Jessica Strider

Pros: beautiful artwork, interesting story, great characters

Cons: short

Lady Mechanika hears of a strange murder case where kidnapped urchin boys were found murdered next to mechanical parts. She starts investigating, wondering if this case could lead to information about her own origins.

As with the previous volumes, this one stands alone, though there is a quick, non spoilery callback for the events of volume 2. It's only two issues, so the story is much shorter than those of the earlier graphic novels (and the price reflects that).

Once more the artwork is gorgeous. The characters have a fun mix of Victorian and steampunk fashions.The cast is widened with the addition of a detective inspector, who I suspect will show up in later volumes.

The cover gallery at the end has some nice pieces.

I'm loving this series.

Pros: lush artwork, bonus features

Cons: nudity started to feel excessive

When the white witch Virtue makes a selfish wish for a child, the demon Slur grants that wish. He taunts her that their daughter, Shame, will be a tool of evil. To prevent Shame from damaging the world, Virtue contains her in a forest grove. But evil cannot be contained.

Shame is comprised of three comics: Conception, Pursuit, and Redemption. There's a forward by Colleen Doran, a preface by Lovern Kindzierski, and a preview of the next comic in the series, Tales of Hope. It also contains a discussion about Shame between Lovern Kindzierski, John Bolton, and Alexander Finbow (publisher and editor in chief of Renegade Arts Entertainment) that includes some concept and finished artwork, the original outline for the Shame graphic novel, and some panel description to finished copy artwork stills.

Graphic novel artwork can be hit or miss for me. John Bolton's artwork is lush and descriptive. It is done in photorealistic watercolours and form a mix of gorgeous and grotesque. When the artwork aims for beautiful it's stunning. When it doesn't, there are hideous, misshapen creatures. I really liked the artwork around the young Virtue in book 2, and a lot of Shame's medieval outfits in book 3. Personally I'm not so keen on the grotesque side of art, and so many panels were not to my liking. Virtue's old form, for example, is the unattractive, warty witch from traditional fairytales.

There's a fair amount of nudity, as fits the adult nature of this fairytale. Some of it felt warranted, like the nymphs, though at times it started to feel gratuitous, as when nipples were visible through opaque cloth. Having said that, there is no sexual violence or gratuitous sex depicted.

I'd expected the plot to have a more Pandora's Box feel, showing how the world changed when shame was introduced to it, but that's not what happened. It's a clear cut story of evil versus good, where true evil cannot be redeemed, and pure good cannot be corrupted. Only a man of fate, standing between them, has the ability to choose which side to join, and thereby change the outcome.

Slur and his minions are quite terrifying in execution. Their guiding of Shame down the dark path is chilling.

As someone who doesn't believe in original sin or that the sins of the parents damn their children, I was surprised that Virtue simply left the child and didn't even try to prevent her corruption (though the assumption is that Shame is automatically corrupt, I would argue that the fact that she wonders why her mother abandoned her shows she could have turned another way).

It's an interesting story with a unique art style.

Pros: photos of many of the recipes, supplementary recipes, footnotes

Cons: some photos are dark or blurry

This is a translation of Dyets Dry Dinner (1599) by Mr. Henry Buttes, with a fair amount of added content by the author, Michelle Enzinas. Enzinas is a historical re-enactor and at the very end of the book gives a short description of the dinner party she threw following Buttes' dinner plan. The introduction gives information about Buttes and why he wrote the book, the manuscript itself, the breakdown and organization of the recipes, humour theory, etc. Each menu item has 7 pieces of information: choice (how to pick good/ripe ones), use (it's positive qualities), hurt (it's negative qualities), preparation and correction (how to eat the item, which is sometimes the only ‘recipe' given), degree (where it falls with regard to humour theory), season, age and constitution (when to eat the item and who benefits best from it), and finally story for table-talk (etymology, often with some sexual humour, designed to entertain the guests during the feast). At the bottom of most pages are the footnotes, with translation and vocabulary aids. At the back of the book are references, a glossary, and two appendixes, one with foods sorted by humour and degree, and one with supplementary pie crust recipes.

Buttes doesn't always have many recipes included (or any in a few cases), and some of his ‘recipes' are really just advice on cooking/preparation methods, rather than something we'd consider a recipe, so the author decided to supplement his recipes with some taken from eleven other cookbooks from the same period. It was a great decision and enhances the book.

I couldn't find a photography credit, which leads me to believe that the author also did the photography. It was great seeing what a lot of the recipes look like and the photographer had an artistic bent. However, some of the photos are quite dark (like the lemony mutton steaks photo on pg 306), and some are blurry due to camera jiggle and low light conditions. It's a real shame that this is the case, but on the whole the photographs are helpful.

I loved that there were some comfort food recipes, like warm milk & honey.

As with other historical cookbooks, there were a lot of ... unique flavour combinations (note, these might taste great, but sound unusual to modern readers). Buttes also uses interesting categorizations: salt for example is categorized as a sauce, rather than a spice, and the herbs category includes vegetables.

While the author did a great job with the footnotes, giving translations and vocabulary definitions, there were a few instances when Latin was left untranslated (as with the first line of the prayer on pg 41).

I tried the stewed leeks in honey recipe and there are several others I wouldn't mind attempting when the fruits or vegetables required are in season. On the whole though, the book is more of a historical curiosity than full of recipes I'd want to prepare and eat.

I've looked through a few historical cookbooks and thought this one was well put together. There are a good number of recipes included. If you're interested in what people ate in Elizabethan England, this is a great volume.

Pros: excellent worldbuilding, deftly woven alternate history, fun characters

Cons: lot of explanations of steampunk vehicles, antagonist gives an expository speech, albino antagonist

A major assassination has changed the world of 1860s Britain into one with mechanical flying and driving machines and genetically modified bird and dog messengers. Sir Richard Burton, the famous explorer, is called by the prime minister to become an agent of the crown and investigate two cases: werewolves kidnapping chimneysweeps and appearances of an entity called Spring Heeled Jack.

