Jessica Strider

Pros: intense, interesting characters

Cons:

Gyre Price lied on her application and took the caver job expecting to earn enough money to leave the planet and find the mother who abandoned her when she was a child. She didn't know she would only have a single handler on the surface, one who can't be trusted. Nor did she expect that spending so long in the darkness and isolation would make her see things... hear things...

I bought this book on the recommendation of some authors I follow and so never read the back cover to find out what the book was about. I assumed - from the cover and random comments - that it was about zombies on an alien planet. It's not.

Once I realized what the book actually was, the story of what happens to a person when they are isolated and afraid, I settled in for a different kind of horror. Gyre's paranoia ramps up when she realizes she can't trust the only human link she has, kicking off an intense love-hate relationship with the only person who can save her life if things go bad. And things go bad.

In addition to the natural cave environment and the dangers it poses (climbing, falling, equipment failure, swimming, etc) there's also a creature on the planet that can swim through rock. No one understands what calls the tunnelers, but calling one is usually a death sentence.

This is a very intense read. At times Gyre isn't sure what's real and what isn't and waffles between rational decision making and pure paranoid outbursts. The ending is especially tense and I really wasn't sure what would happen to her.

If you like survival stories, this is great.

Pros: complex protagonist, slow moving romance, political commentary

Cons:

Sophie Balstrade's unique skill of sewing charms into garments has given her shop steady business, but she's hoping to catch the eye of noble ladies. She's overjoyed to receive a commission from Viola Snowmont as well as an invitation to the lady's salon, both of which propel her into a higher class of clientele and a potential love affair. But her brother's a leader in the Laborer's League, and as tensions build among the disaffected lower classes, she finds herself torn between his goals and her own. When he disappears, she's blackmailed into helping the League by doing something against her moral code - sew a cursed object.

I really enjoyed this book. While I wouldn't say it's cribbed from the French Revolution, the salons, the court fashions, the presence of guns and the social tensions did remind me of that period of history.

I loved Sophie, especially the fact that she actually works at her shop and when she takes time off she either has to make up the work later or rearrange the schedule so everything is done on time. I appreciated that she had goals and that she'd considered the consequences of marriage (her husband and his family would gain control of her shop) and decided it wasn't for her.

The romance thread was slow paced, which I appreciated. The couple actually talked about the realities of their situation and acknowledged that due to their stations things could only go so far.


The magic - attaching charms via thread into garments - was very original. Sophie has to learn how to do curses and there's a physical cost to her for doing them.

There was just enough of the politics to keep things interesting without slowing the pacing. Through Sophie we see that the nobility have duties to perform and that their lives aren't all given to leisure, while the workers have legitimate grievances.

This is a fun read and I'm looking forward to the sequel.

Pros: very feisty women, lots of history, clever integration of the hellbeast

Cons: writing was a little dry at times

When her revenant husband returns to the besieged city of Bruges and reveals he's hidden a fortune, Margriet de Vos demands her rights: a third of that wealth belongs to her, the rest to their daughter. Her husband now serves the Chatelaine of Hell, and intends to give her this gold. But Margriet won't be deterred. Neither war, the King of France, nor Hell itself will keep her from getting her due.

Meanwhile, Claude a transgender man-at-arms and former guest of the Hellbeast also wants the de Vos treasure, or rather, a mace he unwisely sold to Margriet's husband and now needs back.

The story is mostly told from Margriet's point of view, though there are a few scenes from her daughter and Claude's viewpoints as well. Margriet is very feisty, willing to fight over a sou if she feels she's owed it. Her daughter's much kinder but has little agency, as her mother's overprotective and often overbearing. Margriet supported the family by working as a wet nurse, which isn't something that comes up often, though historically it was a common thing. It was also nice seeing a middle aged woman as the protagonist, especially one who is near-sighted in an age where glasses can only be afforded by the elite.

Claude was a great character. It's awesome to see often overlooked people in history and, while misgendered through a good part of the story, the author always maintains his understanding of who he really is. Though they were short scenes, I really enjoyed the revelations regarding aspects of womanhood he's missed (like breast binding) and how he survived in a soldier's camp.

The author cleverly integrated her mythological aspects into actual history. At the end of the book she cites a Flemish painting that was her inspiration for the book, and it added an entire new layer to the story itself.

The writing can be a bit dry at times, in that it's not a particularly fast paced or adventurous tale. There's a lot of sitting around and talking or walking between cities.

If you like medieval history or want a historical fantasy that's different from the norm, this is an interesting read.

Pros: three dimensional characters, political and personal intrigue

Cons: starts very character driven, which some readers will find slow

Rudolfo, Lord of the Ninefold Forest Houses, General of the Wandering Army, is touring his lands when the Desolation occurs. Little does he realize how his life was manipulated with this future act in mind.

Jim Li Tan, 42nd daughter of merchant and spy Lord Vlad Li Tam, is consort to Sethbert, Overseer of the Entrolusian City States. She has just seen him boast of causing the destruction of Windwir, and with it the Androfrancine Order of priests. Her orders from her father to watch this man are about to change.

Neb's mistake caused his absentee father to be in the city when fire rained down upon it. He is the only witness to the destruction.

Petronus is a fisherman who was once much, much more. His quiet life is ruined when he spots the pillar of smoke in the distance. For his path has also been manipulated and it is now his time to act.

