longinus on the sublime Longinus on the sublime
| 0 | 1 read | |
#37 | 3 | 3 reads | ||
#38 | 0 | 1 read | ||
#39 | 3.5 | 4 reads | ||
#40 | 4.27 | 14 reads | ||
#41 | 0 | 1 read | ||
#42 | ![]() Robert Frost Robert Frost: Speaking on Campus: Excerpts from His Talks, 1949-1962
| 0 | 1 read | |
#43 | 3 | 2 reads | ||
#44 | 4.34 | 68 reads | ||
#45 | 4 | 2 reads | ||
#46 | 4 | 3 reads | ||
#47 | ![]() Letters to a Young Writer Letters to a Young Writer
| 3.33 | 8 reads | |
#48 | ![]() Melinda Camber Porter in Conversation with Wim Wenders (with Embedded Video) on Location While Filming Paris, Texas 1983 Melinda Camber Porter in Conversation with Wim Wenders (with Embedded Video) on Location While Filming Paris, Texas 1983: ISSN Vol 1, No. 3 Melinda Camber Porter Archive of Creative Works
| 3 | 1 read | |
#49 | 0 | 1 read | ||
#50 | 0 | 1 read | ||
#51 | 4 | 5 reads | ||
#52 | 0 | 1 read | ||
#53 | ![]() Simple and Direct Simple and Direct : A Rhetoric for Writers
| 0 | 1 read | |
#54 | ![]() Writing Better Lyrics Writing Better Lyrics: The Essential Guide to Powerful Songwriting
| 0 | 1 read | |
#55 | 3.98 | 167 reads | ||
#56 | 3.81 | 11 reads | ||
#57 | ![]() Simply Put Simply Put: Why Clear Messages Win—and How to Design Them
| 0 | 1 read | |
#58 | ![]() The Third Mind The Third Mind
| 0 | 1 read | |
#59 | ![]() McGraw-Hill Handbook of English Grammar and Usage McGraw-Hill Handbook of English Grammar and Usage
| 0 | 1 read | |
#60 | 3.76 | 28 reads |