The melding of history and fantasy in this book is fantastic. The book ends with short biographies of the principle characters, but further research showed just how much research went into this book. I loved how the world has changed - adding both biological and mechanical developments. The use of language - especially given Spring Heeled Jack's unintelligible (to them) speech - and how they interpret his pronouncements, was quite convincing.

The ‘characters' were all pretty fun, and surprisingly bizarre considering they're mostly based on real people (which just shows that truth is stranger than fiction).

I personally found the longer descriptions of the steampunk technology kind of boring, but your mileage may vary.

There's a long section where you finally learn all about Spring Heeled Jack by way of the main antagonist telling it to a group of peers in a place where Burton can overhear it. Seems to me this story would have been told long ago, like when everyone joined together in the first place. In the author's defence, I'm not sure how else all of this information could have been relayed to Burton, though he seemed to figure out enough of what was going on that a full reveal to him wasn't really necessary, and readers could have kept the flashback scenes from ‘Jack's' point of view.

One of the antagonists is called an albino, though he isn't really one once you learn his background. It's annoying just in that albinos are often made into bad guys for no reason other than their looks.

On the whole this was an entertaining novel with a decent mystery. It's a cool period of history to examine and it's fascinating the changes one death can make.

Pros: excellent world-building, interconnected plot, great characters

Cons:

Grappoli is invading more native territory, sending refugees fleeing to the city of their enemy, Bar-Selehm. But Bar-Selehm's politicians aren't sympathetic to the refugees' plight, and some believe the time to unite with their white brothers of Grappoli, at the expense of the black and brown lower classes of their own city, has arrived. When important military papers are stolen, a clue sends Anglet Sutonga to an exclusive club, where she investigates the connections of its members.

This is the second book set in this faux 19th Century South Africa. While you can read this without having read Steeplejack, characters are reintroduced without preamble, so you may find yourself confused by some of the relationships. The plot is self-contained and while the politics carry on from the previous book, it's easy to figure out what's happening in that respect. Some of the world-building assumes you've read Steeplejack, so there's little explanation of the Drowning and the racial divisions of the city, though those come up a lot in the story.

The world-building on the whole is excellent. Again, there's very little of the book happening outside the city, but the city itself affords lots of conflict. I'm impressed by how detailed and realistic the interconnectedness of everything is in the book.

I really like Anglet. She's young, passionate, and tries to do the right thing, even when knowing what the right thing to do is difficult. And with the racial and political tensions running through this book, she's often left unsure of why she feels like she does and whether her work for Willinghouse is achieving any good. I especially liked her confusion over how to best help the refugees, and why she felt a connection to their sorrows despite their differing circumstances.

I appreciated the introduction of a deaf character and the chance to see more of Bar-Selehm's society (high and otherwise). I liked the fact that characters had differing opinions on the political situation of the city.

Unfortunately I read the book in a disjointed manner, which made it hard for me to recollect who some of the players were. There are certain scenes that require a careful reading, as the cast is fairly large and some seemingly minor details become important later on.

The plot went in several disjointed directions as Anglet slowly figured out what was going on, pulling together for the climax.

I really enjoyed this book, and its discussion of racism, refugees, and colonialism is topical.

Pros: diverse cast, interesting plot

Cons: minimal world-building

Carina is a zeal addict, living her life plugged into her dreams where she slowly kills virtual people. When a former co-worker uploads coded packets of information into her brain that will help take down her previous employer, she's not sure she's capable of sobering up and not becoming a monster in the real world.

This book is set in the same world as the author's previous novel, False Hearts. While some characters overlap, Shattered Minds works perfectly on its own.

Carina's a fascinating character. Having information tied to her memories was a clever idea, and allowed for some great development. I was surprised by how much I liked her considering she had very little emotion, had constant urges to kill, and spent the first part of the book heavily addicted. But then, I also enjoyed seeing the world from Roz's point of view, and she's a pretty terrible person. Her scenes didn't make me relate to her at all, but sometime's its nice to read about bad guys who are truly evil.

The cast is pretty diverse with one character a native american trans man, which isn't something you read often. Dax was probably my favourite character, considerate, competent, cool under pressure.

I had mixed feelings about the romantic elements of the book. I liked the pairing, and the text makes it clear that the two find each other attractive. But given Carina's inability to feel anything other than pleasure at the thought of killing, I didn't really get the gut feeling that she was even capable of any kind of intimate relationship. I appreciated that things moved slowly, but there was one scene that felt like it happened too early and so didn't give the emotional satisfaction that it should have. At this point they knew each other better but still didn't have the emotional connection such a scene requires. Oddly enough, had the author waited a bit, there was a place where I think that would have fit better.

While I felt the author knew how this world worked, there were times when it would have helped to understand more of what makes Pacifica tick. Towards the end of the book there's a throwaway comment about the potential consequences of taking down Sudice, of how society could unravel because the company's tied into so many things. This would have been good to bring up earlier. In fact, the comment states that the group has discussed this issue, though the reader never sees any of these discussions. It's a failure of world-building because as a readier I didn't realize the full import of the company they want to bring down and that the Trust's actions might not be as black and white as they're being portrayed. Knowing what Sudice does, and how the world would be impacted would have added more depth and complexity to the characters, and the show how difficult the decision they're making really is.

The book is paced well so there's a good mix of action and down time. The mystery of what Roz is doing and how the Trust can take her down is quite entertaining, and there are a good number of twists to keep things interesting.

On the whole I enjoyed the book.

Pros: emotional punch, multi-layered plot, great characters

Cons:

It's been thirteen years since Sigrud last saw Shara Komayd, but the news of her assassination still hits him hard. When he goes looking for those who killed her, he stumbles into a series of plots started years past. He also has to locate and protect her adopted daughter, Tatyana, from Shara's enemies.

This is the third book in the Divine Cities trilogy. While it was possible to read book two of this series as a standalone, the personal connections and plot twists of book three require having read at least the first book, though I'd recommend reading both before starting this one. Knowing the close connection between Sigrud and Shara is what propels the first half of this book, with Mulaghesh making an appearance and Signe's name showing up several times. But it's Shara's presence that infuses the story, and Sigrud's regrets regarding his treatment of the women in his life that completes it.