These four and many others find their lives irrevocably changed by the sudden destruction of the Guardians of the Light. And it slowly becomes clear that many people have been set up to act during these trying times. But set up by whom and for what purpose?

This is a fantastic book. The first half of the novel is predominantly character driven. Some people might find this portion slow going. But the interesting, fully realized characters (with wildly different backgrounds, customs and secret codes) kept me entertained until the plot picked up.

Magic is used sparingly and for specific purposes. More interesting are the various codes used by the different powers (smudged words on letters, non verbal languages, etc). And once the intrigue begins, so does the tension, making the ending move quickly.

Three dimensional characters, mild use of magic and political intrigue make this a great start to an epic series.

Pros: brilliant worldbuilding, compelling characters, thought-provoking

Cons: some brutal descriptions of wartime atrocities

This book is absolutely brilliant. The writing is lyric and feels so effortless you know the author worked HARD on it.

The book is predominantly character driven, which I normally don't like, but Rin is such a fascinating character that I loved it. With so much intricate history to learn with Rin as she goes through her classes, I never felt bored. The supporting cast was equally interesting from the eidedic memoried Kitay, the other two girls in her year, and her rival, Nezha.

When the war starts there's little talk of heroism, it's a realistic portrayal of fear and butchery. There are some brutal descriptions of wartime atrocities committed by the enemy. Seriously horrific stuff. Like, nightmare fodder if you think about it too much.

The worldbuilding was solid. There's multiple branches of history, various races with their own customs, the people on the mainland have different dialects. The politics even in the Nikara Empire were messy and complex, not to mention the relationship they had with their neighbouring countries. There are some WWII reference with regards to the naming of characters and some of the horrors that happen at the end.

While I'm not a fan of swearing in fantasy (or books in general) I'd say it was handled well here. It's not excessive, and when it shows up it's appropriate to the situation.

There are several philosophical questions the book asks, especially towards the end. I love books that make me think.

This book was brilliant. Pick it up if you haven't already.

Pros: brilliant world-building, fascinating characters and situation

Cons: some stories were very impersonal

The Commonwealth of Pax started as a group of volunteer colonists leave the horrors of war on Earth to begin a hard life on star HIP 30815f. Almost immediately they discover that the plant life on their new home world has varying degrees of intelligence, and that another alien species left ruins of a magnificent but failed city.

The novel is told from the points of view of one of the first settlers and six descendants, one from each of the following generations. Each generation faces new problems and challenges, from predators, from the plant they've allied with, internal strife, and the rediscovered aliens.

Most of the stories are told with an element of reserve, that allows some of the more unpleasant things that happen to leave little impact on the reader. By the time I got to know each character their segment ended. Though I'm glad that the rape scene was written in a clinical rather than sensationalist manner, on the whole I much preferred the longer stories that allowed me to really immerse myself in the character's lives. Higgens' section especially touched me deeply.

The sentient plants were handled well. I didn't understand a lot of the chemistry involved, but there's explanations for how the plants communicate - with humans and with each other. I loved the bamboo's learning curve, from wanting to domesticate these strange but helpful animals to being a contributing member of their community.

The world-building was excellent, with whole alien ecologies and while plants and animals were given names reminiscent of Earth, it's clear they're VERY different.

During the second story I was shocked at how far the parents had fallen from their own constitution and their use of Earth tactics they claimed to hate. I'd have expected that kind of break to happen much later in the colony's lifespan.

This was a fascinating book.

Pros: emotional complexity, fascinating characters, lots of twists, interesting setting

Cons: some issues with the timeline/distances travelled towards the end

When the terrorized daughter of the king witnesses one outrage too many, she steals an artifact that can open diviners to their magical heritage. While escaping, she runs into a young diviner who's still angry and traumatized by her mother's execution during the king's Raid 11 years ago, when magic first disappeared. Together they learn that magic can be returned to the land. But the King sends his son and his general to hunt them down.

There are some great characters in this book. While I didn't always agree with their choices (especially those of the hot tempered Zélie), I thought their decisions made sense based on their personalities, traumas, and the challenges they faced. I was impressed at the complexity of their emotions and how the author actually dealt with their emotions rather than simply letting the story brush trauma and consequences aside. The book deals with the aftermath of torture, of killing for the first time, of personal failure, of so many harsh emotions and conditions. I really understood the prince's fear of magic and his desire to please his father, even as he realized what a monster the man was. I felt sorry for him. I also I loved seeing his sister's growth throughout the book. I also liked how Zélie and Amari slowly learn to trust each other and become friends.

There were quite a few twists and turns, both in terms of the quest, but also in terms of people learning who they are in the face of various trials.

The setting was pretty cool and seemed to draw inspiration from the Yoruba people of Nigeria, particularly the language. Though the country in the book is called Orïsha, I don't believe the maji religion takes any influence from the Yoruba's religious practices of the same name (but please correct me if I'm wrong, wikipedia isn't the best place to get information like this. And as an aside, I enjoyed looking up some of the unfamiliar words to see if they had real world significance. This isn't necessary to enjoy the book, but why not learn some real culture/history too?). I loved the idea that people capable of magic were physically marked with white hair. The practice of magic itself required a mixture of innate ability and incantations, so it didn't seem overpowered. I did like that various people questioned the wisdom of bringing magic back, of the problems that could arise if someone evil could wield offensive magic like fire. It treated magic like the dangerous weapon it could be in the wrong hands - or even the right ones.

