#102 | ![]() Louise Lawler And Others Louise Lawler And Others
| 0 | 0 reads | |
#103 | 0 | 0 reads | ||
#104 | ![]() Rosemarie Trockel Rosemarie Trockel: Post-Menopause
| 0 | 0 reads | |
#105 | ![]() Cosima von Bonin Cosima von Bonin: Hippies Use Side Door: The Year 2014 has Lost the Plot | 0 | 0 reads | |
#106 | 4 | 7 reads | ||
#107 | 0 | 0 reads | ||
#108 | 0 | 0 reads | ||
#109 | 0 | 0 reads | ||
#110 | ![]() Lutz Bacher - The Gift Lutz Bacher - The Gift
| 0 | 0 reads | |
#111 | 0 | 0 reads | ||
#112 | ![]() Jutta Koether Jutta Koether
| 0 | 0 reads | |
#113 | 0 | 0 reads | ||
#114 | 0 | 0 reads | ||
#115 | 0 | 0 reads | ||
#116 | ![]() The Love of Painting The Love of Painting: Genealogy of a Success Medium
| 0 | 0 reads | |
#117 | ![]() Aesthetics of Installation Art Aesthetics of Installation Art
| 0 | 1 read | |
#118 | ![]() Heroes Heroes
| 5 | 3 reads | |
#119 | 0 | 0 reads | ||
#120 | 0 | 2 reads | ||
#121 | ![]() Endgame Endgame: Reference and Simulation in Recent Painting and Sculpture
| 0 | 0 reads | |
#122 | ![]() In/Different Spaces In/Different Spaces: Place and Memory in Visual Culture
| 0 | 0 reads | |
#123 | 4 | 4 reads | ||
#124 | 0 | 0 reads | ||
#125 | 0 | 0 reads | ||
#126 | ![]() High Price High Price: Art Between the Market and Celebrity Culture
| 0 | 1 read | |
#127 | 0 | 0 reads | ||
#128 | ![]() Neo-Avantgarde and Culture Industry Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975
| 0 | 0 reads | |
#129 | ![]() Thomas Hirschhorn Thomas Hirschhorn
| 0 | 0 reads | |
#130 | ![]() The Everyday The Everyday | 0 | 0 reads | |
#131 | 0 | 0 reads | ||
#132 | 0 | 0 reads | ||
#133 | 0 | 0 reads | ||
#134 | ![]() The Real Gaze The Real Gaze: Film Theory After Lacan
| 0 | 0 reads | |
#135 | ![]() Vitamin P Vitamin P
| 0 | 0 reads | |
#136 | ![]() The Disintegration of a Critic The Disintegration of a Critic
| 0 | 0 reads | |
#137 | ![]() Where Art Belongs Where Art Belongs
| 0 | 0 reads | |
#138 | 3.79 | 14 reads | ||
#139 | 4 | 1 read | ||
#140 | 0 | 0 reads | ||
#141 | ![]() Compulsive Beauty Compulsive Beauty
| 0 | 0 reads | |
#142 | ![]() Robert Rauschenberg Robert Rauschenberg | 0 | 0 reads | |
#143 | ![]() Object to Be Destroyed Object to Be Destroyed: The Work of Gordon Matta-Clark
| 0 | 0 reads | |
#144 | 0 | 0 reads | ||
#145 | ![]() Dealing with Some Texts, Images, and Thoughts Related to American Fine Arts, Co. Dealing with Some Texts, Images, and Thoughts Related to American Fine Arts, Co. | 0 | 0 reads | |
#146 | 4.17 | 4 reads | ||
#147 | ![]() Secret Publicity Secret Publicity: Essays On Contemporary Art
| 0 | 0 reads | |
#148 | 4 | 2 reads | ||
#149 | 4 | 2 reads | ||
#150 | 0 | 0 reads | ||
#151 | ![]() Installation Art Installation Art
| 0 | 0 reads | |
#152 | ![]() The Contingent Object of Contemporary Art The Contingent Object of Contemporary Art
| 0 | 0 reads | |
#153 | 0 | 0 reads | ||
#154 | ![]() The World Viewed The World Viewed: Reflections on the Ontology of Film
| 0 | 0 reads | |
#155 | 0 | 0 reads | ||
#156 | 0 | 0 reads | ||
#157 | 4.26 | 26 reads | ||
#158 | 0 | 0 reads | ||
#159 | ![]() Diana & Nikon Diana & Nikon: Essays on Photography
| 0 | 0 reads | |
#160 | ![]() Prolegomena to any Future Metaphysics Prolegomena to any Future Metaphysics: With Selections from the Critique of Pure Reason
| 0 | 1 read |