In many ways this book takes the plot of City of Stairs and brings it full circle, explaining some of the mysteries that book left open as well as some of the mysteries surrounding Sigrud himself.

I wasn't sure how I'd feel about Sigrud as the main point of view character considering how straightforward he is. But he's quite fascinating once you get into his mind. And while he isn't the planner that Shara was, he's quite intelligent and figures things out pretty fast.

It would have been nice to get to know Tatyana better, but I loved Ivanya. It's strange seeing the future of a fantasy world, and seeing how people affected by the great events in one book pick up the pieces of their lives - or transform themselves completely - because of them. Ivanya is cool under pressure, having prepared for years for what's coming.

The plot has several layers to it, some of them get pulled back quickly, while others take a while to be revealed.

This is a brilliant end to a brilliant series, and I'm not ashamed to say that it had me in tears several times.

Pros: lots of colour illustrations, good explanations

Cons:

This is an examination of medieval women as depicted in illuminated manuscripts. There's a short forward by Timothy Potts, the Director of the J. Paul Getty Museum, followed by the Introduction. There are four chapters: Medieval Ideals of Womanhood, Warnings to Medieval Women, Medieval Women in Daily Life and Medieval Women in the Arts. At the end there's a short epilogue and some suggestions for further reading. The book is 120 pages, and there are 100 illustrations.

The chapters start with a short explanation followed by a large number of illustrations. Each image has a good descriptive explanation that often gives context and/or insights into the medieval mind. I was impressed to see an Ethiopian and a Persian image in the Ideals of Womanhood chapter, as well as a few Hebrew manuscripts represented. The images depict a wide variety of women from a good mix of sources. There are saints, Biblical scenes, scenes of romance, giving birth, patrons praying, etc. Some of the sources are book of hours, prayer books, hymnals, medical and history texts, a book of law codes, etc.

The Warnings chapter opens with a brief foray into nude female imagery and the male readership for whom those images were generally commissioned, something I had never considered before. There are several other interesting tidbits that give greater depth to the people who made and used the manuscripts.

I found this a wonderful read. It's an introductory volume and so accessible to anyone interested in learning more about the middle ages and the role of women.

Pros: excellent world-building, great characters, well paced, exciting

Cons: cliffhanger ending

Refugees flock to Feros, where Lizanne Lethridge, aka Miss Blood, is given the first of a new and even more dangerous series of missions to perform in the Corvantine Empire. Clay has convinced Hillmore to sail South, hoping to find something that will help them defeat the white dragon. Meanwhile, the white is gathering its army of spoiled, training them to overrun the world.

This book starts off with little reminder of the events of The Waking Fire, so it's worth rereading it. One of the characters thought dead returns as a point of view character, giving insight into the actions of the white dragon's army.

The world-building continues to be excellent. You learn more about various governments and see how the drakes interact from a different point of view from the first book. Clay's mission provides a lot of questions, which I'm hoping will be answered in the next book.

There are two appendices, one for dramatis personae, which is helpful as several names are similar and the cast is large, and a second with the rules for the card game Pastazch.

Lizanne is probably my favourite character, making difficult decisions and still being influenced more by her emotions than a good operative should. I was surprised by where her choices lead her. Clay seems to grow as the book progresses, which I appreciated. I was disappointed that Tekela wasn't in this book much, considering how she'd grown in the previous book. I was hoping to see more of her development. Loriabeth gets a good amount of page time, which was nice. Her skills have improved a lot and she's a solid supporting character.

The pacing was wonderful, with a lot of action and cliffhanger chapter endings, propelling you through the book at a rapid pace. There's little wrap up here, with the final chapters leaving several characters in difficult positions. This is only a negative in that since the next book isn't out yet, I can't immediately find out what happens to them.

I'm really looking forward to book 3.

Pros: brilliant world-building, fascinating protagonist, complex mystery

Cons:

Anglet Sutonga is a steeplejack. When she was younger she cleaned chimneys. At 17 she's too big for that, so now she works the factory stacks. After a series of events, including the theft of a city landmark, she's hired to investigate a series of crimes that the police are ignoring. Meanwhile race relations in the city of Bar-Selehm are breaking down between the white upper class, the black Mahweni (those assimilated to city life as well as the tribesmen living traditional lifestyles outside of it) and the brown Lani, brought to the city by the whites as indentured servants and still not much better off, making her job urgent. And as tensions rise in the city, war between their northwest neighbours, the Grappoli, seems increasingly likely.

Bar-Selehm is a unique setting based on 19th Century South Africa but with fantasy overtones. The book is very contained to the city and its immediate surroundings, only mentioning Grappoli but not the wider politics of the outside world. Which keeps the book focused on the city and its problems. I loved that Anglet was able to mix with people of different races in different ways - depending on their social status, and how status and race were shown to be holdovers from the past, despite the current ideology that everyone is equal. There's a great quote later in the book which sums up a lot of modern racism - and blindness towards it:

“We say we are all equal in Bar-Selehm, but you know as well as I do that that is not even close to being true. You cannot simply take people's land, property, freedom from them and then, a couple of hundred years later, when you have built up your industries and your schools and your armies, pronounce them equals. And even when you pretend it is true, you do not change the hearts of men, and a great deal of small horrors have to be ignored, hidden, if the myth of equality is to be sustained.”

When going to the Drowning, where most of the Lani live, Anglet encounters hippos, monkeys, an ibex, and other creatures. She also mentions a few things that are made up, like weancats, which make the world feel both real and other at the same time. Similarly, the mineral that Bar-Selehm was built up on, luxorite, is made up, but the trade concerns, her brother-in-law's stubborn effort to pan more, and how society interacts with the mineral is explored in some depth.

The author brings in just enough minor details of taste, smell, sight, and touch to make the world feel 100% genuine without bogging down the narrative at all.

I loved Anglet as a character. She's necessarily tough and has to make a series of difficult decisions that change her life. I loved that her choices had consequences, and that as the book went on she often questioned the decisions she'd made. In several situations there was no good outcome, just the best she could do for now.

