Jessica Strider

Pros: interesting new characters and settings, Oichi develops more as a person

Cons: lots of new players and it can be hard to keep them all straight

Oichi's world has changed with the overthrow of the Executive class and the mass joining of medusa units. It's time for the inhabitants of Olympia to engage with the outside world, starting with a messenger from the weapon's clan ship that's following them, and ending with meeting the three on the planet Graveyard. But how does someone who's used to executing opponents learn to negotiate? And why doesn't Medusa agree with her chosen path?

If it's been a while since you read Medusa Uploaded, there's so much going on that it's worth giving that a reread before starting this one. Medusa in the Graveyard picks up roughly one year after the first novel ends, and there's little recap.

Unfortunately I had a number of tasks I had to accomplish while reading this so it was a disjointed experience of a few pages here, a chapter or two there. This book requires some measure of concentration as there are a lot of new players that come in briefly and then don't show up again until later. And it's easy to forget who is who.

Having said that, I loved seeing the new groups the Olympians would have to trade/negotiate with and just how big their universe is. There are belters, aliens, a variety of ships on Graveyard created by vastly different intelligences. The actual trek to see the ships was quite interesting and a little trippy.

I liked that Oichi had to go through a lot of personal development. It makes sense that she's not the best suited for negotiating given her past, and I thought the trials she went through as a result were realistic.

I'm not sure if there's more to this series, but the book had a satisfying ending that wrapped up a lot.

Pros: gorgeous pictures, informative text

Cons: less information than expected, some sites get one or two photos while others get several

The book starts off with an introduction on the Ethiopian Tewahedo Church, which differs in may respects from other Christian denominations both in practice and beliefs (their version of the Bible contains 81 books. Contrast this with the 66 books in the King James Version used by Protestants, the fewest number of books used by a Christian denomination). There's also a short section on some of the important Ethiopian saints, whose images decorate the churches.

The churches themselves are separated by geography: Aksum and Tigray, Lalibela and Lasta, Gondar and Lake Tana. It covers 66 churches. There's a short section with amazing photographs of the major religious festivals. The books ends with a useful glossary of terms and some notes (the notes on photography are interesting as they point out how challenging getting such complete and well lit photographs was).

This is a gorgeous coffee table book. It's massive (10” x 13.5”, and 2” thick). There are 520 glossy pages full of photographs. There's minimal text on each church, just enough information to introduce it. Some of the photo captions mention fascinating tidbits that are worth reading (like notes on when certain images started being portrayed in churches. For example, images of the Deposition of Christ (Christ being taken down from the Cross) only show up after the Jesuits started preached in the country in the late 1500s).

In a few cases I was disappointed by how few photos there were of a particular monument. Abba Garima, an important monastery and forbidden to women does not have a single image from inside the church, nor is there an explanation for this (like they were unable to enter/photograph it). In contrast, the monastery of Debre Damo, also off limits to women, has some excellent photographs of the buildings and ceiling.

The photos themselves are clear with a lot of detail. It's obvious a lot of work went into them.

If you are interested in Ethiopia, the expanded Christian church, architecture or religious art, this book is worth the price.

Pros: lots of twists, great characters, interesting magic system

Cons:

Three years have passed since the events at the Mountain. Orso, Berenice, Sancia and Gregor have created a library for scrivers in Foundryside. But after celebrating a major acquisition, Valeria, the hierophantic construct, warns them that Crasedes Magnus, first hierophant, is being reborn. The gang jumps into action, using their various skills to stop the most powerful entity in existence from enacting his plan.

This is a real rollercoaster of a read. There are so many twists as the group faces off against several powerful enemies. I was really shocked by some of things that happened.

The characters were great and felt fully developed. Berenice and Sancia have such a loving relationship. While it was unfortunate seeing Gregor's pain, I appreciated that his unresolved trauma was dealt with.

The author continues to do interesting things with the unique magic system. I loved seeing the various ways twinning could be used.

This book didn't wrap us as nicely as the previous one, nor does it end on a similar positive note. While it's not exactly a cliffhanger, it will leave you wishing the third book in the series was already out.

Pros: atmospheric, interesting characters

Cons: somewhat predictable

Junior and Henrietta's lives change the day Terrance shows up at their country house. Junior has been chosen by lottery to participate in the installation, meaning he'll be away for an undetermined amount of time. But the company has decided that Henrietta won't be left alone while he's gone...

The book is very atmospheric. The chapters are short and punchy and leave you feeling unsettled. Junior asks Terrance questions and it's fascinating how easily Terrance deflects the conversation or speaks a lot without saying anything. There's a level of frustration you feel, along with Junior.