The world feels very lived in and real. It was quite different from anything I've read before and I loved that. I really liked the ryders and wish I could have one. The geography became problematic towards the end, in terms of how quickly people could suddenly travel far distances, which I'll discuss more in the spoiler section. Though, that's possibly due to the map being out of scale from the distances the author envisioned.

While they're not marked as an appendix, after the text comes an author's note, a ‘behind the scenes' annotated chapter 57 from the book, and a list of the Maji clans with their powers and the names of their gods.

While the book wasn't perfect, it's unique setting and characters make it worth the read. There's some romance and a good amount of action, particularly the fight scenes at the end. If you're looking for a different kind of fantasy, give this a go.

I've removed the spoiler section here so as to not ruin the book for anyone. If you'd like to see it, it's on my blog. (http://scififanletter.blogspot.com/2018/04/book-review-children-of-blood-and-bone.html)

Pros: interesting politics and worldbuilding, fun romance

Cons:

Cassandra's first social event after losing her ability to work magic and breaking up with her fiance starts off poorly. A carriage of ladies has been stopped by trolls and forced to walk in the snow, getting lost. While helping look for them, Cassandra's ex shows up just as she wakes another troll and makes an unfortunate promise. Now she has a week to find out who's cast an impossible weather spell or be imprisoned by an angry elf lord.

This is a fun novella with romance and fantasy elements. The setting is an England where Queen Boudicca ran off the Romans and her descendants made a peace pact after warring with the elves. Politics is a woman's game, and the pact demands rituals be performed perfectly.

Cassandra was the first female magic practitioner, but after a mysterious event, she can no longer use magic. She's a headstrong character that you can't help but sympathize with, who learns a few lessons about her own privilege even as her life hasn't turned out as she planned.

The romance is fun and engaging.

Magic is sparingly used, but interesting when it comes up.

This is the start of a series but can be read as a standalone.

Pros: good world-building, interesting characters

Cons: the world is brutal, begins with a rape

Gilene is the village of Beroe's sacrifice for the Rites of Spring, and due to her ability to control fire, has been for the past few years. Her actions keep the other women in her village safe from harm but extract a severe price from her. When she's recognized through her illusion spell by the Gladiator Prime Azarion, he blackmails her into helping him escape the coliseum and the Empire itself. As a fire witch, he needs her to reclaim his rightful place as heir to his clan.

This is a fantasy novel that follows the beats of a category romance novel. Despite it's happily ever ending though, the world is brutal and the book itself begins by explaining that the heroine has been raped in the past as part of her duties as a sacrifice, while graphically showing the rape of the hero by the Empress, a scene I could have done without.

These actions set a tone for the book that I was never able to recover from. The author does a great job of showing how, over time, the couple begins to overcome their meeting (Azarion's abduction and threatening of Gilene) to slowly kindle romantic feeling for each other. A fair amount of time passes over the course of the book, making this feel believable.

I really liked both Gilene and Azarion as characters. Gilene is responsible and pragmatic, even in the face of her imposed ‘duty'. The scene at the beginning where she disrobes, ready to be raped and done, is heartwrenching but really does show what a survivor she is. Azarion has lived through similar horrors and I was surprised that this was never used as a way to bring them closer together emotionally - that they never talked to each other (or other characters) as a way of dealing with and trying to heal from their traumas. I did like his determination and spirit and learning about his tribe was interesting.

Their rape is never formally addressed between them and thus hangs over everything they do. When they finally make love, Gilene thinks back to the last man she was with (ie, her previous rape). Not only is this off-putting to the reader it shows that she's never really dealt with the trauma of the horrors she's been through. Thinking back on this later, I wish the author had eased them into the physicallity of sex as much as she'd eased them into their emotional connection. Yes, they share a bed and end up cuddling, but there's no measure of, this is how sex with a willing partner differs from an unwilling, and I think the characters (and I as a reader) needed that. I also think it would have been interesting to see Azarion discuss how his only (only recent at any rate) experiences of sex were violent and filled with fear and anger, asking for advice on how to give (and feel) pleasure. I found it bizarre that the author would bring up such a heavy emotional event and then not try to show actual healing via therapy of some sort. Because as much as Gilene's pragmatism makes her willing to undergo rape, that's not the same as healing from it and being ready for an actual emotional and physical connection.

The world-building was very good. I liked that there are several types of magic and that some magics come with a cost. There are several interconnected political and economic groups (the Empire, various tribes, guilds, tradesmen). The Savatar were fleshed out as a people with a lot of customs setting them off from the Empire.

I loved that both characters get satisfying climaxes for their different plot arcs. The ending was great.

If you're looking for a feel good, fluffy read, give this a pass. If you like grimdark fantasy but want more romance, this is for you.

Pros: excellent creature building, diverse cast, some tense moments

Cons: several minor items made me lose immersion, minor inconsistencies

Seven years ago the entertainment company Imagine's ship Atargatis was lost in the Mariana Trench. Video, called a hoax by most, showed mermaid like creatures attacking the ship. Now, a new ship is being sent to find out what really happened.