I liked that she encountered a wide variety of people during her investigation. The paper girl was probably my favourite, but Anglet meets people from several levels of society and cleverly finds ways to interact with them.

The murder mystery was tightly twisted so that while I figured out two of the twists at the end, several others were complete revelations. Looking back on the book as a whole the clues were there, but you take such a roundabout way to the end that it's hard figuring out everything that's going on. I found the ending quite a shock and really felt for Anglet.

It's the first in a trilogy, but can easily be read as a standalone as the mystery is entirely wrapped up at the end. This a great novel with all the things people in SFF circles have been asking for. I can't believe it's not being more widely read and talked about.

Pros: conflicted characters, good world-building

Cons: not hard SF

Earth spent years forcing thousands of people to emigrate to other inhabitable worlds as the population grew out of control. Jamie Allenby was living on Soltaire, at the edge of inhabited space, when the plague came through. The survival rate of zero point zero zero zero one percent haunts her as she makes her way to the space port in hopes of finding other survivors. As others emerge, they head towards Earth, unsure of what they're looking for or how life will carry on.

I found Jamie an interesting character. In many ways she reminded me of Millicent, the protagonist in Mishell Baker's Borderline. She's not particularly likeable, but because you're seeing her thoughts and feelings (and occasional flashbacks), you understand why she's making the decisions she is, and why she has trouble letting people get close. Jamie slowly comes to understand what she's looking for, but I suspect some readers will find her constant questioning herself and where she's going with her life frustrating. I felt this frustration myself a time or two towards the end of the book, especially when she's trying to get others to join their group despite making it clear that she thinks people should do what they want and joining the group isn't what those people want to do.

Most of the supporting characters are conflicted too, not sure what this new world holds, whether it's better to return to the old way of doing things or hope for something new. Rena annoyed me, but I think she was supposed to. I appreciated the author including an autistic young man in with the main group of survivors.

I liked that different views of how the world should continue were offered by different groups. It didn't surprise me that societal classes would survive the apocalypse. One of the groups they encountered did surprise me though, with their adherence to an even older age.

Some sections of the book are designed to get you to think deeply about life: what it means, where humanity is headed, etc. This was undercut by Jamie's constant waffling though, never sure of what she wanted and feeling at one with the universe for a moment and then doubting the emotion the next.

The world-building was pretty good. Callan's history especially grounded the world for me, in all its cruelty.

This isn't hard SF. While there are lags for communication transmissions, there's no time dilation affecting space travel and it only takes a day or two to get between worlds, with no explanation of how the ship is navigating the distances so quickly. Because Jamie was constantly questioning her decisions, it made me wonder how things would have changed for her if moving from one planet to the next meant years or decades would have passed for those she left behind, so that there was no going back, no reconciliation. How would things have changed for her if these decisions were permanent once she left? Would she have been happier? Would she have stayed on Earth? On Alegria? Would she have found the personal space she needed some other way? Or would she still have ended up on Soltaire, conflicted about the decisions she'd made with her life?

It was an interesting debut. It posed some good questions and while it wasn't perfect, it kept me turning pages.

Pros: interesting mystery, varied characters, good pacing

Cons: lots of gore & disturbing descriptions

In a future where convicted criminals are lobotomized and have half their jaw removed a convicted serial killer halfhead has regained a sense of herself, over the mutilated body of the man she's just killed. Assistant Network Director William Hunter has nightmares about the last time he visited Sherman House, the multi-storied residence where he fought during the VR riots. He's not happy returning to Sherman House now, to investigate the second gruesome murder in the building that week. Something's not right with Sherman House, and Hunter's digging threatens to expose something that powerful people want kept quiet. Something involving the work done by a certain halfhead killer.

If you're squeamish, this is not the book for you. In many ways it reminded me of the original Robocop film, only without the black humour. There's a lot of blood, guts, and some truly disturbing descriptions of violence. Though, I will say that you don't get much graphic violence (ie, most of it is descriptions after the events have happened, rather than first person views of the violence itself). The characters all take quite a number of literal beatings. There's also mention of torture, but no descriptions.

The mystery is interesting. The halfhead's story is terrifying. William's a great character, and I enjoyed seeing him break the rules to get to the bottom of what was going on. I really liked Jo as well. She's spunky with a crazy fashion sense. Emily kept making me think of Emily Blunt, partly because of her name and partly because of her military kickass character in Edge of Tomorrow. Brian's accent caused me some issues, but I liked seeing him helping William out as a friend.

While I enjoyed aspects of the book, I don't think I'd reread it, simply because I had to work hard not to let any of the visual imagery give me nightmares. A few scenes were quite disturbing and I wouldn't want to revisit them. The ending alone was kind of terrifying. While this isn't technically a military SF book, there's enough military style action to please lovers of that sub-genre. Similarly if you like mysteries or serial killers, this might be for you.

Pros: diverse and multi-layered characters, great world-building, excellent storytelling

Cons: minor confusion at times

Five thirteen year old girls are chosen by the goddess to help fight the Grey, an entity created from terror, rage, and destruction. Now 25, Alex, Ria, Aiko, and Natalie help Selena prepare for her upcoming wedding. As the big day approaches, they reflect on their past as magical girls and wonder how long they'll have to keep fighting.

Hurricane Heels is a a collection of 5 interconnected stories. Each one is told from the point of view of a different girl.

This is a novel for adults who love magical girl stories like Sailor Moon, who are interested in what real life for such girls growing into women would look like. The author clearly explains why no one in the larger world knows what's going on in the fight between good and evil and how the girls heal after their battles. But these are women who swear, drink, go to a strip club (it's a bachelorette party), and hold day jobs around their monster battles.

I loved the juxtaposition of these young girls getting magical powers and being given decidedly earthy weapons. When you think of magical girls you think glittery magic weapons, light weight, deadly because of their magical attacks. But these girls get an ax, a chainsaw, double swords. There's no way to avoid the solid brutality of these as weapons and the death and gore of their battles against the Grey.

Each chapter begins with a black and white illustration of the girl whose point of view that chapter is from. Unlike the Sailor Moon characters, these aren't thin waifs. They've got some weight on them and some curves. They look like real women, chosen to do great things.