The first person perspective was a little peculiar, as both Junior's thoughts and spoken words were done without italics or quotation marks. A few times I wasn't sure if he'd said something out loud or just in his head.

I liked Junior and Henrietta. It was interesting seeing their lives. The book mostly takes place in their home, with only occasional jaunts to where they work or the fields outside their home. It gave the book a claustrophobic feeling.

The book is set in the near future but the world is largely ignored. There are a few SF elements but the book mostly feels like a suspense novel.

I figured out the ending around the half way point, but it was still interesting to see how the book would reveal what was really going on. It was also a quick read, which helped maintain the creepy mood.

If you like books with mystery and a touch of horror, this is a good read.

Pros: essays on a wide range of places and periods

Cons: dense prose, some essays a challenge to read

The book begins with a prologue followed by an introduction. The introduction starts with highly academic prose in its explanation of why it's important to broaden the field of medieval studies into a global discussion, acknowledging that the field has centred heavily on Europe and ignored the many points of contact (via trade, religion, war, etc.) with nations outside Europe. The editor points out that the world has always been global, and at a time when nationalists and white supremacists are turning history into polemics on segregation it's past time medievalists broadened their studies to show how interconnected peoples of the past truly were. He then gives short descriptions about manuscript traditions throughout the world during this period.

This is followed by a quick time line of the items mentioned in the essays to follow. The book is separated into four parts, each with an introductory essay: Glimpsing a Global Middle Ages (5 essays and 1 case study), The Intermediality of “the book”: Bound, Rolled, and Folded Textual Objects (3 essays and 2 case studies), Identity: Finding One's Place in the Medieval World (3 essays and 3 case studies), and Itineraries from the Atlantic to the Pacific: Travel, Circulation, and Exchange (3 essays and 3 case studies). The book ends with an Epilogue that goes over the importance of museums in creating collections and exhibitions that foster a more global outlook.

This is a book for academics. While the case studies are accessible to a wider audience, most of the essays are not. I struggled through several of them due to dense prose. Having said that, the struggle was worth it as I learned quite a lot about the challenges of including certain areas of the world in a medieval discourse (like how most artifacts containing writing as well as wooden carvings in tropical climates have decomposed, making it difficult to study pre-modern eras). I loved that the essays spoke of wildly different areas including Ethiopia, China, India, and Mexico.

Several of the case studies mentioned a lot of interesting details and I finished the book with the intention of looking up several of the manuscripts mentioned (the end notes give web addresses if they've been digitized).

The standouts for me were the case study: “Traveling Medicine: Medieval Ethiopian Amulet Scrolls and Practitioners' Handbooks” by Eyob Derillo and the essay by Sylvie Merian, “Reproducing the Resurrection: From European Prints to Armenian Manuscripts”, which both dealt with topics I find fascinating.

The globalization of medieval studies is important and it's great seeing a collection that brings researchers from different disciplines together. This is a challenging book to read, but worth the effort you put in.

Pros: good artwork, interesting set-up, interesting characters

Cons:

Still angry that as child refugees they received no aid from their neighbours, the now adult Children of Tzalekuhl go to war determined to make the Huax'kin submit to their rule - or wipe them out.

This is a fantasy graphic novel inspired by Mesoamerican history and mythology, in particular that of the Maya and Aztecs.

I loved the artwork and how the various tribes look distinctly different, with their own hairstyles, clothing and adornments (jewelry, piercings, body art), weaponry, etc.

This is an opening act, so there's mostly some character introductions, set-up for the various conflicts, and some background on how the various groups ended up where they are. It starts with a battle, so that's not to say there's no action. I found the different protagonists compelling. I felt conflicted about Roden, who seemed like a decent guy doing things to protect his family and home. But some of those things are kind of horrible when seen from the other side.

I was curious how much of the story was based on actual history (if any) and so was overjoyed the author included a ‘historical notes' section at the end going over this, including a few book recommendations for those wishing to learn more.

This is an era of history that isn't often used for fantasy storytelling so I found it fascinating and would love to read more.

Pros: fun characters, lively story

Cons:

Evie loves healing people and her favourite patient is her best friend, Wormy. But at 15 she thinks they're both too young to marry, so when he proposes she says ‘no'. They're both shocked when an angry fairy turns Evie into an ogre because of it. Now Evie has 62 days to find true love or she'll remain an ogre forever.

This book takes place in the same worlds as Ella Enchanted, one generation before the events of that novel.

I loved Evie. She's smart and determined. And she has a lot to learn about people, and love, and not much time in which to learn it all. The book is fast paced and lively.