There's a great diverse cast. It was interesting seeing the hearing impaired twins interact with and without their translator (though I was surprised more people didn't consider handwriting or typing notes to communicate with them). I really liked Victoria, and seeing her determination to discover what happened to her sister on the Atargatis. The book had some great friend duos between Victoria and Luis and Olivia and Ray. It's not common to see close and supportive male/female friendships so it was great seeing those. While I didn't particularly like Dr. Toth, I loved her mixture of curiosity and fatalism when it came to the mermaids.

The mermaids, or sirens as Dr. Toth preferred to call them, were incredible. They're both alien and based on deep ocean creatures, beautiful and terrifying. I was impressed that the author makes it clear how they became objects of myth while also being quite different from the stories they inspired. I loved the hypotheses regarding aspects of their biology, mannerisms, and communication. The creature building was brilliantly done.

I appreciated that the romantic elements came with a healthy dose of communication and a lack of manufactured drama. It came up quickly but felt organic to the story.

There were several conversations and minor issues that kept bumping me out of the story. This ruined my immersion and lessened the tension. For example, when scientists start boarding the ship Ray and Olivia point people out to each other. Ray sees Luis Martines and knows a surprising amount of information about his life and field of study. He's even read one of Luis' academic papers. While I'll accept that Olivia and Ray were given a crew manifest, he definitely knows more than a cursory search would bring up, even if Martines' wealth makes him an intriguing subject. But then he doesn't know who Dr. Toth is, which makes no sense if he studied the crew, considering she's more famous and important as a subject for their work.

Another scene with Olivia made me pause when she thought about her family: conservative father, liberal mother. Apparently her mother doesn't think she should ever have sex due to her ‘condition', which doesn't seem ‘liberal' to me. Had Olivia framed her thought explaining that her mother believed she was liberal but her words to Olivia proved otherwise, it would have made more sense.

I noticed several minor inconsistencies. I'm not sure if other readers will find these as distracting as I did. Thankfully the last hundred pages or so didn't include any of these so I was able to really get into the action and feel the suspense and horror of the ending.

The book wasn't perfect but it has some great creatures and the ending is excellent.

The Devouring: Sorry Night, by Simon Holt is a teen horror novel. The story revolves around a demonic race called the Vours (rhymes with ‘sour' rather than ‘moor') who once a year, on the night of the winter solstice (or ‘sorry night') can use the fears of humans to steal their souls and take over their bodies.

Reggie Halloway loves horror stories, so when an old journal that appears to be an unpublished horror novel arrives at the used bookshop where she works, she borrows it without telling the owner. She reads a few chapters to her younger brother as a bedtime story, unwittingly fueling his fears and making him a prime target for the Vours.

This is a novel calculated to creap out both children and adults. It's recommended for 12 and up, and given some of the nightmare images found at the end of the book kids younger than this may want to give it a pass. The novel shows the importance of acknowledging and facing fears - of all kinds - without being at all preachy about it.

Good writing, realistic teens, a tight plot and enough scares to make it a fun, quick read.

Pros: interesting premise, compelling protagonist

Cons:

Every time Molly Southbourne bleeds, she creates doppelgangers that try to kill her.

The novella takes this fascinating premise and explains how Molly grew up, how her parents taught her to kill her doppelgangers, and how she survives into adulthood. It's a weird and horrifying story that's hard to look away from.

Molly goes through a series of emotional ups and downs as she grows, finally becoming mostly emotionless as an adult as the reality of constantly fighting herself takes its toll. The stages she goes through, of rebellion and trauma, fit her circumstances and make her compelling even if it's hard to see yourself in her place.

The book is the perfect length to tell her story. There's enough detail to give it weight and the ending is punchy. I'm curious where the sequel takes the story.

The Warded Man (called The Painted Man in Britain) is told from three character's viewpoints.

There's Arlen, who's tired of hiding from the demons that rise from the ground each night, battering the wards (magic that keeps them at bay but which fail all too frequently). He wants to bring the fight to the demons but all the offensive wards were lost centuries ago.

Then there's thirteen year old Leesha, who's ecstatic at the thought of marrying Gared, until one lie from him destroys her trust and propels her towards a very different goal in life.

Finally there's Rojer, trained to be a minstrel, required by circumstance to travel beyond the free cities, but due to a horrific childhood memory, terrified of being outside at night where the demons are not kept away by stout walls as well as the warding.

As the characters age, they are each propelled towards very different destinies than they once believed. And when their paths cross at the end of the book, things REALLY get interesting.

The writing is incredible. Fast action sequences alternate with stretches of introspection, so you feel you really know the characters - both the good and the bad - and what they're working towards. The world is written with such detail that you can almost step right into it. The Warded Man is an epic novel that comes up with a lot of fresh ideas. An excellent read.

Pros: interesting characters

Cons: lots of swearing, lots of violence

Mariam Xi knows she's a danger to the new ship that picks up her distress beacon. So she's keen to leave them when they stop at a station. She's not surprised when MEPHISTO troopers show up. But Mariam doesn't want to go back to the program that gave her psychic powers - and she has the means to refuse.