At one point I tried to see what the main thrust of each story was - love, power, etc. Each character has a colour, a different piece of transformation jewelry, and a primary weapon, surely they each have an attribute they embody as well. A few of them seem to on the surface, but when you consider each character - and each story - more carefully, these aren't simplistic portrayals. These are multi-layered characters who are scared of their new responsibilities and powers in different ways. They also try to hide their frailties from their friends, not realizing that they all have similar doubts. They fight because they need to, because the world needs them to. It's amazing how well you get to know each girl, despite how short the book is.

I did find the scene in Ria's story where she moved from the Philippines to the US a bit confusing. I had to read it twice to realize that's what happened. There was also a formatting issue in the first story. In two places necessary page breaks, showing where one scene ended and another began, were missing. Because each story jumps between places and times so often, the page breaks are needed to help the reader reorient themselves. It was very confusing going from the end of a fight scene to the girls grabbing a drink with no indication that the location or time had changed. It was even more confusing jumping from a post fight conversation to a strip club scene.

This is a brilliant book. If you like magical girl anime - and even if you just enjoy well told stories about women trying to find their places in the world while battling evil to save it - this book is for you.

Pros: brilliant world-building, fascinating characters, thought-provoking

Cons:

Chrysoberyl of Dolomoth is a pyroscape artist with the Seven Stars. In order to improve her financial and artistic positions she agrees to become a carrier. Carriers play host to sentient microbial symbionts, visible to the host via their optic neuroports. Chrys' ‘people', the Eleutherians, call her the God of Mercy, but they don't always act in her best interests. And there are other strains of micros going around, ones that take over their hosts, turning them into vampires and drug addicts. These hosts eventually travel to the Slave World, a place no one ever returns from.

You're dropped into this complex world with no explanation, so it takes a few chapters to become familiar with all the terms, characters, and ideas. You do learn about the micros and how being a carrier works along with Chrys, but there's a lot outside of that to take in: Chrys' art, elves, sentients, simians, the Underworld, vampires, anti-simian groups, etc. The world is multi-layered and realistically complex.

The characters, both humanoid and micro, are quite fascinating. Chris must learn how to deal with the little people in her head and their demands on her time (for themselves and for the larger micro community as a whole) while also continuing with her own life (her art, lost friends, religious family, learning how to handle money, personal relationships).

The book does... meander a bit. While there are several linear plot threads, there are also a fair number of asides into complementary issues. The author examines different problems associated with being a host, and how different hosts treat their people. It also goes into how the hosts treat each other - both in the carrier community and outside of it. Then there's the inter-racial problems: simians and physician sentients face discrimination, elves believe their society is perfect and so ignore the real threat one of their members poses everyone, should micros have the same rights as carriers, etc.

I really enjoyed the book. It's fascinating seeing the different groups interact, and the micros are so much fun.

Pros: great characters, excellent world-building, interesting plot

Cons:

Thames Tidal Power, a co-operative made up mostly of gillungs, is set to start operations when a series of minor accidents occurs. The new company's quantum-battery technology is poised to upend the energy market, and other powerful players aren't too happy about that. There's an election coming soon and the possibility of a new gem positive political party entering the race would split the United People's Party vote, giving the historically anti-gem Traditional Democratic party a better chance of winning. As political and economic turmoil increases, Zavcka Klist is released from maximum security prison to house arrest. And she's looking for the ‘daughter' she lost eight years ago.

This book picks up the story of Gabriel, Gaela, Bal, Aryel, Mikal, Callan, Rhys, etc eight years after the events of Binary. The focus this time is on Gabriel and Mikal's families. Gabriel now works on managing the socialstream commentary around Thames Tidal Power when he isn't taking university classes. Along with his parents, he's very concerned with keeping his adopted sister Eve off the streams in order to keep her safe.

Councillor Mikal Varsi, still an independent candidate, is being courted by both political parties as well as the potential third party. While the UPP and the new gem party make sense, he's unsure why the Trads would consider approaching someone very much the opposite of what they stand for.

Mikal's wife is now a Detective Superintendent, and keeping a close eye on the investigation into the accidents at the new power station.

It's cool seeing how everyone's grown, and also to see how time and change don't necessarily remove the barriers and hatreds of ignorance, fear, and bigotry.

The story's quite interesting and flowed nicely. There were a good number of unexpected twists, and while one aspect of the ending was fairly obvious, there were others that were not. I was particularly impressed with the last chapter that really rapped up the trilogy well.

While it's possible to read this book without the others, the author assumes a familiarity with the characters, so backstory is left unexplained. This makes a few of the relationships harder to grasp if you don't know them already. The ending is also somewhat dependant on knowing who Zavcka is and what she's done in the past.

This is a brilliant series, highly recommended.

Pros: lyrical writing, thought provoking, evocative

Cons:

Imogen is a writer while her younger sister Marin is a ballet dancer. Their mother supported Marin's beauty and talent, as they reflected positively on her. She denounced Imogen's storytelling as lies, punishing her as necessary. Imogen escaped but had to leave her sister behind. They grew up. This is the fairytale of two sisters, coming together after a decade apart, to work on their arts in an artist's colony where things aren't as they appear.

I loved this book. It resonated with me on so many levels. Howard captures the hard work, the fear, the loneliness, the exhilaration of being an artist, believing in yourself one moment while wondering if you're good enough the next. She also captures the emotional turmoil of a broken family: the guilt, the attempts to reconcile the truth you know from the truth others believe, protecting yourself from harm while constantly dreading the next attack - whether physical or verbal.

The book is so lyrically written, it's prose is beautiful, and often heart-wrenching. The snippets of Imogen's stories that retell her childhood are so sad and yet so hopeful as well. The descriptions are vivid and lush, easy to picture and viscerally present as events progress.

I loved the characters and the hints of what's happening at Melete, the campus where they're studying. Everything felt real. The characters impacted each others lives in ways it was hard to imagine when the novel started. Though I thought there were times when Imogen should have been more honest and open with her sister, I can understand why such intimacy was difficult for them, given their upbringing and past.

This is a brilliant book and I can't recommend it enough.

