Josh
Extremely fast read due to it's casual/conversational writing style. It's got a pretty interesting premise, but it doesn't really go much beyond said premise. I'd go as far to say If you read the synopsis you already understand 75% of the book.
There is a plot of sorts, but it's pretty underwhelming and not the focal point of the novel. It's a fun read though and I had a few chuckles, but ultimately wish it had more depth.
Extremely fast read due to it's casual/conversational writing style. It's got a pretty interesting premise, but it doesn't really go much beyond said premise. I'd go as far to say If you read the synopsis you already understand 75% of the book.
There is a plot of sorts, but it's pretty underwhelming and not the focal point of the novel. It's a fun read though and I had a few chuckles, but ultimately wish it had more depth.
I would say is if you are a person who prefer descriptive prose over dialogue heavy then you might find this one a bit more challenging, as it's almost entirely plot driven prose but even then I would still recommend giving it a try.
This is a story about a modern black woman is teleported back in time to the 1800's through a connection with a white ancestor who lives on a plantation. This creates an interesting dynamic with their relationship as she obviously has a vested interest in his survival, given that her own relies on it, but at the same time having to balance that with the horrific events that unfolded during this time period. A period that said ancestor is very much a part and product of. That's the premise of the book without spoilers mind you and it sets up very complex interracial relationships with themes centered around power dynamics, guilt, bigotry, racism, trauma, comparing modern sensibilities to past beliefs etc.
I would say is if you are a person who prefer descriptive prose over dialogue heavy then you might find this one a bit more challenging, as it's almost entirely plot driven prose but even then I would still recommend giving it a try.
This is a story about a modern black woman is teleported back in time to the 1800's through a connection with a white ancestor who lives on a plantation. This creates an interesting dynamic with their relationship as she obviously has a vested interest in his survival, given that her own relies on it, but at the same time having to balance that with the horrific events that unfolded during this time period. A period that said ancestor is very much a part and product of. That's the premise of the book without spoilers mind you and it sets up very complex interracial relationships with themes centered around power dynamics, guilt, bigotry, racism, trauma, comparing modern sensibilities to past beliefs etc.
I greatly enjoyed The Poppy War and I legitimately thought this series had the potential to go down as one of my all time favourites. It still may, but after reading the second entry I'm not quite so convinced anymore.
I did not greatly enjoy approximately the first two thirds of this book. It feels like the character's, Rin in particular, regressed in development. While this can make sense given her experiences and the circumstances her character goes through there's a balance to walk there between how long a character wallows and how much time it takes before them to start developing again. I don't think that line is walked particularly well here and part of this is imo because of the significantly slower pacing.
That being said the last third or so of the book is absolutely wonderful with a very satisfying concluding couple of chapters that completely changed my overall opinion of the novel. Given I'd lean towards 2 out of 5 for the first and second third and 5 out of 5 for the last third, 3 stars overall feels right.
I greatly enjoyed The Poppy War and I legitimately thought this series had the potential to go down as one of my all time favourites. It still may, but after reading the second entry I'm not quite so convinced anymore.
I did not greatly enjoy approximately the first two thirds of this book. It feels like the character's, Rin in particular, regressed in development. While this can make sense given her experiences and the circumstances her character goes through there's a balance to walk there between how long a character wallows and how much time it takes before them to start developing again. I don't think that line is walked particularly well here and part of this is imo because of the significantly slower pacing.
That being said the last third or so of the book is absolutely wonderful with a very satisfying concluding couple of chapters that completely changed my overall opinion of the novel. Given I'd lean towards 2 out of 5 for the first and second third and 5 out of 5 for the last third, 3 stars overall feels right.
This book has quite the slow and meandering plot, seemingly getting distracted at every turn. The thing is though, that works with the content of the novel. In my mind while reading it I was just imagining this winding road that will eventually get us to our destination, but along the way we have to see the world's biggest ball of yarn, the Winchester Mystery House etc.
So something that would usually bother me quite a bit, does so less even though it's still not my preference of storytelling style. It also helps that I love the premise and I enjoy looking for the allusions towards mythological stories as well as enjoy the one's that are given explicitly. So even when it feels like the plot isn't going anywhere anytime soon, I'm always on the look out for that hidden god or reference to folklore.
Where the novel fails to grab me though is the main character. Shadow doesn't have much of a personality and little presence as a character. He has no pizzazz. No je ne sais quoi. What you see is what you get and all I see is a “big guy” that takes up space and little else. This is actually commented on within the book itself to some extent, so him being written that way is deliberate and it does serve a purpose within the context of the narrative overall. Even if I recognize that though it doesn't make his perspective anymore exciting. I don't love him and I don't hate him. He's just lukewarm and that's arguably even worse and it does really put a hamper on the enjoyment.
This book has quite the slow and meandering plot, seemingly getting distracted at every turn. The thing is though, that works with the content of the novel. In my mind while reading it I was just imagining this winding road that will eventually get us to our destination, but along the way we have to see the world's biggest ball of yarn, the Winchester Mystery House etc.
So something that would usually bother me quite a bit, does so less even though it's still not my preference of storytelling style. It also helps that I love the premise and I enjoy looking for the allusions towards mythological stories as well as enjoy the one's that are given explicitly. So even when it feels like the plot isn't going anywhere anytime soon, I'm always on the look out for that hidden god or reference to folklore.
Where the novel fails to grab me though is the main character. Shadow doesn't have much of a personality and little presence as a character. He has no pizzazz. No je ne sais quoi. What you see is what you get and all I see is a “big guy” that takes up space and little else. This is actually commented on within the book itself to some extent, so him being written that way is deliberate and it does serve a purpose within the context of the narrative overall. Even if I recognize that though it doesn't make his perspective anymore exciting. I don't love him and I don't hate him. He's just lukewarm and that's arguably even worse and it does really put a hamper on the enjoyment.
Answered a promptWhat are your favorite books of all time?
Enjoyed this immensely. I enjoy Weir's writing style, in particular his humour, but he has a knack for walking the line between not giving enough Scientific detail and giving too much. Everything feels believable (most of it is sound after all), but it doesn't feel so complex that it becomes convoluted and difficult to follow.
4.75 potato's out of 5.
Enjoyed this immensely. I enjoy Weir's writing style, in particular his humour, but he has a knack for walking the line between not giving enough Scientific detail and giving too much. Everything feels believable (most of it is sound after all), but it doesn't feel so complex that it becomes convoluted and difficult to follow.
4.75 potato's out of 5.
