Alexander
501 Reads
 Inventing the Enemy: Essays
| 3 | 3.0 | |
 Serendipities : language & lunacy
| 3 | 3.0 | |
 No Country for Old Men
| 4.13 | 3.0 | |
 Baudolino
| 3.69 | 3.0 | |
 A New History of Western Philosophy
| 3.25 | 4.0 | |
 Lullaby
| 3.49 | 3.0 | |
 Invisible Monsters Remix
| 3.64 | 2.0 | |
 Survivor
| 3.86 | 4.0 | |
 Choke
| 3.55 | 3.0 | |
 Haunted
| 3.4 | 2.0 | |
 The Stranger
| 3.94 | 4.0 | |
 The Fall
| 3.96 | 3.0 | |
 The Plague
| 3.97 | 3.0 | |
 Roughneck
| 4.16 | 4.0 | |
 King City
| 3.75 | 5.0 | |
 Scene of the Crime
| 4.25 | 4.0 | |
 Channel Zero
| 3.5 | 3.0 | |
 Channel Zero: Jennie One
| 3 | 3.0 | |
 The Rattler
| 4 | 4.0 | |
 Anya's Ghost
| 3.63 | 2.0 | |
 The Underwater Welder
| 3.92 | 2.0 | |
 West Coast Blues
| 2.5 | 2.0 | |
 The Gigantic Beard That Was Evil
| 4.08 | 4.0 | |
 The Divine | 3.75 | 3.0 | |
 Black Orchid
| 3.44 | 3.0 | |
 Kafka | 3 | 3.0 | |
 Words for Pictures
| 3.5 | 4.0 | |
 Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels
| 4.29 | 5.0 | |
 Comics and Sequential Art
| 3.25 | 2.0 | |
 The DC Comics Guide to Writing Comics
| 4.25 | 3.0 | |
 Alan Moore Writing For Comics
| 3.5 | 2.0 | |
 Framed Ink
| 4.4 | 4.0 | |
 Creating Comics from Start to Finish: Top Pros Reveal the Complete Creative Process
| 2 | 2.0 | |
 Vanishing Point: Perspective for Comics from the Ground Up
| 4 | 4.0 | |
 Understanding Comics: The Invisible Art
| 4.32 | 4.0 | |
 Last Days of an Immortal
| 3.75 | 4.0 | |
 Pride of Baghdad
| 3.74 | 5.0 | |
 Palestine
| 4.34 | 2.0 | |
 The nobody
| 3.77 | 4.0 | |
 American Gods
| 4.03 | 2.0 |