Pros: great characters, terrifying premise, thought-provoking

Cons:

Lyle Fontanelle is the head chemist at NewYew. His newest experimental product is an anti-aging cream developed from research conducted on burn victims. But the most recent test group starts showing strange side effects, which show alternate potential uses for the cream. Uses that could destroy the world.

Each chapter header of the book mentions a time and a place and the number of days until the end of the world. This is a slow apocalypse. It's a story of an experiment that goes wrong - much like Dr. Jeckyll's experiment - which is then exploited by one person after another until there's no going back.

The book questions aspects of corporate greed, personal identity, having a purpose in life, and more.

There's a variety of characters, though most of the book is told through Lyle's point of view. He's coasting through life, socially awkward, not well liked, doing work he enjoys but isn't entirely comfortable with how the company plans to use his new product. He goes through some actual growth as the story progresses, examining his previous actions and personality in the face of what his cream has done to the world. I was surprised by who he becomes by the end of the book. Susan, his intern, also goes through a series of changes, becoming someone completely different as well. Outside those two, character motivations predominately circle around greed and power in some form or another. As the stakes increase, so do their tactics.

Things progress in a realistic way given the premise. Each decision compounds the previous ones, making things ten times worse. It's a train wreck that's impossible to look away from - and a quick read as a result.

There's a surprising undercurrent of humour considering it's detailing the end of the world. It's black humour, to be sure, but it had me laughing out loud at points.

This is a brilliant book if you like novels detailing soft apocalypses or plagues.

Pros: plausible future, interesting characters, fast paced

Cons: ending

In the near future, Cumulus controls much of the world's technology. It's founder, Huian Li, wants to extend her company's reach but is frustrated when an important acquisition falls through. Graham Chandler used to work for the Agency until its never ending bureaucracy drove him out. He's spent the past few years working his way through the ranks of Cumulus and now he's making himself indispensable to Huian. Soon she'll be his puppet and he'll run Cumulus.

Lilly Miyamoto's first love is film photography but she's tired of pimping out her life, photographing Greenie weddings, barely able to afford her place in the slums. Two unexpected encounters give her the chance to make her photography mean so much more.

The book isn't set too far in the future, but the internet has progressed and more things have been automated (cars, for example) and co-ordinated. The rich can afford the better private services of Cumulus, while state operated programs flounder due to reduced budgets. This has created an even larger socio-economic gap between the rich and the poor than currently exists. Graham's soliloquies about past jobs in foreign countries and how he's noticed the gap growing at home are quite interesting.

The main players were all fun to read about. They had layers to who they were, with ambitions, faults, habits, etc. I really liked Lilly's gumption given her unfortunate circumstances.

The book is fast paced with short chapters creating a sense of tension as the story jumps between viewpoints.

I really enjoyed the book right up until the ending, when it all fell apart. Suddenly Graham's motivation is lacking in a way that makes no sense. And while there's a sense that the events of the book will have a huge impact on the players, some last minute decisions seemed odd considering what was about to happen. I'll go into more detail in the spoiler section.

On the whole it was a fun, quick read. I just wish the author had spent more time considering the ending.


SPOILERS












Problems I had with the ending:
1) I'm supposed to believe that Graham, who has constant thoughts about socio-political inequality decided to work for the largest tech company in the world - spending years getting to where he needed to be in order to start controlling it from behind the scenes - and had no idea what he wanted to do with the company? I'd assumed he had some plan for fixing the problems he always complained about. He's simply too meticulous for me to believe he put in so much effort with no end goal in mind.

2) Huian plans to preempt Graham's leak by leaking the information herself. Does that include the sex tapes he made using Cumulus's spyware (including his blackmail files)? How about all the private financial, employment, and medical records of her employees? Because that's all stuff he set up to release. And I doubt anyone will be thrilled to learn about the depth of information Cumulus can access and how lax their security protocols are with regards to the privacy of their customers. I can only imagine how many people would want to cancel their Cumulus service because of this leak.

3) Despite the very obvious legal trouble Huian is about to be in (she even mentions this) and her recent decisions ordering the execution of his lover, Frederick decides Huian should be on the advisory committee overseeing the implementation of bringing Cumulus to the poor. Now, assuming the privacy concerns of #2 don't make people decide they're better off without Cumulus recording all their private moments, how is she divorced enough from the company to be part of an independent council? She'd obviously side with the company and what the next CEO thinks is best.

4) Following on #3, how does removing a corrupt mayor help if pretty much everyone in politics and on the police force is equally corrupt? From what the book said, everyone worked with Frederick. And the problem with electing someone who isn't corrupt is that you're stuck voting for one of the people running for office, and how do voters know who is and isn't corrupt?

5) Frederick states at the end of the book that he wants to retire and his organization will survive his leaving. If he had so little control of his operation, how has he not been replaced by someone with more ambition? I'm also a little concerned that the author set up the head of a criminal organization as the sole example of a great leader (following a phrase used just prior to this scene).

Pros: great characters, interesting mystery, unique

Cons: a little predictable

Tila and Taema are conjoined twins who grew up in Mana's Hearth, a cult where meditation and lucid dreaming were an important part of their religious service. They escaped at 16, and were surgically separated. Ten years later, Tila arrives at Taema's apartment, accused of murder. To clear her sister, Taema must go undercover with the San Francisco Police Department and infiltrate the Ratel, the criminal organization that's creating a new drug that, when perfected, will allow them to watch and influence dreams.

The book starts with an acknowledgments section, which mentions some of the research the author did into conjoined twins and cults, in order to get the details right. The book is fascinating and the research shows in the conflicted feelings the twins have regarding their upbringing, their former beliefs, how they interact with each other and outsiders, etc. The protagonists are wonderfully complex and I loved learning more about them. I really liked Nazarin, Taema's undercover partner, as well.

The story takes a number of twists and turns as the mystery unfolds. The main story is Taema going undercover, but the narrative switches to Tila writing about how they left Mana's Hearth. I did find that as time went on a few of the twists became predictable, but I really enjoyed watching the characters reactions to the various revelations.

