| 4.13 | 3.0 | |
| 4.5 | 4.0 | |
Their Eyes Were Watching God | 3.92 | 5.0 | |
We All Want Impossible Things | 4.18 | 5.0 | |
| 3.17 | 5.0 | |
| 3.44 | 5.0 | |
| 4.41 | 5.0 | |
| 4.48 | 5.0 | |
Tomorrow, and Tomorrow, and Tomorrow | 4.11 | 3.0 | |
| 3.54 | 5.0 | |
| 3.69 | 5.0 | |
| 4.09 | 5.0 | |
The Tattooist of Auschwitz | 4.03 | 4.0 | |
Remarkably Bright Creatures | 4.15 | 4.0 | |
| 3.75 | 5.0 | |
On Writing: A Memoir of the Craft | 4.31 | 5.0 | |
| 4.14 | 4.0 | |
| 5 | 5.0 | |
| 4.28 | 5.0 | |
| 3.84 | 5.0 | |
Run Towards the Danger: Confrontations with a Body of Memory | 4.35 | 5.0 | |
| 3.79 | 4.0 | |
| 3.79 | 3.0 | |
| 4.21 | 4.0 | |
| 3.79 | 5.0 | |
Animal Farm - George Orwell
- Boris Grabnar (Translator)
- Celâl Üster (Translator)
- Celâl Üstüner (Translator)
| 4.04 | 5.0 | |
| 4.18 | 5.0 | |
| 3.69 | 3.0 | |
| 3.67 | 5.0 | |
Fun Home: A Family Tragicomic | 4.02 | 4.0 | |
| 3.28 | 4.0 | |
| 3.72 | 5.0 | |
Welcome to Dunder Mifflin - Brian Baumgartner
- Ben Silverman
| 4.2 | 5.0 | |
The Art of Perspective: Who Tells the Story | 5 | 5.0 | |
| 4.14 | 5.0 | |
I Came All This Way to Meet You: Writing Myself Home | 4.1 | 5.0 | |
| 4.19 | 5.0 | |
| 3.93 | 5.0 | |
| 4 | 2.0 | |
| 4.25 | 4.0 | |