I enjoyed learning more about the ogres and how they interact with each other.

I was a little sad seeing Lady Eleanor, considering how her story ends, though I thought the author handled her inclusion well.

As an adult I would have liked some commentary on how using a love potion or persuasive magic to get someone to fall in love with you is morally wrong (and won't bring you happiness as you'll always be afraid of the effects wearing off).

On the whole it was a fun read.

Pros: fast paced, protagonist is ‘good at math', interesting characters

Cons:

When Cas Russell takes the job to ‘retrieve' Courtney Polk from a drug cartel, she assumes it will be a simple job. Because she's VERY good at math, able to calculate vectors on the fly, making her dangerous in a fight. But she didn't expect her mentor Rio to be working for the cartel. And when the woman who hired her turns out to be more than she seemed, Cas discovers she's become a target of a mysterious organization, one with people who also have super powers.

This is a fast paced read that took me two days to get through. There are so many twists that it was hard to put down.

It's an interesting cast of characters, as none of them are really ‘nice' people. They've each got their good and bad qualities. Cas is a morally grey individual, who has no problem killing but also has some lines she won't cross. Despite being a psychopath I mostly liked Rio. There's a Dexter feel to him, as a man who's using his baser urges for what he perceives is good. Arthur Tresting balances Rio on Cas's other side, being mostly moral, but willing to bend the law when necessary and pretending he doesn't know about or see most of Cas's casual crimes.

I loved that Cas's ‘superpower' is that she's just REALLY good at math. Like, so good she can do multiple calculations at once and so dodge bullets and make fancy trick kicks to take out opponents. The fight scenes are surprisingly entertaining.

I thought the rabbit hole of secret organizations was handled well, as was all the self doubt brought on by Dawna's influence.

I really enjoyed the book.

Pros: very thorough, lots of endnotes

Cons: not many photos

This was a very interesting book about how peoples in the past thought about the concept of evil and how those philosophical musings and religious beliefs slowly morphed into the idea held by Christians that there is a single force that causes evil: the Devil.

After the preface the book consists of 7 chapters: The Question of Evil, In Search of the Devil, The Devil East and West, Evil in the Classical World, Hebrew Personifications of Evil, The Devil in the New Testament, and The Face of the Devil. There's a select bibliography and an index.

The book starts with a discussion of what evil is. This book traces how ancient societies thought of ‘evil', whether it was part of the gods, human nature, imposed from the outside or something within us. It examines both religious and philosophical beliefs from various cultures and periods whose peoples wanted to know why good things happened to bad people. Why, if there's a god (or gods) who is good, who created a world of good, is there evil in the world?

We're so used to categorizing things that it's easy to forget just how interconnected the world really is. I tend to think of Greek mythology as independent from other religious practices, even though I know the Romans modified the beliefs to fit with their own pantheon of gods. So it was eye opening learning how the Greek gods were turned into evil spirits by early Christian thought, and how Pan was used as a template when artists started visualizing the devil as a personification of evil.

I only knew bits and pieces of other ancient religions so leaning more about them and how they intersected and built off of one another was fascinating. I also loved learning side information like why people with red hair were considered evil.

The most interesting section for me was on the Persian Zoroastrian religion, whose basic mythology is similar to the one Christianity ultimately settled on. I also enjoyed learning more about the apocalyptic Jewish writings and how they impacted the Gospels in the New Testament.

There aren't that many photos, but the ones included help visualize how the devil gained certain attributes (like wings, horns, etc).

This is an older book (it came out in 1977), but it's still highly relevant to Christian and general religious studies.

Pros: compelling, thought provoking

Cons: limited tension

The world believes that 10 years ago Zahra's father killed everyone aboard the House of Wisdom spaceship using an old virus. Zahra now belongs to a wasteland ‘family' that plans to hijack the ship and use it as a new home, escaping the reach of the United Councils of Earth. To access the ship Zahra and a small group kidnap the only surviving member of the House of Wisdom massacre, Jaswinder Bhattacharya. But the Councils were wrong about what happened on the ship and Zarah's small infiltration group is about to learn the horrifying truth.

This is a very compelling read. I had a hard time putting it down and finished it in one day. This did have the unfortunate side effect that I didn't really have time to fear for the characters' lives or feel any emotional connection with any but the point of view characters. There was only limited tension built up before bad things happened.

The story is told from the alternating points of view of Zahra and Jaswinder, with occasional transmission logs in between giving information from the time of the original massacre. Both protagonists were in many ways broken people with tragic pasts and complicated presents. They were interesting to learn more about and easy to sympathize with.

The book occasionally had characters point out the racism and politics of their world, especially with the treatment of Jaswinder's best friend, Baqir, who immigrated to the Councils but lost family members and an arm to a disease before their application was processed.

The mystery on the ship was handled well, with information being revealed at a satisfying rate.

It's a great, quick read.

Pros: fast paced, focused, interesting worldbuilding

Cons:

It is 1932 and tensions between Germany and France are on the rise. Diagos nightmares of the Great War and sharp violin music are getting worse and he fears los Nefilim will cast him out unless he can prove himself trustworthy. So when his lost violin case is discovered he offers to track down the instrument in Germany. But a past life connection implicates Guillermo's half brother and a fallen angel.

I really enjoyed this. The plot is quick paced and engaging making the book hard to put down. Everything is focused on the plot, so while there is some groundwork being set for the next book in the series (with regards to the Spanish Civil War and World War II), most of what goes on is directly related to what's happening at this period of time.

I love the characters and how they support each other. Even the scenes from one of the antagonist's point of view showed that he has what he feels are noble motivations for his actions. Since Diago is gone for most of the book there isn't as much family time, which is a shame as their personal dynamics are so wholesome and loving - and hard to find in media.

The alternate history additions of angels and daimons continues to be interesting. I love that the magic system is built around symbols and music.

I'm looking forward to the next book.

Pros: good exploration of a challenging topic, lots of examples, thoroughly examines sources

Cons: sometimes uses fictional narratives as if they were accurate historical works, didn't properly clarify that Ethiopia does not mean the current country, repeats information

The book consists of 8 chapters: Beginnings, Inventions/Reinventions (race studies), State/Nation (Jews), War/Empire (Islamic “Saracens”), Color (Africans), World I (Native Americans as mentioned in the Vinland sagas), World II (Mongol Empire), World III (Romani). There is no conclusion but there are a lot of notes after each chapter.

The ‘Beginnings' introductory chapter gives a brief overview of what each chapter covers. Chapter one deals with the idea that race is a modern construct and that racism as understood today didn't exist in the Middle Ages. The author pulls that argument apart with a few quick examples of how Jews were treated in England (wearing a symbol on their clothes, accusations of blood/murder libel, the Jewish exchequer). She also quickly goes over the mappamundi that gained popularity in the 13th century, with their ‘monstrous races' around the edges of the known European world and how the English wrote about the Irish, Welsh, and Scottish closer to home. She concludes this chapter with a quick example of race as it pertains to colour, specifically black Africans.

With the foundation set, the author moves to the heart of the matter starting with how the Jews were perceived in Medieval England specifically. The first two chapters were a struggle for me as the language was hard to parse, being very academic and dense. As the book progressed the language became more accessible and I found the rest of it easier going. The author repeated some information within chapters, which is great if you're only reading one section but could get annoying at times when reading the whole thing.

I was impressed with the extent to which the author dissected her sources.

The author had the habit of giving very brief mention to things that should have been emphasized more. For example, in the chapter on black Africans there's little reinforcing of the fact that “Ethiopia” referred to anywhere in Africa south of Egypt, and often included India (as goods from India traveled to Europe via ports in Africa). It would be easy to assume the term deals with the modern country. Similarly, while the same chapter uses fictional works to show the European attitudes towards black characters the author later uses other fictional narratives as if they were pure historic documents (while the Norse sagas might have a high level of accuracy, taking minutae written 200 years after the fact at face value is unwise).

There was a lot of great information imparted, and some interesting works broken down. I learned a lot from this book, especially on topics I have less background in. For example it was great that the author brought in archaeological information about Native American tribes that supported information from the Norse sagas. But there were times when had I not had the grounding on a certain topic (having read several books on ancient/medieval Ethiopia, taken a course in university on the challenges of using fictional primary sources for accurate historical information) I might have come away with the wrong conclusions.

This is a good book that discusses an important topic, but it's not for beginners and should be read with care.

Pros: lots of large illustrations and photographs, goes over the entire process, easy to read

Cons: some extraneous information, refutes bad information by first teaching it to the reader

The book consists of six chapters: The Age of the Cathedrals; Patronage, Financing, and the Workshop Committee; The Architect; Before Reaching the Cathedral Construction-site; The Cathedral Construction-site; and The Memory of the Builders. I was hoping for a more in depth explanation of how cathedrals are built, from beginning to end. This turned out to be a very basic primer of the process. Turns out that's all I really needed. There are over 200 colour photos, making this is a luscious book. It's oversized so the photos are also quite large. There's a good mix with a lot of building images and photos from various cathedrals.

The emphasis here is on French cathedrals and guilds, branching out briefly to touch on other places. I found it a bit annoying how the author kept refuting beliefs. Yes, it's important to correct misconceptions but I'd prefer that be done by simply explaining the correct answer rather than taking up room to teach the bad information first. I also found the short chapter on whether a modern French confraternity descends from the medieval guilds unnecessary.

The last chapter includes information on a sketchbook that survives from the middle ages which reproduces many cathedral design elements. That was fantastic. I also appreciated the translations of some of the guild regulations for stonecutters.

This is a basic guide to the construction of cathedrals - from start to finish - whose illustrations really make it worth the price.

Pros: lots of images, covers a range of topics

Cons: no glossary for vestments

This is part of a series of books by the J. Paul Getty Museum where works of art (mostly paintings) have aspects highlighted to give a deeper appreciation of the artworks and their meanings. After the introduction there are 5 chapters in this book: Liturgical Objects and Furnishings; Clothes, Vestments, and Status; Worship and Images; Episodes in the History of the Western Church; and Historical Figures in the Roman Church Tradition.

This book is not a linear history of the Catholic Church. It is a guide to help you identify items of Catholic worship (clothing and implements) as well as important people and events in works of art.

I enjoyed learning about the various church implements, some of which I've learned to recognize and some of which I was unfamiliar with. This section was great as each implement was dealt with individually with at least one or two images.

I was hoping the section on vestments would go over each item of clothing so I could get a better understanding of what each one was. Instead the chapter dealt more with status, showing different orders (monks, priests, cardinals) and what they would wear. While there were some textual notes pointing out the various individual items of clothing (alb, cope, etc) it would have been nice to get a glossary of terms with simple images to better teach these terms.

The paintings used as examples were mostly from the later middle ages to the 1800s and covered a good mix of topics and people. I appreciated the number of explanatory notes each one received.

The chapters on historical episodes and figures covered a fair range of topics. There were a few I'd have added, but on the whole I thought they did a good job.

If you are interested in Christian art or the history of the Catholic church, this is a great book.

Pros: historical accuracy, shows both sides of the conflict

Cons: some graphic violence

During the eruption of mount Vesuvius, Lucius Quinctillius Claudianus rushes to record the events of his time as a Roman legionary serving in Germania.

The frame story of the old Lucius is told in the first person, present tense. But when the narrative switches to the past, it's third person and occasionally alternates to the point of view of a female barbarian he befriends, Freya.

As far as I can tell the author did a remarkable job of maintaining historical accuracy. There's more detail at times than I needed about the various Roman legions and where Lucius was marching in relation to other groups, but on the whole I loved the depth of detail in this novelization.

Bringing in Freya as a point of view character allowed the author to examine several issues from both the Roman and Germanic perspective. Lucius questions the Roman way a fair bit (largely due to Freya's influence) but it's still nice to see the various Germanic tribes humanized and shown off as being different from rather than lesser than the Romans. The author also does a great job of showing that neither side is inherently evil or good, and that when necessary, both are capable of horrific acts of brutality.

There are some graphic descriptions of brutal events. Some people are crucified, decapitated heads are staked to trees, there's mention that one group of female prisoners will likely be raped before being sold into slavery. While mentioned once or twice, there's no sexual content in the book.

If you're interested in the Roman military and its interactions with different tribes, this is engaging and accurate.

Pros: summarizes a large stretch of history, lots of detail in some areas

Cons: only a few black and white photo, some illustrations reproduced from earlier works, very dense

The book consists of 18 chapters starting with an introduction followed by 3 parts: 1) Before Aksum (2 chapters), 2) The Kingdom of Aksum (13 chapters), After Aksum (1 chapter) and an epilogue. There's also an extensive bibliography.

In the introduction the author mentions that he wrote the book to be both a scholarly work and something accessible to every day Ethiopians wishing to know more about their past. He definitely achieved the former, while I'm not Ethiopian I had trouble with several sections that were quite dense. There's a fair bit of repetition in sections where the author refers you to another chapter where a particular issue is dealt with in greater detail.

There are only a handful of photos, all of which are black and white. The author also used illustrations of floor plan/layouts, etc. from older books.

I was disappointed that the Zagwe dynasty only rated one chapter but the book did make me want to read what happens after 1300 when the Solomonic dynasty took over.

While I came away knowing more about the Aksumites, the writing is so dense that I can't really recommend this book for casual readers interested in Ethiopian history.

Pros: lots of images and maps, so much good information

Cons: dense, took me several weeks to read

The book consists of 8 chapters: The transformation of trade; Courts and consumers; From court to counting house; Helps and hindrances to trade; Trade in manufactured goods; Trade in foodstuffs, raw materials and slaves; Imbalances in trade; and Conclusion: the pattern of trade.

The book on the whole goes into the nitty gritty of all aspects of trade, so if you're not interested in how long it took for couriers to go from one place to another vs the same route travelled by a 4 wheeled wagon, 2 wheeled wagon, or pack animal, then this isn't for you.

I found the writing style rather dry and academic at times. At other times it grabbed my interest, even if the section wasn't on a topic I was particularly interested in. For example, I found the sections of the cost of road maintenance and who was expected to perform and pay for it really interesting.

Each chapter is subdivided, though unless you know where the information you want is located, you may not find it easily. For example, the section on how quickly couriers can travel isn't in the same chapter as that of wheeled wagons, though the author does put in page numbers at times to help you find complementary information. I tried to return to an interesting paragraph about bridge building done by merchants and experienced some frustration as it wasn't in any of the sections labelled as being about bridges, but in a section called ‘Commercial pressure for improvement'.

If trade in the middle ages is of particular interest to you than you will learn a lot about it here. If you're interested in fleshing out a novel, again, there are some real gems though you may find it a bit tiresome locating them.

A few things I learned: some merchants paid innkeepers to store and repack good, then arrange transit to the next inn. Rooms in inns contained several beds separated by curtains and travellers found themselves sharing beds with strangers. Merchants braved passes in the Alps during the winter, even when the passes were dangerous. In some cases merchant houses paid for repairs (and even the building) of bridges if the communities responsible for them neglected them. Cities quickly grew up around fairs, and died out quickly if those fairs moved. Though inns were profitable businesses, hospices (hostels for pilgrims or the poor/hospitals), even when properly run, were not. Slaves were traded by Southern Italians from the 1300s on, and owning them was only illegal if they were Christians (and some, captured in the Balkans, were). The children of slaves were free, so there was no ‘self-perptuating' market.

Chapter 5 on where and how trade goods were manufactured was very interesting. Each section was fairly short but packed in a ton of information. Chapter 6 on bulk trade items (things like raw wool and grain) was also interesting, talking about which goods were worth transporting and how larger cities needed to import food as the local areas couldn't support them.

The book has a large number of black and white as well as colour images illustrating medieval processes. These are often later woodcuts, manuscript images or close-ups of the background in paintings where painters added scenes from daily life. There is also a lot of maps so it's easy to understand the various trade routes and manufacturing centres.

It took a while to read as the information is very dense, but it's worth the time and effort and you'll come away knowing a lot more about the interconnectedness of the medieval world.

Pros: expressive artwork, faithful adaptation

Cons:

Christine Daae's astounds the Paris opera house with her voice despite having no teacher. Even her old childhood friend Raoul, the Vicomte de Chagny, is entranced. But she has a secret teacher, the opera ghost that's terrorizing the theatre. The ghost is a jealous master, who demands Christine's affections for himself.

This is an adaptation of the novel by Gaston Leroux. If you're only familiar with the Andrew Lloyd Weber musical there are a fair number of differences. The general story is the same and Tomi's adaptation hits all the necessary beats.

The art, though not my preferred style, fits the subject matter. The colours are subdued with a lot of dark shadows. Faces are very expressive. The author apparently did research for the book in Paris, and illustration of the opera house that begins chapter one is magnificent in its photo realism. The costumes and opera house are lavishly detailed. The ghost looks suitably horrifying with his red eyes and missing nose. The illustrations really bring home the horror of Christine's position.

It's a faithful adaptation of a great book.

Pros: great characters, lots of political intrigue, slow-burn romance, standalone


Cons:

Twelve years ago the queen disappeared. Her sons, and many others, believe the tyrant king had her executed in secret. Rebels are stirring up trouble in the royal city and Prince Esvar is tasked with quelling it. But in administering a small justice, he chances upon Anza, a member of the rebellion. Years before, in collage, Anza stole two forbidden books: one a book of poetry, the other the queen's journal. Negotiating various levels of politics, the two are drawn together even as the city is pulled apart by the king's policies.

The book is told from three points of view: Anza, Esvar, and Queen Mirantha. The queen's entries are done in a different verb tense, so it feels more remote and historical rather than the third person action the other two used. Both women are highly educated and competent in their roles, which made the book feel delightfully feminist in some ways.

I loved all of the main characters. They each have flaws and do their best despite challenging circumstances. There's so much political intrigue and second guessing motives and actions. The book does a fantastic job of showing how people survive prolonged abuse and fear, how they compartmentalize and cut themselves off from their emotions. It also does a great job of showing how difficult resisting evil can be.

The romance element is small but develops organically and was highly satisfying. Both characters have had past relationships and are very reasonable in their expectations, which I appreciated. Anza is bisexual, a state that goes without notice (indicating that in this world it's considered normal).

There's no graphic sexual or violent content, though rape and prostitution are mentioned. There's so much grimdark fiction nowadays that I enjoy finding books that leave me feeling uplifted instead of depressed.

This was a fantastic book. I read it slowly so I could savour the intrigue. It does get intense at times. It's a standalone novel, which is great if you don't have time (or desire) to read 3-15 books. I highly recommend it.

Pros: lots of twists, some tense scenes

Cons:

Cali Washington took the job as caretaker (burying the dead) on the moon to get away from her failed dreams. A month in, a meteor hits and suddenly thousands of dead start to rise. She and her co-workers must figure out what's going on as they try to survive.

This is an engaging horror story that takes an interesting premise and runs with it. I was impressed with the number of twists the story had, as the characters learn more of what they're up against. This isn't a simple zombie story.

You're introduced to characters in small batches so it's easy to keep everyone straight. Lots of people die, which keeps the tension high as each encounter could be your favourite character's last.

It's a quick read, that isn't overly gross or terrifying. I enjoyed it.

Pros: a lot of detailed information, a good amount of images

Cons: would have liked more information regarding festivities

The book focuses on the events in and around Paris around the year 1200. Since there aren't a lot of documents detailing that specific year, the author pulls information from the decades before and afterwards. After the prologue there are 6 chapters and an epilogue. The chapters are: The City and its Bourgeoisie; The face of Pierre the Chanter and Philip Augustus and the Hidden Visages of Women; King Philip and his Government; The Church, Clergy and Religious Life; The Schools; and Delight and Pain.

I found the first two chapters a little boring, being very detailed explanations of the various important nobles and churchmen of the day. I did enjoy the section on women, though due to a paucity of source material it's less about actual women and more about sculptures depicting allegorical women (like Ecclesia and Synagoga). The government chapter was hit and miss with regards to my personal interest though if you're researching bureaucracy in the middle ages, it's an excellent chapter. The later chapters were very interesting for me, particularly the sections on how mass was performed and the seating arrangement in the choir at Notre-Dame de Paris. For most of the book the author fudged the year, bringing in information from as early as the 1180s and ending around 1215, with the fourth Laterin council. I was a little disappointed that the author stuck to the single year when talking about holidays and festivals, as the city was under papal interdict for most of the year and so wasn't allowed to celebrate Easter, weddings or other major festivities. Christmas celebrations got a minor explanation but again, I'd have liked more.

There's a handful of black and white images, including some nice panels from a Bible Moralisée made around that time, and some stained glass and sculpture photographs.

Paris is a fascinating city and it's cool reading a book dedicated to a single year in it. There's a wealth of minor details regarding life at the time (like the debate over whether prostitutes should be allowed to donate a window in the cathedral), and at the end of the book I felt like I had a fair grasp on what life was like there.

If you like the middle ages and want more detailed information about city life, universities, and government, it's a good book.

This is a translation of the various works associated with Sainte Foy (Sancta Fidis/Saint Faith) written in the 11th & 12th centuries for the Monastery of St Foy at Conques, in the Rouergue region of Southern France. These consist of the Passion of St Foy, four books of miracles performed by St Foy plus some miracles that appear in singular manuscripts but not in others, the Translation of Sainte Foy (ie, the movement of her body/bones from Agen where she was martyred to Conques), and the Song of Sainte Foy (translated by Robert L. A. Clark).

The introduction, while short, gives a historical overview of the foundation of Conques and why they needed a saint's body as well as the politics and social conditions during which these works were written. It helps the reader put the stories into the proper context. Especially important here is the distinction that early Christian theologians made “...between the veneration that the saints deserved as channels through which God's grace could flow to humankind and the adoration reserved for God alone...” (p. 3). Without understanding that miracles were believed to be performed by God's power through the saints, the miracles performed by St Foy look like idol worship, similar to what the Roman pagans practiced.

The translations are all in clear, readable English. There are profuse notes regarding translation and content that are worth referring to often. The stories are varied and quite entertaining. The author of the first two books of stories is an erudite cleric who occasionally devolves into diatribes about how people should have more belief in the stories he's telling.

While some of the miracles seem to have physical explanations (the translator points some of these out) others do not, and must be taken on faith (pun intended). So much of religion is based on believing without proof, and books like these must have given comfort to those with disabilities and illnesses that they too were deserving of a cure.

The book uses a lot more classical (ie pagan) allusions than I expected. After reading this I read Writing Faith by Kathleen Ashley and Pamela Sheingorn, which goes into great detail what we can discern about the authorship and writings of the miracle stories. They point out that classical allusions were a way of proving one's erudition. They also point out that the stories follow many tropes and cannot therefore be taken at face value as being informative of life at the time.

It's an interesting work.

Edited and with an Introduction by Albrecht Keller and an essay “A Brief Account of Criminal Procedure in Germany in the Middle Ages”, by C. V. Calvert

This is a diary of the executioner of the city of Nuremberg in Germany. It begins with an essay by C. V. Calvert followed by a brief introduction to the diary itself. If you're interested in medieval justice, the essay is invaluable, explaining the various people who worked at the prison, what a cell looked like, the various punishments meted out and for what crimes. The language used is occasionally archaic, for example the translator uses ‘incendiary' where we would be more familiar with the term ‘arsonist'. The introduction goes over some information about the city of Nuremberg and the text itself.

The journal is edited, with occasional notes in brackets explaining that information has been cut (generally items in lists, for example with thieves, where 2 or 3 thefts are given details and others left out for space). There are also some notes referring the reader to other passages (when someone is let off and is later executed or if two people are accused and executed on different days).

The diary entries alternate between terse single lines, “A thief hanged” and long passages giving tantalizing details of the crimes for which people were punished. The diary is a bit frustrating in that you're never given motivations for the crimes, and in some places I dearly wanted to know more of what went on.

On the whole it was a quick, interesting read.

Pros: great characters, excellent world-building

Cons: I'd have liked a longer epilogue

Ten year old Regan Lewis strives to be normal, so when she notices that puberty isn't hitting her like the other girls she starts asking questions. Walking home from school after a rough day of bad choices, she finds a strange door and stumbles into another world, a world populated by various equine races. Her presence means their world needs saving, but Regan doesn't believe in destiny, and doesn't want to be a hero.

This is the 6th book in the Wayward Children series, but is a complete standalone novella. Regan has not been in any of the other books and the story is completely self-contained.

I loved Regan as a character and enjoyed seeing her start to question the world and her place in it. I thought the Hooflands were wonderful, with a well developed culture between the various hooved races (which includes centaurs, kelpies, satyrs and more).

While I'd have liked a longer epilogue showing some of the fallout of Regan's adventure I understand why McGuire ended this novella where she did. It wraps up this particular story nicely, though I'm hopeful there's a follow-up novella that continues Regan's story.

The copy of the book I reviewed was an advance reader copy, so it didn't have the illustrations by Rovina Cai. I've seen a few of them on the Tor.com website (www.tor.com/2020/11/17/rovina-cai-illustrates-across-the-green-grass-fields-by-seanan-mcguire/) and they're quite nice and I can imagine they help add to the fairytale quality of the story.

If you love horses and character development, this one's for you.

Pros: fantastic worldbuilding, three magic systems, interesting characters, engaging plot

Cons:

Hetty and Benjy Rhodes both escaped slavery in 1858. They became Conductors with the Underground Railway as a way of locating Hetty's missing sister. Their motto: never leave people behind. With the war over, the pair solve crimes affecting the black community in Philidelphia that police ignore. When one of their friends turns up dead, the case becomes much more personal as they learn more about their friends - and each other.

The worldbuilding is fantastic. The setting is often gritty and harsh, especially the flashbacks. The author really captures the complexity of the world, with various laws, good and bad areas of town, economics and politics. I especially loved the friendship connections surround Hetty and Benjy. Community is hugely important in this book, and I loved seeing the variety of interactions and how Benjy and Hetty helped and were helped in turn by their friends.

There are three magic systems: sorcery using a wand, restricted to white practitioners; celestial magic, a mixture of practices from Africa, the West Indies, and Native Americans, which uses sigils for power; and alchemy or potion magic, created by brewing herbs. While you see less sorcery than the other two, I loved how magic was integrated into the world.

The pacing was great. So much is going on here and the setting and characters were so interesting that I never felt the book slow or drag.

It was fun reading about a couple who married for convenience. It's great seeing a different kind of marital relationship and I loved seeing the couple's interactions. They don't always get along, but it was cool watching people in a strong marriage make up after fights and work together towards their goals.

This is a fantastic book. In many ways it reminds me of Jaime Lee Moyer's Delia's Shadow. If you like historical fantasy with great characters, fun magic systems, and an interesting mystery, pick this up.