It did surprise me that no one considered that Taema's scar would be on the opposite side from Tila's when they were made to look alike. For the most part this wouldn't be an issue, but there is one scene where that should have come up and given her identity away. [note: I got a tweet from the author explaining that due to the amount of reconstructive surgery they needed, their scars are on the same side.]

The subject matter's pretty dark so but it's an enjoyable book, and I whipped through it in a weekend, wanting to find out what happens next. So if you're looking for a mystery with some unique elements, give this a try.

Pros: fascinating world, interesting characters, thought-provoking

Cons: open ended

It's the year 2036 and the world is run by corporations that advertise non-stop and have polluted the planet. More and more people are leaving Vancouver for the virtual reality city of Frisco, manufactured by Self. But not everyone can afford to go, like Doug, who's age is putting him out of touch in his coolhunting job. And not everyone wants to go, like Nicky, who lucked out and got a lab full of genetics equipment when her school scrapped their program. While others can't wait to get there, like Eileen's twelve year old ‘grandson', who goes without permission, leaving her frantic to find out what's happened to his body. Because Self is a very private company, a company Paul - who brings these characters together - wants to crack open.

Published in - and extrapolated from - 2002, the world-building is fascinating. While the author gets some things wrong, others are more true today than they were when the book came out. The idea of corporations bringing down governments that hinder their commercial efforts, even if those efforts are meant to protect the populace, is scarily relevant today.

The characters all have goals and complications in their lives. Through their day to day lives they comment on how things have changed, and how some things, like discrimination based on race and class distinctions, stay the same. There are some short but graphic sexual scenes, and not all the pairings are heterosexual.

Most of the book takes place in the real world, though you do get to see Frisco from time to time and more completely towards the end of the book

While I enjoyed how Doug's story ended, on the whole I found the ending a bit unsatisfying as it left things more open ended than I would have liked.

It was a quick, interesting read that raised some thought-provoking ideas.

Pros: brilliant world-building, fascinating characters, intricate plot, thought provoking

Cons:

Prime Minister Shara Komayd calls General Mulaghesh out of retirement to ostensibly do a ‘vacation tour' in order to keep her pension. In reality, she's being sent to check out a mysterious metal discovered in Voortyashtan that has potentially Divine qualities, and the disappearance of the last operative who was sent to investigate it. Voortayshtan's harbour is currently being cleared out by a company from the United Dreyling States, who need this contract to keep their struggling economy afloat. Meanwhile, the commander of the military base there, a man Mulaghesh served under during the Summer of Black Rivers, has to navigate through local tribal politics. Then a grisly murder takes place.

This novel is set several years after The City of Stairs, but while some characters overlap, you don't have to have read the first book to understand and enjoy this one (though the first book was absolutely brilliant, so you really should read it). You're told in broad strokes what Shara's been up to in the intervening years, but this is really Mulaghesh's story. Sigrud becomes a big player later in the book, but again, nothing from the first book is required to understand this story or the characters.

A LOT happens in this book. There are numerous plots interwoven, and they're all fascinating. The world itself is wonderfully real. The politics are complex - in every nation - the characters are products of their lands, cultures, families, and pasts - especially their regrets.

Mulaghesh is a wonderful protagonist, and not one seen very often. She's an older woman, one who's had a hard life and who understand the difficult choices made in war. She curses, she drinks, she smokes cigarillos and she's forthright and honest. She's also quite clever, figuring out several difficult mysteries. And she has nightmares about the time she served and the things she did during her years of service.

Signe, in command of the harbour reconstruction, is also a great character, dedicated to her job and helping her nation rise above its recent past of piracy. She's another hard and clever woman, but very different from Mulaghesh. She's also had a difficult life, but has chosen to use her time to make a better future for everyone.

It's great seeing non-European based fantasy. This book is engrossing and will make you think about war, soldiers, politics and more.

Pros: interesting characters, simple but effective plot, great climax, standalone

Cons: journal entries too narrative

Every few hundred years a child is born with immeasurable power and the ability to use it without teaching or artifice. A group of sorcerers discover that a boy in Ireland is the one they've been seeking. They head to the island to capture him and steal his power for themselves.

There are two alternating storylines: Eamon and his family who are fleeing a bandit attack on their village only to run into wolves on the road, and Teresa, a Genoese nobleman's daughter, whose brother has apprenticed with a well known alchemist and sorcerer in the city. You learn a lot about these characters as well as the dangers they face (including the various sorcerers hunting them).

I really liked the maestro's introduction in Genoa. I loved how you learn about him from various sources before finally meeting the man. It built tension and expectation. All of the villains are suitably evil, but not in an artificial way. Sairshee for example, wants to go further in her apprenticeship but is afraid of the horrific consequences of failing the spell she needs to cast in order to progress. She's portrayed as self-assured, but also recognizes that a lot of her security and power is due to the backing of the king. The sorcerers are all ruthless, and delightfully - and terrifyingly - so.

The chapters are all short, helping to create a tense book whose pages turn quickly, rushing you towards the end. The plot isn't that complex, but it's executed well, and leaves you guessing in a few places. While it's a standalone novel, it does have sequel potential.

While set in the real world, the book doesn't touch on any historic events, though the black death and hanseatic league are mentioned. Though the author doesn't go into the magic in much detail, it seems to be based on circle magic found in actual grimoires (like the Key of Solomon). And as the real world magic it's portraying, there's a mix of scientific exploration and blood.

There's a section of the book that's supposed to be the diary entries of a teenage boy, but are written in a narrative style that didn't feel authentic as journal entries. It's unfortunate, because while the segments get a lot of detail across, the immediacy of journal entries could have added a bit more punch to those sections had the author focused less on descriptive detail and more on the events that happened (so, instead of describing the rooms and whatnot, the teen's interest in the lodestone could have been played up more, and his hopes/fears for what's happening).

I really enjoyed this book. It was cool watching the different teens deal with their individual challenges, learning on the fly and doing their best to stay alive despite some pretty harsh obstacles. The antagonists get pretty brutal at times, leading to a pulse pounding climax.