I loved the characters. They had a lot of personality and verve. I especially liked the experimental cat thing, Seven, who's just so cute. Mariam is quite powerful, but that's in keeping with what was done to her in the past. It might take some readers a bit of effort to remember that Squid gets they/their pronouns, but how Mariam reacts to them, and the positive sexuality of some of the characters, makes the future feel like it's progressed in some good ways from our own time.

The novella length means you don't get to know the characters as much as I'd have liked. Mariam doesn't get to interact with the crew that much so while you get the feeling that they're starting to become friends, they don't really have the history of working together, being there for each other, etc. that the ending requires.

I did find the amount of swearing a bit jarring, especially as it came from Mariam. For some reason I couldn't reconcile how I pictured her with the language she often used. Which is weird because I didn't have the same disconnect regarding the amount of violence and destruction she causes.

It's a quick, interesting read.

Pros: brilliant world-building, fascinating diverse characters, interesting premise

Cons: can get very emotionally heavy at times

The China of this future has a Bounty of unmarried men. Lee Wei-guo is a 44 year old gym owner and coach and the general of the Strategic Games army Middle Kingdom. He's finally saved enough money for a dowry, but only as a maximum - a third husband. His matchmaker has only found one interested family. The Wus looks good on paper, but Wei-guo's two dads aren't convinced. And they're right. May-ling's first husband is an undeclared Willfully Sterile, a gay man who, if outed, would lose contact with his son among other punishments. His brother and May-ling's second husband, Xiong-Xin (who prefers to be called XX), is a potential Lost Boy. He's an autistic computer security genius with whom May-ling is terrified of having a child through their mandated weekly conjugal sessions, because if their child is also a Lost Boy, the child would be taken from them. As Wei-guo gets to know the family and decides he wants to join it, politics and their personal problems make that outcome less and less likely.

The book shows four points of view, starting with Wei-guo's and extending to May-ling and her husbands. It's great seeing the four people, how they interact, why they act the ways they do, what they believe and feel. There's so much complexity to the situations presented in the book that it's great seeing the same problems from various viewpoints. It allows you to sympathize with everyone, even as they annoy, betray, anger, and love each other.

The world-building in the book is top notch. I was impressed with how carefully the author approached this potential future. The government is integrated into so many aspects of regular life, in ways that make public dissension difficult to impossible. Maintaining an aura of party support is second nature to all of the characters, as is reading between the lines of what is acceptable to say/do to understand what people actually mean. It's a world that becomes more terrifying the more you learn about it. I was glad there was a section explaining how the Helpmates (the women who meet once a week with men to work off sexual tensions) were organized. There isn't much mention of life outside of China, though the China First party line does frown on foreign wives, if not state sanctioned foreign sex workers. No issue is clear cut. While homosexuality is treated like a genetically inherited disease, those who declare themselves Willfully Sterile and get sterilized have a place in society. The book shows that many gay men hide their status, not willing to leave families or be seen as other by society. It's a complex issue and it's handled with the recognition that there are many sides to all difficult issues (even if some of those sides are abhorrent to us and the protagonists).

I was also impressed by the clarity of language used to explain the thoughts that went unspoken and the acts that went undone. There are no pulled punches over how emotions work and the difficulties encountered when people with different ways of interacting are forced into close relationships. XX's annoyance at being second guessed by his brother and wife, the difficult choices May-ling must make with regards to her marital vows when considering having XX's child, Hann's being a pawn in the games of his company partners, create three dimensional people with problems that seem simple from the outside, but have no easy solutions.

There is a sex scene between May-ling and XX that's very uncomfortable to read. While it's graphic, it is also important for understanding a lot of the interpersonal problems the family has.

Elements that I thought were window dressing for the purpose of world-building, for example the strategic games Wei-guo plays, turned out to have a major impact on the story later on, so read carefully.

Obviously I can't speak to how accurately the author grasped the modern Chinese mindset.

This is a brilliant book.

Pros: some interesting world-building/science

Cons: unsympathetic characters

Gulliver Foyle has spent months trapped in a room on a destroyed space ship. When the Vorga passes by and fails to pick him up, he's filled with rage and determined to survive, if only to find and punish the Vorga for what it's done.

Originally titled Tiger! Tiger!, after the William Blake poem, “The Tyger” this is a science fiction rewrite of Alexandre Dumas' The Count of Monte Cristo. There's some interesting world-building going on, with people becoming able to teleport, or ‘jaunt', and how that affects humanity. There's also trouble brewing between the inner and outer planets (tired of being taken advantage of and seeing an economic downturn due to the ability to jaunt, which has reduced the need for the resources they mine).

For the most part I found Gully an unsympathetic and horrifying character. He's so hell bent on his revenge that he ignores the fact that he's survived horrors (in part because their ‘betrayal' galvanized him into saving himself). In many ways he throws away years of his life and several opportunities he's given to live for the future, in order to get his revenge. There's no personal enmity towards Gully by the crew of the Vorga, so his quest feels excessive and unreasonable, especially when you learn what happened on the Vorga, and why they didn't pick him up.

The female characters aren't the greatest. There's a bit of variety, though none of them felt particularly fleshed out. They all fall in love (and out of love) quickly and act in somewhat bizarre ways at times. Jisbella's love/hate relationship with him annoyed me because she waffled so much I was never sure where she stood, and I was horrified by how he manipulates Robin into helping him, considering what he did to her. And for some reason, despite what he does to them, the women forgive him in the end. There's also an off page rape that factors into the story later on.

