The Longest Day Of The Future | 4.33 | - | |
Jerusalem: Chronicles from the Holy City - Guy Delisle
- Helge Dascher (Translator)
| 4.38 | - | |
| 3.83 | - | |
| 4 | - | |
Hostage - Guy Delisle
- Brigitte Findakly
| 4.1 | - | |
| 0 | - | |
| 4.26 | - | |
Design in California and Mexico, 1915-1985: Found in Translation | 0 | - | |
Rolling Blackouts: Dispatches from Turkey, Syria, and Iraq | 4.33 | - | |
| 2.5 | 2.0 | |
| 4 | - | |
Aama, Vol. 1: The Smell of Warm Dust - Frederik Peeters
- Edward Gauvin (Translator)
| 3.75 | - | |
Burma Chronicles - Guy Delisle
- Helge Dascher (Translator)
| 3.98 | - | |
The Tragical Comedy or Comical Tragedy of Mr. Punch | 3.64 | - | |
What Can a Body Do?: How We Meet the Built World | 4.38 | - | |
| 4 | - | |
| 0 | - | |
| 0 | - | |
| 0 | - | |
Cult Eyewear: The World's Enduring Classics | 0 | - | |
Fashion Spectacles, Spectacular Fashion: Eyewear Styles and Shapes from Vintage to 2020 - Simon Murray
- Nicky Albrechtsen
| 0 | - | |
| 0 | - | |
1000 Glasses: History of Eyewear Design | 0 | - | |
| 3.15 | - | |
Invisible Women: Data Bias in a World Designed for Men | 4.27 | - | |
Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened | 4.22 | - | |
Disability Incarcerated: Imprisonment and Disability in the United States and Canada | 0 | - | |
| 5 | - | |
Invisible: How Young Women with Serious Health Issues Navigate Work, Relationships, and the Pressure to Seem Just Fine | 5 | - | |
My Invisible Cosmic Zebra Has Migraines—Now What? | 0 | - | |
 All in My Head All in My Head: An Epic Quest to Cure an Unrelenting, Totally Unreasonable, and Only Slightly Enlightening Headache | 0 | - | |
Don't Call Me Inspirational: A Disabled Feminist Talks Back | 0 | - | |
| 4.67 | - | |
| 4.5 | - | |
Too Late to Die Young: Nearly True Tales from a Life | 5 | - | |
| 0 | - | |
Beauty is a Verb: The New Poetry of Disability - Sheila Black
- Michael Northen
- Jillian Weise
- Daniel Simpson
| 0 | - | |
Disability Visibility: First-Person Stories from the Twenty-first Century | 4.32 | 4.0 | |
| 3 | - | |
 Design Design: Portfolio: Self promotion at its best | 0 | - | |