Pros: fun characters, interesting story, quick read

Cons: repetition

Greta Helsing is a modern day human doctor who treats the supernatural. When she's called to a vampire's house for an emergency, she discovers that a mysterious group is hunting ‘creatures of evil', a group that might be connected to the ‘rosary ripper' murders plaguing London.

I enjoyed this book a lot. The characters were quirky and entertaining. I liked that a few of them were familiar from older literary works. The mythologies for the different creatures were a mixture of common folklore with a few twists to make them different and fresh. I particularly liked the interpretation of angels and demons presented. The author did a fantastic job of making the ‘monsters' feel very human and empathetic.

There's a particular scene with Greta that I absolutely loved. Most urban fantasy novels have literal kickass female characters, so it was nice reading a book with a female protagonist who doesn't know any martial arts, who's terrified by horrific situations, but who manages her fear and is able to act despite it. It was wonderful reading about a woman who didn't beat anyone up and who relied on her friends to help her when things got tough.

I was somewhat surprised that the core protagonists didn't warn the supernatural community of their danger, specifically Greta's patients and employees. I also found it strange that everyone in the group seemed to learn the same information separately - at different times - rather than pooling what they'd learned (or asking more questions of the group that had encountered the antagonists).

There's a fair amount of repetition. Several conversations simply repeated information learned earlier.

On the whole, this was a fun, fast read. I'm very curious to see what adventure Greta has next.

Pros: fascinating aliens, Landry's resourcefulness

Cons: cliched characters, Landry comprehends the alien with remarkable speed

When Landry agrees to help a friend he has no idea that favour will leave him stranded on the surface of Proc-One, oxygen running out, no way to communicate with the base, and no hope of a rescue. Then he realizes that one of the alien enemy Argoni is nearby, cannibalizing the wreck of his scout ship.

Cait's the optech promoted to supervisor after Landry's disappearance. Her day's not going well either. Her boss is unreasonable, work is piling up, there's an emergency repair that brings its own mystery, and she's found a picture of Landry with a mystery woman. She wants to enjoy her promotion but keeps thinking of Landry and wondering if he really is dead.

Landry's a pretty resourceful character, surviving in harsh conditions for a surprising amount of time. Though lots of new problems arise, he faces each one and finds a solution. I really enjoyed his man vs nature chapters. The book spends a lot of time trying to get away from the initial impression of him as an anti-social workaholic. He's portrayed as mostly friendless, with few redeeming qualities.

For the most part I liked Cait, though she's somewhat cliched as well, a female mechanic trying to prove her worth to her father and male co-workers. She's conflicted in that she's happy to be promoted, but she doesn't feel that abandoning Landry is fair, regardless of the circumstances for his disappearance. I did find it strange that the picture of Landry and his wife made her reconsider him as a person. I wouldn't have thought his personal relationships would matter if she believed him a jerk for being so stand offish at work. There's a chapter towards the end of the book where she makes some baseless assumptions about him that her own investigations don't support.

There were some plot points that didn't make much sense to me, starting with how Landry and Gus managed to steal a scout ship out of a military installation that requires passing through some sort of airlock. Surely there would be notification that the outer door has been opened, if there isn't anything showing that a scout ship has been activated.

While I liked the pacing of most of the book, the ending progresses too quickly to feel realistic. It's hard to believe Landry could come to comprehend anything at all from something so alien, but to do so as quickly as he does defied belief. I did enjoy learning more about the aliens and found these chapters very interesting, regardless of how contrived parts of it felt.

Having said that, the book's ending was rather cool, with sequel potential.

This is a flawed book, but one that reads quickly and has some interesting ideas.

Pros: great characters, interesting plot, immersive storytelling

Cons:

Maia's always wanted her own bonded dragon to raise, and this year's larger than usual clutches have given her hope that her time has come. But a northern aerie has been decimated by the Harodh and their unnatural horrors, its qits killed or taken, and the Dragonry's needs for new dragons to fight the menace trump a young woman's.

The appearance of the fabled Summer Dragon, witnessed by Maia and her brother, puts them at the center of a power struggle between their aerie, the Dragonry, and the Temple. Because Maia's getting her dragon this year, one way or another.

With the exception of two prequel scenes, the novel's told from Maia's point of view. Maia's a fascinating character. She wants a lot from life but she's willing to put the work and effort into earning things for herself. She courageous in the face of horrors, and determined to do what's right. She's a character who speaks her mind and tells truths the adults around her are too tactful, or scared, to say.

There are a fair number of twists to the plot, especially towards the end of the book. The pacing is great, with some time to get to know the principle characters followed by several tense chapters, then some down time to learn about new characters before things get tense and dangerous again.

The storytelling is descriptive enough to draw a picture of the location and action, but not so detailed so as to bog down the narrative. When the action is on, reading this is more like watching a film, incredibly immersive.

I loved learning about dragon raising and riding. Lockwood introduced the necessary terms along with their meanings so there's no sense of feeling lost, unaware of what's going on. There's also no unnecessary exposition. We learn with Maia and the qits.

The focus of the book is on a fairly small area. There's a map that shows the wider world, and a few times events happening elsewhere are recounted. People and dragons with various colourations are mentioned, along with which geographic area they come from. The religion is cribbed from aspects of Christianity, though it's not a direct representation.

There's an overwhelming sense of hope in this book - that hard work, courage, and determination can overcome all obstacles. This made it feel like the fantasy novels that came out in the 80s, rather than the grim dark currently popular. It's got a freshness to it that I enjoyed. Having said that, there are some very dark moments and I could not believe some of the revelations.

Todd Lockwood is one of the best fantasy artists ever, so it should come as no surprise that he's drawn his own cover, map, aerie schematic, and section illustrations. The interior artwork is all black and white sketches, but they are gorgeous.

The only negative I found, is that while I got to know the protagonists really well, I didn't feel much connection to the supporting cast. One character in particular I would have liked to know more about, and events with them during the climax didn't hit me with the emotional punch they might have, had that connection been deeper.

I've long admired Lockwood's artwork and now I admire his impressive writing skills too. This is a fantastic debut, one that's perfect as an introduction to the genre as well as for long time dragon lovers.