I enjoyed the ending in that Gully finally seems to snap out of his mindless revenge kick and actually says a few profound things with regards to the potential war. But aside from his stint in prison (which was for the wrong reasons), he never seems to get any punishment for his actions beyond what he does to punish himself, which seemed unequal to what he did. On the whole I found reading this a bit of a slog, and as it's not a long book, that's saying something.

Pros: interesting protagonist

Cons: short

Murderbot is a SecUnit made of half cloned human parts and half mechanical parts that's hacked its governor module so it no longer has to obey commands. It's been assigned to provide security for a small survey group looking at a new planet. But the group encounters an unknown hostile life form that wasn't mentioned in the original survey report, which makes them wonder what else was missed - or possibly removed on purpose.

This is a 100 page novella, so it's fairly short. That means it's light on the world-building and character development. While you get to know Murderbot pretty well, the other characters, with the exception of Gurathin (who's a light antagonist) and Mensah (the group leader) felt interchangeable. Having said that, Murderbot is fascinating and you really get inside its head.

The plot was interesting and quick paced. There are some tense moments, though the ending comes up so fast it didn't feel particularly climactic (which may be due to my reading the story in 2 sittings instead of all at once).

It's fun and entertaining and I'll definitely read the next one.

Pros: great characters, interesting plot, complex issues

Cons: some interactions annoyed me, a bit heavy handed at times

Note: This review contains spoilers for Dreadnought, the first book in this series.

Nine months have passed since the events of Dreadnought, and Danielle has a contract to protect New Port City. She's begun to love the feeling of power being a superhero provides, beating supervillians into submission in ways that Doc Impossible finds worrisome. Her relationship with Calamity has soured, though she's not sure why, and multiple work and family issues occupy her thoughts. Soon after she hears news that Nemesis, the asteroid that creates quantum instabilities, is nearing Earth, a new supervillian emerges with a plan to harness its power for nefarious purposes.

I have mixed feelings about this book. There were several opening scenes that annoyed and/or made me uneasy. While some of these were dealt with in detail and worked out later on, others didn't get much attention beyond the initial mentions.

In the first book Danielle was predominately characterized by optimism. Though her life was pretty terrible, when things got tough she constantly believed they would get better again. Dreadnought focused very specifically on Danielle's concerns as a young woman coming of age in challenging circumstances. Sovereign broadens the outlook to show that most issues in life are complex and people can't always be characterized as simply good or evil. Her sudden liking of violence and her enjoyment of beating people up was a little scary to read. While she's in the pay of the government, she goes outside that purview on more than one occasion. The idea that might makes right is not ok, even if you're the hero. Some would say, especially then. The book does deal with this, and I was happy with how the ending focused on the fact that emotional trauma doesn't just go away with time.

I was impressed with how the author handled Sarah and Danielle's relationship. I loved seeing young people talk frankly about their feelings and fears instead of drawing out the misunderstandings.

I enjoyed Kinetiq's group work, but her first interaction with Danielle in the book kind of annoyed me. While I understand Kinetiq's annoyance/anger that Dreadnought took credit for a group fight, their lack of consideration for Dreadnought's age or current circumstances and insistence that she use every public appearance to push the transgender agenda ignores the fact that Dreadnought, as an acknowledged transgender superhero, already pushes that agenda.

Graywytch was an even more horrible character in this book than the last, though she doesn't spout slurs this time. Reading about a TERF (Trans-exclusionary radical feminist) was painful. I find it hard to attach the label ‘feminist' to women who believe transwomen aren't ‘real' women, as if there's only one experience of womanhood and all ‘real' women share it. But it's good to face it in fiction, as it's often through fiction (and other types of media) that people learn empathy and compassion, and that society collectively becomes more socially aware.

I didn't think the book dealt with the Magma and Doc issue well. Both characters have valid complaints about what happened to the Legion, and sometimes there's no right answer that pleases everyone. While Doc was under outside control and therefore wasn't personally responsible for the murders her body committed, Magma does have the right be angry that Doc's lies left the Legion at a disadvantage, and feel betrayed that she never shared who her mother was. The book takes Danielle's POV that Doc wasn't to blame and Magma should just get over it. But this ignores that he and Chlorophyll were left permanently disabled because of that attack. I think it's understandable that they don't want anything to do with Doc anymore.

In terms of world-building, the author mentions several of the laws that govern superhero work. Things like the ability to buy bystander insurance and that there are legal work limits for superhero minors. One issue that wasn't mentioned, that I'd be curious to learn the answer to, is whether superheroes have to pay for property damage incurred during their legally sanctioned missions.

The book has a lot of excellent fight scenes, in a variety of settings. They propel the plot along and keep the pacing quick.

The plot itself was quite interesting. There's a lot of different super powered people in this one, on all sides of the fence, and it was fun learning their different powers and where they land on the varied political spectrums.

While I didn't like this book as fully as I did the first one, I was impressed that the author dealt with some difficult issues that many superhero books ignore. I thought Danielle's development made sense given her life experiences, and am curious to see what the next book has in store for her.

