 Indistractable Indistractable: How to Control Your Attention and Choose Your Life | |
Keep Going: 10 Ways to Stay Creative in Good Times and Bad | |
Dreamland: The True Tale of America's Opiate Epidemic | |
Bryson's Dictionary for Writers and Editors | |
Catching the Big Fish: Meditation, Consciousness, and Creativity | |
| |
The Filter Bubble: How the New Personalized Web Is Changing What We Read and How We Think | |
| |
Ultralearning: Master Hard Skills, Outsmart the Competition, and Accelerate Your Career | |
 Sum It Up Sum It Up: A Thousand and Ninety-Eight Victories, a Couple of Irrelevant Losses, and a Life in Perspective - Pat Summitt, Sally Jenkins
| |
| |
| |
Word Painting: A Guide to Writing More Descriptively | |
The Righteous Mind: Why Good People Are Divided by Politics and Religion | |
| |
| |
The Destiny Thief: Essays on Writing, Writers and Life | |
| |
The Forest for the Trees: An Editor's Advice to Writers | |
The Craft of Research - Wayne C. Booth
- Gregory G. Colomb
- Joseph M. Williams
| |
| |
| |
| |
The Artist's Way: A Spiritual Path to Higher Creativity | |
The Faith of a Writer: Life, Craft, Art | |
| |
Several Short Sentences About Writing | |
Bringing Columbia Home - Michael D. Leinbach
- Jonathan H. Ward
| |
On Writing Well: The Classic Guide to Writing Nonfiction | |
It Was The Best Of Sentences, It Was The Worst Of Sentences: A Writer's Guide To Crafting Killer Sentences | |
Writing to Learn: How to Write--And Think--Clearly about Any Subject at All | |
Letters of Note: An Eclectic Collection of Correspondence Deserving of a Wider Audience | |
| |
| |
 The Fine Art of Small Talk The Fine Art of Small Talk: How to Start a Conversation, Keep It Going, Build Networking Skills -- and Leave a Positive Impression! | |
Building Great Sentences: How to Write the Kinds of Sentences You Love to Read | |
Wild Game My Mother, Her Lover, and Me | |
| |
 The ONE Thing The ONE Thing: The Surprisingly Simple Truth Behind Extraordinary Results | |
A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments | |