David
160 Reads
 Akira, Vol. 1
| 4.32 | - | |
 Recursion
| 4.2 | - | |
 Are Snakes Necessary?
| 0 | - | |
 Why We Sleep: Unlocking the Power of Sleep and Dreams
| 4.33 | - | |
 Tarantula
| 0 | - | |
 The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition
| 3 | 3.0 | |
 Speculative Everything: Design, Fiction, and Social Dreaming
| 3.33 | - | |
 Sum
| 4.01 | - | |
 The Three-Body Problem
| 3.94 | - | |
 Jacked
| 3.75 | - | |
 Black Leopard, Red Wolf
| 3.09 | - | |
 DIARY MADMAN
| 0 | - | |
 The Knife of Never Letting Go
| 3.91 | - | |
 Immodest acts : the life of a lesbian nun in Renaissance Italy
| 3.5 | - | |
 I'm Thinking of Ending Things
| 3.69 | - | |
 A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond
| 5 | 5.0 | |
 The Churchgoer The Churchgoer
| 5 | - | |
 The Eloquent Screen: A Rhetoric of Film
| 0 | - | |
 Our Band Could Be Your Life
| 4.42 | - | |
 Trouble Boys Trouble Boys
| 4.14 | - | |
 Hard to Be a God
| 4.17 | - | |
 Thinking In Pictures: The Making Of The Movie Matewan
| 0 | - | |
 Union Dues
| 4 | - | |
 Los Gusanos
| 0 | - | |
 We Have Always Lived in the Castle
| 3.94 | 3.0 | |
 Butcher's Crossing
| 4.14 | - | |
 Tokyo Vice: An American Reporter on the Police Beat in Japan
| 3.81 | - | |
 The Documentary Impulse
| 4 | 4.0 | |
 A Brief History of Time
| 4.19 | - | |
 The Director's Six Senses: An Innovative Approach to Developing Your Filmmaking Skills
| 3 | 3.0 | |
 Notes on Directing
| 0 | 5.0 | |
 Ways of seeing
| 4.1 | 3.0 | |
 A Contract With God and Other Tenement Stories
| 3.92 | - | |
 The Book of Strange New Things
| 3.64 | - | |
 The Outsider
| 3.87 | - | |
 Mirrorshades
| 3.84 | - | |
 True Names
| 3.25 | - | |
 Wizard of the Upper Amazon
| 0 | - | |
 The Man in the Rockefeller Suit
| 3.67 | - | |
 Experience on Demand
| 0 | - |