Pros: great setting, real people, great extrapolation

Cons: slow at times

Jason Zhou has been living on the streets of Taipei since his mother died when he was thirteen.The haves (yous) and have nots (meis) are at odds in the city, a situation exacerbated by the terrible pollution covering the city in perpetual smog and acid rain, pollution the yous never experience, all but living in suits fitted with filtered oxygen and temperature controls. Zhou's closest friends have come up with a plan to stop the creator of the suits, a man who's also bribing and threatening - even murdering - politicians to prevent any environmental clean-up. That plan begins with him kidnapping a you girl for ransom. Because bringing down the man is an expensive business.

I loved that the book was set in Taipei. It's cool inhabiting another city, even if it's one in an unpleasant extrapolated future. Given the way global warming is being treated, I have no problem believing that the future will be covered in smog and that life expectancy will drop because of it. I also have no problem believing that the rich will isolate themselves from the problems of the world so long as those problems aren't seen as directly impacting them.

Zhou and his friends all have different strengths, making them fascinating to watch as they work on their plan. I loved that they complemented each other's skills and that though they didn't always agree, they worked things out. Daiyu was also great, a mixture of determined, smart, courageous, and feminine. The characters all felt like fully fleshed out people.

The story was interesting, though I found it was slow at times. I never really worried characters wouldn't pull through, even though there were some tense moments.

This is a great book.

Pros: great characters, interesting world, quick read, action packed

Cons: lots of repetition, characters are a little too perfect

Prince Martris Drayke's is forced to flee his home country when his half brother forcibly takes the crown. On his journey north to his uncle's court, Martris discovers that his formerly minimal magical powers have expanded, allowing him to interact with spirits in ways he couldn't before. Is he the heir to his grandmother's Summoner magic? And if so, will this magic help him defeat the blood magician working with his brother?

I read this book when it first came out in 2007 and loved it unreservedly. So it was interesting, rereading it for review, to see how many ‘debut author' flaws I noticed this time around. The good guys are all a little too perfect. The bad guys have no redeeming qualities and are a bit cookie cutter. There's a lot of repetition in the writing, both with information being relayed several times, as well as sentences that reiterate what was just written. One important plot advancement was told by off the cuff exposition, rather than in a shown scene. Several common tropes show up...

But those are all nitpicky points. Apparently years of reviewing have made me quite critical, which is both good and bad.

This book is a real joy to read. The prose flows, and though the book is quite thick, the pages pass quickly. I was actually shocked at how fast I whipped through it.

I love the characters. Martris (Tris) really grows and develops as a person. I liked that we see his magic progress, but that his quick escalation of powers is explained. I liked that magic had limits and there were consequences for its overuse.

Kiara is another character I simply adored. She's got a competence without the passion to prove herself that plague so many ‘strong' female characters. She is what she is because she's worked hard, practiced, and because her kingdom expects its men and women to be able to protect it. I also liked that the narrative pointed out how Tris admired her skills without the need to test her or put her down to raise himself up.

Vahanian is a traditional rogue with a heart of gold, but he's given more back story than usual, and cries at one point in the book. This is a humanizing not generally seen with tough fighters, and I appreciated it.

The part of the world we see is a collection of small kingdoms. Some different customs are mentioned, though not many. The real point of interest with the world building is the vayash moru - vampires. They don't play a big role, but it's cool to see them in traditional fantasy. I also enjoyed the Goddess, whose different aspects were worshipped in different countries.

There's a lot of action and the characters face a number of different dangers, which kept the book feeling fresh and exciting.

It's an older title, but one well worth picking up.

Pros: brilliant characters, unique narrative style

Cons:

Chester and Serena Wolcott decided to have children after seeing the impeccably behaved offspring of his work peers and her social clubs. They were not prepared for the real thing. Which is why

Jacqueline and Jillian, their twin girls, are so rigidly forced into the roles their parents intended them to fill. So when the twelve year olds discover a strange doorway, they enter it, and find a strange world, one that finally allows them to be who they choose.

While this is the second Wayward Children novella, its events are a prequel to those of Every Heart a Doorway. I REALLy liked this story. The narrative style was unique, with the narrator occasionally addressing the reader during interludes of storytelling. I greatly enjoyed this and it gave a bit of distance from the text, which was helpful as the story went in dark directions. It doesn't quite line up with the narrative of their history from Every Heart a Doorway, but most of the details carry through.

The world is really interesting, with just enough fleshing out to feel alive, but not enough to make you question how it all works in practice. I enjoyed the characters, who had a level of depth to them that was wonderful to read.

While it's short it packs a punch. Highly recommended.

Pros: great characters, good attention to detail

Cons: limited fantasy elements

When Helen Young is given the news that her death is near, she performs a final duty for an old friend. In 1940 San Francisco, Loretta Haskel, an artist for lurid pulp covers, falls in love with another woman. Their lifestyle is illegal and complicated, and vibrant.

The characters are brilliant. They acknowledge some of the racial and sexual challenges of the day, focusing on Asian and lesbian. The women are all living their lives, trying to get by without getting into trouble with the law for being who they are. They're each quite different, though most of them are artists of some sort.

San Francisco is a wonderful setting. The book allows you to experience several parts of the city. There's a day at the World's Fair, Chinatown, various eateries, the fabulous view. The book also mentions the war a few times, and how that affects people. It's far enough away that the influence is minor, but it helped make the book feel grounded in history. I was impressed with the level of detail - enough so you can fully picture the city, but not so much you get bogged down in descriptions.

There's a faint inkling of magic in the book. It's used a few times in minor ways. If you're hoping for a lot of fantasy elements, this isn't for you. I was left with a few questions about the final piece of magic, but nothing that detracted from my enjoyment of the story as a whole.

I loved that the cover of the book is the final picture Haskel paints, and annoyed that it took me so long to figure that out.

One plot twist was fairly obvious, but on the whole I thought the book was beautifully written and evocative. As a novella it is on the short side, but it's the perfect length for the story being told. If you like historical fiction, San Francisco, or books that explore more diverse lifestyles, give it a go.

Pros: fun characters, great romance

Cons: minor issues

Aliza Bentaine's life at Merybourne Manor changes when gryphons invade the nearby wood and kill her youngest sister. It changes again when the Riders they hired to hunt the gryphons show up and include the handsome but arrogant Alastair Daired. But more than gryphons stalk the land, and other mysteries darken Aliza's world.

This is a close retelling of Pride and Prejudice, set in a world where monsters roam and dragons fly. There's no recycled dialogue and the motivations for why characters act as they do have been adjusted to fit the realities of this world. I found that Aliza's reasons for disliking Daired were more substantial here, making their eventual reconciliation a bit harder to accept. The ending has several major deviations from the source material, which I enjoyed. I especially liked that Gwyn (Charlotte in the original)'s marriage is for different, more mysterious reasons and that their marriage seems better matched. I did wish the mystery regarding her father had received more of a resolution though.

The addition of a wide variety of monsters was fabulous. I didn't always know what creatures were, but it was fun seeing new and lesser used beings intermixed with the more familiar gnomes, wyverns, and dragons. The use of monster heartstones as engagement/wedding tokens was interesting. I also liked that different creatures spoke different languages, and not all humans understood all languages.

If you like Jane Austen and fantasy, it's a fun retelling.

Pros: good worldbuilding, interesting characters

Cons: middling mystery, little action

Decades ago the world fell apart in a slow apocalypse. Now, those that remain live in small communities, husbanding their resources. When things go wrong that the communities can't solve, they call in Investigators.

Enid and Thomas are Investigators from Haven. There's been a suspicious death that might be murder. The case turns up other infractions and a man from Enid's past.

I thought the worldbuilding was well done. As the book goes on you learn more about how people survived the slow falling apart of civilization and how they rebuilt using a new social order. I really liked the ruins and what happened there, showing that not everyone ended up living the same way.

Enid was interesting in that she liked questioning things and learning about the world but used what she found to justify their way of life instead of wondering if things could be better if done differently. This makes her a decent Investigator but I found myself not liking some of her conclusions about the world. Her underlying anger is problematic for investigations but makes her a more interesting character.

The case is mostly straight forward and while there are a few twists the resolution is what I suspected early on. There's little to no action and I found myself getting bored towards the end.

Pros: complex issues, great world-building, transgender protagonist

Cons: a few minor complaints

When the superhero Dreadnought dies in front of Danny, he gives the teen his mantel, which changes Danny's body from male to female. Now in the body she's always wanted, Danny's never been happier, though she feels guilty about how she got it. Her new body also causes her new problems, as her parents and schoolmates finally see the real her, and not everyone's happy with her transition. The superhero community is different from what Danny's always believed, and she faces several difficult choices - including whether to go after the supervillain who killed Dreadnought.

The book deals with several complex issues, not the least of which is Danny's gender transition. I appreciated that the author didn't pull punches, and showed Danny's conflicted emotions and real consequences for both long term and short term actions.

It was great seeing a transgender protagonist, and the author showed how difficult things are: from coming out to friends and family, dealing with opposition, and learning to feel good in your skin. I especially appreciated the scenes where Danny learns about make-up and gets her first bra. While the book didn't make me cry, I did feel for Danny on multiple occasions and was frankly shocked by a lot of the things that happened.

While Dreadnought is described as being invincible - his death notwithstanding, Danny quickly realizes she has limitations and can still feel pain and hurt herself. So there was tension and actual concern during fights that things might not go well for her.

I also appreciated that there was no romance in the book. There were times I thought the author was heading in that direction, but Danny had so much to deal with already, I think a love interest would have been too much. Having said that, I wouldn't mind seeing a romance develop in later books.

The world-building is quite good, with some basic history into where super humans come from and how they've impacted recent history. While you don't learn everyone's backstories, some of them - specifically Calamity's - are very realistic. Others are brushed off as comic book style transformations (specifically ones dealing with mythological or mystical origins).

The plot is great. while I saw one or two of the complications that cropped up, I was blindsided by most of the plot twists. The mystery of Utopia's identity kept me guessing, and I enjoyed seeing Calamity teach Danny the ropes of ‘caping'.

I had a few minor complaints, like Danny's insistence that her best friend would come around to her new body quickly. Considering the fact that Danny didn't feel she could share that she was transgender with him, something about her friend must have tipped her off to the fact that she couldn't trust him with the news.

I also had trouble picturing the action in some of the airplane rescue scenes, though the author did a great job explaining Danny's powers in other scenes.

This is a fantastic debut and I'm really looking forward to seeing how the series progresses.